——
You always grew sideways
rooted in cracks I never noticed
Until you bloomed there
bright and strange
a Wildfruit in a world of neat rows
I watched you twist toward light nobody offered you
I watched you carry sweetness and bite in the same soft skin
And I will always watch you
no matter what
Because your dim sheen light my world
though I know I put yours on fire
Don’t hide in the smoke
make your way through
and ride it’s rollercoaster
Because you don’t owe anyone softness
Not them
not me
not even yourself
Just grow
how you do
My Wildfruit. My Cherry.
- Your Cliff.
——
CHAPTER ONE — SILENT RUNNING
The crash was quieter than anyone expected. No one in town saw it happen. They only heard the thin whine of wheels tearing down the road at fifty miles per hour. The tires sparked and scraped ragged against the asphalt before they finally gave out in a sharp U-turn, which then sent the whole car into a violent flip. The car laid upside down on the road, it’s smoke almost covering it whole. No one knew why the the car turned so sharply. It seemed so odd while being on the straight highway, still it was obviously an accident, right? Seeming the boy in the car was as reckless and restless as town said, “Of course it was Cliff.”
Because I never felt at home in this shitty town anyway. I’ll rather stay buried beneath it, as a punk dead forever a teenager. They always said I’d been too loud and alive for a town as silent and dead as Hawthorn. That it was only a matter of time til I’d drown in the hollowness. Now It’d finally happened; I’m in a casket buried beneath it, passing the hollowness for the little sister to behold—the ripe Cherry Abbot—fourteen on her first day of high school.
High school was tough. Especially while still grieving heavily after the crash. She’d always been quite anxious and paranoid as a kid, although none of it compared to now. She carried a churning sorrow that made her crook even smaller, like she could fold herself into nothing.
Just like it, Cherry walked hunched over to Dolly’s Diner. She made it to the window seat, practically her seat. Valerie the waitress walked to greet Cherry, her eyes painted with a sympathy she’d seen one too many times. ”Your usual, Cherry?”, Valerie asked with a titled head, her black stuffed braid falling of her shoulder. ”Yes please.” Cherry replied with a stifled smile. She ordered tea instead of coffee, since she said she always hated the bitterness.
Infront of her laid a neat notebook, dressed in a black fakest-leather-possible and completely covered in jabs. Our grandpa gave it to her as a gift once, and she never let it go. Now I wonder if the book’s pages were infinite, and whether it’d be called a diary or not I wonder as well— but my guess is that she would’ve corrected me on that instantly—so I’ll stick to notebook.
The notebook consisted of this rising tension, starting with her regular creative writing; of ideas and things she observed— turning into complete compel of my death.
[notebook pages]
She stayed completely quiet about it, but mother soon figured she was struggling. Eileen insisted she was only paranoid and depressed, which was true, Cherry wasn’t well—she was mute with hell inside.
But Cherry doesn’t believe it was an accident. How can you claim an accident while leaving it simmer like a mystery? Cherry knows this town hides something. And that’s why I watch her. But she doesn’t know that.
Cherry couldn’t even cry at the funeral yesterday, she was too busy studying the fake tears. It made her realise I didn’t have that many close ones. I had past friends.
The grown ups at the scene whispered a lot, seemingly gossip. Cherry wanted to hear it, she needed to. She felt like going mad. Unanswered questions drove her to absolute insanity, she was afraid she was going to go delusional. She decided to walk behind the black-dressed circle to peek a listen. Even being a deceased’s sister she was unnoticeable. I think it just might be her nature.
”You look just like him.” An old lady spoke to her while she was still lurking behind the crowd. She stifled a small smile and quickly skimmed the area for an escape.
Cherry did look a lot like me. The red hair was definitely the most prominent parable. Her Irish curls lays full and frames her delicate face. She looks so innocent and elegant, which is not one of our similarities. Mother makes her wear preppy clothes to look elegant at school. Which I know actually just means wealthy.
I also know mother just wants the best for Cherry. She can get a little excessive or degrading when she’s very worried. For Cherry it’s all she is to her now. They don’t smile to each other no more, if even look at each other. Only out of assessment. Yet mother is extremely sensitive, just like Cherry.
Father is a different discussion. He’s another reason to why I’m happy not to be alive. He was loveable when we were children, until something changed, and he turned vile. It was almost like he had this delusion that he was protecting his family. Meanwhile what he did was was abuse us.
He didn’t cry at the funeral, either. Only mother did. Instead he stood firm and had his head really high, for some reason. His hand held mothers shoulder, a lot harder than firm.
Cherry found a tree to lean back by. Both close and far enough from the funeral. She stared at the ground before looking up. She pressed her head against the tree harder and harder, and her feet suffocated the ground. She closed her eyes and stayed like it. Cherry felt so heavy yet so empty. Everything felt empty; the funeral felt grey, empty with people, sky cloudless, and her insides hollow—all except her sadness.
