Hello fellow reviewers.
I am submitting this (after much editing) to a short story contest that allows for any genre/any type of story at all. I need thorough reviews - I know you're all good for it.
It may seem a little long but I didn't want to put it it parts and that the chance that you'll get lost somewhere between parts, so, here is my story, simply intitled: Possessing Maya!
Also, there's one tiny curse word.
AND I wanted to mention: the short story is 4000 words or less so I detailed sparingly. As of now, I have a little leeway but I wanted to make sure the story was interesting before investing any more time in it. THanks!!
* And for those of you simply lurking, reading the story without reviewing, well, thanks for stopping by!* ![]()
Tanya
Possessing Maya
Maya ran. When her legs tired and her breath shortened, she dispensed a little magic from her inner reserve and her body was once more as new. But her magic was nearly depleted. She needed to stop and rest but knew the hunter was close on her heels.
She didn’t know which day or month or even century she was in but every step she took, the hunter advanced. She had been chased many times during her long life but never had she come this close to being caught.
Maya felt a stitch in her side and forced herself to stop, to get her bearings. She couldn’t continue running blindly; she might just end up in the hunter’s waiting arms. She bent in half, panting, her hands supporting her whole body by resting on her weary knees. Her long blonde hair formed a curtain around her head.
When Maya was able to take a deep, painless breath, she straightened and flipped the heavy length of hair behind her shoulder. Hands on hips, she looked around. She had just escaped a forest and was now facing the bright blue stillness of the ocean. The view would have been breathtaking, if she’d had any breath to spare.
For a full precious minute, she inhaled the salty smell of the ocean, tilted her head back and felt the cool breeze on her face. She watched the ebb and flow of the gentle tide and realised that if she walked in water, it would immediately erase her footsteps.
Maya strode forward purposefully. A step before reaching the water line, she dropped to the sandy beach, screaming.
* * *
Finally, the hunter thought, Maya had made a mistake! He stared at the knife protruding from the partial footstep in the ground. Maya had done a good job covering her tracks; she’d kept to hard surfaces, walked in bodies of water and thick grass. When her prints would appear, she’d made sure to erase them.
The hunter crouched beside the footprint, touched it with his index and brought the finger to his lips for a taste. A jolt of power went through him and he rose, elated.
Finally, he was reaching his goal. He would capture her before the end of the day. An image of his father flashed before his eyes. His father had spent his lifetime searching for the elusive Maya, until he was too old and weak. And now, it was within his grasp to bring Maya to him. To show him what he was worth.
After glancing one more time at the silver-coloured handle protruding from the dirt, the hunter strode forward, his mind entirely set on his prey.
She would remain where she was until he delivered her. Then he would possess her and return her with him to his father. And if she didn’t want to cooperate? He would make her.
* * *
Maya twisted her ankle when she landed on it and she wasn’t sure what hurt more; the throbbing in her swollen ankle or the imaginary knife embedded in her foot. Oh, the knife was surely real but because she hadn’t been careful enough to cover all her tracks, the hunter had found her print and slammed his knife into the dirt, therefore firmly freezing her in place.
“Stupid!” she muttered. She knew to cover her tracks but she’d caught the scent of a nearby pack of wolves and didn’t want to volunteer to be their next meal. And this was better?
She tried tugging on her leg, to pry her foot free, nothing. Even though she had the wide expanse of the ocean behind her, Maya felt cornered, trapped. Her heartbeat accelerated into a wild tempo, her vision blurred and she heard a disturbing whistling in her ears. She needed to get free! The hunter must not catch her!
Through the fog in her mind and the whistling in her ears, she heard someone call out to her. “Miss? Do you need help? Miss?”
Reacting on instinct, Maya rose to a half crouch, a silent snarl on her lips. A man, who looked barely older than she, stood before her. His appearance meant nothing, of course, because she was much older than she looked.
The man’s dark blue eyes studied her with interest. The wind blew a lock of jet-black hair across his forehead. His voice was deep and carried easily over the sound of the turf. “May I be of some assistance?”
