Some people absolutely despise their jobs.
Some people have committed themselves to occupations that do not suit their personalities, their dreams and their desires. Firemen don’t necessarily like running into burning buildings with hoses that look like elephant trunks—policemen don’t necessarily enjoy shooting innocent black people in the face because of their implicit biases—politicians don’t necessarily crave the media’s scrutiny of their financial accounts and their connections to offshore shell companies—and magicians, despite everything, do not necessarily take pleasure in spellbooks and curses.
“Could use a little help here, Kolfer.”
Take, for example, Lucy Lwa. Lacking in dominant magician blood, but frighteningly good with an AK-47, knows the politics of the magical realms like she knows the back of her hand, and makes a mean gumbo.
The dark-skinned, God-knows-how-old woman came from the swamps of Louisiana, fluent in Cajun French and a somewhat accented form of English. She is known as the only Stalwart to receive the honor of Mastery in Magic from the head of the Equilibrium, given due to her knowledge in the arcane arts of Arms magic, the only type of magic used by non-magicians.
Because of this honor, Ms. Lwa was saddled with the most powerful and most ambitious magician of her time, sent out to be her third mentor next to the likes of Benjamin and Piapot Brook. She hates every single second of it.
“Kolfer.”
Another example—David Court. Another Stalwart of the Equilibrium, he is also an Arms magician, but to a much more gaudier extent. Unlike his brothers and sisters in the Stalwart Hall, David was 23-years old, warm, impressionable, and more compassionate than his colleagues. Of course, his character traits weren’t the only things singular to him. In the age of automatic weapons and firearms, he possessed a crossbow.
The crossbow itself was an heirloom. His father, a fan of old weaponry, asked a Stalwart to make a crossbow and carve it in the shape of a serpent. The Stalwart complied, but with one condition: Your only son will become a Stalwart, just like I, and carry the crossbow in combat. Since Stalwarts were all celibate and required lifelong duty to a magician, David’s father was hesitant. However, since apparently he valued weaponry more than he did family, he accepted the offer.
Of course, David would grow up displeased of his father’s choices, but nonetheless accepting. He would spend the following years under the tutoring of Lucy Lwa, and therefore living under the same roof as the very magician that drove Lucy mad. He understood the sentiment.
“Kolfer!”
Indeed, many men and women regret their decisions in life. No career is perfect, and someone has to do them, no matter how unlikeable. Some people absolutely despise their jobs.
I am not one of them.
“Kolfer, if you don’t get down here I swear I am going to shove one of these airheaded goons up your--”
“Jeez Louise, calm your bullet-shaped amygdale down,” I closed my book, tossing it to the side. Ruhe catches it, her black mass absorbing Darwinian theories and the childish recollections of Mendel, before turning to me. Lucy was at a distance, glaring at me while she shot another soldier down.
“You really shouldn’t be writing on the job,” Ruhe reprimanded. “The Brooks are considering taking away your library if you keep this up.”
I chuckled. The mortar walls circled around us, torches lighting the way to a black man fighting eight different faceless soldiers at once. Lucy was in the fray, wrapped in robes and armor, shooting ten more faceless soldiers with two revolvers in her hands. Not one missed their shots. “Well, they can try.” I cracked my knuckles, waving Ruhe in. “What’s the objective again? I was analyzing the Standard Model during the briefing.”
“Again?”
“Oh, like that’s such a surprise,” a soldier jumped onto Lucy’s back, and she hurled him into another man, shooting them both down. “Helen Keller listens better than she does.”
“Well, maybe if you explained in a more dynamic way--”
If she had a face, Ruhe would’ve scowled. “Are you two done?”
Lucy panted. I looked to Ruhe. “Explanation?”
Ruhe sighed. “Back in 1987, there was an organization for the descendants of witch hunters--”
“To the point, Ruhe.”
“Uh, hey, guys,” David aimed his crossbow, shooting a foot soldier in the shoulder. Another grabbed him by the hood, pulling him back in order to expose him to a second soldier. “Sorry to bother you, but I sorta—maybe--” the second soldier raised a dagger up in the air. “--probably need a little help in not getting killed.”
