who am i?
when i run hot combs through my cotton wool hair/i am baby/from the chocolate dips of my breasts to/the divide of my hips/to the womanhood between my full thighs/i am honey, lover, adored/i am your pride./
when nobody wants to hire the negro,/when jack daniel's beckons you to the solitary alley of your mind,/when the pay can fit in our new born's infantile grasp,/i am bitch, whore/amidst the romance between my newly roughed cheeks/and your sandpaper palms./i am not partner or equal i am/slave/one who is not your wife./
the first day i excused you in the name of love/the second in adoration/the third, friendship/but soon,/i ran out of false adjectives/i found that i could not/mould your flaws into gold/i found that i am no midas./
on that night when the silk nightgown/turned a shade of crimson/when i oiled my breasts and between/my thighs/for your glorification,/when i put my earthly body up there/on the altar of your exploration,/when you raised that callused knuckle to/the contour of my inherited cheeks,/when i discovered the cabbage kinfe/and again the bacon knife and again/the chicken knife,/i unbecame bitch and whore and honey and lover and adored./i became the reclaimed/the reborn phoenix/i decided that black and blue was not my skin tone/that father did not pick cotton in mississipi/for thirty years/for his girl to become some drunkard's punching bag/that i would no longer fold myself into a creation i could not recognize/that you, tony freeman, were not the owner/ of my soul/and i was not your slave/not your thing/not your object/not your toy/ and you,/[laugh]/you would no longer be the master of my pain./
so who am I?
I am the sexy woman/who puts lavender between her shoulder blades./I am the mighty empress /who is exalted and placed atop a fiery pedestal/I am she who is anxious to wake up/ and find that the floor has run away./I am friend and girl and woman and daughter/ I am secret lover, private prize, mother and on those nights/when you creaked the bed of another/I was father, too.
who am I?
I am rediscovered self/reclaimed person/stranger to grief/founder of passion/creator of the orgasm.
who am I?
I am wonderwoman and superman/risen angel and fallen demon/lacerated heart and empty cavity/ I am fullness and I am also emptiness/ I am hurricane and I am drizzle/ I am me and/
I do not wish to know you.
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Hello! I absolutely love the voice in this poem. It's very consistent and strong, and the confident tone really accentuates the theme of the poem. I like the repetition of "who am I?" at the end of the poem, though I'd utilize that more towards the beginning too! I'm not sure how to critique this poem because I think it's already really powerful. The passion of this piece really shows, and it creates something powerful. I love the use of creative and strong language here; I think it really sets this piece apart from others and makes a memorable impact. Nice job on it!
Hey,
.
Usually I'm not particularly interested in poetry, but I found this poem extremely unique and interesting to read...so, I thought I'd give it a review
To start off with I wanted to talk about your structure. I'm guessing that '/' means new line, right? Or are you putting the '/' in to create a new poetic effect? Because if you are, it kind of works too. Especially when you put '-I am wonderwoman and superman/risen angel and fallen demon/lacerated heart and empty cavity/ I am fullness and I am also emptiness/ I am hurricane and I am drizzle'...showing the alternating identities of this persona. I like that.
I also like the structure when you use enjambment, in the circumstance of '-when i discovered the cabbage kinfe/and again the bacon knife and again/the chicken knife,/i unbecame bitch and whore and honey and lover and adored.'... I thought this was cool because it speeds up the pace of the poem, adding to the dramatic effect of this scene.
Two things I think you could improve though would be the following two lines:
-'mold your flaws into gold'
(Mould* would be the correct spelling)
- 'I am the queen mother'
(I didn't particularly understand what this line was trying to show and I feel that rewording it could create a more hyperbolic, powerful feeling).
'black and blue was not my skin tone/that father did not pick cotton in mississipi'
^Absolutely loved these lines by the way, very striking.
'I wish to know you.'
^ Love the ending too, how you direct the reader is also really powerful, and it definitely metaphorically conveys the power which the persona is now feeling after breaking free from feeling like a slave.
Overall, as I say, I really enjoyed reading this, and I hope to read more from you soon! Just thought I'd say too, I've just written an article/blog on Medium, it would mean a lot if you read it or gave it a like!
Thank you
https://medium.com/@laurenhaughey6/the- ... 71deee9b32
thank you so so much!!
hey again,
I changed it to 'mould' altough both spellings are correct; one is American and one is British.
Also, a queen mother is basically the mother of the sovreign. Now that you mention it, I do think that I should change it.
Oh sorry, I'm British I guess I just only knew one version of it. No worries though
Okay. I write this review as someone who has hosted a poetry slam and tried writing spoken word. (Though admittedly I'm bad at it.)
First of all, please put a language label of 16+ atleast, on this work.
Now to the review.
1.This theme for spoken word is common, and the problem with reading and judging a spoken word poem is the fact that so much of it depends on the performance. However, there IS a minimum threshold of quality, of cadence, of imagery, and handling of topics (especially this one) that lets one know whether a poem would be good or not if it were to be performed by a good performer. Be aware, that I'm not talking of "OH SNAP" punch lines that make the audience click their fingers, but rather those that might sometimes take time to sink in, but then leave a lasting impression.
This spoken word manages to clear that threshold. The first half of this work is riveting. The story, the descriptions, all great. But it becomes more loose and unfocussed in the second half (again, depends on the performer and the performance)
2. Overall, you were consistent more or less with building a narrative of an abused ,tired, exploited yet proud and strong black woman's story, and I liked the skillful handling of acute descriptions of behaviour and appearance and interactions, of the woman and her abuser.