Maya wanted to throw caution to the wind and ask the stranger for help. It wasn’t in her to trust anyone she just met, but she didn’t have much of a choice. Maybe he could yank her free of the knife. Maybe he could find something to use as a lever. Maybe . . . Something sagged inside Maya and she knew it to be ‘hope’. He could not help her, she knew that. She could only be delivered by the blood of the person who had trapped her.
“I don’t need help, I’m simply resting.” Better he leave before the hunter arrived and harmed him in the process.
“With your foot stuck in the sand?” A dark eyebrow rose incredulously.
“I - yes. Now go, thank you for stopping by.” Maya felt like slapping her forehead at her choice of words but she was desperate; he needed to leave!
The stranger made to leave, then turned back to her. Her eyes were drawn to his serious gaze and she wondered why he looked so sombre. “He’s coming for you, you know.”
“Wh – Who?” Maya stammered, her breath short.
“My brother, Parker.”
Hating herself for showing weakness but no longer able to support weight on her leg, Maya fell on her good knee and tilted her head back to stare at the man before her. “Your brother?”
“The hunter on your trail.”
Millions of questions ran through the Maya’s mind. How did he know about the hunter? Did he know about her? Was he friend or foe? With a husky voice, she asked, “Who are you?”
“My name is Josh,” he said, tipping an imaginary hat to her. “And Parker is my twin brother.”
“What is this? A race between you two to find me first? Well, you won,” Maya said. She did her best to appear lost and hurt, hoping he would believe she was weak. When he least expected it, she would attack.
Without a word, Josh dug in his right pocket and pulled out a switchblade and walked toward her. Maya watched him with wide fearful eyes that she didn’t need to fake at all. He was quicker than she’d expected. She tensed, awaiting the right moment where she would strike with all her fear and fury. She’d have to pack one hell of a good punch because she couldn’t dance around him, avoiding his blows; she was locked in place.
Catching her completely off guard, Josh flipped the blade open and the sun caught its reflection, momentarily blinding her. A second later, she was able to see Josh cut through his open left palm and blood immediately began swelling from the wound. His hand sure, his expression determined, Josh reached for her and wrapped his bloody hand around her right ankle.
The only move she made was to flinch at the unexpected pressure on her swollen ankle. She was frozen in utter shock and complete confusion and could not for the life of her sock him one for touching her. It wasn’t until he met her eyes again with deep satisfaction in his own blue ones that she discovered her right foot was dangling several inches from the sand.
Josh had freed her!
“How?” Was all she asked.
“Surely you must know it takes blood from the hunter who caught you to release you.” His eyes held amusement in them. Maya nodded. “My brother and I obviously share the same blood.”
“So you have won.” Maya’s light blue eyes dulled, lost some of their life. “You have caught me, you have freed me; you now possess me.”
Josh shook his head slowly. “You are free, Maya,” he said softly, “I hold no possession over you.”
He held out a hand to her which she took, hesitantly. Straining to appear unscathed, she leaned the whole of her weight on her left side. “I don’t understand,” Maya finally said, searching Josh’s gaze. “Why help me, then set me free? You do know what it means to possess me?”
A strange light flared in the man’s direct gaze but he said softly, “You give too much of yourself away. Do I know that once possessed of you, we gain complete control of what you are, both white and black magic? Yes, I know exactly what you are. But if I hadn’t known, you’d just given yourself away.”
Maya accepted the silent rebuke. Of course, she knew this but this man was unsettling to her. She couldn’t anticipate his next move, couldn’t guess what he was thinking. “Then, why?”
“I’m not searching to gain power over you. There is something I would like you to help me with, but on your own free will; I will not coerce you.”
“What is it?”
Josh turned his gaze to the ocean and the setting sun created a beautiful background behind them. “My father is dying. He is the reason my brother and I know of you; he has searched his whole life for you.”
“Is he – are you from this century?”
Josh smiled. “No, we aren’t. We were blessed – or cursed- with the ability to time travel. We are called the Time Walkers.”
Maya nodded. “I’ve heard of you. You can skip time and never age but as soon as you regain your own period, you age impossibly fast.”
“Which is what happened to my father.” He searched his words before saying, “I think my brother has poisoned our mother to force our father to come back to her. I think he found a way to maintain her illness until our father was too old to walk time. Now Mother is well and Father is bedridden.”
