Warning: This work has been rated 18+ for language.
We decided to meet up during lunch behind the old preschool classroom. The place you’d deemed our “headquarters”. You insisted that we go separately, and I agreed. Not for the same reasons. I didn't want Jet seeing me with you. You liked it because you said it made you feel like a double agent. You were completely infatuated with the James Bond movies, which you’d told me in a giddy mini-ramble over the phone.
It was Monday morning. The sun was a bright white, pulsing over the sidewalk, and the brisk air chilled my skin. Jet gripped my hand as we walked into school. I could feel the soft contours of his palm match with mine. I was decked in my yellow romper and white sandals. Smiling, Jet told me I looked like a flower. Joking, I asked him if flowers wore sandals, and he told me I couldn’t take a compliment.
For the first time, my eyes roamed the entrance in search for you. It wasn't long until they found a landing. I had forgotten how you looked since Friday. I could see the stifled exhaustion in your doe-brown eyes, the way your hair licked up in the front like a duck’s ass. There was a dimple in your cheek, like you’d been pricked with a pin. I noted the way your mouth fell agape when you listened to your buddy talk. It was uncanny, seeing you. Watching you. You possessed this energy; one that seemed to rush from between your rib cage and unfurling to the ends of your limbs, always rearranging you, always tinkering with the way you were standing, intent on moving the world.
"What're you looking at?" Jet asked me suddenly. I was walking slowly, staring at you.
"I just can't believe he beat you up like that," I lied. I feigned anger. It was becoming harder to summon. "I want to ruin his stupid pretty face."
I glanced away before you caught my eye.
Jet draped his arm around me comfortingly. I felt the fabric of his shirt scratch against the back of my neck. It felt nice. Safe. "I tried." Jet shook his head, and then made a feeble attempt at a joke. "I was hoping he'd at least bruise." I found that I agreed with him. Humility would have been good for you; it still would be.
Jet and I kissed goodbye before we went our separate ways. Over the course of the morning, I noticed that you and I only had one class together. Unless you were skipping, that was. When sixth period rolled around, I told Jet about my exciting new epiphany; signing up for Yearbook Club. I told him that this required many lunchtimes spent typing senior profiles and photo captions. My friend Kelsey was in Yearbook. It wouldn't be hard to sound like I knew what I was talking about.
I felt sick for lying to him, even if he didn’t seem to mind overtly that I’d be gone.
It was your fault that I had to fib. It was your fault that things started going downhill from that day forward; it was your fault when the world I’d known imploded and it’s your fault now.
After some casual searching, I was able to locate the miniature staircase and long hallway that led to our headquarters. I recalled you telling me to open the second door on the left. I counted to two and placed my hand upon the handle. It was unlocked.
I went in.
I took tentative steps on the carpeted floor, feeling like an intruder. Wishing I could leave and crawl back into my old lunchroom seat. The one my best friend was now probably offering to another person.
Then I saw you.
Standing in the middle of the room like the object that didn't belong, backpack slung over one shoulder. You were drinking a Pepsi. You were tall, about six foot. I started to smile and then stopped.
"Hey," you said, straight-faced. "Thought you bailed on me for a sec."
"I'm a woman of my word," I claimed, crossing my arms. My stomach roiled with discomfort, like it was my rib cage’s special immune system, trying to shield my heart from the irony of that statement.
You strode, long-legged, to where a table was folded against the wall. You dragged it to the center of the room, and set it up, its legs clicking into place at the adept flip of your hand.
"Close the door?" you suggested, and, though I feared the prospect of being alone with you, I did so. I unfolded one of the metal chairs that had been leaning against a cabinet. When I sat down, I felt instantly cold. I could smell your cologne, potent and addictive, and the faint hint of shampoo that must’ve lingered in your hair. You took out a lined piece of paper and a blue pen. You bit the cap off with your teeth and did a quick scribble.
I leaned over to see what you had written. "Game Plan", underlined twice. "Okay, game plan," you said, reading your own writing, tongue hanging from your mouth as you began scribbling again. You were right-handed, and I eyed where your shirtsleeve yanked up your arm as you wrote, exposing faint tan-lines. "What're we gonna do to get this out there?"