I turned to Lucy. Lucy looked back, three more soldiers calling her attention. I rolled my eyes, walking towards the other Stalwart. I clicked my fingers, and in a second the torches went out. There was a scream. Ruhe jumped onto my back, molding into my physique. The darkness was lit slightly, and I could feel the warmth of the bodies around me, the beating of their hearts annoyingly shrill. I frowned. “Answer my question, and no history lessons—why am I fighting again?”
“Kidnapped girl,” Lucy replied. There was an audible ‘oomph’, bright flashes whenever she pulled the trigger to her revolvers. Even in the dark, she didn’t lose her aim. It’s the enchantment, of course, but it was a practical enchantment. How do the bullets know who to hit? “Scary hate group. These idiots are the members.”
“Duly noted.” I struck a soldier aside, clutching one by the neck and throwing them at another. I ran to the soldier holding David captive, grabbing them by the head. My fingers felt like ice, then, as a surge of energy slipped from the soldiers’ body, his heat slowly falling from the absence of light. He didn’t even scream as he fell to the ground, shivering. “There, happy now?”
David fell to the side, pointing up at me. “Back, back!”
“Oh, what now--” I groaned, looking back. A body of heat descended upon me, metal dipping into Ruhe’s form. The figure stared at me, then, dazed. “You lot aren’t particularly bright, are you?”
It shuddered, letting go of the dagger and pulling aside. “Well, Mistress,” Ruhe said, “What would you like to do?”
I clasped my hands together, chuckling. My fingers were black tentacles, each and every one of them wrapping around the running man’s ankles, pulling him in. “Now, don’t be crude, Mr. Redshirt,” I said, “Running away is so last year. Fortunately for you, dying will never go out of style.”
The man screamed as Ruhe swallowed a leg, then a torso, then a head. I could hear the crunching of bones as the shadow enjoyed her meal, leaving nothing to waste.
I smiled.
The sound of David’s feet clacking against the stone floors echoed. Lucy’s cleats approached me, her groans distinct. “You know,” she said, “This could’ve been easier if you just came in, oh, thirty minutes earlier.”
“I was writing my journal entry,” I defended, meekly. “How else are we supposed to keep an objective report of our missions?”
“My objective reports to the Equilibrium.”
“Oh, you can’t write for crap, and you know it,” Ruhe slipped off my skin, and I tucked my fingers in the pockets of my skirt, looking around in the dark. “Come on. We’ve got business to conduct.”
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hey there Elliot. I'm not going to put in the long intro, mostly because I'm lazy and also the fact I began this review nearly 7 months. That's a really long period in between starting and finishing, even for me.
So as the old story goes when I'm reviewing you stuff, I promise a review, take two weeks to read the darn thing and then take a really long amount of time to actually review it. The prophecy has come true once more and as the gods beckon I am here.
First Lines, First Thoughts
1.
This sounds an awful lot like something I would say.You know the drill by now, hopefully. The idea of this is slightly interesting even though it's very common. Like anybody on the street can start an argument or a discussion with 'some people hate their jobs' and maybe people will pay attention. Perhaps that wasn't the best comparison but I'm trying to type this quickly before my next class begins. I guess this line just really depends on the tastes of the reader. Will they take the leap of faith from the lions head or just turn around and run away? I was interested in it but I can see where other people wouldn't have been.Spoiler
The Thing About Jobs
1. I overall found this funny, no matter how you intended for the reader to feel about it. Some of the other reviewers have pointed out that some of these people in fact love do to their jobs, except for the shooting thing, but it doesn't necessarily matter depending on what you were going for. If you were going for the comedy element it probably does not matter. But if you were being completely serious about this and trying to get emotions from the reader, not the best way to go about it.
2.