“Why would he do such a thing?” Maya asked, appalled.
“I suspect his reasons are unclear, even to him.” Josh said softly, “But if I know my brother well, it is because of his jealousy of our father.” Josh tore his gaze from the ocean and met Maya’s gaze. “Before I explain any further, I must know if you are willing to help me. My brother is on his way and we do not want to be here when he arrives and finds you free.”
Maya hesitated all of two seconds. Josh had freed her from her terrible predicament, then released her. All he asked in return was for her help. She would go and save the old man, then once again be on the run. As soon as she nodded her consent, Josh reached for her and lifted her effortlessly in his arms. With a brisk pace, he headed in the direction he’d come from.
“What are you doing? Set me down!”
Josh’s voice was as gentle as the warm breeze as he said, “If you haven’t healed yourself already it is that your magic is depleted. Take this time to rest and restore yourself. You are a lightweight to me; it is no bother at all. Sleep, Maya,” he whispered.
Maya yawned, his voice having cast a spell on her. Her eyes fluttered closed as she said sleepily, “You do know much about me, don’t you?”
* * *
Parked cursed when he arrived on the sandy beach. Not only was Maya gone, but so was her print, either erased by herself or by the ebbing tide. How had she escaped? He had been so close! Parker frowned and studied the footprints on the ground. Some prints went back and forth from the tide where Parker could still feel Maya’s presence. The shoe prints were too big to be Maya and she was barefoot, anyway. Frowning deeper, Parker crouched and pressed his fingertips to the print. Joshua. His twin’s familiar essence shot through him.
What had his brother done? Released Maya with their shared blood? White-hot fury burned through Parker at his brother’s betrayal but suddenly, he was ice-cold. There would be only one reason Joshua would take Maya for himself; to take her to their father!
Nausea leapt up Parker’s throat. Had his twin discovered what he’d done?
* * *
Because she was finally rested, Maya knew exactly when and where they were; London, June 1802. She and Josh stood before a manor that she’d expected to be dark and forbidden. It wasn’t; Josh’s home was obviously cared for, was obviously loved.
“Tell me again why you think Parker is deliberately killing your father?” Maya asked. They stood in the shadows, watching the house, unwilling to make their presence known just yet.
“Parker is older than me by one minute. When our father dies, he gets our father’s titles and land.”
“He’s in it for the power?” Maya asked, disbelieving.
“I don’t think so. I think he simply lacks attention. He’s never been a happy person, not even as a child and has always demanded much of our parents’ notice.”
“Your father must not have been there much over the years?”
“He only began time walking after we were born. He wanted to take our mother with him on his travels but no one knew what the consequence would be on a non time Walker and so Mother waited for us to be old enough before trying.”
“And?”
Josh smiled. “She can travel with him but gets very ill when she comes back home. And she ages like he does.” Josh reached down and grasp Maya’s arm lightly, as if he needed the physical contact to set his feet firmly in the present. “I think Parker misses the undivided attention. He’s tried everything to get it from charity works, to conning, stealing, murdering, in every century, in every country.”
Maya gasped. “And no one knows about it?”
“Many people, no, because he simply jumps time after the deed is done and the murder is spoken about. But . . . I’ve followed my brother throughout the ages and kept tabs on him. I know what he’s done and I suspect why he does it; he craves the attention.”
“Poor lonely little boy,” Maya said.
Josh turned his head sharply. “Do not pity him, Maya, he’ll use you and abuse you any way he see fits, remember that.”
Maya gulped. “Do your parents know about him?”
He shook his head sadly. “I haven’t the heart to tell them. I just never thought they’d have to be suspicious of him or I would have told them.” Still grasping Maya’s arm, Josh led her from the shelter of the trees toward the manor. “Come, it is time we go inside.”
The manor was quiet which surprised Maya. After all, it was early eighteen-hundreds and Josh’s home was furnished lavishly. It was obvious they were wealthy but where were the servants? A foul stench greeted them as they walked up the stairs and turned down the hallway. Josh guided her to a thick wood door and he inhaled deeply.
