z

Young Writers Society


E - Everyone

Don't Kill the Flowers.

by SofieR


It was the summer of nineteen-sixty-six. Or, perhaps it was was sixty-seven. No, it was defintely sixty-six. I remember, because the day before was my eleventh birthday, and I was born July of 1955. The kitchen still smelled like the vanilla cake Mamá had baked especially for occasion. As the sun rose, I dipped what was left of it in café, lightened up with plenty of milk and some cinnamon dusted on top for good measure. Normally, I detested being awake before the sun but on this morning I jumped out of bed. This was the day I started working with Papá.

It was seven in the morning by the time we got outside, and already the Central California sun was beating down on us as if it held a grudge. Just loading the mower onto the bed of the truck made a shiny layer of sweat appear over my forehead, dripping into my eyes . When we were finally finishes, I jumped into the passenger’s side of the truck, my frame so small I could still swing my legs as they hung off the edge of the seat. I gazed out the window and thought about all the things I was going to buy now that I that was going to be earning my own money.

All week, in my back pocket I had been carrying around a newspaper, neatly folded up in thirds, where I meticulously looked over the “for sale” ads and circled all the possibilities. As Papá drove us to our first house of the day, I pulled it out and read. Somebody on Pine street was selling a record player. I imagined my little brother Javier and I on the floor of the bedroom we shared, listening to records I could borrow from the library. I circled that one with the pen that accompanied the newspaper in my pocket at all times. Somebody else on Elm street was selling their bicycle. I took extra care to circle that one twice.

Our first house of the day was in Lakeview Estates, the gated community on the other side of the bridge. The town underwent, and I believe still undergoes to this day a complete transformation once you the cross the underpass on Washington Way. On the side we lived on, the homes were mostly one story, with one or two bedrooms at the maximum and were painted unconventional colors like peach, green and orange. Once you crossed the underpass, the homes got bigger, the colors became more neutral and the lawns were suddenly pristinely maintained. That was usually thanks to hired help, like Papa and I. Most of my father’s customers were here, on what my school friends and I used to call the “nice side of the bridge”.

Papá pulled into the driveway and put the truck in park. We climbed out, and he opened the gate to the backyard with the key he was given by the owners. The doors swung open to reveal what in all likelihood was a yard not much bigger than most standard suburban back yards. To my eleven year old eyes, however, accustomed as they were to apartment living, my father may as well have opened the gates to disneyland. My eyes darted immediately to the swing set, painted with candy-cane red and white stripes, then moved to the underground kiddie pool and finally ended on the trampoline. But then my father walked up beside me and pointed beyond all of that to the jasmine shrubs that lined the entire yard.

“You see those?”

I nod.

“You’re going to trim them, nice and straight, while I’m cutting the grass,” and he put a pair of shears in my hands, the handles barely fitting in my grasp. Perhaps sensing my apprehension, he followed up the declaration with; “Here. Watch me.”

He began to demonstrate the correct way to trim the hedges; how to correctly hold the shears, how to keep a strong stance so that your arms don’t get tired and to ensure you cut in neat, straight lines. But then suddenly he stopped, and he looked down at the leaves that had fallen from the hedge to the ground and he gasped.

“There were flowers in this bush,” he says. He reached down to pick one of the fallen branches and showed me the white, barely-there jasmine flowers just beginning to bloom.

“I cut them off,” he says, suddenly taking on the demeanor of a small boy. “I killed the flowers.”

“You didn’t see them, Pa.”

“And now I have to cut the rest of them off to made the hedge even.”

“You could just leave it like that,” I suggest.

His gaze shot up from the fallen flowers to me.

“Listen,” he said. “When you have a job to do, you don’t leave when you feel like it. You leave when the job is done.”

Once the lawn was done, we finished loading the tools onto the bed of the truck, just in time to hear the front door swing open. The customer stepped out, wearing heels and a dress reminiscent of the shows I always saw on TV - the mothers hovering busily over a kitchen counter and donning ruffled aprons and red lipstick. She took a step out of the house, speaking excitedly into a phone reciever. The chord on the phone didn’t go past the front steps of the house, and so she came to a halt on the bottom step, pulled two dollar bills from an envelope, and tossed them in our direction. Without a word or even a glance in our direction, without stopping her conversation on the phone, she dissappeared into the house and quietly shut the front door behind her.

The whole drive home, as I gazed out through the window, I watched a tumbleweed follow us to our next customer and thought about the previous four hours. I thought about the way Papa furrowed his brow with concentration as he made sure the mower left perfectly symmetrical lines in the grass. I thought about how pained he was at trimming the flowers in those bushes, devastated at ending their lives just as they had begun to bloom. I wondered how it was possible that to somebody else my father was merely the hired help you toss a money at once a week when to me, he was the axis on which the world spun upon.

When we arrived to our next house, Papá put the truck in park then looked over at me for a split second before reaching into his pocket. He produced one of the two crumbled dollar bills that he had received from the customer and handed it to me.

