Blackridge, Tasmania - 1963
Never go running this deep in the woods.
Thats what I always told myself, only stick to the path because that’s where you’re safe.
Well now I’m far off the path, the ground beneath me is wild and bare and my mind has only one thought.
I'm going to kill her.
The pistol is cold against the skin on my thigh, I’m more aware of it’s chilly thump against my leg as I run than of where I am actually heading. My frantic eyes just follow the flashes of white between the dark trees and my legs obey, working like a machine as they always do.
The air hits my face like ice, I barely register the tears that are forming in my eyes and cloud my vision like a choking mist. My heart is grieving and mourning, crying out for me to stop but my body doesn’t have time to acknowledge that pain, only to keep chasing, keep going and going and going until I catch her.
Those white flashes of her dress in the distance beckon me over moss covered rocks and fallen paperbarks.
When the sky opens up I barely notice, when the cockatoos screech and caw I barely notice, when a wayward stick scratches against my bare, wet leg and leaves a trail of crimson blood I barely notice, all I see is that white dress and all I feel is that gun against my leg that I would use to put a bullet through her head.
The forest around me sings a symphony of rain and birdsong and cicadas. My head becomes all I am, no feeling, no sympathy. She will die that woman, she will die at my hand, the same hand that reached for Jason as he struggled beneath that grey water, the same hand that couldn’t find him when she dragged him under, and under and under. Her suffering is all that is in my mind, that most poisonous feeling that fills my entire body like thick smoke and drives me further and further into the dark forest and closer and closer to my best friend’s murderer.
I was never a killer, it made me sick when my father used to take me out into the back fields of our homestead to shoot the rabbits. I couldn’t understand why they didn't get back up and hop about like I had seen them earlier. I asked my father, looking up at him as if he were a statue high above me.
“Why do we kill the bunnies da?”.
He looked down at me like I was one of those rabbits, a simple girl who didn't understand the complex makings of the world.
“They are below on the food chain my girl, don’t be soft or you’ll end up like them” he motioned to the unmoving rabbit a yard in front of us “you’re either the rabbit” he picked up the gun “or the hunter”.
He ended the conversation just like that, leaving me to stand alone among the tussocks.
But I still never understood why he would kill, what is the point of making the rabbit stop moving?
But now, now I see. That rage that comes along with it was burning in me now, you didn’t kill for fun, for a game.
You killed to make them stop moving, stop breathing, stop existing. And thats all I want, for that murderous woman to stop moving and never move again.
My feet screaming in pain brake me out of my thoughts, I’m wearing pink sandals, not the best shoes for running, I feel the straps start to break and give way.
In that second it took to look down at my feet she was gone, just like that, as quickly as a feeling flies away in the wind. My eyes searched the surrounding trees frantically, how could I let my guard down. My heart drops to the ground and so do I in breathless exhaustion.
I fall to the damp, black soil, my smoke clogged chest heaving in and out. I let out a cry of pain and sadness, tears burning in my eyes as I double over, laying my sweaty forehead against the cool earth. The intense smell of wet soil and decaying gum leaves surrounds my head and I breathe it in as I gasp for breathes between tears.
She is gone, so fast, even faster than me and I’m the fastest person I know.
Jason I’m so sorry but she's gone and I cannot do a thing, so useless, so stupid.
I was going to kill for you, it just went so fast, only this morning we were eating breakfast, you remember right, you made me those disgusting pancakes, and then… then we went to the lake to swim and…
She… she took you under in a flash, she took you away from me and made you stop moving.
And now she’s gone, probably far away now, because I wasn’t fast enough to catch her.
I’m sorry.
I’m sorry.
The rain starts to blanket down but I don't care, I let it soak my dress and wash away the blood coming out of my stinging leg, my curly, dark hair soaked through. I feel the gun calling me from in-between my skirts, it hadn’t given up yet.
I drag myself up from the ground, wet mud sticking to my arms.
What kind of a friend would I be if I just sat here?
Not knowing what direction to head in I walk over a hole ridden log, underneath a willow’s dripping arms and enter a clearing. It’s openness surprises me after being trapped under seemingly never ending leaves and branches.
To see the stormy sky above me stretching out was releasing, I notice the rain start to slow, a thundering downpour turn to a drizzle.
My gaze drifts away from the sky down to the centre of the clearing where a ancient gum tree stands regal and white, it’s bark long wasted away leaving a pale skeleton to stand out amongst its the dark green brothers. It’s massive trunk grew out into the sky, it’s beauty almost distracts me from what was at it’s base.