Bracing herself to meet the man who’d spent years searching her, Maya didn’t pay attention to what Josh was doing beside her but she felt the sharp sting on her arm, just above where his hand gripped her. She hissed and turned her head but Josh was already busy covering her arm with his wounded hand.
She relaxed as instant relief flowed within her but suddenly froze as he spoke his next words, “Maya, you who are a being of pure magic, I claim you for myself.” Utterly shocked, Maya looked up and met Josh’s eyes. His face was etched with deep shadows and the face she’d quickly come to know was foreign to her. “You will do my bidding whenever I command it, whichever way I command it.”
“No,” Maya whispered, “no!” She’d been fooled by this soft-spoken man.
“Joshua!” a man’s voice thundered.
Maya’s head whipped to the sound of the voice and met a pair of familiar blue eyes. Parker, she thought, and her fear escaladed. If Josh, whom she trusted, could betray her, what would the hunter do to her? Parker pulled a knife with a long blade from his belt and held it to his side. His stance was menacing, and his eyes were fierce as he glared at his brother. “What have you done, Joshua?”
Without looking, Josh reached behind him, turned the door handle and pushed the door open. His hand still holding Maya, he said, “Nothing but thwarting you once again, brother.”
For the first time, Parker’s eyes met Maya’s. “What lies has he told you?”
“No lies, Parker. Simply the truth,” Josh answered hastily.
Parker’s eyes were guilt-filled as he said, “I’m sorry; I tried to get to you before he would but he was faster, for once.”
“Yes, he told me you were on my trail.”
Dark eyebrows rose. “He did?”
“Yes, he did,” Maya said, “He had freed me and now he has claimed me,” she added bitterly.
When Parker took a step toward them, Josh hastily pulled back, tugging Maya in the process. He entered the bedroom, and froze. Maya looked around and saw nothing but an ordinary bedroom. It was empty, except for her and Josh.
“What’s wrong, Joshua? Missing someone?”
“Where are they?” Josh’s voice was harsh.
“Who do you mean?” Parker asked innocently.
“You know who! Where are our parents?”
“Our mother did not survive your murderous rampage, but Father did. I hid him away.”
“Lies!” Josh bellowed.
Maya was trembling from fear. She didn’t understand what was happening. Why had she been pulled into this?
“No lies, brother. Tell me, what possessed you to kill them?”
Josh inhaled sharply. “Father said that I was never as good as you. That I wasn’t as good a tracker as you are. I decided to prove him otherwise.” Maya could hear the smirk in Josh’s voice. Josh’s hand tightened on Maya’s arm. “I found her, didn’t I?”
“Is that what it’s all about? To prove yourself?” Parker asked. “You knew I was looking for Maya to heal Father,” he said softly.
The truth suddenly struck Maya; when Josh had been telling her about Parker, he’d actually been speaking about himself! He was the tracker on her trail, and although Parker was also, it was for different reasons. Good reasons.
His eyes blazing, Parker suddenly charged, his long blade held high. Josh, reacting swiftly, flipped his switchblade and poked Maya sharply in the hip, saying, “Shield me with your body!”
Following that sentence, two things happened; Parker abruptly stopped, an appalled look on his face and Maya raised her elbow and struck with all her strength, hitting Josh squarely in the nose.
He screamed and released her. “You bitch! You’re under my command, you can’t touch me!”
“Maybe you should be better informed next time, Josh. If you try to harm a being a light, it will be delivered from your power,” Maya said calmly, although her insides were quivering.
Josh’s limbs were trembling from his fury as he wildly raised his knife and cut across her face. In move swift gesture, he brought his knife back down, intent on killing her but slipping between them, Parker pushed her away and caught the blow in his back.
Parker immediately crumpled to the floor, his spine severed, the knife still protruding. Maya felt a dark pulsing rage bubbling from the very pit of her stomach as she felt Josh’s feelings of horror mingling with deep satisfaction. Her rage rose swiftly, clawing to the surface and was finally released in a deep, primal cry. Maya called forth the dark energy emanating from within Josh, cradle it inside her palms and set it free against its previous owner. It hit Josh with the full force of both her rage and his darkness and he slammed into the stone wall behind him, snapping his head, before falling to the ground like a broken rag doll.
