I have to say I'm intrigued by the plot, but I'm sorry to say I'm less than impressed by the writing. oo"
First off, this would actually qualify as well-written if you clean up the voice. This one has voice that's all over the place - it's not consistent. At times it sounds teeny-boppy, and then at others it sounds a lot more mature, and this leaves a confusing impression with the reader.
Let's take examples of this.
Jeffrey, what a catch.
Very teenage when combined with the sentence before it.
Relaxed movement, speaks with himself, various mood expressions. Is he even mentally stable? I have an odd feeling about this.
Mature all of a sudden.
Inconsistent voice leaves the reader unsure of what to think about the narrator. See, if you kept a mature voice all throughout, we'd know Mary's characteristics with a good deal of certainty, given this is third person close. However, if you jump from one voice to another, it makes the whole thing difficult to follow because it feels like more than one person is talking - that is, it almost feels like Mary has a lot of personalities. oo"
Pick one voice, use a vocabulary level and sentence structure consistent with the voice, and it'll help loads with your characterization (although you already did a pretty decent job with that, given how messy the voice is).
Also, I'm fairly sure that if you broke up your longer sentences into several instead of using commas, this will flow much better. It's a little clunky because there are a lot of commas and not enough full stops in here. I'll use another example from your piece.
She doesn’t care about any risks, her curiosity is more than just burning, she just has to know why, why he is the only man that escapes her control; doesn’t fall for her tricks, doesn’t get influenced, manipulated, nothing.
This is a little long and difficult to get through. Short and precise would fit better. Let me show you.
She doesn't care about any risks. Her curiosity is more than just burning - she just has to know why, why he's the only man that escapes her control, doesn't fall for her tricks, doesn't get influenced, manipulated, nothing.
Breaking it up into two sentences and using an em-dash instead of a comma works better here, as you can see. Try to go through the piece and chop the sentences into two when you can. It'll help lots.
Another note is that while this is good in that it has conflicted and it doesn't dilly-dally, I'd like to see more descriptions, actually. Although I enjoy more minimalist pieces (love them, actually), I'd like to note that they do give a sense of the surroundings with a few well-placed words.
Sure you mention "city park" and falling leaves, but these are generic. I'd like to see more unique details about this place - maybe it's the old acacia tree near a rickety bench or a strange fence lining the walkway, or something as simple as a faded "Stay off the grass" sign. Little things like these are the ones that make the setting come to life.
Think of your setting as another character - it has another personality and brings something new to the table. It's something else your audience can stay in love with, another thing they can stay in the story for. Thus, try to characterize it every once in a while. The setting should be a secondary character, only rarely main, because if the setting's a main character, then it might detract too much attention from the actual story.
I'd also like to advise you to stay in one POV. See, here, you switch from third person close Mary to third person close Jeffrey. It's a bit jarring - when you go with third person close, you stick with one person all throughout the narrative. You don't see Harry Potter jumping to Ron's POV, no? No. You see Rowling stick with Harry all throughout the novels.
Similarly, it's weird if you shift POVs in a single chapter. If you'd like to show both of their POVs, then maybe do it through alternate chapters (still not what I'd recommend) or omniscient (but then you'd have to show your hand all the time). Honestly, I think your best route at the moment would be to follow Jeffrey's POV, or to do alternate chapters (which I don't like, but honestly and objectively speaking, it's possible to pull them off well).
Your pacing's also off the charts - it's so fast I barely had time to blink. Try to slow down and breathe the roses a little more. At this point, you're trying to ease the reader into your world, so you don't need to punch them in the face with so much action yet. If you slow this down somewhat (maybe by prolonging the part where she trails Jeffrey - not too long, though), it'll be much better and the fight scene will be comparatively stronger.
Your grammar here is a little stiff, but Woot's picked most of it up, so I won't repeat myself here. Just remember what I said about sentence structures and breaking up sentences, and this should be fine. Pacing's also a problem, but that's something I'd worry about last, given some people like faster novels and I'm just one of those kinds who likes little conflicts before the big one.
Anyway, you know where to find me if you have any questions.
Sincerely,
Octave
Points: 8831
Reviews: 202
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