Elliot you could have played so many things off the politicians.First thing I think when I hear politician is 'originally clean-ish guy who got corrupted by all the crap going down in Washington'. But there are others who were already very, let me put this as nicely, lying cheating scumbags whose family ran speak-easies and manufactured liquor in Canada.^I don't think we all know who I'm talking about here but the joke was too convenient for me and I'm too lazy to explain. Point of all this is, I found it amusing and if you find the joke doesn't work great, there's a million possibilities to trade it with.
3. *chokes on soda water* And there's the introduction to the story. *claps* That was pretty well done even though it didn't have much of a build. You know what I mean? Like you could have given some other comparison, halfway in between the normal jobs and magic jobs. But that also depends on how you're building this universe.
Lucy
1. Would it at all surprise you at this point is I said I once knew a woman like this? Or have you gotten used to the 'I keep a weird company of friends and acquaintances' thing? But seriously there was a lady who ran the post office in my hometown that is very similar to Lucy.
2. I like this character. I really, genuinely like a character for once. What is this emotion? What is this? I don't like people, I absolutely despise them. But this character sounds like a lot of other characters from a lot of other movies and books. And I can not think of a single example right now except for the old woman in the Princess and the Frog movie.
3. So what direction of magic are you thinking of going when you're talking about the magic practiced by non-magicians? Hoodoo and voodoo stuff or something much simpler.
Okay I managed to find another ten minutes to add some more stuff onto my review.
Kolfer
1. I am so late getting here and nearly everything has been covered but where did you get the name from. I know there's a Jewish name with a similar spelling (Kofler, Argentina, the 20s, I swear it was just research and I wasn't trying to track down any Nazis). So I was thinking that might have been somehow related or did you just pick it out of the phone book?
2. Another interesting character that I quite like. And I'm guessing Ruhe is her sort of sidekick but has her own magical powers? Like turning into a shadow and swallowing men whole. I'm not really sure what to think of this.
And I really don't have anymore comments on this. I just like to finish out reviews, no matter how long ago I started them.
Happy Holidays.
Consider this your gift.
~Lizz
Spoiler
Before i start reading this--
Holy crap you're late.
After--
Still late.
Elliot
I was expecting more of a reply
Hello there! I've come. c:
So I certainly thought this was interesting. I liked the style of the beginning half or however long it was for the sort of rambling writing/talking/narration bit sided by someone trying to get through to said rambling... if that makes sense. However, there was some things about that that I think could be approved upon.
This I mostly just thought was a very odd thing to say. If someone is biased about something, they generally believe it is either the right thing to do, or they, in this case, think the person deserves it or something horrendous like that. So maybe they don't enjoy it, but that does not by any means make me feel sorry for them, and if you're trying to get us to empathize with different careers then it didn't work here at all. But there's plenty of examples your character can give that would make us empathize.
And while we're on the career topic, I wanted to talk a bit about the firemen that Kolfer noted. I do a fair amount of volunteering for first responders groups, and I know a fair amount of firemen, paramedics, search and rescue folks. And here's the thing about the people that do these types of jobs: more often than not, they love it. And it sounds like a horrible thing to love a job that is based on other peoples bad-days... but that's the truth. I mean obviously there are some people that are just doing it because they think it's the right thing to do- especially in volunteer organizations. But if being a fireman is your lively hood; you enjoy it. It's not easy to break into be a paramedic because the positions are full, and it's not because they pay well. Because they do not pay well. That's in Canada, anyway.
I love this line, I was very surprised by this because I didn't understand what was happening but I really like it. It's just somehow so innocently horrible somehow.
And on the subject of not understanding what is going on. I found this prologue rather confusing, and I didn't know what was going on half the time. And the thing is, I'm not really sure you needed this prologue. Believe it or not, most people don't actually read prologues. Do I blame you for writing a prologue? No. They're freak'n fun to write. But I think people tend to put too much information in prologues, and don't explain anything under the knowledge that you're going to explain later. But that is very frustrating for readers because why would we bother reading something that's confusing us? There needs to be a balance of mystery and information and explanation! I would suggest this article to read, as it measures the pros and cons of prologues and gives a better example of well written prologues.
