Chapter 1
It is midday, and I lay on my grey, tattered bed. I don't know what I am waiting for. My sister? The people who run our orphanage to tell us to clean the spotless building again? To wait for a sale on goods? I'm not to sure, but sitting down, not having anything to do, stresses me out.
I fumble with my brown leather jacket that I had recently bought with my savings. I don't get much since I am an orphan, but in a year, I will be considered grown, and my sister can be a licensed healer.
Speaking of my sister, she pokes me in the neck (hard. It never tickles) as I was taking off my jacket. She annoys me sometimes, but I can never be mad at her. She is much stronger, wiser, and more experienced than I am, even though we are twins. She can't have learned years of lessons in the extra six minutes she was born before me, so her mental age often disorients me.
"What was that for?" I scold her.
"What do you have against me poking you?"
"Nothing. I didn't get enough sleep last night, I'm just angry at everything I guess."
"Cheers to that." She replies.
Awkward pause.
"Been a rough day, Nardo?" I ask to change the subject.
"As always, yes. Not many people were being cooperative." she said in a mellow and tired voice.
"So, do you want to start sweeping and cleaning the building so the caretakers don't make us do it?" she suggests. I recognize the dark circles under her eyes, which usually means that she was woken early to heal an extremely sick or injured person. Even though we are young, Nardo has the qualities of a grown adult. She has strength, the brains, and the perseverance.
"No, let them punish and yell at us if they want to. We will be fifteen next year anyway, so we can just leave this place behind."
"Yeah, that seems like a nice choice." She sighs.
"What's wrong, Nardo?"
"Just wish we were accepted and not trying so hard as to get a few Yondues." she says.
"Yeah, they take a lot of work to earn, but are worth a lot. Maybe Quinlocks would be a better option. They are a lot easier to get. But then again, Yondues give us more status."
"Stop talking Leo, my head hurts. Come on, let's go outside. It reeks of grey and ugly people in here." She cracks a smile.
"Sure, I've got nothing else to do." I answer.
She leans off my bed and smooths out her big, baby blue dress that women are required to wear. Her small white apron is stained with green. Probably the residue of the herbs she used to heal the sick today.
We walk the narrow, winding dirt road to a large cave that only the two of us have been to. It looks like part of the mountainside, but is very large on the interior. We sweep aside the rough vines, and go inside the familiar cave that we usually call home. I spot the small, freshwater lake, which is my small main source of money, since it is so hard to come by drinking water. We keep this place a secret, because the Wise Ones would command it to be used, drained of the small, steady lake, or have it as a luxurious shelter for themselves, or maybe even a network of prison cells. Sure, we would make a little money off it, but this is supposed to be our safe place, a place where we can share our deepest secrets, our happiest memories.
Nardo's rose red eyes shine through the sunlight escaping through the vines. She pulls out her small thin backpack, which is very well concealed under the poofy fabric of her dress. Speaking of which, when she sits down beside me, she can't sit on her knees or squat, because it will just spring up everywhere. She often complains of this, because she isn't the "maiden" type, even though she is expected to be.
When she opens her backpack, she pulls out a small bag of raspberries from the bushes around our cave. I'm not extremely fond of them since she makes fun of me when they are sour, so it is a gamble every time I try them. Probably why she really likes them.
Nardo sets it in the middle of us so we can just freely eat it. It would have been pretty expensive if we would have bought it. I grab a handful, and become mesmerized in the delicious syrup that flows in my mouth. I close my eyes and just enjoy the taste of the berries.
They are sweet this time, so she can't make fun of me.
"Hey, can't we sell these? We would have a little extra money from them." I suggest.
"Nice idea, but let's think about that later. I want to enjoy the little part of the day I can spend with you."
These are the moments I cherish. I feel really happy inside, knowing that the most brave and tough person I know just wants to spend time with me. Nardo lies her head on my shoulder and closes her eyes as we both lean against the willow tree. Our willow tree, the grand tree that makes the cave smell like a small peaceful forest. She lets out a steady whisper.
"I haven't told the Wise Ones about the green fire springing up around the city, because those old gasbags would call me a liar and punish me, or freak out. It looks like the sky is trying to aim for something. Just thought I would let you know, since you seem insecure or whatever around it."
The Wise Ones. I remember the tales of how quickly established the city was, made from the stragglers of the last time the green fog swept the area. People thought it was such a great idea to have the eight oldest people of the village control it. At least one of them can't even talk, what with how old they are. Just a big group of crusty people (who are usually rich, the less fortunate often don't reach old age) who can do whatever they want with our small settlement. They insisted on being named the "Wise Ones," but they are not very wise, and the name is a cliche. Nardo and I often thought about escaping this town. There are many better, higher quality civilizations around, but the nearest one is so far away, it would take at least a month to reach the nearest one. Maybe someday.
