Payday

by carbonCore

Published May 13, 2013

16+

In Old Shame

Warning: This work has been rated 16+.

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The jittery hand of the odometer trembled in the no-man's land between a half and three-quarters of the circular gauge, and my arms felt like lead. It weren't so long ago that I could turn the crank fast enough to appease the odometer's hand into going all the way to the right, into a little red region on the dial there. Now, getting it to where it danced now caused rivers of sweat to drip off my shirt and flow like little brooks down into the gutters installed for that very purpose in the floor.

Slowly and surely, the hand crawled to the right as I poured my remaining strength into the crank. The black mark on the dial, signifying the next factor of speed, now disappeared occasionaly under the indecisive gauge hand. So close-- just a little more--

But it was not to be. The plant filled with surprised shouts, small pieces of glass falling from the ceiling, and metallic screeching from somewhere in the distance as yet another wave of tremors shook the building. Blown-out lightbulbs hung underneath the ceiling, sending an occasional shower of sparks onto the long crankshaft engines beneath, and onto the hundreds of others like myself. The crackling lasted only long enough to illuminate my gauge and show a horrifying picture: the odometer waited in sadistic glee, as if to make sure it had my rapt attention, before slowly sinking all the way back down to the left.

"Again?" I said to the machine in front of me. "Are you really doing this to me again? Christ. Where are the drink-maids when you need them most?"

"The hell with it," I heard Jonah 59 next to me. He abandoned the crank and sagely observed the endless rows of others shrugging off the falling debris and getting back to work as the emergency lights kicked in. "It's not like much is expected from us, anyway. I say - why go against expectations? Work is work, see."

"On one hand, it's not like they're gonna fire us," I agreed. "But on the other, did you know that work gets significantly less boring when you actually work and not just sit there in boredom?"

"Whatever," he flicked his wrist dismissively. "There's not enough time to get bored, just look at the clock. Looks like you've had just about enough, too," he remarked, nodding at the gauge. "I'm gonna go have a breather at the lounge. You wanna come along?"

"Sure," I said. "Be right there." Jonah nodded and headed off. I sighed at the gauge, and followed him.

If you looked at it real close, the plant wasn't flat and infinite in every direction -- if you defocus your eyes and not really look anywhere in particular, you could definitely see the curvature in the floor. Standing up too suddenly made me aware of the curvature, but it definitely wasn't the first time. What I had been looking for, in fact, hung on the rough concrete wall in front of us.

Like two eyes, the clocks overlooked the rows of crankshafts and the people turning them in motion. Without judgment, they regarded both us crankmonkeys and the pressure adjusters at the end of each row; and the technicians scuttling in between the iron mechanisms, checking for water leaks. Only one clock, the one with the black rim, actually worked -- it showed five minutes till eleven. The white clock, on the contrary, always pointed precisely to twelve. It never, ever moved.

I passed the crankmonkeys huffing with effort and headed for the lounge door -- a simple wooden thing installed just below the two clocks, with a lightbulb in a metal cage hanging above it. It was unlocked. Wasn't always like this, too -- when the black clock showed six, no amount of knocking would get you in.

The lounge was a small room with several leather chairs, all facing the large window in the wall opposite the door. A coffee-table with an ashtray stood between them and the wall. Jonah rested his legs on the coffee-table, taking long drags from one of his old cigarettes. After I closed the door, the sound of water rushing underneath the floor became much more apparent than before.

"See, Thomthese," he said as I sank into a chair next to him. "I can read your mind, see. You're thinking, 'have they really started slacking off so much that they let ol' Jonah smoke his cigs in the lounge itself?' 'But,' I'll answer to your thoughts, 'you haven't seen anything, see. Ol' Jonah has been busy with a little art project over the last little while.' Check it."

I watched as Jonas finished most of the cigarette and then burned the butt into the chair. The rich leather dissolved beneath the embers, sending wisps of smoke towards the ceiling. On closer inspection, the burn contributed the final eye to a little smiley-face, clearly made over several smoking sessions. To Jonas' visible disappointment, I showed very little surprise at this development. I got out of my chair and leaned on the glass. I didn't want to smell burned leather.

