Note: this is one of my entries for the Big Review. Enjoy!
Introduction:
Hey there, Rydia! It's pretty late, but I'm still going to try to get my reviews done.
This one is an oldie-but-a-goodie. I'd love to help you out with it, and I also want to try out another format of review. My normal format seems to be helpful for poetry, but I want to decrease my line-by-line analysis and increase my plot analysis. Because this is a trial run, I have to warn you... it may be a bit short. But I'll try my best!
Ready? Set? Go!
Content:
Mr Pailey looked upon his surroundings curiously.
I feel like this line isn't strong enough for a beginning sentence. Let me just highlight one or two places where it falters.
1. First, a nitpick: it's just a bit clearer and makes a bit more sense to put a period after "Mr", since that's the commonly accepted usage.
2. "Look upon" is a bit clunky here. I'd replace it with a stronger word, like "surveyed". It communicates the same thing without the awkward wording.
3. "Curiously" isn't always the most compelling word. I'm fully in support of a few adverbs sprinkled in here or there, but "curiously" is diluted: it lacks power and makes the sentence feel... almost forced.
The wooden abode was warm due to little ventilation.
You certainly have a strong vocabulary (something I always value in a writer), but sometimes such eloquent words are awkward in the context, breaking away from the natural, flowing voice in the rest of the story. "Abode", for me, is that kind of word. It doesn't shed any light on the situation, doesn't really seem to have a purpose (character-development-wise), and is a bit too formal here. I love the way you write in the first couple sentences, but this one (in comparison to your others) sticks out and will pull your readers away from the plot.
As the tour guide spoke, the aroma of bread and pastries lingered in the air.
Nice detail! Although (without any specific comments) this sentence is oddly-phrased, don't you think? The verbs "lingered" and "spoke" don't really go together in my mind. Maybe it has something to do with the endings. Or maybe I'm just crazy.
“Pudding Lane, what a funny name! And what have we come to see?” An elderly lady demanded.
This is a nice supplementary sentence, but it doesn't seem to go together. "Pudding Lane, what a funny name!" seems like a kind, laughable comment, whereas "demanded" is more aggressive. I'd suggest removing "Pudding Lane, what a funny name", or replacing "demanded" with a different verb.
“Don't be stupid!” Her beloved husband snapped and added as an after thought,
I do enjoy some of these details, but they seem to be distracting from the characters at hand. "Beloved" is a powerful, intriguing word, and I don't feel like this old lady and her husband (as characters) deserve that. Your dialogue is really natural and witty--I love that--but your narrative in between can become cumbersome and distracting at times. I'd try even venturing into "said" territory here. Try replacing a few of these snippets (for example, "Her beloved husband snapped and added as an after thought") with a simpler word, like "exclaimed".
He was well aware that they had decided to take the tour to try and rekindle their love for one another.
Whoa, whoa, whoa! Sorry... I'm a bit overwhelmed here. Mr. Pailey, in this line, sounds like a stalker or something... O.O
Mr Pailey pointed out potently.
I feel like this is an awkward (and maybe even improper) usage of "potent". The definition matches with what you're trying to say, I think, but "potent" is usually incorporated in a different context... it's a bit clumsy here.
“Oh come now Mr Pailey...The tour guide beckoned them into a nearby building, wanting to show them something of interest.
Sorry for the clipped quote (it was long), but I'd try to refrain from having a paragraph this large. Maybe this is just YWS (I know how hard formatting is on here... -.-), but it's difficult for the reader to really picture this when they're a bit overwhelmed by all of the information.
That being said, I love this paragraph. I can really picture (and feel and taste and smell) what's going on here. Quite admirable.
to which one man who had been passing stopped and commented,
“A fine tune that be!”
This seems like a sort of inappropriate reaction to what's happening. It may be a "fine tune", but this is the Great Fire of London!
Just an idea: maybe, if you know who wrote "London's Burning", you can include a detail about the man. Maybe he's carrying stacks of sheet music or something... I don't know! You're the genius here, not me...
Plot... In Three Points:
WARNING: I haven't actually read the other reviews, so what I said may have been repeated. But here goes nothing.
1. Nice characters, but not enough focus on our main man... Mr. Pailey. I enjoy the snippet of conversation between characters, but your narrative can be a bit distracting at times, especially when we barely get any of Pailey's internal monologue.
2. This idea has quite a bit of potential, but (at least in this excerpt), I don't see you making the best of this. I liked the bit about "London's Burning" at the end, but your readers want more! Mr. Pailey's having adventures through time. So let's see more history!
3. Formatting... oh, YWS... Okay, so formatting on YWS can be hard, but it's also super important. Lots of readers (on the internet, at least) have difficulty picturing/becoming fully involved in the text if you have longer paragraphs. Plus, it's easier to edit if you break 'em up!
Resources:
Two resources for you today, Rydia's old writer-self!
- Advancedfictionwriting.com wants talk about subtext in dialogue! Check it out... pretty cool, huh? http://www.advancedfictionwriting.com/b ... -dialogue/
- Barbara Bretton, accomplished author, writes a bit about time-travel in novels:
http://www.barbarabretton.com/six_tips.shtml
--
Well, that's it for now!
Keep writing, and--as we say in my hometown--don't forget to be awesome.
IronSpark
Points: 15167
Reviews: 175
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