life part 3

by adi

WALKING AND TALKING

b a c k w a r d

Daddy tosses things over the table, his face angry. Papers flutter to the floor, so peaceful compared to his actions. The room feels like its spinning. I close my eyes, for only a moment.

When I open them, Daddy is leaning against the table, his arms shaking and his eyes crying. I want to touch him, to hug him. But he’s too angry. He’ll hit me. He sees me, his face goes blank. I stare at him. He looks angry again.

“Get out of here!” he roars. “GET OUT!” I go down the hall to my room and shut the door, listening to the raging of the TV, and of Daddy yelling and crying and the brokenness of it all.

Where is Mommy?

s t i l l

I take a deep breath. I feel sick. All the girls in front of me and stripping from their day clothes and pulling on the gym clothes. Most of them look so fit. The ones that don’t look uncomfortable. But no one looks like me. Skinny as a stick, with bruises on their ribs from when things get thrown around. None of them have burns on their arms when anger got the best of humanity.

I shiver in the heat.

The coach looks at me with abhor. “Hurry,” she says. I nod, but wait for the rest of the kids to leave. Soon, it’s only a fat girl and me. I just look at her. She looks back. To myself, I think that she’s very pretty. Her eyes are big and blue and her skin is olive. Her hair is long and straight and black.

She looks away from me, sparks in her eyes. I turn around, and start to pull off my jeans. I’m in the very corner of my room, hoping to remain unseen. The door closes and the room goes quiet. The coach forgot about us. Or maybe she used to be ugly and knows how we feel.

As I’m putting on the shorts, the fat girl asks me a question.

“What do you have to be insecure about?”

I turn around. She’s already dressed, watching me in my huge black shorts that I’ve rolled up about ten times. They still slip down low. I try to hold them up. My top isn’t even off yet.

“I…” I start.

“Look at you,” she says softly. “I would kill to look like you.”

“I…” I can’t finish this time. She looks like she’s about to cry. I feel all of a sudden like we have a connection. The fat girl and the one that looks anorexic. My bones shiver. We’re complete opposites, yet we’re so similar. Both out of the norm.

So I decide to take of my shirt. She looks at the bruises on my prominent ribs and the mottled scars on my arm. Her face reels backward, and she grows silent. I feel tempted to cover them up, to wrap up in myself. But the birdmen are there, shielding me from her big green eyes. We stare at each other.

A breakthrough.

A beginning.

An end.

The birdmen split between the two of us, wrapping their wings around my bruises and touching the girl’s face, marveling at her eyes. What hell has she gone through? I wonder, in the second.

The world is still changing, shifting, the future rearranging all because of the nervous sparrows that fluttered out of her mouth. They have changed us, altered us, and we both know it.

All in a second.

“Oh,” she says. “I’m Tiffany.”

“I’m Sam.”

She smiles. I smile, nervously. I pull the blue gym shirt on. We both walk out with a flood of questions on our minds.

ii.

Tiffany and I walk the track together.

At first, we don’t talk, but then I feel her looking at me, and I look back, playing with my blonde hair sort of nervously. She is biting her nails, which are painted neon blue. I really like that color. It makes her eyes look like stars. I don’t tell her so.

“So you hang out with Alex, right?” she blurts out, sort of in a long string without any spaces if we were in a movie. Like, “SoyouhangoutwithAlex,right?” Her face is red underneath her dark hair.

The corners of my mouth are pulled up by some invisible power. “Sort of,” I reply. Who else thinks he’s perfect?

Tiffany’s eyes are eggs on those breakfast plates, her mouth bacon. “Are you guys, like, a thing or something?”

I shake my head. “He’s mad at me because I don’t want to go to his party. He hasn’t talked to me for a week.”

“Why don’t you want to go?” Confusion. “If Alex asked me to a party, I’d probably fall over myself trying to say yes,” she confesses honestly.

The day is blue. The faces around me are yellow. The girls on the field playing soccer are red. Pink dances around Tiffany, the same color as her lip gloss. The coach is doing a crossword in the New York Times, surrounded in green.

“I just don’t like dancing,” I say, only halfway lying. Or halfway truthing. But I tend to be more of a pessimist.

THE TRUCK

f o r w a r d

She plays the piano.

I marvel at her, marvel that I can see her from the back of the pews. So this is what has happened. Why it happened. Her tiny fingers arch over the black and white keys, dancing like little ballerinas in a lovely dance. Tears threaten to win me over. I’m so jealous, so jealous of this girl and her piano hands.