This consistency was broken in the end, in my opinion, with the last line where there might have been some pressure to end on a high, with a snazzy punch line. Why would the narrator wish to know "you", the supposed abuser? Realistically and hopefully that person should cut out the toxicity from their life, especially on realizing that the truth and their own worth.
3. I think the repetition of " I am" throughout the poem is a smart thing to do. What I would've liked for a more consistent narrative was perhaps some of " I was" or "I will be". That would give A sense of passing of time, of changing views yet unchanging person. That would also be a good set-up for a punch line if used sparingly. (" I wished to know you").
4. There is a thick line between dramatic and being maudlin & faux self-effacing, especially for spoken word. And though that line can be blurred by a masterful performance, I think this spoken word crossed that, in parts. Sure, it is necessary and fundamental especially for victims to have self worth and a positive self image, but descriptions after descriptions, though wonderful by themselves ( you're good at this part), when clumped together with the same "I am" , got me a bit bored to be honest. Every phrase should either add more necessary dimension or advance the narrative.
5. I was on the fence regarding the usage of the N word and other profanities, but given the tone and theme, that can be excused for a good performance.
6.All in all, this was a good poem, though it certainly could be better for reasons pointed out above. This is entirely my opinion though, since spoken words often have specific audiences who would identify with this more.
Keep writing!
hi there,
okay I'm not sure you got it but it's called 'i am, I am' because the first part detailing the abuse is written in small letters and the second is written normally with the 'I' capitalized to signify a change. The small letters to symbolize smallness of self and low self-esteem and the second, she seeing herself in a better light. I mention this because of your point about change and I feel using "I will" and "I was" defeats that and the title.
the "you" refers to the reader and not the abuser. It's funny that you perceived the ending this way because the person that commented above really liked it. *shrugs*
I don't really understand point 4, the 'I am' doesn't come before every description...I was trying to go for a nice repetition. You didn't think that was very effective?
Anyways, thank you for this review and although I don't agree with everything, I will take some of it into consideration.
Also, what do you think of it as just a written poem and not as spoken word?
Thanks again.
I changed 'nigger' to 'negro'. Seeing as I am black, I generally thought that this would be okay. What do you think?
Also, what part did you think was weak exactly? Was it just the last line?
Hi.
If you want what I thought of it just as a poem, skip to point 5.
1. As I said, I thought of it as a performing piece, because spoken word is meant to be performed. Because you must guide the pacing whereas a reader would choose for themselves.
2. I will admit that I therefore did not get the " i am, I am" subtlety in the writing, because I could not fathom that translating well on stage.
3. Since in paragraph 5 you repeatedly used "you" and "your" to refer to the abuser 9 or 10 times,
" on that night when the silk nightgown/turned a shade of crimson/when i oiled my breasts and between/my thighs/for your glorification,/when i put my earthly body up there/on the altar of your exploration,/when you raised that callused knuckle to/the contour of my inherited cheeks,/when i discovered the cabbage kinfe/and again the bacon knife and again/the chicken knife,/i unbecame bitch and whore and honey and lover and adored./i became the reclaimed/the reborn phoenix/i decided that black and blue was not my skin tone/that father did not pick cotton in mississipi/for thirty years/for his girl to become some drunkard's punching bag/that i would no longer fold myself into a creation i could not recognize/that you, tony freeman, were not the owner/ of my soul/and i was not your slave/not your thing/not your object/not your toy/ and you,/[laugh]/you would no longer be the master of my pain./" ,
I thought that the "you" in the last line referred to the same abuser too. That is why reading spoken word is tricky. perhaps while performing you would close the last line by sweeping hand pointed to the audience to let them know that "you" referred to them and not the abuser.
4. my 4th point was simply that it becomes melodramatic in last 2 or 3 paragraphs. And although being dramatic is allowed and even encouraged in slam poetry, going over-the-top is discouraged, in both written poetry and spoken word. This is because you are adding more information (even though you did that beautifully, I loved some of the descriptions. ) that does not add a lot of interest to the concepts and character. I refer to this part
"I am the sexy woman/who puts lavender between her shoulder blades./I am the mighty empress /who is exalted and placed atop a fiery pedestal/I am she who is anxious to wake up/ and find that the floor has run away./I am friend and girl and woman and daughter/ I am secret lover, private prize, mother and on those nights/when you creaked the bed of another/I was father, too.
who am I?
I am rediscovered self/reclaimed person/stranger to grief/founder of passion/creator of the orgasm.
who am I?
I am wonderwoman and superman/risen angel and fallen demon/lacerated heart and empty cavity/ I am fullness and I am also emptiness/ I am hurricane and I am drizzle/ I am me and/"
^ Remember, this is one person's opinion and everyone has different limits to what they call "melodrama" and even then many people like that. You absolutely should perform this (if you haven't already) ! I think the audience and the judges/experts would give you a lot of help !
5. As written poetries go, those are more optimized and reader-friendly so you might perhaps chop the larger paragraphs into smaller stanzas for each separate idea or thought, and use better punctuation over-all. ( The " i am, I am" subtlety might be lost on other readers like me though)
Even then, this was very good , especially the first half and middle were amazing!
I would give this a 75/100 as it is, with no changes.
Thanks for reading.
I get what you mean about the you/your confusion. Thanks, I changed that.
Cool. do tell if you perform because this is pretty good!