Nardo falls asleep on me, her short, jet black hair twitching in the wind, wanting to fly like the birds that sing us awake and to sleep. We both have straight hair, but mine gets in my eyes and face all the time, because it is fluffier. Nardo's is flawless, never going in her face, kept nice and neat with her unusually even bangs. It looks like a black waterfall, dripping down her ears and scalp. Her face relaxes for the first time in a few days, and it makes me relax too. My eyelids start to feel heavy. And finally, all I see is black.
My eyes pierce open, but I am still in darkness. I have never really been able to have my eyes adjust to the darkness like most people do, since my bottle green eyes miraculously glow in the dark, like Nardo's. We are often discriminated, because to them, we study witchcraft and dark things like that, because really weird, abnormal things happen to us. I press my palms on the hard dusty floor, and stand myself up. It feels like I am in a dark old maze, lonely and so far from anyone around me. It is so silent, I can hear my heart pump, my blood rushing through my veins.
I begin to feel claustrophobic, being trapped away from anything and any person. I start breathing heavily and quickly, but I only smell the thick, humid must of the rotting building. Place? Basement? Figment of my imagination? Probably.
I find a wall to feel, so I don't bump into any more surfaces or trip on a staircase. Even though I somewhat know how to navigate the place, I still get crazy anxiety and fear of the dark and tight places. My sister used to tease me about it, since a fear of the dark is something everyone grows out of. But with age, her heart softened when she was around me. I miss her already, even though this is a dream.
Is it me, or after what seems like hours do I hear a voice, a singing, feminine voice, coming from the hallway? It's probably is just me, since me is the only being here (hopefully).
It isn't my imagination! Or is it since it is a dream. I put that question on a pause when I see a green light coming from what seems like a room. Or is it red? No, it is changing from green to red, but since my eyes glow, I am already adjusted to the mysterious light.
The voice sounds familiar, like something that I once owned, then lost forever. I run towards it, my heart racing and jumping into my throat with fear and from the mini cardio workout I'm giving myself (I have so many dream related questions at this point. Can you exercise in your sleep?). I know it hasn't been long since I have seen Nardo and our cave, but I already miss her.
I extend my arms out in front of me as to prevent me from running into anything. This backfires, since I crash into a wall next to the entrance of the room harboring the light. My ears ring for a few moments after I stand up, but it eventually subsides.
I walk slowly towards the light, into the room. The voice sounds so fragile, so precious, but strained. I want to help whoever is singing. They sound like they are in pain, but are singing because it is their last hope. It sounds beautiful, but is painful to listen to.
I go towards the light, and I can hear it enough to make out what it is singing.
The voice of the fire
Your fierce battle cries
It linger in your eyes
It keeps you alive
I take my last steps towards the mysterious thing, voice, light? It confuses me, yet I keep walking. Finally, I see where it is coming from.
An old book.
A book with a symbol that is on the circular, silver locket my sister wears. It looks like a teardrop in the middle, with a diagonal line going from the upper left corner to the lower right corner underneath. The light and singing are coming from the pages of the book, not the binding. My heart races and gets louder and louder, leaping into my throat and turning my stomach into a roller coaster, or whatever those things from a thousand or so years ago were called.
As my hands approach the book, it sings the same melody, but with different words.
It walks you to victory
You master the grave
It chants your name every day
My breathing and heart are swallowing my ears at this point. Drowning in fear and curiosity, I open the book.
But burns you away
Everything flashes into a pool of black. I hear a cold, metallic voice. Cackling. Laughing maniacally. I see a dark silhouette of a man with a crazy green hairstyle, wearing a gold lined green robe, but with nothing inside. No body. Nothing. All I see is the hair, robe, and a white, flame shaped scar for an eye. The same one I have on my right pupil. The cackling, my breathing, and pulse get out of hand. It fills me with anxiety and hopelessness.
"Leo?"
My eyes flash open, as if I were blinking. I hear the warm voice of my sister despite my vision being very blurry. I begin to relax.
"Leo! You're finally awake! You were mumbling things in your sleep and you started to look pale. You were drenched in sweat by the time I woke up!" Her voice is full of emotion, but she doesn't look like it.
"I'm - I'm okay." I manage to whisper. "How long was I out?"
"A day and a half." she responded sadly.
"A day and a half! Has it really been that long?"
"Yes," she whispers soothingly. "Now go to sleep or just rest. I'm going to make some food and medicine for you. Do you need anything else?"
"No, not really. I'm just boiling and drowning in my own sweat."
