say (I)
I am writing this without
hitting the backspace-- very much literally
sometimes I stay up at night and write
you poetry because I can never summon the courage
to walk up to you and when I do the words escape
me and then I walk away with all my failures
burning inside of me, slowly and steadily
and then all at once
it begins,
with your eyes and then your wrists, or
tracing the bones of your cheek down to
your neck, the slight contours of a collar bone
rising from beneath the fabric of yourr
shirt and forgive me if this is bold but
your posture and the way you sit when you
are deep in thought is a question I find
myself asking over and ovver again, perhaps
the answer is in the way your shoulders
roll backward as you close your eyes and open
the blinds to face the morning sun, beaming
down warm against your neck
and when your fingers fidget I feel mine
nervoudly twirling twice as fast and when your knuckles
are pressed into your lips I trace the jointed
hills with my eyes and imagine myself
running and running and running; I will never
find the answers standing still, only
when I am moved to the point of stillness and
should I find you suspended in that moment
then I may approach you and venture to
listen and undress the wonders of your
mind and all of its colourful countries
or I may stand and let the words burn
rings through my hands, pairs of wet tears
coming together to form an infinity; I fear these things
are too much, too loud for your ears alone
so maybe I’ll stay quiet, maybe I’ll just go home
and sleep and write until the words no longer
make any sense at all, and then some
in the way that I wish to know and see you
as much as you’ll allow me to,
and then some; ask me
to listen, for to listen is to embrace as to embrace
is to join completely; to see is to care as
to care is to weep gently; ask me to speak
and the wind will carry you away and
would you even believe, you
have never seen waves crash so abruptly, nor
oceans fall so deeply
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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A few typos: yourr should be yours, nervoudly should be nervously.
To be honest, while I liked a lot of your words, I found it almost unreadable. The flow is unbearable -- it rushes along with narry a consideration to the reader being able to breathe or pause anywhere and take in what you're trying to put across.
I assume it's intentional. To put across the mindset of the narrator. I think that can work in small doses but across the majority of a poem of this length, it just made me annoyed.
My suggestion is to read this out loud and drop in some pauses somewhere, otherwise it's just a bit messy.
Glad to see your name around the forum again!
Just stopping by to make a quick comment. I'm normally not a fan of undisguised love poems, as I think this is (or something similar), but your style is, as always, captivating.
There isn't much to critique in this poem, other than it's long, and a lot of it seems to go on about the same things—listing the subject of the poem's habits (ie fidgeting fingers, knuckles held to lips), saying how you're scared to talk to him/her. Stuff that could very well be summed up in just a couple stanzas. This piece would benefit greatly from some editing down; keep only the essentials.
But like I said, it's a tough piece to criticise, and on the whole it's very strong.
-Kafka
I stop by when I can. Nice to see you as well.
I considered and reconsidered editing the piece before submitting, but that almost destroyed the purpose of not hitting backspace. Even moreso, I pretty much hated it to begin with and felt no desire to make it less horrible. I was more or less interested in what folks had to say about it; which, overall I agree with your commentary (especially on the repetitiousness of the content) and appreciate the honesty.
Cheers.
-Earendil