I'm very excited about your characters though, and I feel like I want to get to know them because they intrigue me! And I'm interested to see where you take this idea! Keep it up!!!
-Socks
In all actuality, I have no idea what to do now. I have an entire plot planned ahead, and I can say without a hint of doubt--this part has nothing to do with the story. If you told me to make it into a first chapter, I'd be completely baffled, because I have no idea how to connect it to the actual story. This is mostly why I put it in as a prologue, because I don't know where else to put it.
Also, on the topic of the examples she gave--I don't agree with a lot of them myself (firemen especially) but I'm not speaking as myself, I'm speaking as Kolfer. And, frankly, Kolfer's not the most morally agreeable character to deal with. I'll consider changing the fireman example, she can definitely pick on much worse professions, but I think I may keep the policeman one.
Regardless, this needs...work. Undeniably. I'll consider my options.
Thank you for the review!
--EM.
You're welcome! I hope you figure it out, bro. And if you need anything let me know.
Hey, Ellstar! I'm here to make a quick review!
Uh-oh. I think semi-colons suit better here to arrange the many kind of occupations you've shown. Dashes seem to be a connection to afterward fragments, and these are certainly not fragments. Also, I don't really like the example with police. Unlike others, it's too specific. Why do you have to tell they don't like shooting innocent black people? Does that mean they like shooting innocent non-black people? ._. I suggest you to state 'innocent people'. Even without the mention of skin colour, police do shoot innocent people with biases--forcefully or not. It doesn't just narrow in to the black people...
Blimey, I got distracted there for a moment too long... Anyway...
Yeah, about the little tidbits we know about the characters. I don't think we need to know about them right now. You can weave their histories later into the story, inserting a bit here and there whenever it fits, so that we'd keep reading this to know further about them and whatnot. Not to mention, terms like Stalwart and whatnot can be quite confusing right now since they're not explained and out of place.
Also, this is something reviewers have told me: prologue needs to have some sort of detachment from the main plot, in the sense that it doesn't connect to the first chapter as much as the first chapter connects to the second. It is something entirely of its own, its importance to the plot later explained instead of being a 'first chapter' in the term's truest sense. I think this prologue is better made a first chapter, since not only it looks like a first chapter, but also because a prologue and a first chapter need their own interesting first-line, because some readers would skip the prologue and consider this story based on the first chapter's first line.
Anyway, that is all I can say. Not much about what's happening right now since you executed it quite nicely. Keep up the good job!
I enjoy putting myself in character perspectives while I'm writing first POV, which is why most moral people won't agree with Kolfer wholly. She wouldn't apologize for saying the policeman line, but I definitely will. I might change it into minorities instead, but to say 'innocent people' would be unfitting for the character, as she doesn't believe anyone is innocent.
Also, I have no idea where this lies in the story scheme honestly. I'll say this--it has nothing to do with the following chapters. I meant for it to be a prologue because it was meant more as an introduction to a portion of the characters and whatnot, but I'm afraid I went a little infodumpy in the text. I may or may not try to fix that.
Hmm? But you did put in there 'innocent black people'... which are basically innocent people, just more specific. Are you saying Kolfer was lying when she said that?

Well, I guess you know better about what this section should become.
Oh crap, I missed that. Thanks for pointing that out. I'll definitely remove that part.
You're welcome, Star.
Hi, Ellstar! Mage here to do the promised review!
You had me hooked from the first sentence. I'm already in love with this universe and this story. I wasn't able to find any grammatical errors or spelling mistakes, so this review is mainly going to consist of what I believed you did a good job on.
A piece of advice I've heard while looking up tips on writing is that it is good to have a hooker that draws the reader in. That first line does its job perfectly, and I wanted to continue reading.
Instead of introducing Lucy's character by listing her personality, physical appearance, or connection to the main character, you tell the reader her skills with gun, knowledge of politics, and her ability to cook. I love that description. It also prompts the question of what "dominant magician blood" is.