"The time you busted Alfred 18's head through the window was way better, I still think," I said. "Was it two Paydays ago? Three?..."

"Heh, yeah," Jonah smiled in fond recollection. "The cock deserved it. I forget why, but he did. But c'mon, this is still pretty cool."

I did not look back. Jonah grumbled and joined me by the window.

The lounge itself didn't have any lights, and the only light came from this window.  There was a concrete shaft stretching a seemingly infinite depth and height just beyond, and the entire cavity was flooded with powerufl lights from the wall. In the centre, an enormous pipe carried water from somewhere far below. The pipe branched off to the sides of the channel, and every such branch had a little lounge window on top of it, just like the one we were in. Far below us -- maybe five levels -- a couple of technicians were dangling on safety ropes around the main water-pipe and fixing an ambitious leak squirting water into the bottomless void.

"I wonder what it looks like just after Payday," Jonah said.

"Looks like shit now."

"You look like shit."

"Yeah, I know. But not after Payday, I won't."

We stood in silence for a bit, watching the technicians fighting against the leak. I thought about how nice it was to have drink-maids carrying water around in the earlier phase of the Workday. Shame they had to be ordered home when the tremors started. And yet, the plant was safest when water pressure was at its highest - no tremors, just drink-maids and their refreshments. No leaks in the watermain.

Finally, the epoxy hardened, and the leak transformed from a playful fountain into a feeble and impotent drizzle before vanishing completely. The technicians rode their safety ropes up like spiders and disappeared somewhere above the visible levels. Just as they vanished, the floodlights gave out, and the lounge plunged into darkness.

"We must be real close now," Jonah said. It was difficult to see in the now-twilit lounge, although I did see the ember of his cigarette move back to the chair.

"Yeah," I said without moving. My eyes were locked on the watermain.

From behind us, a PA in the crankshaft room announced: "PAYDAY APPROACHING. A SHORT REST IS NOW PERMITTED." The water stopped hissing under the floor, and no more whine of cranks being turned came from behind the lounge door. Even if Payday could be considered a rest, a true rest from everything -- such as this -- was very rare in this place. Jonah and I made the best of it in silence, until another violent tremor sent the chairs tumbling against the wall.

The watermain budged, sprinking a massive leak down its midsection. The glass in the lounge shattered, and a cool spray reached us, two crumbled piles at the end of the room.

"To hell with it," I said. "I'll see you on the other side, Jonah."

He just grumbled, gathering himself off the floor. I was already back in the crankshaft chamber.

Jonah staggered back just in time, when the rest of us crankmonkeys had already been on our knees, heads bowed before the cranks. A PA counted down along with the smallest hand on the black clock.

Ten... nine... eight...

A loud crackling from somewhere beyond the roof shook the plant. Little wisps of glowing white gas and excited static within it materialized below the ceiling, spreading quickly and filling the entire engine room.

Seven... six... five...

The numbness began to set in as my vision struggled to compete against the growing light. It was so hard to see, but every sore was going away. In the lounge, I knew, Jonah's smiley face vanished gradually, as the Payday's power swept over it.

Four... three... two...

All smeared. All smudged.

...one.

And so it begins anew. The last memory of my Workday, the last secret discovered but never, no matter what, remembered at the beginning of the next Workday, came clear.

As the black-rimmed clock finally struck midnight, it stilled, and the white clock was set in motion.

Comments & reviews · 4
User avatar
Morrigan
Review
Morrigan wrote a review Review · Feb 2, 2014

Hi, Carbon!

This is great! It's one of the best works I've read on this site recently. I love the story, its ambiguity, the oppressive air. It's fabulous.

It's so fabulous, in fact, that I get to do my favorite kind of review: my specific nitpicky review. Heeheehee.

The jittery hand of the odometer trembled in the no-man's land between a half and three-quarters of the circular gauge, and my arms felt like lead.