Cherry dreamt that night of running.
Not the kind she did in gym class or when I used to dare her to race me down the block. This was different. Endless.
Her sneakers slapped a pavement that never crossed, never widened, never let her breathe. All while complete silence. She tried to stop running, tried to look around—but behind her she could feel a hard pressure.
In dreams, you don’t need footsteps to know you’re being chased. You don’t need a face to know it hates you. The chaser was neither darkness or light. It didn’t grab her or let her go. Cherry screamed.
”Can you hear me? Can you hear me running?”
But nothing could make a sound. Nothing could be. Only to be was her, me and her silent running in a world that wanted her quiet.
(This is a choppy and undone first chapter, thank you for reading & let me know your thoughts!)
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It’s been a long while since I put this on my to read list. So, hi hellow! The dice chosen it for me to read now :3
this first stanza has me think of the Zitronenmelisse (lemon balm?) that escaped containment and now grows between our flagstones…I also find the message about not needing to be soft, even toward yourself, extremely fascinating. Usually we advice people to treat themselves with more kindness, but I like the idea of making this softness into a negative thing!
Something strikes me as off about the grammar in this section:
Ohhhaa so we are in the perspective of someone who died but still lingers on as a ghost, watching their little sister?
I like this phrasing!
It would be better if you follow the rule: new speaker new paragraph. It would make your writing look like I did here and it is so much easier to read and to follow what is happening :3
Also, if you want to learn more about dialogue formatting (I highlighted some in strikethrough and bold here!) you can always check out this helpful post: topic/44898-punctuation-within-dialogue
Hmm I wonder if this would work even better if Cliff were addressing this story directly to Cherry. As in, a “you-POV” style?
Uhm how does our ghost narrator know that?
So these were some of my thoughts. I am intrigued by the choice of narration and I would like to know more abt how Cliff can narrate from beyond the grave ~
Hello there, human! I'm reviewing using the YWS S'more Method today!
Shalt we commence with the morbid S’more?
Top Graham Cracker - Cliff is dead, but he talks about his little sister, Cherry and how she’s trying to deal with his death, their abusive father and well, everything. He loves Cherry, but is there any love left in her heart? This may have forever changed her.
Slightly Burnt Marshmallow - I want to learn more about who the siblings are as people, but I think that will come in later chapters.
Chocolate Bar - I like that Cliff is the person who is narrating. A dead person narrating this story makes it seem all the more mysterious. I also like the way you described Cherry, with her red hair and innocent-looking face, contrasting with the intense grief that she feels from her brother’s death. It is poetic and I wish that nothing bad will happen to her (but I know it will).
Closing Graham Cracker - Overall, a lovely chapter on how the image of a “perfect life” has cracks deeper than anyone can imagine. Cliff isn’t the only person who is dead in Hawthorn, for death is not just physical, it is spiritual. I will be sure to read the next chapter and…
I wish you an amazing day/night! ^v^
Okay so definitely a lot of potential and super interesting perspective
The first thing that really wowed me was the opening poem. Usually, prose with poetry means that the poetry gets a bit halfhearted since all the focus is on the prose but honestly, it so perfectly conveys the emotions of loss and resilience that paints a great opening silhouette of Cherry and Cliff's relationship. Minor note: I notice that there are a lot of grammatical errors which I assume are because english just isn't your first language. They sometimes take away from the story but on the whole I think it gives it a nice texture, though it should still be fixed.
Writing from the perspective of the protagonist's dead brother adds a layer of complexity and character to the narration itself. The disdain for the town, the love for the sister all comes across in the language used to describe it. It avoids making Cherry a Mary-Sue character while still letting the narrative voice very much cherish and praise her. The opening sequence also does a great job at introducing the mystery, how did Cliff die? The whole thing being told from Cliff's perspective is such an interesting sort of reverse dramatic irony I truly love it
There's some strange ideas here and there that might be phrasing but considering the general tone and realism of the story, I still feel it's worth mentioning.
"They always said I’d been too loud and alive for a town as silent and dead as Hawthorn."
Dunno why but it feels strange to me. It seems like 'they' refers to the townspeople, but would the townspeople of Hawthorne call their own village "silent and dead"? Maybe Hawthorne really is that bad but the rest of the story makes it sound like a regular rural town, and all the older rural towns I know have incredible pride for their towns, regardless of how bad the towns might be.
"Valerie the waitress"
You needn't introduce characters this way. Readers can infer from context (her asking Cherry what she wanted to order) that she is a waitress.
You use a lot of tell rather than show but honestly I'm inclined to let you get away with most of it since it really fits the narrative voice of a rebellious teen well. Never the less, here is the obligatory "use more show-not-tell"
Even with these small hiccups, its a wonderful first chapter and I'm hooked. I want to know how and why Cliff died. I want to know what made Father vile. I want to know Hawthorne's secrets. Well done!!