Circle I (ii-Finn)

PreviousNext

AN

Spoiler! :
Okay, so the whole story is alternating from Luke's and Finn's perspectives. Again there are a few things I'm conscious of in this section that I'd love your opinions on :) Firstly- Finn's voice. It keeps coming off as overly shallow and teenage girlesque. Which I suppose it's meant to be, but not overly so or... anyway- tell me what you think of her voice, her introduction, and the continuation from the first part. As it goes further on, the two points of view work better together but here at the beginning I'm worried that it's very stilted or something or, well, you'll see for yourself. Oh- and the mentions of her parents. Originally I took the first one out because it seemed weird but then I put it back in and, well. Oh, you'll see. I'll just be quiet. And of course, any other blindingly obvious mistakes, please tell me!

I. Finn

I knew I should be worried. There was something lurking in my mind, telling me to be worried, some uneasiness in my stomach when I woke up. The problem was, I didn’t know what I should be worried about.

First, there was Mary, who wasn’t worried at all. That in itself was weird. The dorm we shared wasn’t full of Mary’s concerns about boys and skincare and what dress to wear where. In fact, for the first time in the five years I had known her, Mary’s life was going- there was not other word for it- perfectly. And that, rather than making me happy for her, made me anxious.

Then there were the Carrickdove murders. It didn’t concern me past the fact I was here, in Carrickdove College, but wasn’t that reason enough to be worried? That there was some sick murderer in our own quiet little town? Carrickdove was the sleepiest place in the world, I didn’t know why the school founders had set up here. I suppose everything was a bit sleepy back then. But the murders were nasty, inhumane, frightening. There was no pattern, and a student could easily be next.

The last thing I thought I should be worried about was Luke O’Driscoll.

Luke O’Driscoll was one of those boys who, chameleon-like, could blend in anywhere. The same height as me, skinny, medium brown curly hair, glasses. The sort of boy you didn’t look at twice on the street. We had both been here since First Year but we had never spoken much. He was polite to teachers and laughed quietly at jokes made on the lunch table, at least, the few times I had ever sat near him at lunch. His roommate was Barry Carmichael, my friend Josie’s boyfriend. He had been sent home last week with glandular fever- which I was suspicious of, everyone knew you got it from kissing and Josie didn’t have it, but as ever, she trusted him completely. Barry was nice enough and I knew he and Luke were friends, but other than that, I didn’t know who Luke hung out with.

Which might explain why he looked so lost when he came into Irish. He looked like he had seen a ghost. That didn’t even cover it. He kept his head over his notes and scribbled like a thing possessed but he was trembling and sweating from head to toe, fidgeting. His face was sheet white, his eyes were permanently wide behind his glasses.

When the bell rang, he bolted and I didn’t have time to rush after him and see what was wrong. I picked up my bag and stowed my books. That left me with my two other options. Mary had been moved to our Honours Irish class last week from Ordinary Level. Suddenly she was brilliant at Irish. Not as good at me, but still pretty impressive. She latched onto me as we left.

“God, that class is a drag, isn’t it?” she said. “Wish we didn’t have to do it. It’s so stupid.”

“I don’t think so,” I said vaguely, partly because I wasn’t concentrating and partly because Mary was annoying me and I wanted to watch her squirm. And partly, because truthfully, it was the one Honours class I never struggled in. Dad used to ship me off to Irish courses every summer so he didn‘t have to deal with me. Weeks spent in the rain and wind of the west and the kind of discos you thought were cool when you were twelve left their mark. Then Claire came along and we began spending summers together like a normal family.

“Oh, I mean, sometimes it can be nice-” and she launched into a long-winded retraction. I tuned out and adjusted my bag over my shoulder. Mary continued on her monologue. I figured I was doing her a favour by giving her something to worry about.

Luke wasn’t at lunch, though that didn’t surprise me. I wasn’t particularly hungry, taking soup and salad but only picking my way through it. Still, Claire had trained me into believing that missing meals was a bad idea, no matter how good your intentions were. In the common room afterwards, Mary made the six of us in our dorm building in our year a pot of tea- essential on a bitter January day- and we turned on the fuzzy picture of the news.

And beneath the crackling sound, I found Issue Number Three to be worried about. Another body had been found and identified to have belonged to Flora McConnell, nineteen and bottle-blonde. Ripped apart, the reporter said, standing in the familiar main street of Carrickdove. Police were baffled, the public were terrified.

I was both, until a tiny gesture pushed the murders out of my mind. Mary turned from handing me my steaming mug and as she did so, hitched up the grey waistband of her skirt. Something so small but it raised a new, cold fear in me. Because I knew Mary, I knew her better than she knew herself. I thought about the beginning of term when we had arrived all bloated and content after Christmas. Mary, wide-eyed and flustered with excitement, had shown me her new discovery. Ways to make all your wildest dreams come true, chalk circles and incantations and candles. She had been really into it until, like horoscopes and dream interpretations, I had told her I wasn’t interested.