My mind was stonewalling. The entire situation felt so out of place.
Luckily, it seemed like you already had your own ideas.
You named off Facebook and Twitter, and wrote them down in a hurry. I contested, reminding you that we couldn’t use our real identities. Your solution was to fake accounts and “BS the whole thing”, to which I wearily agreed. The big hole in our plan, which we’d both noticed at this point, was that our consumers would, by default, have to know our true identities. We would have to hope that they wanted our business to continue enough for us to skate by.
With sudden haste, you felt your pockets and whipped out your cellphone. Eyes falling, you swiped frivolously across the screen.
Your fingers froze. "What're we callin' this?"
"Callin' what?"
"Our business, y'know."
I shrugged. "I dunno. 'Subway Ripoff: Don’t turn us in, or we’ll find you and kill you!'?"
You humored me, feigning contemplation. Your pen was poised over the paper. "Seems harsh," you said. “Not very enticing, either.” You began to tap the pen rhythmically atop the tabletop, your teeth pressed lightly to the center of your tongue.
Then you kinda glanced at me. "You got a knack for doing Neeson’s accent, though."
Ignoring you, I asked, "How about 'Buy Sandwiches or Get Out'?"
You smiled a little. "I like your suggestions." I rolled my eyes, which reaped another smile from the corner of your lips. "Buy. Sandwiches. Or Get. Out," you mumbled slowly, pausing after each word to type the title into your phone.
"We're actually using that?" I asked. Both of my eyebrows rose with such exaggeration that my chin fell to my chest.
"Hell yeah," you said. You tilted your head back and chugged the last few sips in your Pepsi can. “We should have aliases.” I looked at you evenly. It was the first time we’d made eye contact. Your eyes were a glimmering hazel, like lasers were about to come out. "For fun, y'know," you said. "And it'll make it less conspicuous."
"Fine,” I agreed. I didn't want to argue with you. Not really.
You stood and tossed the empty Pepsi can into the trash basket ten feet away. It was a perfect shot. "Three points," you mumbled.
I thought for awhile, cradling my chin in my palm. I leafed through the names I could give you, attempting to land the appropriate fake name. I thought of one that was too funny to resist. "Kristoff," I suggested, smiling into my hand.
"Kristoff?" you asked, somewhat seriously. Then you bent on your knee near the edge of the table. "Oh Anna," you cried out, your voice assuming a dramatic effect. Comically, you clasped your hands together. "You mustn't marry Hans." Then you stood back to your feet, refusing to offer a mere smile, and I broke into laughter. The last thing I expected was for you to parody the Disney film Frozen. "I’ll die before I be Kristoff," you told me, which sent me into another fit of giggles.
Then I sighed, glancing down at the table. "Okay. Then why don’t we hear some of your ideas, genius?"
"For you?" You pondered a moment, still standing by the edge of the table. "Valerie," you said. I thought about it, and couldn't find anything wrong with the name.
"Sure, I guess." My mind wandered, and then I said, "You can be Quinn."
"Quinn." You nodded assertively. "Alright. I'll take that."
After a bit of typing and swiping, you stuffed your phone in your back pocket. You pulled a piece of bubblegum from your front pocket, undid the wrapper, and popped it in your mouth. You were meant to chew gum. Your jaw worked effortlessly, making noticeable the hollow of your cheek. You looked like a professional baseball player. The kind that scuffs in the dirt with their cleats. You would love the comparison, which is something I know now but didn't then.
"Okay," you asserted. Your body swiveled in your chair to face me. “So, I was thinking that we should make cards. Like tickets. Maybe a few hundred, to start. When people sign up for their sandwiches, we can give them a coupon. Y’know, that way we don't get anything mixed up."
I was about to protest. We were taking so many of—what seemed to be futile—measures. But then I realized that I was the one who'd said we should be careful.