She scrunches her eyebrows, probably trying to think of a solution. I actually don't feel fine, I want nothing more then to stop feeling weak, nauseous, and light headed. I don't even feel hungry, I just want to sit there and suffer until I feel better. She then speaks to me as if she was reading my mind.
"You aren't okay. How about I just get you some broth instead, but still with the medicine? Maybe some snow too, winter started midday yesterday, and you are really warm."
"Yeah, sure, that sounds fine."
Nardo relaxes a little and clasps her hands together.
"Splendid. You still look really pale and sick, so I'll stay nearby if anything happens. Don't fall asleep yet, you need to eat something."
"I guess." I reply, even though I want nothing more than to fall asleep. Alas, she is the healer here.
But the moment she leaves, I black out again. I try to fight the fatigue, but it is as if something is trying to poison me and put me down, but Nardo is in the way.
Or am I in the way, a useless pawn that just needs to die off? I want to stay with Nardo, but something, something unnatural, does not want me to.
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Hey WitherCreepr!
I hope you don't mind if I stop by for a review today!
Since this is your first chapter, you're going to want to draw your readers attention! Now, I don't want to say that your novel requires you to have the perfect opening paragraph or line, but starting in the middle of a scene is usually a good play. Here, we have the main character sitting in a bed, pondering what is to come. I'm not saying that you have a bad opening, I don't actually thing there's anything wrong with it at all, but I might suggest starting somewhere that is actually in media res. Why should we engage or care about a character who is just sitting around?
It's good information! And I actually like this paragraph, but I think you might want to start somewhere else :]
You don’t really need to mention that she bought the jacket recently with her savings! It doesn’t add anything to this scene, nor the story in general, so unless you feel its necessary to bring up, it feels more like filler.
Considered “grown”? Why not “an adult”? You didn’t tag this as fantasy, so I’m assuming it’s a contemporary piece, so why is this being described like the character doesn’t understand what being an adult is/trying to use “fancier” words?
And what about the licensed healer part? The narrator was just talking about themselves being an adult. What does their sister have to do with this? If this is a contemporary, why is it being referred to as “healer” and not “surgeon” or “doctor”?
This is very exposition-y. There’s no need to put this in except to tell the reader something they should have picked up after reading about the characters/their relationship. Show this comparison as the story progresses, have your protagonist think about how she’s jealous of her sister or feels inferior to her. Don’t just outright tell us this kind of information, because it comes across as info-dumpy!
“What do you have against me poking you” You just said before “it never tickles”, implying that the MC’s sister has done this before, so why are they having this conversation now? Why has it never come up before? And also— why would you ask someone why poking them annoys them? I don’t think I’ve ever met anyone who enjoys being poked hard like that.
As a second thing, are they always so willing to discuss their emotions? There was no build up to the “I guess I’m just angry at everything”? I mean, they’re twin sisters, if they are that’s no problem! But as the third line of dialogue in the first chapter, it kind of surprised me?
Again, don’t tell your readers there was an awkward pause. Describe the atmosphere, how your main character feels. Maybe their stomach clenches or they get butterflies. But don’t tell us that it’s an awkward pause. Show us it through actions/thoughts/atmosphere.
I’m not sure what “subject” your MC is trying to change, since they’re the one who brought up this in the first place. (Also, again, don’t tell us she’s trying to change the subject. By changing the subject in dialogue, you’re already showing us that she’s changing the subject)
You’ve done this a few times where you put a period at the end of the dialogue, but then follow that dialogue with a tag. You’re actually looking for a comma! When you follow dialogue with a dialogue tag, such as “he/she/they said”, you want to put a comma, question mark, or exclamation mark (depending on what the context of the dialogue being spoken is). You put a period when an action or nothing follows dialogue (or just, anything besides a dialogue tag).
This should be on the same paragraph, since Nardo is talking both times! You really want to only split dialogue when a new person is speaking.
as opposed to a non-grown adult
oh? red eyes?
I know I didn’t point this out the first time, because I don’t think it’s always necessary, but in general you want to avoid using filler words in your prose such as “very” “really” “just” “actually” “literally” and so on. They’re easy to lean on, but most of the time, you can find a stronger synonym for the word you want (“very large” < “huge” or “very slow” “lethargic/sluggish” <- does that make sense?) or remove the filler word altogether (since it almost never actually helps your prose).
(also yes I know I’ve used many of them in my review but in my defence I’m not writing prose
What, her dress? What does this…mean?
I thought Leo just said that he didn’t like raspberries that much? Also, I wouldn’t really describe raspberries as having “syrup” (unless it was literally “raspberry syrup”)
You don’t need to describe an action before it happens! You’ll already be showing the reader the action by writing it being done, so you don’t have to say it’s happening too. It just becomes padding.
Insecure about…what?