Among the silver grass stands a woman, her white dress bright and dripping. She is looking up, high into the trees branches, long brown hair tumbling down her back.
My heart drops, the blood rushing down my arms. There she is, peaceful and ghostly.
The rage returns to my blood.
My hand goes to the gun, it is heavy and unfamiliar in my fingers as I unclasp it from it’s clasp on my leg and draw it up.
The forest stops singing, every tree watching where my finger is going to move. The air around me freezes, the temperature drops and the rain turns to snow in the sky, falling softly onto the ground.
My hands are no longer shaking, I know I could do this, aiming across the tussocks to the back of her head. I want her to turn around and to beg me not to do it. Part of me feels like a monster, but another part feels like a warrior, avenging a fallen friend.
This is for Jason, for the pain you brought me and the pain you brought him and everyone who loved him.
She was unmoving, always looking up, snow drifting onto her hair.
I held my breath and.
I shoot her, the heavy sound echoed through the silent trees.
But… she.
She's still looking up, the bullet hit it’s mark, the back of her head but there was no blood, no hole.
What the hell.
Then she moves, slowly she turns her head looking me directly in the eyes. The gun drops to the ground from my limp hands as she stares at me with the brightest blue eyes, they were so sad, so, so sad.
Slowly she fades. She’s there and then she isn’t. Floating away on the wind like a mist. The snow melts back into rain.
Oh god, none of this makes sense, people can’t just disappear and they certainly can’t get shot in the head and survive it.
The forest returns to it’s song, trees creaking in the wind and birds twittering. It was almost as if she were never there in the first place.
But she was right there, how is she just gone. Out of my reach.
This was insane, Jason was murdered and now I’m in the middle of nowhere chasing a woman who disappears like a ghost.
I felt like I was dreaming, I wish I was dreaming. But this is not a dream and I need to deal with this.
I check behind me back into the trees, I see a possum climb over a log, a beetle crawl up a nearby banksia, a kookaburra fly into the grey sky. I do not see her.
I notice even more hot tears forming in my eyes, I wipe them away in shame with my dirt stained hand and try to gather myself.
I need to get help right? I know this forest like the back of my hand, the pathways along the sandstone cliffs, the ghost gum trail near the Darling river, and of course the path that leads from town to the lake. That's where I was, where it happened.
I don’t know this part of the forest, no pathway ever leads this far east but if I retrace my hasty steps I could maybe find my way back to the lake.
My legs are aching and the blood coming from the cut now covers almost half my leg, running into wet ground, only now did I start to feel it’s ferocious sting.
God, I hope I find someone out here who can help me, I won’t make it far like this.
I prepare to face reality, how was I going to explain this? How were people going to react? This was small town and news like this will be the centre of everything.
I wonder if my father will be angry, I wasn’t even meant to be out here with Jason in the first place, and he will cut my throat if he finds out that I stole his gun.
I notice the pale sun getting lower every second behind the clouds and there’s a storm brewing, I can smell the air laced with static. At this time of the year the night will bring frost, I need to leave this place quickly.
Although I know I can find my way back I still feel fear creep up on me, the hairs on my arms rise as the cold wind picks up.
I don’t know it, but blue eyes watch me from deep within the trees.
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Canary word: Present
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Greenteas and salutations my dear friend!
My name is GreenTea and I'm here to review! I hope none of the constructive criticism will be taken negatively and the positive comments will help inspire you to continue. Let's get into the review!
First off, great start to a good story. You focused on a subject that is eye-catching and interesting, I like that! I also really like how you made the story convoluted and confusing, adding to the fact that the character is in the middle of a chase scene and their thoughts are scattered and few and far between. I can't help but think this is written in passive voice, however. You have so much to go on and an interesting subject, there is no need to write in passive voice. My suggestion is to get a thesaurus or on a thesaurus website and look up interesting and new words to use instead of common ones like "blue" or "quickly". Try something like "cerulean" or "swiftly". It makes the passage much more interesting!
Time for comments!
Awesome start! Very eye-catching but simple and easy to understand. Well done!
Ooh, kill who? I'm intrigued...
The "as they always do" at the end of the sentence seems a little awkward. Maybe delete that part because it seems a little unnecessary.
I would capitalize "da" because it's a proper noun in this sense. That's who the narrator calls her father so to distinguish it from the text, I would capitalize it.
I would add an ellipse at the end of "she" because the period right there ends the statement quite awkwardly.
