ONE
Her footsteps were heavy on the stairs. She came crashing into my room, a large doll in her right hand.
She stood by my bedside, waiting for me to acknowledge her, but I merely continued to stare out of the window at the dreary streets of London.
Finally she spoke.
“Artem?” Her young voice was questioning, the voice a kitten might use to implore of a mother cat. But I did not answer her, still I stared unseeingly at the street outside.
“Artem? Won’t you play with me?” I grimaced, but I did not reply. I wanted her to be gone, for I wanted to go Home, and she was the only one who still kept me in the Living World.
She stood silent for a minute more, and then she went away.
*****
I stood outside in the snow with Mother, and I watched the delivery man draw up. Joseph stepped out of the front door and stood beside us; I shied away from him. He was not my father.
A man came down from the truck, I would presume that he unloaded the new mirror Imported From France and helped Joseph carry it inside the house; I did not watch and was occupied in observing two peculiarly white pigeons across the street. They seemed to be scavenging for food on the pavement, and whenever one got too close to the other, the other would hop farther away, only for the one to eventually wander too close again, and then they would repeat the process. In this way, they soon went all the way down their side of the street, and eventually turned the corner. But they were grounded all along, and I wondered that they could not fly.
Mother’s hand suddenly rested upon my shoulder, and she led me back inside the house which was to be our new home. We walked up the stairs, past the first landing where Joseph’s office Where Important Things Happened was to be, past the second landing where Mother and Joseph and Maria were to have their bedrooms, and we stopped on the third landing. Truly I do not suppose landing was the right word, for it was in reality the final floor. But the room to be my bedroom in the attic above could be reached by stairs which came down when you opened the hatch. Joseph told me this was like Hey Arnold. I did not know or care who that was.
But we didn’t come here to see my room, me and Mother stayed on the Third Landing. Joseph stood in front of us; the unloading man was nowhere to be seen. Joseph looked at the new mirror hanging on the wall, and he laughed cheerfully. I think he and Mother may have started to talk about how nice and big this house was, about fresh starts and the nearby school for me and Maria. I paid no attention; instead I stared at the old mirror, which lay leaning against the wall beside the new. I wondered if it was perhaps one of the many doors leading back to my Home. It was covered with a dirty green cloth, but still I stared at it. Joseph must have noticed.
“This thing was here when I and your Mother brought the house, Artem,” he said, jerking his foot in its direction.
“It’s old and worthless, but I suppose we’ll keep it around, perhaps its owners may return to claim it.” He smiled, and I decided that I did not like his haircut, another reason for me to go Home. He was trying to make me talk; they all tried to do that. I would not. I was determined to waste away and die, to return Home.
“Can you help me carry it to that room?” he said, pointing to the room to our left. “It’ll be the storage room.”
I said nothing, but moved forwards to take it. I carried it to the soon-to-be Storage Room, and I crouched down behind the door so that neither Mother nor Joseph would see me. I propped the mirror against the wall, and I made to get up, or at least I made to make to get up, but as I looked at the dirty cloth, some force seized me, and suddenly with all urgency I wanted to remove it and look in the mirror. I crouched there for what seemed an eternity and forever, and then Mother called my name “Artem?” and I got up and went away.
*****
They stared at me oddly when I did not answer their questions. One boy, a pale-faced simpleton whose name I forget but who I will always think of with evil thoughts, suggested to the other illiterates: “Maybe he can’t speak English.” I cursed him in my head, but said nothing.
Our teacher was called Miss Woods. She asked me to introduce myself, but when I merely stared at her, she promptly introduced me as Artem Adams. She pronounced it Ar-teem. I heard a fool in the back ask another fool if that was short for Artemis. I cursed them both.
My name was not Artem Adams. The name my Living World mother had given me was Artem Rasputin.
*****
It was on a bright sunny day that lost all reason to stay in the Living World. I lay on my bed, lost in dark and gloomy thoughts. I thought of my lost companion, of the injustices that had shocked both of us, and the horrors that had driven him to give up hope completely. I had nearly given up. If not for Maria, I would have long gone. I hated this World.