This is another example of exposition! You want to watch this, especially in a fantasy/worldbuilding novel. Instead, sprinkle these kinds of things into the story! Or put them in dialogue, or bring them up when they’re relevant rather than including them whenever, especially
You’re focusing too much on description. This isn’t the kind of thing that I normally notice when I’m going about my normal day. You have to think about what your character is going be thinking about when you’re writing them. Why would they be thinking about what colour Nardo’s hair is, or that its straight, or because one is fluffier than the other?
“pierce open”?
Why would he be thinking about what colour his eyes are?
I don’t want to repeat a broken record, so I’m not going to point this out, but just as one last thing, this isn’t something I would think about unless it was actually brought up. I would show this in someone being like, actually discriminatory towards them, rather than bring it up in a thought like this.
Rather than saying Leo feels claustrophobic, show it by saying that their chest feels tight, that they’re having trouble breathing, that they would do anything to see another person in that moment. This is a good article on site that explains how to show rather than tell!
Since you already mentioned that Leo misses Nardo, I wouldn't bring it up again since it just feels repetitive.
I feel like a lot of this review was me being kind of repetitive, I apologise xD I think, however, that your hook would have been a lot stronger if you had started out with Leo's dream! Dreams are usually not great to start out a novel with, but I think since this one is pretty wacky and abstract (plus, I love the prophecy? poem? ominous words? that interspersed the text, so I think opening with that would be very intriguing for a reader to latch on to!), you'd be fine. Added in is the fact that Leo was out for two days, that's something that would also grab the readers attention since that's obviously out of the ordinary.
There are some things you could brush up on in terms of your prose, but overall, this was a pretty solid chapter! I think if you choose a different starting point and focused less on trying to hold your readers hand throughout the chapter, you'd have a very strong opening chapter.
That is all I have for you today! If you have any comments or questions, please feel free to let me know! Hopefully this was helpful to you, and I'd be happy to discuss anything that might be confusing in my review.
I hope you have a wonderful day
Thanks for helping me out! I am very busy with school at the moment, so I will look it over and take your review into account when I find the time to. Thanks so much for taking time out of your day to help me out, it means a lot!
Alright, now that I have read your review, I absolutely love how much you payed attention to my chapter. I have no experience with writing novels or stories, so this is a long shot for me. Some of the things that you have been confused about were things I wanted to explain later in the story. I had the idea where all these questions the reader has will make them want to keep reading. I've always had trouble with proper dialogue and over explaining things, but I would like to try to resolve that. You will probably find many more errors similar to the ones you have found later in the story, but I just hope they diminish as the novel progresses. As for the wording, the story takes place thousands of years in the future, in a post-apocalyptic world. I will work on being descriptive on key ideas and points in the story, and not so much on the little things. I will try my best to work on everything you have told me, and I love how it opened my eyes to all the issues I have with writing fictional pieces.
Have a wonderful day!
aha I try my best! You're welcome, I'm glad I could be helpful :]
oh! well you've gotten off to a very good start!
it's understandable that there is going to be confusing things for the reader in the first chapter! I might suggest thinking about how much you want them to be confused about, however, because if a reader is too confused they often get frustrated (at least, I do :p I didn't with this one, but it's just something to keep in mind!)!
And I understand dialogue being difficult. It takes a lot of practise! I would suggest reading it out loud after you've written a chapter, so that you can hear what sounds natural and what doesn't :]
<3
Ooh, hello there, @WitherCreepr451! I am @Vil (short for Vilnius), and I'll be taking a look at your first chapter today!

What I Like
I think this formatting looks different than it normally would, so it looks really different! Different is good, and I like it!
I think this is a really good first draft, and I can't wait to see more!
What I Dislike
There was a formatting error towards the beginning. Easy enough to fix, I would guess.
So, you never describe Nardo coming into the room, and that can throw a reader off for a moment. Also-- with the words in the parentheses ( )-- I think that you should use some form of a dash (-) instead of coming to a complete stop, as the reader may assume that's the end of the sentence!
Questions
I would like to know why you've chosen to write this piece in both first person and present tense. It seems a little unnatural, especially given that the vast majority of present tense books tend to be adventures where you (second person) make the choices, and most all other kinds use past tense with first or third person.
Have a nice [*insert time of day here*]!!!
Thanks a lot for the suggestions! This is my first piece I have ever written, and I am very thankful for you stopping by to help me out. It will take me some time to get used to people reading my piece and saying how it could be better, but I will get the hang of it. Have a wonderful day!
You're welcome!
Hello everyone, I am new to YWS! I have been wanting to start writing this for a few years, and I have finally started the first chapter. Please put any input or feedback here, I would love my writing experience, knowledge, and skill to grow and expand. Hope you are doing well, and thanks for stopping by!