Hi! I'm reviewing all of Team Tortoise and I liked the title of this one so I thought I'd come review. The length and layout are a little more daunting but if it's a good poem that shouldn't be an issue.
Specifics
1. There are a lot of excess words in that first line and it's slowing your pace down. How about
'If I could scrub all the muck from my palette of lies,
like the smudges from the ballroom floor
I'd be perfect...'
2. I'm not sure about 'too perfect' because it feels like the persona reaches the realisation and switches mood too quickly, before the thought has been fully explored. Perhaps if it was 'so perfect' then the transition from this being a positive to a negative would be more gradual and feel more natural?
3. The roll over of the first stanza to the second has an interesting disconnect that I kind of like. It threw me at first and I had to re-read because I felt like I'd missed a line but I like what you're aiming for and I'm not sure you could do it without tripping up the reader. Just thought I'd share my thoughts.
4. I don't like the imagery connecting the feelings to dirst because it's contradicting. A moment ago we had the transparency showing the persona's feelings which suggests they're something inside us but now they're on us and a dirty trail we leave instead? I don't like the mixed metaphor.
5.
I used to dance with a free soul, on this floororof glass, so perfect and smooth - not a ripple
6. There's some nice flow and imagery in the next few stanzas but no new ideas and I feel like you're using a lot of words to tell me the same thing we've already covered - ballroom, dirt, feelings. That's about all which I have to work with at the moment and I'm struggling a bit with what I'm meant to take away from this so far.
7.
Okay so now we have another party and things get a little more interesting again but I feel like this is needed sooner and that the line about commanding the persona to laugh is a little unoriginal. Laughing and smiling are too often used to show a person has been made happy or to indicate that they are falling in love and the commanded feels a little Pride and Prejudice with the strong male character sweeping the female persona up. Perhaps it's not meant to be male and female but it feels that way, kind of like the fairy-tales when the prince suddenly arrives and everything is now okay.You prance into the hall of pure
glass, like your heart. Transparent, but your own.
Wearing it like a cape flying behind you, it shields
what you fear, what you love, from the demon
smudges. They don't register. And you take my hand
from the sponge and you tell - no, command - that I laugh.
8. The end is nice but feels a bit forced and I think you need to introduce the theme of breaking earlier to make that seem more natural. Yes we have a glass floor and glass does break but even if you just describe some cracks or a few lines on the glass rather than smudges then we'll be more prepared for the ending.
Overall
This poem doesn't really work for me. I think because it doesn't feel like the main character is stuck in their shell in the beginning. It feels like they're perhaps guarded but that's not the same thing. We don't get to see them with others so we can't really see that they don't extend beyond themself because let's be honest, we're all self centered when alone. It's only when there are people around that we can identify those who interact and those who don't.
I think the glass room metaphor was pushed too hard which is a shame because it's a lovely idea but there were too many mixed messages so by the end I wasn't entirely sure if the glass room represented the persona (and yet the soul escapes through the crack?) or the restrictions of society? It's all a little bit too vague and too ambiguous.
But the images are nice and it flows well so I think with some cutting and tidying up that it's something I could like. It just feels quite rough at the moment.
Best of luck with the writing! (and reviewing)
~Heather
Points: 6235
Reviews: 2631
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