There were footsteps on the stairs, and Maria rushed into my room. She had with her her dolls again. Father had given her that. Once again she stood by my bedside, silent. I ignored her as usual. Again, she called my name, and asked me if I didn’t want to play with her, and then she finished, but she did not go away like before. She simply stood there in silence. She stood there, and I slowly began to seethe. She had no right; none of them did, to demand anything of me, to force me to break my silence. They didn’t understand, they couldn’t, the horror and darkness of the Living World was all they ever would know, they could never discover the joys of the Other World, the endless songs and feasts and riches and happiness. They did not know, and never would know how I longed to be back. I had tried, truly tried to Stay, in the midst of the wickedness of the World, but my companion had given up and deserted me, I too was now determined to waste away and die, and nothing would stop me, not even the sweet face of Maria, the only Living One I had become attached to. Then I was shocked suddenly out of my thoughts by the ice cold touch of Maria’s hand upon my arm.
“Artem? Don’t you want to play? Like we used to?”
It was so cold. So cold. I was still for a moment, like a corpse. And then I snapped.
I jumped off the bed, throwing her hand off me, and I grabbed her pigtails. She screamed in fear and pain and I in rage. She tried to get away from me, in desperation she dropped her doll and I remember hearing a loud crack, I grabbed her arm and pulled her towards me, at the same time I lashed out with my other hand and I heard her cry in pain. I could not think in the blur of my anger, my fury. They were misdirected, not meant for her, but for the injustices and cruelties of this world. For the Ignorant Mothers and Fathers. For the Foolish Children. For the Blind People.
I screamed in her face, lashing out again and keeping a tight grip on her arm. She cried and sobbed, and eventually I let go of her arm, I shoved her violently towards the stairs.
I repressed what happened next, later, between tears and great racking sobs Mother, ever understanding, ever wasting her love on the cold child whom I was, would tell me that in her fear and disorientation, Maria had tripped and inadvertently fallen herself, in my darkest daydreams and dayhaunts I would tell myself that it was my push that had caused her fall. Whichever truly happened, in the next few seconds I was bent over the rail and screaming again, not in rage but in the very epitome of hopeless despair, as I stared at Maria’s lifeless body at the bottom of the stairs below.
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Hey there, here to review


So, I won't nit-pick, as it seems that everyone else has done a pretty good job of that - but I will give you my opinion, make of it what you will.
I really quite enjoyed this - the darkness of his feelings, and his emotions is really intriguing, and really interesting. I have to agree with what people have said about the inconsistency of the formal tone - and I think the piece would really benefit from having a consistent voice. And also, I think you could describe the scene a little more, make it more clear what everything looks like, sounds like, feels like, smells like, tastes like.
The end seemed really quite odd, and scary as it showed a really different side to your character, it's really quite scary, but in a way that makes me want to read more.
It's a pretty good piece, and it's got heaps of potential - keep writing, and good luck with the future chapters!
PM me if you have any questions or anything of the sort.
~Mo.
You've already had a number of excellent reviews on this, so that makes things both easier and more difficult for me to review. XD
Concerning the more formal tone, I saw in your reply that it was intentional, and you do have a pretty good justification for it, but the tone is not consistent in the story, which made it look more accidental than intentional. In addition, the tone gives this story a sense that it occurs in the distant past, and since there are so few details of the actual setting, seeing that the teacher was named Miss Woods was a bit of surprise. It makes sense in retrospect, but I do think you need to make the setting clearer from the get-go. Mentioning little things like perhaps that the truck was diesel run or how Maria and Artem were driven to school by their mother in her car or somesuch would go a long way.
Building on that last point, this story was lacking details in general, especially of the doll. If the type of doll is so important to the story, why hasn't the type been named specifically within the story? If it was, I missed it, but it is details like these that need to be incorporated.
So, with any luck this won't come off as a double-post, but no one ever notices the things when I just edit.

So you sent me a pm asking which other little bits I'd change ever so slightly?
Well ALLLLRRRIGHTY THEENNN.
In the first section, you use "she" an awful lot, and then don't refer to the sister in any other way for the remainder of the paragraph. I'd stick her name in there a couple times, or maybe occasionally use 'the girl' if you really want to detach the protagonist from the rest of the family.
I'd just say 'and then she left.' It sounds like she's gone to the Bahamas here.
I'd put 'and watched the delivery man draw up.'
I'd have put "whenever one got too close to the other, it would suddenly hop farther away, only to eventually wander too close again before the process repeated itself."