You laughed. "I get shit mixed up all the time. It's mostly so I don't screw things up." You twirled the pen between your fingers like a drumstick. "Like, y'know, accidentally give some asshole a free sandwich."
As if that could be the worst thing to happen.
"What'll they say on them?" I asked. "The coupons, I mean."
"Generic numbers, probably. 1, 2, y'know. We'll only have one of each number, so nobody can replicate them."
I nodded. I had to hand it to you: you had a knack for brainstorming. "I have a few empty pizza boxes and beer boxes in my garage,” you said.
I also offered to lend my resources, knowing that last Christmas, Bage stuffed a packet of construction paper in the closet after his drawing phase had met a lull.
"You can bring the paper, and we can meet at my place, then?" You stood up, pulling your team jacket over your shoulders. It was different than Jet’s flick of the jacket collar. Your arms resembled a snake, trying to wiggle down the armholes. "How 'bout tomorrow after school?" You looked to me for confirmation with raised eyebrows.
You almost slipped the invitation past me without my noticing. My heart jumped when I realized what you were saying. You wanted me to come over to your house. Your goddamn house. Everyone knew that the only reason a girl went to a guy's house was to get picked up or laid. I searched your eyes. You were known for being a ‘bad boy’; Madison Houler had dubbed you ‘most-likely to lay every girl in the senior class’. I couldn’t believe you thought you’d get away with fooling me.
"Your house?" I coughed out.
You blinked, before clarity blessed your expression. As if you hadn’t known what I was talking about. "Yeah, my house," you reiterated. "Like, the place where I sleep and eat, and where my family lives and shit like that."
I cringed. It was like you had an obsession with the word ‘shit’. "I know what a house is,” I told you.
"Then why're you looking at me like I'm a dipshit?"
Your eyebrows jumped a little.
"Oh, right."
You smirked.
"You think I'm gonna pull some kinda stunt."
My cheeks heated with sourceless embarrassment. The "Game Plan" was rolled in your palm, and you were mindlessly slapping it against the edge of the table. "Well, don't worry about me,” you assured. “I might have a trick or two up my sleeve, but I'm not like those guys."
I snorted. "You're the epitome of one of 'those guys'."
You laughed a little, humorlessly. "You don't know me," you told me. “And I don’t know what ‘epitome’ means.” You were walking past me.
“An epitome is like an example.” I gritted my teeth. You halted in your tracks. “And you’ve given me good reason to believe you’re the guy everyone says you are.”
“Reasons like what?” you challenged, the ‘what’ dropping by an octave.
I was furious. My heart pumped. “I don’t know,” I said. “Try the time you beat Jet out of his senses just to satisfy your ego. Or the fact that you’ve had sex with the entire twelfth grade.” Your jaw dropped. “Or, I don’t know, the fact that the only reason you’re doing this is because your fucking conduct disorder’s telling you I’m gullible enough to let you trick me into helping you make and launder profit. My guess is that you’ll drop me as soon as you realize you’ve used everything of mine I’m willing to give.”
I was out of breath. Like pressure, my buildup of rage was gone upon its release. Guilt started to stem in my chest as your reaction pended.
“It’s all your guess,” you told me. “And,” you said, a look of agitation sweeping your eyes, “why does everyone think sex is some kind of crime? It’s just a fun thing to do. The day people quit ragging on guys about that will be the day my ego’s satisfied, Val. Not the day I beat some guy who thought I was his punching bag.”
The bell rang.
You shouldered your backpack, already halfway out the door. "See ya later, Valerie," you said. "Text me when you make up your mind about the playdate, alright?"
And then you were off, jogging bouncily down the hallway, joking familiarly with your jock crew. I was infuriated, and yet every time you surprised me, I felt the obligation to encourage you.
I wondered who you really were.
I texted you.
Me: Tomorrow after school.