As we went to our room to get our books for the next class, I cautiously nudged the topic into conversation.

“Mary, you know all that…” I paused, “witchcraft stuff you were talking about after Christmas?”

“Yeah,” Mary said slowly. “What about it? You want to… give it a try?”

“No. I was only wondering if you had done any.”

“What makes you think that?” Mary asked sharply.

“Nothing. I don’t know. Things are going well for you lately.”

“I guess I’ve just been lucky.”

“I know. Some of it seemed… it doesn’t matter,” I said quickly, turning away, knowing Mary would pick up the topic.”

“No, it does. Seemed what?”

“Like your being in Honours Irish and you’ve lost loads of weight pretty quickly. I didn’t even know you were dieting, so I thought…”

“You think I used magic to do better in class and be skinny?” Mary’s voice had gone up an octave. “What do you think of me?”

I shrugged. “Sorry.”

Mary tossed her hair, grabbed her Business books and stormed out, but I knew we’d be back on good terms by tonight.

And I knew something else.

She hadn’t denied it.

Comments & reviews · 5
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
EmmaJane
Review

Hey Stella! So, I might have read this before I figured out there was a chapter that came before... but I've just gone and read that one. Now I've caught up. (:

Nitpicks:

There was something lurking in my mind, telling me to be worried, some uneasiness in my stomach when I woke up. The problem was, I didn’t know what I should be worried about.

First, there was Mary

Now, some people have mentioned already that this feels a little contradictory. I have to agree. When people say they don't know what they should be worried about, that usually translates as there's nothing wrong. What you probably mean here is Finn didn't know what to be worried about first, which implies there's a rather long list of worries. Or maybe it would sound better as: I didn’t know what I should be more worried about.
Also, a small nit-pick, you've also used "worried" twice with not much between them. Maybe you could replace one with a synonym (say...apprehensive?) to keep things fresh.

for the first time in the five years I had known her, Mary’s life was going- there was not other word for it- perfectly. And that, rather than making me happy for her, made me anxious.
Why? I think that's the key question here - you haven't explained why Finn would feel this way. Is it because she's worried that something big is going on with Mary and Mary has kept it to herself?

He had been sent home last week with glandular fever- which I was suspicious of, everyone knew you got it from kissing and Josie didn’t have it, but as ever, she trusted him completely.
I don't like this sentence that much. It feels too much like your MC is rambling, and bordering on the edge of telling.

Weeks spent in the rain and wind of the west and the kind of discos you thought were cool when you were twelve left their mark.
I actually loved this. I just had to tell you. So true.

Mary turned from handing me my steaming mug and as she did so, hitched up the grey waistband of her skirt.
Only when I was re-reading this, did I get why this was so significant. I thought she was just adjusting her skirt, not that it was loose because she'd lost weight. I may be being a bit blonde, but could you make this clearer?

Finn's Assumption

I loved the ending. Really, the hint of witchcraft has really caught me - I love stories which include that. However, I can't help feeling your MC jumped to the thought that Mary was using witchcraft a bit too quickly. Does she know it works? Most would laugh it off as someone trying to trick them or someone being too gullible. And people could just loose weight and study harder. I don't see why your MC automatically thinks "witchcraft". Unless she knows it actually works and had been using it with Mary. It feels like you are trying too hard to steer the plot in that direction and have made it a little less believable.

Overall

I really like it so far. I'm sorry if I sound too nit-picky. I do love it, really! (I'm always into these types of stories.) Plus I'm especially curious as to why and how Luke can see the dead bodies like he can. Does he have some sort of link with the killer? Or beast. Or whatever is going around leaving these dead bodies. At the moment, it feels a little obvious that Luke and Finn may get together during this (especially with Luke's description of Finn). That's both good and bad. Bad: some may say it's a little predictable. Good: I love to be able to think at the end: Ha! I knew it! That's so cute - they really suit each other. I'm such a sap... I think you're such a talented writer. As soon as I saw this was by you, I knew it was going to be a mouse-scroller (as opposed to a page-turner) and I wasn't disappointed.

I hope my review helped. (: Please PM me when you put up the next chapter.

~EmmaJane~

Random avatar
purplegirl14
Review

Very good. I do like how you are switching point of view. It makes it interesting, and this way, if you want the reader not to know everything that is happening later on, it will be useful.

The problem was, I didn’t know what I should be worried about.

First, there was Mary, who wasn’t worried at all.

Then there were the Carrickdove murders.

The last thing I thought I should be worried about was Luke O’Driscoll.



This part confused me a little bit. You say she doesn't know what she is worried about, but then you list three possible things. You may want to say that, "The problem was, there were a lot of things causing me to worry." Or something like that would work. I may just be reading that wrong, but that's is what it seems like to me.