This line introduces a lot of terms relevant to this book, along with the term "Stalwart". When I was reading this, my assumption was that Stalwarts were similar to Muggleborns in Harry Potter.
I was glad you added more information on Stalwarts. Also, even with only that knowledge of what a Stalwart is, Lucy's accomplishments to the reader become all the more impressive.
I love this closing part of the diary entry, and how it tells the reader about Kolfer, the star of the show.
This was a great way to show the reader what Ruhe is, rather than telling. When Kolfer smiles afterwards, it shows that death doesn't disturb her - even when it is on the more gruesome side.
I also love how you begin the prologue. It reminds to the opening of anime or a movie, luring the reader with more than exposition as some sort of action takes place, such as the fight.
My first suggestion would be to have some sort of glossary listing the magical terms. I did that with my story, The Automaton's Heart. The world is easier for the reader to understand, and it helped me with understanding the world I had created.
And, like in Costa's review, I would suggest making this a chapter, rather than a prologue.
My advice for describing her appearance is make her look in a mirror, check over her clothes and hair before meeting someone, and or just slip in subtly, such as, "I pushed aside a strand of my [whatever color hair she has] hair."
Please tag me when you write the next part of Kolfer! As I said before, I really enjoyed reading this. Keep up the great work - which I doubt you'll have trouble with - and good luck on your writing endeavors! Have a great day/night!
Ooh, I really like the way this started. Mind, this feels more like a Chapter 0 than a proper prologue - it's big and the story already seems to have its focus. Maybe just make this the first chapter and be done with it?
Regardless, you've certainly made a grittier take on the standard "magic boy" set but didn't go too far with it. It doesn't lose that natural dazzle of a magic-oriented world but still keeps it grounded.
Your creativity and descriptions of the magic itself is also quite good, painting a very clear picture of how brutal it can be. I AM surprised that firearms are a genre of spellcraft but I'm certain you'll make something cool of it.
And is Ruhe supposed to be something like a Familiar or just the magicked-up shadow of Kolfer? I find it quite intriguing that it is not only sentient but acts like a people-devouring parrot on his shoulder in combat.
Sounds like something out of a game or comic book!
The characters themselves also seem nice to me. Their attitudes come across as realistic and the dialogue is very grounded, despite the magic background. They do sound like actual people.
There's something to be said about Kolfer's character, mind. There's no problem with him being a wiz-kid (pun not intended) and a powerful fighter, but keep an eye out to make sure you don't make him TOO good. Competency is always good but it needs to be believable - people don't buy characters that are too perfect, yeah?
That being said, this is very early in the story so I'm rather confident you'll give him many different facets.
One thing I'd like to ask, though: do you NEED to get that exposé on Benjamin, Lwa and Brook out right now? They haven't even shown up yet and info on them doesn't seem like it is necessary world-establishment at this point in time.
Unless what you're giving is absolutely necessary information, it's probably best to minimize telling stuff right at the start of the story.
Couldn't you save that stuff for when the characters themselves enter the scene?
It also feels a bit odd that Kolfer's writing the history is his teachers in his journal. That's part of their mission? If it's a journal, couldn't you use it to make a deeper introduction to Kolfer as a character before the action kicks in?
Finally, this bit here strikes me as a bit odd:
Is this supposed to be "her third mentor JOB" or is Lwa, who you described as an old and eminent wizard, still learning from someone? Since the kids call her "Ms. Lwa", I'm pushed towards assuming it's the former. Either way, best to make this clearer.
Regardless, this is a very solid start for what looks to be a fun story. Keep at it because you've a good thing cooking here!
Thanks for the review! By the way, the Kolfer character is a girl, not a guy.
Ah, well, then it's best to make clear that up, too!
Maybe find a way to describe Kolfer's appearance in the next chapter?
I try to. I rarely ever write in the first POV so I don't know exactly how to do that, but I'll try later on. Should I tag you in the next chapter?
Also, yes, I have no idea how to start the book, so I started with dramatic narration. I'll probably cut Piapot's part and insert Lucy early on. Thanks for the comment!