Maya breathed heavily, choking on the dark energy she could still feel inside her, like a bad taste on her tongue. She noticed Parker lying disarticulated at her feet and immediately all that was good and pure within Parker rose to the surface and entered her soul. She dropped to her knees, and using her own light, created a protective bubble around them both. She cradled Parker’s dark head in her arms as she watched the breath of life slowly seep back into him.
When his blue eyes fluttered open and he studied her with a mixture of awe and reverence, she realised that maybe, just this once, she could stay a little longer and in one place. For Parker’s sake, of course.
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Smaur. Wow. That was a very helpful review, thank you!
Tanya
I found myself enjoying this story a lot, particularly because you have some clever ideas and neat mythology packed into it. I'm also a bit of sucker for family betrayal, so that definitely didn't hurt.
Having said all of that, my first question is whether all of this mythology is necessary. Put another way: is this part of a greater universe that you've been building for awhile, or is this a one-off story in a world you don't plan to return to? I ask because a lot of the background mythos of this world seems fairly irrelevant to the overarching story; for example, the Time Walker stuff. The only really important bit is that their father is sick, and they are tracking down Maya to heal him. We as readers don't necessarily need to know the elaborate details of why he is sick, particularly because it doesn't contribute much to our understanding of the story. It helps, but the fact that one of the characters has to explain exactly what it is and how it works and how it works to make him sick sort of takes away from it a little. A fairly significant amount of time is devoted to a point which doesn't really matter to the overall story of love and betrayal and trust.
If you are sold on this Time Walker thing (and I can see why you may be; it's a fun concept), I would suggest trying to find a simpler way to incorporate it. Even just paring it down to: "We're Time Walkers and it's taken its toll on my father," is almost enough; your readers can take a guess as to what a Time Walker is. It's not a hard one to figure out. But really do consider taking it out, if for no other reason, then I think it will neaten up your story. Way too much time is needed to sit down and explain to your readers about how the world ticks (not just Time Walkers; all the details of Maya, too), and it takes away from the immediate drama.
Another note on the mythology getting in the way: when Josh tries to get her to protect him, and in doing so turns her against him. In this climactic, dramatic scene, the final showdown of the story, we have Maya pausing to explain to him why this isn't working. Not only does this seem like an obvious nod to the reader (why on earth would she stop to explain to this villain the dos and don'ts of using her magic?), it also detracts from the tension of the scene. My suggestion would be to employ that oft-used technique, where a similar situation comes up earlier in the story and Maya has a chance to tell us how this magic works, so we're prepared for it when Josh makes his lethal fumble. Even just a bit of dialogue earlier on, where Joshua maybe says, "Parker is planning to use you to defend himself," and Maya thinks, Yeah, right, this would never work, insert magic explanation here. Except, you know, not so haphazard as my example, but you get the idea.
Those are my big issues with the overall worldbuilding, although as mentioned before, you do have some really great ideas packed in here. I'd also like to note that the motivations of the family don't seem to be very well-defined in terms of hunting for Maya. Especially because we learn that the father spent a great deal of his life hunting for Maya. Some of this is difficult because we are fed a lot of misinformation from Josh so we don't know exactly what happened in this whole 'murderous rampage' scenario. I think the biggest things for me are: What makes Maya's magic the only thing that can heal their father? Why could Parker not have found an easier way to contact her than tracking her down? And did their father spend his lifetime searching for Maya, and if so, why? Especially if he only got sick later in his life? Making these motives clear would help the story greatly, just in terms of understanding the characters and how they function.
A few other overall notes about the story. First off, and this is totally a personal dig, but I hated the character Joshua being called 'Josh'. As far as I know, the nickname 'Josh' is a fairly recent occurrence (recent being anywhere from mid-twentieth century onwards) and in my head, 'Josh' is the name of a preppy young fellow who just graduated high school and is loved by all the ladies. Now, obviously this is my own subjective colouring of the name, but I find it difficult to believe that someone who was born in a manor at the dawn of the 1800s would go by that moniker. Joshua, I can believe; Josh, I can't.
Another note about the twins, that I think someone has already made: twins don't in fact have the 'same blood'. Similar blood, sure, or even familial blood, but not the same. I would suggest tweaking just that sentence to fix that.
