Everything is so much bigger than you are, back home and right here

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My brother and I are in Korea, it’s the summer after my freshman year, and we’re Americans in Seoul, soaking in the local culture, soft invisible particulates of tobacco smoke snowing lightly on us, carried by the wind. We watch a cloud of gray smoke rise into the air above the stone-paved corner of the park, both of us in awe of the casual consumption of dark tar cancerous growths sticky coughs by such a large group of random individuals. It's sickening. I feel great despite it. 

To say something, I offer a conclusion: “I guess that makes sense, a post-lunch time smoke break.” Total culture shock for the both of us, American-made puritans. Is it because of our health values? Or maybe it’s because we’re more scared of the idea of the taboo? Would it have been the same if it were just people drinking? I don’t know how to feel about the fact that it smells sweet and good, but the brain automatically links the dark tar cancer smoke gray air and I watch the smoke in the air replenish itself, getting thicker and thinner and flowing in between.

“That’s so crazy. Isn’t that crazy?” My brother shook his head.

Korea smells like cigarettes and carbon dioxide and carbon monoxide and exhaust and wet concrete. It smells like breathing in car smoke and ventilation air. When I’m little and my brother and I imagine that our home is really in Korea, even though we’ve lived in America almost our entire lives, we go and catch the smell of America behind certain apartment buildings where it’s dim and the outgasses cling to the brick walls and asphalt ground, sticking to the pores in the cool darkness. It makes me feel a little silly and wobbly. I think briefly about what the word home means. 

My dad is busy at work until 6pm, at which point he’ll probably go shut himself outside to smoke and then shut himself inside to work more. But my brother and I both count the time down anyway, silently counting the number of smoke clouds we see outside as we wander around on the large sidewalk blocks and metro stations, as lunch passes into late lunch into supper into early dinner.

I’ve never actually seen him do it, but I’ve always known that my dad smokes. His apologetic explanation always follows the smell itself, but it was always a sweet smell when he picked me up. I would cling to him like my life depended on it. I guess, in a way, my life did. 

My mom explained to me after he had gone and left that he would smoke near the dimly lit “basketball court” (asphalt with a single crooked basketball hoop) attached to the cul-de-sac we lived on by a set of large stairs made with mulch and square wooden frames, where I once felt my six-year-old feet unstoppably smush the unending flood of wooly bear caterpillars. I still see bugs and feel guilty. My six year old heart could not bear being a killer, but I'd hold my father's hand when the smell of smoke infiltrated my lungs. He coughed in pairs of two. 

I will never see him as he walks up the stairs covered in black goop. I can only imagine the image through my mom’s voice, that he would go all the way over there to smoke because he didn’t want to do it near us. Also, she said as if it was an aside, also, our next door neighbor wouldn’t let him smoke near her house. That's a good lady right there, a real good one. We thought so. 

The staircase was glowing faintly. I tiptoed down and saw my dad dimly lit by the tv through the grates of the staircase railing. I can’t smell him from over here.

“What are you doing up?” He was eating the snacks we had bought at Hmart. I didn’t know that he actually was the one eating all of those. My mom had said it and I thought of it as a mythology. I didn’t know that my dad ate snacks in general. It's a strange realization that we are both alive and human, but more so strange that he isn't some robot. Your father is your savior for as long as you both are alive. I never thought to ask if he liked chocolate. 

“I can’t sleep.” I looked at my dad through the grates of the staircase and imagined myself on the sofa. I wanted him to carry me to my bed and read me to sleep. 

“You should go back upstairs and try again.”

I went back up the stairs. The room next to mine, my brother’s, is silent.

My brother and I, most of our conversations happen passively, as if we breathed in and what came out happened to be words, since we were next to each other anyway. Never much further than that. The real version of my brother is hidden behind the perfect invisible barrier, an uncrossable ocean of privacy. Maybe he’s more comfortable that way. You keep the ones you love on a leash, a wall between the two of you. He never turns to look at me, never. 

We’re in the car in the two front seats. In the car, he’ll pull something up on the aux and ask me if I’d ever heard of it before. It’s MF DOOM. “I like his production,” I’ll say, knowing that I won’t be able to pull the criticism even though it’s what I’ve hated the most about my mom, her constant criticism about the music I’d show her, “but his lyrics aren’t great.” I wonder if that hurts him. I don’t know why I can’t just not say it. But the criticism comes out like carbon dioxide, the unstoppable consequence of pulling in breath. My chest rises and falls a few times, like all great empires. 

“I like Kendrick Lamar’s lyrics,” I say. I wonder how many of his friends know so much more about music than I know or ever will know. They're probably laughing.

“I just can’t get used to his voice,” he says.

“That makes sense,” I say, feeling stupid again. "You know the one that’s about being alright in the end? I like how his voice sounds in that one. You get used to it. He talks poetry, you know?" I wonder what my brother’s inherited inner critic is saying about me.

We drive onward, and more and more of my dad fades from my field of view. He is fading from the day that I smelled the stale cigarette smoke from his polo shirt in Korea, meeting my brother and I during my 4th grade, his 3rd grade summer visit, a surprise arrival, both my brother and I knowing that the consequences of his appearance would be a disappearance from the rest of our lives. Now all I see of him is images on Youtube and TV, images that are just surface projections of him, the PhD in economics he earned in the US that ruined him so much that he had to run from the US as a whole. 

Does he ever think of my brother when he makes these videos? Imagine the boy who asked my dad all of these questions about his job, my dad seeing this boy for the first time in four years because he refuses to visit us in the US, so this boy traveled miles and miles and spent thousands of dollars for his tickets and mine. Does he actually think about the boy who watched over me when we flew internationally for the first time, a 3rd and 4th grader trying to handle passports and tickets and baggage all by themselves, both of us maybe more scared for each other’s lives than for their own?