Points:
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Canary word: Present
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Hello again! Here's some more
I loved this because she’s walking with her boyfriend and she’s thinking about this other guy, and searching for this other guy. That right there strengthens my hypothesis that she’s going to fall for Chris and Jet can go bye-bye. So then when she sees Chris, I would expect her to notice some things she finds attractive about him like his hair, or his dimple, or his mouth and then she describes all of these things in these piercing negative ways. I thought it was hilarious. And I’m hoping for enemies to lovers or hatred to lovers right now :p
Yep. Jet is totally going to catch her in the lie and he’s going to be pissed and they’re going to break up and other assorted bad things will happen because of her decision. (my prediction)
Yeah, she’s into him. She just doesn’t know it or want to admit it yet
They wouldn’t HAVE to… I’m picturing an online ordering thing and then anonymous drop off points. Like you order your ham and cheese sandwich and then there’s a secret spot in the school where they put the sandwich and then message the orderer and say your sandwich is here. I guess it’s easier to do it all in person, but I bet they could figure out a way to make it 100% anonymous.
THERE IT IS.
I could keep quoting this conversation but I don’t want a super long quote. All I wanted to say is that I’m loving this and I’m feeling the sexual tension. I’m not sure if you’re trying to create sexual tension or if I’m just willing these two people to be together so much, but all of this is working for me.
I love him. (more on this later…)
Here’s my new theory – even though Val (I know that’s not her name but that’s what I’m going to call her because I don’t remember her real name) doesn’t like Chris because Chris has some weird beef with her boyfriend, she agreed to help him with this little project because she’s bored with her life. Jet is boring and he’s an annoying boyfriend and I don’t understand why she likes him other than he’s the safe choice. Everything about her relationship with Jet seems safe. And while she may love Jet, I think she’s craving something more because everything with Jet is just so normal and boring. So, she gets this proposition and the opportunity to do something crazy and dangerous with a forbidden guy she’s supposed to hate so OF COURSE she’s going to jump on that opportunity.
I’m also starting to think that Chris could care less about this sandwich operation. Obviously he’s going to make it seem that he cares a lot about it, but what he’s really doing is trying to get Val close to him. Jet did something to him (super curious to know what the history is with those two) and I think at least some of his intentions for all of this is to get back at Jet through Val.
Right now everything about Chris is working for me. I love me a book bad boy, and while he’s not exactly a bad boy, he’s forbidden and Val isn’t supposed to like him and he has a bad reputation. That’s enough bad for me :p I love their banter and I’m feeling a slow burn. I hope that’s what you’re going for because if not, I’m going to be SO SAD. I want them together but waiting for it is half the fun.
This is all working for me right now, so I don’t have a lot of criticism. Have I mentioned adverbs yet? I’m not sure I have. This is a small thing, but as I’m finding out in my own editing at the moment, it can make a huge different. Megrim wrote this lovely article about using strong verbs and I think this is something that might be helpful to you as well. Sometimes you slip into passive verbs and writing and you get a little adverb-happy. (I do the same thing). In the novel I’m editing, I highlighted Ctrl+Fed and highlighted all of the verbs and adverbs she mentions in his article (turning my novel into a very colorful rainbow) and now I’m in the process of cutting and changing many of those, and I feel my novel is better for it.
That's all I have for you though! I think I'm going to try for one more chapter tonight and then I'll finish the rest tomorrow morning! Can't wait!
It's honestly so funny to me that you, as the reader, can't remember her real name. Chris is so intent on making people call her Val to the extent that even readers have trouble remembering what she's actually called.
It makes me laugh.

I'll definitely check out that article at some point! I do gravitate towards using too many adverbs. One of my issues.
I think one thing I definitely need to spend more time on is Jet's and Chris's relationship. Even as the writer, I find it complex (to the point where even I avoid describing it).
I'm so thrilled that you're rooting for Chris and Val to be together. But as a side-note, I also feel like I have to make Jet more than the 'annoying boyfriend' who's obviously going to be dumped (or the dumper, depending on how things go down). Y'know what I mean? I want the reader to have moments when they're hesitant about Val's relationship with Jet, because naturally, Val is also a bit hesitant. Maybe incorporating more of their history would help?
I love how you mentioned dialogue, because that's one of my favorite things to write, especially for this specific character pairing.