Other things: the very opening feels a little too vague, especially because we are just being introduced to the rules of your world. When you say that she doesn't know where she is, not even what day, I sort of imagined she was hopping from century to century in that moment, and so she wasn't running through space but through time. I feel like the reader needs a bit more immediate clarity of her situation; even a throwaway comment like 'twigs snapped underfoot' or 'branches whipped at her face', some quick description of her surroundings so that we can place ourselves with her. Otherwise, at the beginning, it's hard to tell if she's running through a field or down a highway (which is sort of what I pictured on my head), or a space station or across the planet Mars. Given the immediacy and tension of the situation, I don't expect a lengthy paragraph of her bearings, but just some hint to give us a better understanding of where she is.
This also threw me off:
I think you mean to say 'invisible' or something to that effect, but it's sort of off-putting to be told it's not a real knife in one sentence and then to be told, no, just kidding, it is real. Stick one and stay with it. This is especially important because, again, we're still trying to find our bearings in this world and figure out what the rules are, so it's totally possible that she's crazy and the knife isn't real.
I found the whole he's-the-real-hunter thing a bit predictable, but apparently I'm in the minority. I do however think that you don't need to outright state, or at least in such plain terms, 'this is what's actually happening':
If you feel like you need to explain it to your readers (and I really don't think you do; I think they can probably piece it together), I would suggest just going with, 'It hit her. Joshua had been lying all along,' or something to that effect. Just a sentence or two. You definitely don't need to spell it out to the reader; it comes off as a bit condescending and sort of sloppy, like you don't trust them to have brains.
Quick thing about this scene: it doesn't reeeeally make sense that Joshua is confused that his parents are gone. Especially if he just killed one of them. It's sort of unclear what happened here, or why he thought his father would just stay put. (Sure he's sick, but if he just killed the mother, wouldn't his father drag himself away from the scene?) This didn't strike me as very sincere.
I also found it extremely difficult to buy the ending, that Maya would stay and take care of Parker. Especially considering a person who looks just like him tried to kill her; I feel like she would have a few residual trust issues. This ending feels to neat, everything wrapped up with a bow and a hint of romance. For someone who appears to have been on the run for so long, to give in to a family which obviously has some problems telling the truth seems way too convenient.
...wow, this review ended up being a lot longer than initially intended. Well, good luck with the contest and good luck with revisions. If you have any questions or need some clarity about anything in this review, feel free to PM me.
Thanks Dark,
Wow, that's so sweet, so rewarding to be told that! Thank you and keep on writing!
Tanya
hey borntobeawriter!
i love your story! its really descriptive and interesting for a short story. you should make novels! I'm new and young, but I've written my own stories. they're nothing compared to yours!! but ill learn and catch up! keep on writing!!
Pink's back! Yay! Thanks a whole lot! No, I managed to cut a bit off so that I ended with some leeway - 3500 words. Thanks, Pink, I'll let you know how it went!!

Tanya
Kyaaa, Tanya this was pretty amazing!
It was gripping from the beginning! The whole time walkers thing is pretty cool too.
Everyone already has picked out the things I wanted to mention but that's okay.
I like the way you wrote the actions out and all, to me, the blended together and created a nice picture.
I've worked with short stories before and they're so hard, especially when you putting in history, if the history is too much the story feels like it's too much to take in but I think you did a pretty decent job.
I agree with the ending, I don't think she should suddenly decide to stay there just because of Parker, I mean they barely really know each other...
The twist, I didn't see it coming, although at first I really thought Josh was the hunter pretending to be the nice guy you followed up with some detail and I suddenly pictured Parker as the villain, nice at driving my thoughts in the other direction. Although some people can't be fooled as easily as me, sigh.
Was the limit 4000 words? If it wasn't, I think you shouldn't hesitate to make it longer and add more detail.
Well, I liked it nonetheless!
~Pink
Evi, thank you! Meh! Short stories are a pain to work with but I think it will be worth it in the end.

Thanks to all my reviewers also!
Tanya
Hey, Tanya! Sorry this is so late-- I was out of town until yesterday. You've already gotten some helpful advice, so this won't be too long. (Although every time I say that it ends up being ridiculously long, so we'll see.) I'm going to do more line-by-line than overall plot.
