Dylan Hoang
Wizard/ Pickett
English/ World Studies
23 February 2016
The Story of My Father
Shuwan: Sister, 16
Bao: Younger sister, 9
Trinh: Mother, 43
Angou: Older brother, 16
Cheung: Younger brother, 13
Telling the story from Angou’s point of view
My eyes flash open to my brother sobbing next to my bed. He is crying tears of pain like someone has stabbed him, although I cannot see any marks on his body, which is trembling in fear. Right when he looks at me I know something is missing. Cheung didn’t go to mother to cry because mother was not here.
I dash to mother’s room as if I am a cheetah hunting it’s prey . I am as pale as a ghost. I search mother’s bed yet only find mud tracks on the ground that lead from her window to her bed. What can I do? Where is mother? Why did she leave? Why were there footprints?. Questions spin in my head as I decide to make the most risk-taking decision of my life.
I have two sisters, Shuwan and Bao. Shuwan is 16 and Bao is nine. I also have a brother Cheung who is 13 and, I myself am 17. Shuwan is a schoolgirl along with me and the rest of my siblings. Our mother works the fields and takes care of our home and all of us. Mother had a husband when we moved to Beijing from Hong Kong, but soon after he left to war and never came back. Our mother, Trinh Zhang had always been secretive about most topics about our father. We miss very dearly, he is loved just as much as mother is. Mother is as sweet as honey and father is as tough as a bear, both of them young and bold.
Shuwan and Bao awaken in a sudden movement, breathing heavily while sniffling loudly. I hear cries from Bao yelling “MA! MA!” I run from room to room gathering my brother and sisters in my room like a mother gathering her children for story time.
I am going to take the risk. I will travel with my brother and sisters to search China for our mother who has gone missing like an escaped criminal.
Father has been gone for exactly 7 years to this day, mother is now gone just as if the wind has blown both of them away.
I have settled every one of my siblings down; now they are sleeping like gentle hummingbirds flying from tree to tree. Moments later I hear thunder crack through the night sky waking the children. Quietly, after I put them back to sleep, I find a brochure with tickets for the next boat headed Hong Kong in the morning. We have to leave tomorrow morning for Hong Kong. I pack quickly and fall into a deep sleep soon after.
The next morning, I find clues about where mother has gone-some already in my suitcase and more all around the house. She is headed for Hong Kong, the place where her and father met. She leaves things we need all around my room and the kitchen. I feel butterflies in my empty stomach. We quickly get on the ship and arrive at Hong Kong. There, I throw everything out of my bag looking for the map on the brochure there I find an arrow pointing to an “X” on The Great Wall of China. Something in my gut tells me to go there. We travel longer all the way to the Great Wall of China. When we all get there, I get a jittery feeling. I want to go home and go to sleep, telling myself this was all a dream.
I keep walking, ignoring the adrenalized feeling going on in my stomach. I find something that catches my eye. A yellow flag with rice balls, crackers, dumplings, fish, grapes and mandarin oranges next to it. The meal is still hot which means someone must have left it not long before. I see writing on paper that looks wet with a little blood. The blood looks filled with mud which brings me back to footprints in mother’s room. I find a note reading,
Dear Angou, Shuwan, Cheung, and Bao,
I have come very far here to Beijing. I am happy you have decided to follow. I have a surprise here but you will have to find me to know. I am nervous with many butterflies. Come find me, for I have been taken by someone here. I am joyful and jittery waiting for you to come find me. Eat the food I have made you with your heart, mind and soul. I miss you all very much. Please meet me at the halfway point for I have missed you all very dearly.
X. Trinh Zhang
Shuwan, Cheung and Bao and I all eat the scrumptious food that has been left for us. It smells like a familiar scent, like mother. I keep eating and taste seaweed that has been bought a day ago fresh from the sea. I also taste meat that has been flavored with sea salt- strong yet tasty.
We keep walking and get closer and closer to the halfway point. Step after step, it gets harder and harder to move my legs. It is painful walking far distances for I feel as if there are nails being stuck into my feet. A little while later, I am leaning against the thick wall of concrete that is bumpy and cold to the touch. I feel a shadow over my face and look up to my mother shining as bright as the sun. Mother has never looked happier. Then I see a man next to her wearing a kimono. He smiles just as bright as mother and pulls me close. He tells us, “Everything is going to be alright, I am here for you now, as a father.”
I have questions whirling around in my brain but he says something before I have a chance to choose one to ask him, “ I will explain later, but for now, just enjoy this beautiful day with the ones you love most.” This is not the end, for it is the beginning to a new start.
Points:
Time spent:
Canary word: Present
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There's definitely a nice air of adventure in this, and the motivation of the characters are very clear. As much as I like a story that has many goals and does a lot to achieve them, there's something to be said of stories that have only one goal in mind and know exactly how to achieve that. It's simplistic and keeps thing short without abstaining from anything, which is always good. A win-win situation for everybody involved.
However, I do have a problem with various things. The first thing I noticed was, of course, the fact that you listed out all the characters in the beginning, but proceeded to call them out once again in the middle of the story. Alright, sure, I suppose that isn't a major problem--but then we have the situation where most of the characters aren't developed as well as the main one. What are the brothers and sisters there for? You never carve out any particular personality for each of them, so they do come off as cardboard cutouts. It would be even more powerful if you assigned them a few character traits or something of the sort, just so we can invest in them.
And then we have the problem of the plot development. The story starts almost abruptly with the protagonists mother disappearing, but we have little context beforehand to understand whats happening to these people and why should we care about it. And then it speeds forward to the protagonist leading a search through the whole of China (that's a big goal you have there, son) for their mother, without really lingering on a single place. It makes things very confusing, and it becomes very tiresome to read about.
However, I did like the ending. I'm a sucker for happy endings done right (and an even bigger sucker for sad endings), and this is about 50% there. It's very poignant and lovely, even though it doesn't answer all the questions to the story--which is better, as we can imagine the happy ending on our own.
Signing out,
--EM
I thought the idea of this story was interesting. It was fast paced, the plot of the missing mother is quite intriguing, and overall I think the story has a nice air of mystery to it.
I think the weakness is in the organization. You have quite a bit of characters, but they don't seem at all fleshed out -- think of it this way, you could erase the siblings from this story, just have it be the main character, his mother and his departed father and stepfather, and nothing would change. Your characters need to have purpose -- they need to add something to the story. If you want, you could use your list at the start to maybe give your characters brief descriptions so the reader knows what to expect from their personalities.
Secondly, I thought it was sort of rushed. There's nothing wrong with short pieces, but when the family wakes up and is missing a mother, and get on board to Hong Kong, that's enough of a plot to write an entire novel with. But doing it in just a few paragraphs really makes it not feel as personal as it could be: the reader doesn't get get to really feel the kids sorrow when they wake up find out that their mother is gone, we don't get to know how they went all the way from their presumably American home to Hong Kong and how their entire journey went. So, overall, I think it's a good start, but you should really take the time to explain your characters and take the readers on a journey.
Nitpicks/Specific Comments:
How does the main character know how pale he is?
If you listed the characters and their ages already, we don't need to know again.
But how did the narrator come that conclusion?
Again, how did they decide to get on a ship? Were there no adults in this scenario, and if so, how did they convince them to let a bunch of kids get on a ship to Hong Kong? Where does this story start?