Passive voice. Try and use different words to vamp the tone of the passage up a little bit. I know it's supposed to be intense and simplistic, but there can be no harm in using more complex words.
Well, that’s all I have for now! Hope I gave you a quali-tea review!
再見
Zàijiàn!
~GreenTea
Thanks for sharing this story about a woman who is driven to attempt murder by her need for revenge. It effectively conveys the inner turmoil and struggle against physical discomfort felt by the female who is chasing. . The drama could be strengthened if the evasive efforts of the mysterious blue-eyed woman were more prominently included.
. There is imagery and that is good if it is used with moderation so as not to overwhelm the ability of the reader to visualize. Sometimes it’s hard to find that balance and we describe too many things and everything becomes a blur. I found that the profuse description of minute details had that effect on me. Also, if we introduce the names of exotic or unfamiliar plants we draw a blank. The reader sees nothing. Just feels the need to go to a dictionary. So I would replace those references with common things that won’t distract.
Suggestions:
There are too many shifts from present tense to past tense. Many sentences need to be shortened. Careful with too detailed descriptions of common things. It might come across as purple prose.
"....ground[;] only now...." The comma doesn't provide a strong enough pause.
"My legs are aching...." = present
"I prepare = present to face reality, how was...." = past
---------------------------------
That[']s what
thought[:] I'm going to kill her.
The pistol is cold against the skin on my thigh[.]
The pistol is cold against my thigh. [The reader knows that the thigh has skin.]
" ....forming in my eyes...." [The reader knows where tears form.]
My heart is grieving = cliché
paperbarks. = What?
“....My head becomes....” That brought to mind the big-headed queen in Alice in Wonderland the film starring Jonny Dep.
Better: “....my mind becomes....”
“...farther and farther....” not “further”
https://www.writingforward.com/grammar/ ... vs-farther
"....sky above me stretching out was releasing,... "What was it releasing?
“....smoke[-]clogged chest heaving in and out....” [ Redundant: If the chest heaves it has to be in and out.
I'm reviewing as I read, so if this is long, you wrote either a lot of things I like, a lot of things I didn't like, and if it's really long, both. It's shusher... *that name needs changed* comming at you live!
"Never go running..." I like how you capture the readers attention right away.
He's always told himself this? Narrator be paranoid.
Jumping right in with action. Okay but... you've barely described the scene. You intend to describe both characters at once? This is hard, because it doesn't really give time for the reader to get attached to anything.
"Pistol is cold against the skin on my thigh." What is said main character wearing???
I get why you use "barely notice" repeatedly here, but I think it works against you, because it causes the reader to re-read that stuff. In first person view, I like feeling what the character feels, not what he's... not feeling. Ya know?
Same thing with "rain singing." It seems like the main character doesn't care what the rain sounds like other than killing this lady. Normally, there isn't enough imagery in stories, but in this instance where the main character has the most tunnel vision... ever, I'd remove some of the poetry you have. Ex: instead of rain singing, say "It's raining, and she's gonna die."
Also, the sky is opening, and it's raining? This can happen in life, but I'd either remove the sky opening, or the rain because it's taking away from the action at hand.
"fills my body like smoke.." Smoke doesn't really fill the body... maybe like blood? like air?
Why is he thinking about rabbits and not thinking about Jason (the only character with a name, and he's a dead guy)
I'd describe the things protagonist does with Jason since they're deeply reminiscent about it. ex: instead of pancakes, say, "Warm, soft, brown pancakes."
"curly dark hair..." It ain't so curly now, miss protagonist.
Imagery coming into the opening was pretty dang good!
Why is miss protagonist wearing a dress with a gun strapped to her? Why are both characters, soon to be dead and protagonist lady, wearing dresses at all in a forest setting?
Rain turning to snow, and everyone watching the gun, that imagery is lit!
"I shoot her" should be "I shot her."
Why the frick are birds, to quote a song, "Singing in the rain"?
She stole the gun before, or after Jason gets killed? If before, why? If after, how'd she even trace the ghost (I'm thinking it's one of those things that the protagonist is the main killer buuuut whatevs).
The storm is now brewing... yeah... I'ma need some consistency in setting.
"I don't know it, but blue eyes watch me from..." this last line, I really don't like because the entire rest of the story is told from her perspective. Thus, if she doesn't know something, the audience shouldn't either. Or, you can tell this in 3rd person. Changing to 3rd person helped me a TON with the book I'm writing. I could get fancy and still give tunnel vision to characters. #lit