Next to me, the old woman’s lips move in synch with the choir’s words. This place is too perfect. Too unscarred. I stand, and the woman looks at me, her smoker mouth pursed into a thin angry line. I look back calmly, pain in my eyes.

And I leave.

If only I could play the piano.

Would she love me more? Would she have stayed? Would things have stayed firm?

What if.

s t i l l

He touches my shoulder. I turn around, finding myself stuck in his image. Alex looks tired, his hair even more mussed than usual, a crooked smile on his chapped lips. The birdmen draw closer to me, their wings lifting my hair like they to when they are unsure. I stuff my hands into my pockets, and meet his brown eyes with my blue ones.

“Hey Sam,” he sighs. His breath smells like peppermints and sweet things. “Are you hungry?” The school is dissipating around us, happy to be free from teachers and obligations.

“No,” I lie.

Alex frowns. “Just chill with me, then.”

“No,” I say firmly.

The frown is gone. In it’s place is a grin. “You’re funny, Sam.” I regard him with hostility. He jerks his thumb over his shoulder, at where I assume a group of his friends are waiting. I assume because I can’t see them at all. If only I had glasses.

“We’re going to go get some dinner, then we’re heading over to Thomas’s house for a movie,” Alex says. “I want you to come.” Smiling, he adds, “There won’t be any dancing, or anything. Just a movie and some fast food. We’ll pay for you and stuff.”

“Who’s Thomas?” I ask.

“Just a kid I know. His girlfriend is my best friend’s ex, but they’re totally cool, so…” he looks at me from underneath a sheath of dark hair “… do you wanna come? It’ll be awesome, and I really wanna chill with you… so yeah.”

I squint really hard trying to make them out. But I can’t see them. Last month, Daddy came home for three weeks, but he’s been gone for two. He won’t be back for a while. There aren’t any excuses to make, plus we don’t have any food at home.

“Uh, sure,” I say softly.

Alex grins and takes me over to meet his friends.

Thomas is tall and skinny and quiet. He has a red Mohawk and snake bites and a goofy smile. His girlfriend’s name is Maybell, but everyone calls her MB. She’s tall too, and is bald, except for her eyebrows that are dyed bright green. She has a tongue piercing, which I know because she likes to show it off. It’ funny, because MB was wearing a flowered skirt and a white tank top and Thomas had just a pair of jeans and a Sex Pistols t-shirt. It just wasn't what you would expect them to be wearing.

Alex’s friend who used to date MB introduces himself as Oliver. He’s just average height and weight, and walks with a limp because one of his legs is shorter than the other. He has bleached blonde hair and big glasses with black rims. Oliver’s personal hero is Andy Warhol, because of his influence on the world and his art.

Oliver’s girlfriend is named Vanessa, but everyone calls her Nessa. She doesn’t say very much to me, and is from Brazil. She likes Oliver a lot, I can tell. Her hair is really long and dark and curly and she wears vintage clothes and combat boots and wants a tattoo of a star on her left upper thigh.

All of them seem to think I’m really weird, but that’s okay because I think they’re weird too.

We all climb into Thomas’s truck. MB slides into the passanger seat with a giggle. Oliver and Nessa climb in next, her perched on his lap. Then Alex clambers into the last seat. I still stand outside the truck, wishing Alex had told me how small it was.

MB notices my reluctance first. I guess she maybe it’s happened to her before. She leans over to Thomas and whispers something and the two seem to be have a very deep coversation.

“Just get in,” Alex says. I don’t answer. Nessa leans over and slaps him.

“Idiot! God, you are such a jerk,” she says heatedly. He just gives her an innocent stare. “This is totally why you’re single, asshole.”

“What!” he cries.

“Dude,” Oliver laments, “Nessa is totally right. You can’t just ask a chick to get in your lap and have her be totally OK with it, man.”

I look down at my red sneakers. Alex looks upset. I feel bad. MB climbs out, and grabs my hand.

“Dudes, I’m riding in the back. Whoever wants to chill with me, come on.” She pulls down the back and ushers me in, climbing in after me. I smile at her, she sticks out her tongue in response.

Next come Alex, and Nessa and Oliver. Thomas screams that he’s lonely, and pretends to cry. Grinning, MB says she votes Alex off. Nessa and Oliver agree. He looks over at me very briefly, but then climbs off and rides shotgun.

“Hon!” MB shouts over the wind of the moving car. “Sit next to me.” She pulls me over and wraps her arm around my shoulders. Soon she’s playing with my hair and talking with Nessa about how pretty it is. Oliver just sleeps on her shoulder. The girls start asking questions about me and I answer them the best I can without revealing too much about myself and Daddy.