I can tell you love dialogue. I love writing dialogue too
I think showing some positive moments with Koskia and Jet to show why they love each other and why they're a good match would help. Right now he just feels so bland and like he doesn't really care about her which makes me wonder why she's even with him in the first place when she has this other engaging guy to hang out with.
Hi there! I'm dropping by for a review.
) goes inevitably wrong.
I did read the previous parts, since this is only part three, and overall, it's fairly engrossing.
The second person narration is growing on me - at first it made things read a bit weirdly, but now I've gotten used to it, and since it's abundantly clear that everything in the novel is centered around him, it makes sense. The one thing I will say is that it's pretty easy for your narrator to slip into talking about her feelings and about the boy's character rather then telling the story. That sort of navel-gazing should probably be limited.
The way in which the narration is hurting you a bit is that you're having your main character tell us too much about the boy's character - the old rule of show don't tell, but here it's a lot easier to slip into telling because this reads almost like a letter. Basically, supposedly he's a bit of player and stuff, but (other than the fight with Jet, and I'm not quite clear on how/why that started) he hasn't really done anything on-screen that merits this sort of reputation, other than being a bit rude, so as a reader I'm not having the same feelings about him as the main character does. I'm taking it with a large grain of salt, as I take everybody's opinions of other people.
The other thing I'm having trouble with is that I have absolutely no idea why your main character is willing to go into business with him. It seems like she has everything to lose and nothing to gain except a bit of money. Maybe if she really needed that money, or if it was more clear that she was having problems with Jet, or if it was better established that she's a bit of a risk taker - all of these would give the reader some idea of why she's doing this. Right now, as a reader, I'm willing to let it slide because the book's just started, but if no justification presents itself I'd probably wind up thinking she's a bit of an idiot when it (and of course, it will
The only other thing I'll say is that occasionally your narration is a bit stilted, usually when your MC is thinking - it tends to be a lot of the same type of sentence all in a row. But I do like the voice of your MC and the boy - they're both quite distinctive.
And that's all I've got! Good luck with the rest of this!
Hey, thanks a lot! I have edited the story a lot more in my documents; I just haven't had the chance to carry over my revisions to YWS. Your suggestions are all fantastic, and they're all things I need to work on if I'm going to continue with this story. I'll keep everything you said in mind.

Thanks again!
No problem!
Hi it's Kaila here for a review! I thought that this was really good and well written, so props
I love how the perspective is like the girl talking to the guy--it really helps the story stay concentric to those two characters. I will warn you, though: if you want to focus on other characters more (like Jet) it's going to be pretty hard if you continue writing from this perspective. But considering the fact that the plot is really just about "Valerie" and "Quinn," I think it's totally okay to mostly just focus on them.

I did notice that you had quite a few comma and paragraph grammar problems, but that's the kind of stuff you can fix pretty easily. The two biggest things that popped out as grammatically dysfunctional were:
"Jet held my hand as I walked to school, decked in..." This sentence has an unclear pronoun. The reader won't know (they'll assume) that it's you who's all decked out; they might as well think it's Jet. You don't want that. Instead, I would do something like, "Jet held my hand as I walked to school. I felt so pretty decked out in..." instead.
"I couldn't do that, smile at you." This is just a small thing, but corrections like this will make your writing so much easier to read and more credible: instead of a comma you need to use a colon here. Simple as that.
The only other piece of editorial feedback I have for you is that it seems a little weird how scandalous making a "fake Subway" business is. Maybe this is just because I haven't read your other two chapters, but this idea is pretty random and confusing to me. Maybe rethink why exactly you chose for them to endeavor on this project together instead of just a school assignment or something. I'm also still confused as to what exactly "this project" is. I realize that this comment may be totally irrelevant since I haven't read your other chapters, so feel free to disregard it if it doesn't apply or if I'm missing something.
Other than the grammar stuff and the project confusion, I really loved this. I loved how you showed the details of the plot through conversation or description instead of telling them. I also really liked the ending. Well done