“What’s this?” I asked.

“Your half of what we made at the last house,” he says. “Take it. Take it and save it for school,” and he stuck one of the dollars in the front pocket of my shirt.

He hopped out of the truck and began unoading the equipment from the truck, just like we had at the last house. A routine we would repeat six times that day, if I remember correctly. But before I jumped out to join him, I took the dollar out of my pocket and I stuck under the driver’s seat of the truck, hoping that if my father was ever in a bind for change, that bill would be there to help him in his time of need. 


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542 Reviews


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Mon Feb 26, 2024 4:27 am
Liminality says...



Just a comment from me - This is a gorgeous story, thanks for sharing! From the title, I hadn't expected the flowers to actually be cut in the end, so the story surprised me. I felt bad for the father and could really feel his dismay and anxiety after he'd cut those flowers.

Keep writing!
-Lim




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Thu Feb 22, 2024 5:32 pm
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keeperofgaming wrote a review...



This was enjoyable to say the least.
The way the father was sad about the beauty he plucked early, but still held to work to completion, setting a perfect example for his child about work ethic.
The child learnt a lot that day and it showed just how loving his father is, but how decisive he must be.
He also showed the child the meaning of shares. Allowing the kid to make money for what he did as well. This showed the kid the purpose of working hard.
Not to only mention the numerous lessons, the grammar is good. I quite like the structure of the story, and the showing of the kid's selflessness in wanting to keep the bill to make sure the father stays healthy and happy.
Both of them show a great love for life and a selflessness that echoes of what families should be, despite few families existing with those values in this modern day.
Thank you for the enjoyable tale.




SofieR says...


Thank you for reviewing! :)



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Thu Feb 22, 2024 3:20 am
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Snoink wrote a review...



Awww, this is sweet! I love the gentleness of the father and the kid and their relationship. I think it's fantastic that this is in California (I grew up in the Bay Area!) and I love the references to the Hispanic culture. :) It makes me a little homesick, to be honest, lol.

(Also, Papa getting all emotional about the flowers, even when there is such a machismo culture for Hispanics is like d'awww.)

There are just a couple of things that bugged me about either the setting or the era that were not quite right...

-> I love jasmines and we grew some at my childhood home. Every year, they would flower and it was amazing. But... they would flower late April - early May. If they had flowered in July, it would have been very strange and/or miraculous. So when I read that part, I kind of was jolted out by the story.

-> In 1966, cassettes were basically just invented, but very, very rare. It would have been a lot more likely that your narrator would have had records or a record player. I know my mom, who was also born in July 1955 and grew up in California, listened to the records.

I know five dollars isn't a lot now, but in 1966, five dollars was today's equivalent of about $50.

Anyway, it was a sweet story! :)




SofieR says...


Thanks so much for this review! :)

- Sofia



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Wed Feb 21, 2024 3:44 pm
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vampricone6783 wrote a review...



Hello there, human! I'm reviewing using the YWS S'more Method today!

Shalt we commence with the Spooky S’more?

Top Graham Cracker - The main character and their father make money off of trimming people’s lawns. When the father accidentally cuts off the buds, instead of leaving the rest, he cuts them all off, in the name of “getting the job done”.

Slightly Burnt Marshmallow - I think that you meant to say “finished” when they were loading the mower, but that’s just one little thing.

Chocolate Bar - Where to start? Hm…I like how the main character saves the dollar bill for their father, they care about him. I also like the detail of how the woman didn’t even look at them. Too preoccupied with her own world to pay attention to her surroundings. In the whole story, it was apparent how the rich and the not so rich were divided. It’s only a matter of time before things take a turn.

Closing Graham Cracker - A short and poetic story on the different classes of society, and how they look at life through mismatched lenses. The flowers may have died, but what’s next? Only time can tell.

I wish you a lovely day/night!




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Wed Feb 21, 2024 5:36 am
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DevilBeMyDarling wrote a review...



Again today, I have found such an amazing piece of imagery woven into a story. Like poetry, painting a picture in a reader's mind of this simple yet beautiful piece. My favorite line was the "sun was beating down on us as if it held a grudge." A really simple and yet so effective and impactful sentence. I also really love the way that you do the flowers scene...and can't help but wonder if the father in this particular work has OCD? The way you portray the bond between the father and the child has surprising depth despite the brevity of the piece and I especially love that the whole idea of this short story is just a father teaching a child how to trim bushes. Again, sounds like a simple concept but the depth is shocking when you actually get into it. (And titles, how do you do titles? I feel like most of my stories go 'Untitled' for the longest time because I can never come up with an idea for a title, ever! I might take a lesson from this and maybe think about making the titles more simplified and less over complicated, lol)




SofieR says...


Wow thank you for this review! I usually struggle with titles as well, but on this one It came to me as soon as I finished the flower scene it's also sounds a lot like "To Kill a Mockingbird", which I liked because the dad is super inspired by Atticus Finch %uD83D%uDE09

Thank you so much for reading and reviewing :)




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