When we finally stop, MB is still questioning me, and I’m still trying to answer. She buys me a milkshake, some fries and a grill cheese sandwich. I eat it all, but am still hungry. The entire group stares at me. I can feel my face heat up.

“Dude,” Oliver says.

Nessa cries, indignant, “How can you eat so much and still be so freaking scrawny?”

Alex and Thomas are falling over themselves with laughter, at me, imitating me, like boys will do. MB slaps them both, which only makes them laugh harder. Then she launches herself at them, and starts throwing kisses on Thomas's face. Everyone fake-gags, and then a waitress comes over and we get kicked out.

By this time, it’s about six at night, and starting to get dark. We sit in the back of Thomas’s red truck – all six of us. The couples are huddled together against the sunset and the cold spell. MB makes cracks the entire time. I let Alex sit next to me, but not hug me, even though I’m freezing. I won’t even let him hand me his coat. He looks dejected. All I want is for him to be comfortable. Everyone is too wrapped up in each other to notice.

Comments & reviews · 2
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User avatar
Jiggity
Review
Jiggity wrote a review · Thu Dec 25, 2008 3:32 am

Well, Joseph pretty much covered everything. He's right, though, about 'then' - you use it way too often in this chapter. Mostly, I didn't mind though, just because I'm so into the story, I feel a little blinded critique wise, ha. Having said that, I didn't mind the fragmented sentences and some of the 'then' usage because it fits so well into the presentation of the teenage girl mindset. It's very much how I would expect to be told these things from one of them and in that sense, you succeed so very well.


I guess [s]she]/s] maybe it’s happened to her before.


That's the only thing I noticed that Joseph didn't cover, lol.

Aside from that, I really enjoyed this piece. I can't believe this slipped me by! I read the fourth installment and was like, 'wait a minute...I don't know these people, what's going on?!' -- dude, you're totally meant to PM me when you have a new chapter up.

Great stuff.

User avatar
JosephDean
Review

I close my eyes, for only a moment.


You do not need the comma there. "for only a moment" is a prepositional phrase.

I want to touch him, to hug him. But he’s too angry. He’ll hit me. He sees me, his face goes blank. I stare at him. He looks angry again.


A lot of short, choppy sentences here. It seemed like I just stopped after every sentence. You can combine the first two, reword the third, add in a conjunction to the fourth, and combine the last two. For example, "I want to touch him, to hug him, but he's too angry. He might hit me. He sees me, and his face goes blank. I stare at him, and he looks angry again."

“Get out of here!” he roars. “GET OUT!” I go down the hall to my room and shut the door, listening to the raging of the TV, and of Daddy yelling and crying and the brokenness of it all.


Use a different verb instead of "go" here. It seems like she's just walking down to her room like any other day. "Hurried, dashed, ran," etc. Change "the raging of the TV" to "the TV's raging sounds" (or something similar) and omit the 'of' in "and of Daddy yelling and crying". You wouldn't say, "...listening of Daddy yelling". Always cover up each part of a conjunction to make sure that both items sound correct with your verb.

The "and the brokenness of it all" part confused me just because I was trying to figure out what part of speech it was. Was the father crying because everything was broken? If so, "...Daddy yelling and crying due to the brokenness of it all". Or was the girl listening to the brokenness? If that's the case: "...listening to the raging of the TV, Daddy yelling and crying, and the brokenness of it all."

All the girls in front of me and stripping from their day clothes and pulling on the gym clothes.


Fragment. Your subject here is "All the girls" and "stripping from their day clothes and pulling on the gym clothes" (both of them gerund phrases). You don't have a verb.

Most of them look so fit. The ones that don’t look uncomfortable. But no one looks like me.


The second sentence is a fragment, and the third just doesn't fit right. Combine all of them. For instance, "Most of them look so fit - the ones that don't look uncomfortable, that is - but no one looks like me."

I nod, but wait for the rest of the kids to leave.


You don't introduce a second subject, so the comma is unnecessary.

I just look at her. She looks back.


Sounds a bit repetitive in comparison to the beginning with the staring contest between the girl and the father, lol.

Her eyes are big and blue, and her skin is olive.


Comma where indicated.

Her hair is long, [s]and[/s] straight, and black.


When you list a series, it's best to use the proper notation. Putting "and" after everything might help show the narrator's character, but it's annoying to read :P

I turn around, and start to pull off my jeans.


No comma. Once again, your subject remains unchanged, and you only have a compound verb.

The door closes, and the room goes quiet.