I always thought that an odometric needle would be better described as an arm. Seeing as how you have "arm" later in the sentence, I can see how you would make the decision to call it a hand. However, there are several ways to call it an arm (if you wish (this is mostly because I've never heard one of those referred to as a hand)). The first way is to call it a needle instead of a hand. The second is to call it an arm and say "my muscles felt like lead." Speaking of that, I think you should come up with something else to describe the heavy feeling in the muscles. I've heard "felt like lead" before to describe weariness, and as a writer, you should stay away from cliches.

Slowly and surely, the hand crawled to the right

Slowly and surely is another phrase I've heard many times before. Watch for cliches!

"Sure," I said. "Be right there."

I feel like he needs a bit more motivation to want to go. I know he's tired, but remind us he's tired in this line. You could say something like, "'Sure,' I said, loosening the muscles of my shoulder, 'be right there.'" Or have him wiping sweat off or something. I just feel like that line is too still.

I passed the crankmonkeys huffing with effort and headed for the lounge door -- a simple wooden thing installed just below the two clocks, with a lightbulb in a metal cage hanging above it. It was unlocked. Wasn't always like this, too -- when the black clock showed six, no amount of knocking would get you in.

I had to read this paragraph twice. Especially the part that said it was unlocked. To improve clarity, I would combine the last two sentences. Perhaps try something like this: "It was unlocked at the moment, but when the black clock read six, no amount of knocking could open it." I didn't understand at first when you said "Wasn't always like this, too" because it was rather vague.

The lounge was a small room with several leather chairs,

I felt that this could use some streamlining. We assume that the lounge is a room already, so you can cut that out. I don't like it when something is inside something and someone describes the contents and connects them with "with," either. That's personal preference, but I think it sounds nicer if you say "contains" or "within the [noun]." Perhaps you could say something like this: "The lounge contained several leather chairs," or "Within the lounge sat several leather chairs."


"See, Thomthese," he said as I sank into a chair next to him. "I can read your mind, see.
You use "see" two times in rather close proximity. I'd omit one of these.

'But,' I'll answer to your thoughts,

I thought this was a little too much. "to your thoughts" feels unnatural here. Perhaps, to make the line feel more natural, you can simply say "I'll say."

On closer inspection, the burn contributed the final eye to a little smiley-face, clearly made over several smoking sessions.

Oh my lord, I love this part.

Three?..."
The ellipsis should go before the question mark. Such as this...?

The lounge itself didn't have any lights, and the only light came from this window.
You use light twice in close proximity here. Perhaps replace the first one with "lamps." But really, it's your choice. :)

Altogether, this was really lovely. I stumbled upon it while browsing the sci fi section, and I'm glad I stopped to read it. I can't wait to rummage through your other works and find more gems.

I hope that this proves useful to you. Happy writing!

User avatar
BadNarrator
Review
BadNarrator wrote a review Review · May 14, 2013

Hey Carbon,

So things I like:

$ The main characters: I hate idealized characters. Many young writers it seems like to center their stories around characters who have perfect looks, stunning personalities and more often than not a relatively moderate to high social standing. If there is any conflict it is always external. The other characters or the world in general treating the too-good-for-this-sinful-earth sues unfairly. These types of characters are irredeemably boring.
Your story doesn't have that problem. It's centered around (I think) working class people, flawed people. The types of people who I can picture telling offensive jokes about women and ethnic minorities without so much as glancing over their shoulders. These types of salt-of-the-earth characters are veritable goldmines of tension and conflict because their conflict is internal. Needless to say they make for great storytelling

$ The setting: This feels sort of science-fictiony, with the massive crankshafts and the giant pipelines and whathaveyous. It reminds me of when I was a kid, I would look at a circuit-board on a computer or a derelict piece of farm equipment buried in a pasture and pretend it was a city or a massive building and we were all the size of ants compared to it, walking around inside. Otherworldly settings often act as characters themselves and usually the character they play is the antagonist. I think that's what's going on here but I'm not sure (more on that later).

$ The details (the amount thereof): This is a relatively simple thing but there aren't many writers adept at giving a good amount of detail in a story. They either give so few details that story is just a vague assortment of thoughts, or so many that the reader doesn't know what to pay attention to. Your details in this story are concise and to the point. Now as far as which details should be in this story I'll address later on.