I didn't really like the beginning paragraphs. It's partially because so many stories start with running, with chasing, with trying to escape, that the idea itself is old. And you can't really fix that, because in this case the story needs to open with the chase. However, it's also partially because, as Lauren said, the tone is very detached and disconnected. Stilted, in a way. You say the name "Maya" too often; there's only one character in that first segment, and once you give her name once or twice, just refer to her as "she" and we'll know who you're talking about.
First, that comma! Second, I also found this odd, but not for the same reason as Lauren. It made sense to me that she'd understand what had happened, but the way she explains it to readers here is too obvious and tell-y. Instead of telling us, "Oh, yes, this is how this works and this is what's happening", see if you can filter the explanation through Maya's pain and panic. Instead of saying, "Therefore firmly freezing her in place" show how she tries to jerk away but can't, either because because she's magically frozen there or the pain is too intense to run.
That's kind of obvious already.
Maya seems too professional at who she is and what she does for this. She's much more competent than to allow the sunlight's reflection to blind her, and it'd have to be a pretty huge blade and some crazy bright sun. Plus, she's mentally preparing herself to attack-- she's not going to be caught off guard by something so trivial.
You don't need to describe the eye color here; it comes across as forced. And the image of "dangling several inches from the sand" is an odd one! I thought he had sliced her ankle off or something.
Parker, you mean.
Again, we should have figured this out by now, and so you don't need to spell it out so clearly. Really, Maya should figure it out before this as well.
A being of light, you mean? And when did he try to harm her? When he jabbed her with the switchblade? If so, make that action a bit more important. If it frees her it's significant, yet we don't regard it as significant until we realize she's freed. It's all too sudden. She's under his control and then out of his control in mere moments; you don't give us time to let the tension build!
I also agree with Lauren about the ending: why would she stick around? Parker wasn't even trying to help her, really, he just wanted to get to her before Josh did to use her to save his parents. While he has good intentions, he didn't really do anything for her...well, except for get in the way of the blow, yes, but still! It's all too fast. She just realized he's not trying to kill her, and suddenly he's worth staying behind for? I can believe this if you give me a little more reason to. Maybe she wants to nurse him back to health, repaying the favor. Maybe she needs to stay to help his father. Maybe she's just sick of all the jumping and wants to rest.
Overall, a good story, with a nice twist (although I saw it coming). Maya was somewhat inconsistent with her character-- she came across at first as tough and hardened, but melted somewhat after going with Josh. Work on her personality.
Best of luck!
~Evi
Buggy - thank you so much! I need to work on the story, I know, thanks for the great advice!
Tanya
Hey, I stumbled across your story and thought I'd give you a review.
I thought this story was fantastic. An interesting concept, intriguing characters, and the twist with Parker and Josh was very nice. In fact there's only a few suggestions I have to make.
One is that this story might be a little better if you expanded it. A lot of the story was Josh explaining things to Maya, and a lot of the action scenes felt a little rushed. Since this was intended to be a short story for a contest, that's understandable. However I think you've got enough to work with here that you can make it into something a bit longer. You could definitely develop the characters more, and if there's any way to turn the wordy explanations into scenes, that could really bring it to life.
The ending could have been a bit more filled out as well. Maybe have the fight last a little longer, make the reader and your characters sweat a little... Everyone likes feeling a little uncertain about how things are going to turn out. And having characters that really have to struggle to get what they want makes it easier for readers to relate to them, thereby pulling them further into the story.
It's hard to pack all of that into a 4000 word story of course, but I really see a potential here for a longer story. Keep up the good work!
I got it Emma! LOL

Thank you so much! Wow, I could feel your enthusiasm through the screen, what a great reward, thank you! I will definitely PM you for any other short story, count on it!
And now...Will you be posting another chapter of your story? Pretty please?
Tanya
Hi Tanya! Sorry I'm late, but gosh, if you write another short story, or anything else, please do PM me again! of all the short stories I've read, this has to be one of my favourites. Fantasy, action, a dysfunctional family, magical being ... fantasy... C: It was great. But, all this gushing isn't helping. So, let's get on to the review.