"Hey, dad smells bad, right? It brings back memories, doesn't it?"

He doesn't say anything at all. 

Comments & reviews · 3
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foxtails
Review

growing up asian in america is rough, but no one talks about being asian in asia when you dont know how to be properly asian. i am a sucker for anything cultural.

the norms in both countries are starkly different. you even said it yourself. the narrative touching on "puritanical" values as, well, puritanical is the starkest. the differing lifestyles feel alien to each other. this cultural difference makes the korean practice of smoking seem exotic, for an example. its something that both fascinates & repulses you. its a sad thing to not feel at home somewhere you are expected to, which i am familiar with. this story is a romanticized culture shock.

your fathers relationship to korea adds another layer to that theme. his presence in korea & his smoking habit tie him closely to the culture you feel disconnected from.
he is only someone you see only occasionally through a haze of smoke, both literally & metaphorically. the smoking becomes a symbol that you throw in constantly, with cigarettes & smells everywhere. it is cultural, emotional, & physical.

dare i say, it is also overused.

the smoking motif works, but there are so many different paths you couldve taken here. the conversation with your brother about mf doom & other rappers has nothing to do with it & i think it is a powerful paragraph despite that. my philosophy is that if the motif appears too frequently without adding new meaning, its redundant. in this story, it becomes the primary lens through which all themes are explored. i believe thats bordering on too much. it is essential, but boring at times.

i wouldve loved to see the other family dynamics explored to the same capacity as your father was. your brother serves as a mirror to your own feelings of cultural dislocation, but thats all he does. you argue & do the normal sibling things, but that is all of the depth he carries. the mother can be seen the same.

i enjoyed this story & i dont intend to sound harsh if i do. i can see this going so far, but it fell just short of it. the imagery & language was nice though.

foxtails

omg no this wasn't harsh at all! i see exactly what you mean and i agree w/ it! thank youuu :')

User avatar
deleted48
Review

hi seoyoung! welcome to yws!

okay so i'm gonna preface this by saying i don't know how to review prose. like at all. i am definitely more of a poetry person, but this really caught my eye.

i feel like i can almost reach out and grab everything? like it's so palpable. everything is so immersing to the point it's like i'm there, in the narrator's shoes; the smell of cigarettes and car exhaust, the feeling of concrete, and the visual imagery of the billowing smoke. it's so real and in the moment. this whole story feels like a vivid dream or a memory you keep buried deep in the back of your mind.

we go and catch the smell of America behind certain apartment buildings


like this ?? the idea of the "smell of america" is so interesting to me. i think that the whole overarching theme is the cultural disconnect between the narrator and their brother to life in korea. their ingrained cultural norms can't reconcile with the fact that they are home. i think that's where the "american-made puritan" comes in. that says a lot about identity and values, along with upbringing. you could consider their views on smoking here to be that, as korean people don't care but they do. it's such a complex juxtaposition of making and breaking traditions.

i think you could even use the father as an example for cultural disconnect. the narrator talks about their father as if he is something "foreign" almost, thinking about him from a distance. the dad is crucial to the story though. i think that smoking is a poignant motif to symbolize a lot of things; culture, the estrangement both kids feel, even the parental separation itself. his presence looms, yknow? like smoke.

I’ve never actually seen him do it, but I’ve always known that my dad smokes. His apologetic explanation always follows the smell itself.


this as well! the dad smoking is probably the most important thing to happen in the whole story, but not because of the action. it's so layered. even the image of the father seen "through the grates" in the stair scene. i think it takes home the isolation and distance he puts between himself and his family. it leaves so much to be longed for, but at the same time, it's the past. the sense of reminiscing is overpowering, but i think that works with your stream-of-consciousness writing style.

The real version of my brother is hidden behind the perfect invisible barrier, an uncrossable ocean of privacy.


there's so many family dynamics happening here. i love it.

there's a lot of correlation between the brother and father though i've realized as well; however, one is more positive than the other. the dad's whole character is about how he abandoned his family to move back to korea. he isolates himself and smoking is used to symbolize that. the brother, on the other hand, is still in contact with his sibling. they even travelled together alone as mentioned in the last paragraph. he is distant as well, but it's a learned behavior. his more passive and reserved nature contrasts with the narrator's introspective vibe going on.

i feel like this whole scene with the brother feels very one-dimensional. it's probably intentional. the following conversation about music felt like something more fitting for a first date than a chat with your brother. i guess that's what makes it so realistic? the narrator and their brother don't have the best relationship i've inferred, so it reminds me of talking to a stranger. that's so bittersweet.

"Hey, dad smells bad, right? It brings back memories, doesn't it?"

He doesn't say anything at all.


you can see it a lot in the ending. this is such a tense way to end things, but it's also perfect. there is some silent understanding between the two of them.

i feel like the last few paragraphs themselves are timed a little awkwardly. the jump back into the father's lore from the conversation with the brother feels off to me. it's not a bad transition, but it's abrupt. i think if you built more backstory on the father before writing the ending, it would've felt more natural. that, or if you clarified more about the brother's emotions. the point of his character is to be withdrawn, but i think he could have some more development in that sense.

but yeah, this was stunning ?? i guess i like prose now!

best,
dissonance

omggg thank you!! you're pretty much spot on w/ the culture thing. i write about it a lot, but i'm glad this in particular was a good insight. <3

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deleted48
Comment

i don't typically read prose, but this is gorgeous?? i may come back and review



You must never give into despair. Allow yourself to slip down that road, and you surrender to your lowest instincts. In the darkest times, hope is something you give yourself. That is the meaning of inner strength.
— Uncle Iroh