Things to work on:

~ The setting again: This also goes along with the details, sort of. Like I said, I like the oppressive, otherworldly feel of the setting, but to me it didn't seem very well grounded. As I read I found myself guessing where this place was exactly. I mean a crankshaft is an engine component and an odometer is something you'd find on a car, which suggests that this story is taking place inside some sort of vehicle. But then there was the shaft with the water-pipe inside it, and the tremors, which made me think the story was taking place underground. In which case the engine idea is still plausible but the odometer doesn't make sense (odometers measure distance traveled).

And then there's the problem of what type of engine they are working on. We know there's a crankshaft but no mention of pistons, cylinders or ignition, things you'd find on a combustion engine. I mean are the crankmonkeys actually turning the crankshaft as the name suggests? Or is the engine running on some outside fuel and the crankmonkeys are just there for maintenance. And what is the engine powering? Is it moving the water in the pipe? Is it causing the tremors? Is it energizing the electric equipment (floodlights, PA system)?

~ What's at stake?: This is the most important question in any story. It's the reason the reader keeps reading and it's the only thing giving purpose to all the other components of the story. The bizarre setting, the numbered names of the crankmonkeys, all the excitement and anticipation around the payday countdown. It's not that I think there isn't anything at stake in this story, it's just that as a reader I don't know what it is. If there is something at stake it should be clear to the reader from the beginning.

~ The characters: By now you're probably realizing that the things I like about this story are also the things causing the greatest problems. I like the type of character you have, but I'm not sure what their role is. It's pretty clear, given the vastness of the facility, that they are small components of something much larger than themselves. But what is it they are a part of? What is being produced as a result of their work? Something good? Something illicit? How do they feel about it? Do they even know what it is? This to me is the heart of the story right here, the nature of their work and how they reconcile it with who they are as people. Are they just anthropomorphic metaphors for the inner-workings of a diesel engine truck? I sure hope not. But even if they are, make it clear to the reader.

Other little things I noticed. The meter in your story isn't behaving like an odometer. Odometers measure distance traveled and thus can only go up. It would not start to fall when the crankmonkeys stop whatever it is they're doing. The tachometer on the other hand would behave this way because it's mechanisms rely entirely on engine rotations.

Also that "weren't" in the first paragraph is a little off-putting. At first I thought you were writing in dialect, but nothing like it appears anywhere else in the story so I'll assume it was a typo.

I think that's it, feel free to ask me if you have any questions.

DannieInkblotHanson wrote a review Review · May 14, 2013

I liked the writing style a lot. It created a strange and surreal little world that I really wanted to hear more about. I didn't catch the name of the protagonist, was it mentioned? If not, it's actually pretty acceptable in this case. But it was decently confusing, as sci fi often is. What was the light about? And what was wrong with the guy Jonah beat up? And why were they numbered? There were a lot of things that left me wondering so I think you should write it into a novel type thing because all muddling aside it was very intriguing and a super original concept for a story. You have a gift for writing suspense. Another question; was "crankmonkey" an official term? If so you should capitalize it.
Overall, it was good. But you should certainly continue it, or at least expand this world you have shown a little bit of through another tale, maybe. You have created a fantastic little sci-fi land and I would like to read more of it!

User avatar
caeai
Review
caeai wrote a review Review · May 14, 2013

Wow. How ambiguous. That's impressively complicated. Able to entrance readers while leaving them with no facts to work with at all. But, if you're not coming back to this, there are too many questions that beg to be asked that you haven't answered. Why do the characters have a name and a number? I know you mentioned the white clock twice, but what was the importance of its stillness? And why couldn't drink-maids be in the building?
But, mostly just: WHAT THE CRAP WAS THE NUMBNESS AND GROWING LIGHT?!

There's my review, so happy that I didn't have grammatical errors, but too many questions raised not to come back.

~Caeai



Life’s disappointments are harder to take if you don’t know any swear words.
— Bill Watterson