I have absolutely no objection to literary minimalism, but be warned, as you've probably copped from this lot already, it does take fairly masterful twists of phrase to be as evocative as denser prose, you will probably have to consider this as poetry in terms of attention to rhythm, sonics and imagery in maintaining interest and integrity.
"Wolves have little concept of "I."
So forgive us if we are forgetful."
I do get what you are trying to do here, in trying to distinguish the narrative voice and connect it to your reader. It's a start, it's no longer a scary blank page, and for that be grateful for these lines, but it is currently convoluted. Justify it for me. Suppose I were to say, why? Wolves know the difference between one wolf and another wolf, they do have a strong sense of hierarchy, and for that matter, the idea of 'the lone wolf', so I can understand slipping into a single mindset of collective pronouny goodness if it was the pack together on a hunt for example, but to say that they typically have no individual identity is idealized at best. But this is fantasy, and you can well say that wolves know one from another like your arm knows your leg, part of the same entity, but currently there is no sense of "we", it's all I, individual sensation and personal history. Describe the collective sensations of the pack.
Points: 4987
Reviews: 163
Donate