I don't think her tone is too teenager-ish. You don't want to make her sound grown up, but I think if you don't want her to seem snobish either, keep it how it is.

The introduction is good. Since she was indroduced in the first chapter in a different POV, you didn't have even the temptation of saying(I'm not saying that you nessisarily would, just pointing this out), "Hi, my names Finn, I'm..." This always makes the story less interesting. Anther perk for the different POV's.

Great job, I can't wait for more!

P.S. Thanks for the heads up about this chapter!

User avatar
peanut19
Review

Stella! I'm here to help(: Although this is pretty good I don't know how much help I'll be. There are a few grammatical things but you're starting to make me wonder about these characters a little more. Okay, on to the nitpicks:


I knew I should be worried. There was something lurking in my mind, telling me to be worried, some uneasiness in my stomach when I woke up. The problem was, I didn’t know what I should be worried about.


Okay. I like this, it's a good way to start this part off. It shows a little bit of Finn's character; she's a worry wart. But there are billion ways to rephrase it so you don't seem to repeat things over again. Try putting more description into it...show use exactly how she feels and how much it bothers her. It's okay to take more than two lines to do it because you go on later about her worrying. Also as you go on you should make it clear that she's going through possibilities. You jump straight to things that she could be worrying about and isn't sure that she is but it sounds like she's worrying (if that makes sense).

He had been sent home last week with glandular fever- which I was suspicious of, everyone knew you got it from kissing and Josie didn’t have it, but as ever, she trusted him completely.


There should be a period between "of" and "everyone". Capitalize "everyone". This is a pretty long sentence and you can break it up with a period or a semi-colon, which ever you think is best.

He kept his head over his notes and scribbled like a thing possessed but he was trembling and sweating from head to toe, fidgeting.


I'm not really sure why you put "but". I think "and" would make more sense because it's not contradicting what you already said.


“I know. Some of it seemed… it doesn’t matter,” I said quickly, turning away, knowing Mary would pick up the topic.”


It took me forever but I finally found this again. There's an extra set of quotation marks(:

Oh and I saw that towards the end and some at the beginning you used slashes or ellipsis when your characters trailed off in their dialogue. That's fine but when you have a slash outside the dialogue maybe use ellipsis inside? I think it'd look better.

Characters:

I like Finn but as you said she's kinda of like every other girl out there. She has personality I can tell by how she reacts with Mary but it's not really unique. Maybe give her a little quirk or habit. Give her something that she does when she's thinking or worrying since I can tell she's probably going to be doing that a lot considering what's going on. And her reactions to Mary, to the witchcraft I was pretty confused about until the end. I was wondering the whole time why she would be so stand-offish towards Mary and now I just want to know why she cares about the witchcraft. (Maybe I'm impatient.) The last thing is Claire. I didn't catch until I read through a second time that she would be Finn's step mom? Even then I wasn't positive. I don't know if you just want us to assume that or what but I think you should describe their relationship just a tiny bit more because when you mentioned the thing about the eating I didn't know Claire at all.


Overall

I'm really excited for this story, for the plot unfold some more. But your MC's aren't that special and I haven't seen them interact that much together, maybe their personalities will shine then. But little things can change that, quirks and what not. I also think that the info you are sharing could be slowed down. I want to know more but I think I'd like to know more about what you are going to share at the moment then more slightly vague, but a lot of information. (I don't know if I'm rambling or helping...) The idea of the story is pulling me in, the prospect of what might happen, not necessary the characters. Flesh them out(:

I hope I helped; if you have any questions please PM me.
<3 peanut

User avatar
MagnusBane
Review

Hey Stella! :) I'm sure you don't really want nitpicks, but I noticed a few little things:

But the murders were nasty, inhumane, frightening.


This word doesn't seem to fit here. It's almost unnecessary. I mean, what murders aren't inhumane? Inhuman might be better, or some other synonym.
His face was sheet white, his eyes were permanently wide behind his glasses.


This definitely seems like it should be two sentences.

Okay, so now that I've got that out of my system... time to look at the big picture. I don't mind the mentions of Finn's parents. It makes her seem a lot more realistic and helps define her character. So that can stay. Honestly, though, Finn's kind of annoying me. She seems kind of full of herself, and she definitely doesn't treat Mary very well. First she tries to make her squirm when Mary makes the comment about the Irish class, and then takes it for granted that Mary will forgive her by that night. It's nothing major and it's probably just me, but I did find her a little irritating.

Other than Finn's personality, I liked it. I can't wait to see where this goes. I'm definitely interested to find out what's going on with Barry, and if Mary's witchcraft experimentation is connected to the murders in any way. And I love your style. The whole concept is really very interesting. :)

Hope this helped!
Magnus



"would you still love me if i was a worm" yeah babe i would AND id get you your own compost bin so we could enter gardening competitions together
— Corvid