"where Mother, Joseph and Maria"
"me and Mother" doesn't sound right, try "Mother and I." Also, you've capitalized third landing, but you didn't earlier.
"bought the house"
No need for the comma.
Also, is there any need to actually put "Artem?" there?
"It was on a bright sunny day that I lost all reason to stay in the Living World."
Dolls?
"all they would ever know"
This comma could be a full stop.
That's it really, as you can see, for the most part they're just little things to keep the pace of things now and again.
Still think it's awesome by the way, looking back at this I seem really critical, and I'm not all that used to it. But still, hope this helps.
Thank you for the helpful reviews, because of them I'll make a few things a little clearer:
Certain words are capitalized for emphasis, I've read the works of people like Neil Gaiman and Ben Okri and I tried to write this particular story in the same style they do theirs.
She gave up so fast because she had been trying to get him to play with her for the past two years. You know how it is when you've been trying and failing something for ages; you gradually forget to put any real effort in.
It doesn't? Maybe this would be easier to understand: and I wondered if they could not fly.
He didn't exactly come from another era, he came from another World entirely (yes, more capitalization, and yes this is why the writing is sort of formal), where nothing like the suffering or sins of the Living World (our world) exist. His shock and fear at experiencing things he never before imagined eventually turned to rage which, as you saw (read I guess) culminated in the incident with his sister.
In the Living World, the 'Other World' refers to the Spirit World, while in the Spirit World the 'Other World' refers to the Living World.
Sorry about that, I'd heard the name Rasputin somewhere and I needed any Russian surname.
I think that should answer just about all the questions, and once again thanks for the reviews.
P.S. One more thing, Maria's doll is a matryoshka/babushka doll, a Russian doll. That's sort of important to the story.
Hey, Sprite
Pink here, dropping by for a review!
Nitpicks
Why is home capitalized?
Did she give up? So fast?
Why is the 'imported from' capitalized? There's no need for it to be.
This sentence doesn't make sense to me >.<
Again, there are some unneeded capitalization here.
Even though I am a 100% against this, I still have to compliment you on the scene. I think you did a pretty decent job at showing us his anger and wickedness.
~~~
Overall, I think it was an interesting story and you really had weird twist at the end. But, there are a few things I'd like to mention. First of all, why in the world would he beat his sister? Even if he was angry with his parents or at the world, even withholding so much rage and all, I can't picture him attacking his younger, innocent sister like that. I mean, it's cruel and I hate him for it. Even with that said, I think you painted his darkness well, your writing is a bit confusing, I think it's almost too formal at times but maybe it's because he came from another era or something.
With grammar and all, I noticed plenty of odd sentence structure and comma mistakes. But considering your age, you did fairly well. My suggestion would be to brush up on those comma rules and make sure you're not capitalizing words that don't need capitalization. In the end, however, there was some mystery to this that made me open my mind and wonder where you were going at, so kudos to you! Keep writing and if you have any questions, feel free to pm me
~Shear
Alright, this is my first attempt at an analysis, so it's up to you if you want to take what I have to say seriously or not.
&To start with, I agree with wickedwonder that there is something about this that drives me to read on, most likely the frequent mentioning that the protagonist is from another world. I also liked the nice sarcastic jibes toward Joseph:
The analogy with the birds unable to fly was also a nice touch, and I think my favourite little flourish of ingenuity was the repetition of snappy sentences in the climax:
A very nice start, I'll look forward to chapter 2.
Now, to give a more critical view, there are a few errors here and there that (more often than not) broke the flow a little, or occasionally left me a little unsure if they were in fact mistakes.
E.G
The repetition of the other and the phrase "for the one" sort of breaks the flow of things a little. There are a few other points like this where one too-many words damages the flow some what, but these can all be quickly changed should you choose to go over it, and I might just be getting finicky for the sake of finding bad points.
The only other problem I have is that at one point you've written
Reading it all, I'm not sure if you meant to put "Other World" rather than "Living World" but It could be that this will be explained in a later chapter. If so, pardon me.
All in all, I think it was pretty good, and if you want me to list down the other sentences I'd edit slightly then feel free to ask. Still, nice one, and I hope this helps.
(PS: Heh, it's saying I spelled favourite incorrectly. Up British English! We shall O-overcoome!~)
All in all, it was slighty confusing, but there was something there that made me want to read on.
So keep writing,
~WickedWonder