Comma where indicated. You have two subjects and two verbs, two complete sentences.

So I decide to take [s]of[/s] off my shirt.


Off.

What hell has she gone through? I wonder, in the second.


Her thought should be in italics. "in the second" is a prepositional phrase so you do not need the comma. Also, you make her sound so innocent throughout the story - I think anyway - so it seemed a little odd to make her swear.

“So you hang out with Alex, right?” she blurts out, sort of in a long string without any spaces if we were in a movie. Like, “SoyouhangoutwithAlex,right?” Her face is red underneath her dark hair.


I would put the "SoyouhangoutwithAlex,right?" as the first quote. That way you do not have to repeat yourself, and it reads better.

At first, we don’t talk, but then I feel her looking at me, and I look back, playing with my blonde hair sort of nervously.


Jiggity is going to be mad at you. :P

The day is blue. The faces around me are yellow. The girls on the field playing soccer are red. Pink dances around Tiffany, the same color as her lip gloss. The coach is doing a crossword in the New York Times, surrounded in green.


First, "New York Times" should be italicized. And this paragraph was inserted so randomly. It seems that you forgot to put in scenery detail at that moment and just inserted a bunch of sentences, lol. If you're going to reference the colours later on, place the paragraph at the end of that section - after the "I just don't like dancing" line.

I stand, and the woman looks at me, her smoker mouth pursed into a thin angry line. I look back calmly, pain in my eyes.


If I see something that says "She looks at me; I look back" one more time.... :P Find different ways to express your staring contests!!

The birdmen draw closer to me, their wings lifting my hair like they [s]to[/s] do when they are unsure.


Do.

His breath smells like peppermints. [s]and sweet things.[/s]


Just leave it at peppermints. Sweet things is just more repetition.

He has a red Mohawk, [s]and[/s] snake bites, and a goofy smile.


Fix your list.

She’s tall too, and is bald, except for her eyebrows that are dyed bright green.


Either take out "too" or change it to something else, like "as well". Take out the first comma, your subject is still unchanged.

It’s funny, because MB was wearing a flowered skirt and a white tank top, and Thomas had just a pair of jeans and a Sex Pistols t-shirt.


It's. Take out the comma after "funny". Insert a comma where indicated.

She doesn’t say very much to me, and is from Brazil. She likes Oliver a lot, I can tell.


Take out the comma after "me". Funny, you put in commas where you don't need them and don't put them in where you do need them. Rephrase the second sentence. It just doesn't sound right. It is correct... but... yeah, lol. "I can tell that she likes Oliver a lot." or something.

Her hair is really long, [s]and[/s] dark, and curly, and she wears vintage clothes and combat boots and wants a tattoo of a star on her left upper thigh.


Congrads, you beat the world record for usage of the word "and". When you have a list of anything - items, verbs, subjects - you always place commas after each one except the last, which is preceded by "and". Placing in the proper commas, it is technically correct, but I highly suggest cutting that into at least two sentences. Use different words, please.

The girls start asking questions about me, and I answer them the best I can without revealing too much about myself and Daddy.


Comma.

She buys me a milkshake, some fries, and a grill cheese sandwich.


Well at least you didn't place and after each one this time. :P

I eat it all, but am still hungry.


The subject is still "I". Take out the comma.

Alex and Thomas are falling over themselves with laughter, at me, imitating me, like boys will do. MB slaps them both, which only makes them laugh harder. Then she launches herself at them, and starts throwing kisses on Thomas's face. Everyone fake-gags, and then a waitress comes over. [s]and[/s] We get kicked out.


This paragraph starts out okay and then it gave me the "wait...what?" response.

By this time, it’s about six at night, and starting to get dark.


Take out the second comma... subject is still "it".

I let Alex sit next to me, but not hug me, even though I’m freezing.


Take out the first comma - it's still referring to Alex.


And lastly, the random use of more complex terms, such as "abhor" and "dejected", really do not fit. In comparison to the rest of the story, it makes it seem that you just checked your Microsoft Word synonyms list and chose something that sounds fancy, lol. Since you are writing in the first person, you need to really throw yourself into Sam's mindset, which includes using the same level of vocabulary throughout the story.

---

Well now that my critiques are over... It was really good. We were introduced to a new alliance and shown that Sam gets really uncomfortable around groups of people, which is necessary to the development of her character. Just fix your commas, and it'll be fine :)

Looking forward to the next part.

joseph.dean-



When I use caps I do not want you to read it like a little screech, I want you to read it like a 5,000 year old ogre with the strength of 10,000 men.
— avianwings47