Good start. By the time I finished this first paragraph, I was as hooked as a fish on the end of a ... hook. I think you get what I mean. We've got Maya being pursued. Magic. A "hunter" after her. Yeah, I'm checking out that next paragraph.
However, your second sentence - the second part of it - it read a little awkwardly to me. Yes, it makes sense, but I'm going to sound a little stupid here and point at the "big words". Personally, I don't use "dispensed" everyday. Maya's in a chase. I don't want to be sitting there, waiting while my sleepy brain finally gets in gear and remembers certain words before I can go and keep up with her. I want Bam! She did this! Bam! Look what happened! Not Bam! Did you see that? Oh, yeah, you're still figuring out that when I say "reserve" I'm not talking about a reservoir. (Don't ask, my brain is odd.)
Meh, sorry if I sound cynical. I've been watching House.
I like this paragraph, especially towards the end.
Shouldn't the second part be in italics? The thought's continued.
Yes, I'm being picky, but I don't like the repetition, especially so close together. Could you change the second "leave"?
Love the twist. That was great. Perfectly done. As for the point made about the climax being too short... I think it is a little.. but I understand that when writing short stories with a word count, you've used up half the amount just writing the beginning.
But I loved this short story! And all the fantasy elements you successfully explained in such a short time. It's well written and well explained. I can picture what's going on very well. Love it. ;D
~Emma
PS, I hope my internet won't cut out as soon as I press submit again! :S If you get this: phew!
Well, I purposefully didn't tell you about it. It's been hard...
But I didn't want to spill the beans! Yay!
Okay... I wasn't expecting this, lol. Here I go!
I'm having a bit of trouble with this part. At first she's really skeptical, and then believes his story. If you're that doubtful at first, you still would be, even after such a story.
I get the feeling that something's missing here. She just asks him what he's doing, doesn't even fight back of flinch or anything at him grabbing her... That seems off to me...
Did you mean "of"?
*one?
One thing bothers me though. Like Lauren said, it seems weird for her to decide to stay; there's no real motivation for her to do so.
And that's all I have to say. I enjoyed the story, but I'm trying to remember which contest you're talking about... I can't seem to remember
Thanks Lauren! I knew it needed work but I didnt want to blow my word count. Glad you enjoyed it.
Tanya
Hey Tanya!

Ah, the short story. I personally find it more grieving than a novel to write. You've done a pretty good job, too! I loved the twist, and the concept was pretty interesting too! Well, let's get on to that review then.
I wanted to be hooked in at the start, but this didn't quite do it. With a short story it's even more important to start off with a hook. You have less time to bring a reader in and less time to develop settings and characters.
This first bit just feels a little detatched. Maya's been running for what seems like a long time, she's being chased, and she's feeling the toll of her magic depleting. I want to know how that feels to her. Here a little bit more description would be good, even with a word count limit. Focus on the five senses and how Maya is experiencing them right now and it'll be good.
The way she just knows and accepts that that's what happened is strange. It's just a little odd that she falls and is like "well of course he found my track and threw his knife at it to make me stop". Is this trick something she would know about? Does she have the same magic as the hunter? Is she familiar enough with it to know right away that it is what happened? Maybe that's just a me thing, but I'd like to know.
Do you mean surf?
I'm not sure, but I think twins do have differences in their blood. Maybe that doesn't matter here, but it's something to think about.
I find it hard to believe that he would kill his father over this. After all, it's his father. Even if he felt neglected I don't see him wanting to kill his father just for that. Or commiting endless murders and crimes.
The Twist and Battle
I really liked the twist! I hadn't expected it at all, which was lovely. The only thing about the twist and the battle, though, is that is all seemed a little rushed. It was the climax of the story, but it was over and done with in no time at all. Go ahead and devote some more words to it, make it shine.
Also in the end, it was a bit weird that Maya decided to stay. She doesn't know Parker at all, and just stopped thinking he was trying to use her for evil. If she's going to stick around for a while, I want a really good reason for her to stick around.
Alrighty, well I did enjoy reading this! It is certainly an interesting idea, so you should definitely keep working on it. It just needs a little more polishing to really shine.
-Lauren-