I
There are holes in my mind where memories should be, where important details elude me.
Sometimes I remember.
Not everything,
just bits and pieces.
Whole days disappear without warning. Some mornings, I wake up and can't remember the day before. Other times, I'll catch a glimpse of something, a face, a jacket hanging by the door, or the smell of fresh coffee. I feel like I'm standing on the edge of an important memory that's just out of reach.
My psychiatrist says it's mostly due to my injuries from the accident, but I could also be subconsciously trying to block out memories my brain doesn’t want me to remember.
I lay on my back in bed, staring up at the ceiling as morning sunlight leaks through the gap in the curtains.
The ceiling is covered in those glow-in-the-dark stars you might see in a little kid's room; they’re carefully arranged in constellations. Strangely enough, that's the one thing I will never forget. It brings me a small comfort to know that, at the very least, I can remember those silly plastic star formations every night before bed and every morning when I wake up.
It's one of those mornings when the memories are so close I could reach out and touch them, but they slip through my fingers like sand. I can remember someone lying next to me, a voice, a phrase whispered over and over in my head. “Tell me which constellations you see.”
The voice has no face, no body, and no name. Just a presence, like a ghost of someone who cared enough to stick by me. But this raised more questions: who were they? Where were they now? Why leave me alone?
I groan as my head starts to ache, and I roll over to look at the alarm clock. It's almost noon. I woke up hours ago, but I haven't gotten out of bed yet.
I sigh and swing my legs over the edge of my bed as I sit up and run a hand over my face. On my nightstand, there's a notebook open to a list. I pick it up and read the foreign yet familiar handwriting. Each bullet point is a simple question anyone should be able to answer with little effort.
Apparently, I’m not anyone.
I close my eyes and whisper the answers to the questions on the page. “My name is Micah Kepler, I’m a spacecraft pilot, I’m in my apartment, today is Wednesday, September 12th, I- I umm…” I stutter as I struggle to remember the answer to the last question. “I was in a test flight accident.”
The notebook is slipped back onto the nightstand, and I press my palms against my eyelids. The ache in my head has turned into a throb; my brain must be working too hard.
I know this is a migraine; that's another thing I don't forget. The pounding in my head doesn’t let me forget, nor does waking up every morning to a world no bigger than a pinhole. My peripheral vision vanished after the accident. Whether it's from the brain injury or the damage to my eyes, nobody seems to know.
I stand while reaching out with one hand for anything to guide myself through the hall. My other hand clutches at my head as it pounds with every pulse of my heart. My fingertips trail along the wall, counting doorframes by touch. One... two... bathroom.
I take slow steps towards the sink. There is nothing around me to hold onto, nothing to guide my way.
My eyes try to focus through the pain in my head, and I finally reach the counter.
Shivering with a cold sweat, my fingers curl around the edge of the sink, the porcelain cold to the touch of my overheating hands. For a fleeting moment, I can almost remember a gentle hand on my back and a whisper, “Remember to take your meds.”
“I will,” I respond like it’s muscle memory, and at the same time it's a promise I made to this person I can't remember the face of.
Behind the mirror is my medicine cabinet, where my medication for just about everything wrong with me lives.
After fumbling around in the cabinet and bringing every orange bottle close to my face to read the labels, I finally find the one for migraines and swallow two pills dry, desperate to make the pain go away. I know I need to eat something, or those pills are just going to come back up, so I begin my slow journey to my kitchen.
There's a sticky note stuck to my fridge telling me not to worry if I run out of groceries because there will be deliveries every Thursday.
I open the fridge, and my brain immediately tells me I'm not in the mood for any breakfast foods today. I get the feeling that I usually don't eat breakfast anyway.
I set my sights on the peanut butter and sit down on the couch with the jar and a spoon.
When the first spoonful hits my tongue, a sharp, brief pain ripples through my head as I hear that same voice laugh and say, “You’re going to turn into peanut butter.”
Despite the pain in my head, that light, soft laugh was the best thing I remembered today. I must have been close with this person.
I awoke to the sound of my TV playing the “breaking news” sound. What little vision I have is blurry, and I have to rub my eyes and force them to focus on the screen.
The woman on the TV isn’t a reporter, and she's not a meteorologist warning me about flash floods or strong winds. The woman is dressed in a crisp uniform, her hair tied back in a tight bun, and her eyes so intense they seemed to pierce through the screen.
A pit forms in my stomach because I know who this woman is. Adrianna Cross was my commander before I got laid off due to my injuries. I remember; she was the most patient person I knew; she had to be.
She trained my crew, a group of elite astronauts trained specifically to fix the rings around Typhon, of which I had been one of four pilots. Commander Cross had been part of the last group of astronauts sent to Typhon to build the rings over forty years ago.
She had the most distraught look on her face, as her children had just been killed. “Good evening,” she says, clearly trying to hide the tremor in her voice. “As many of you know, the Lazarus was launched about a week and a half ago.”
I remember now: Lazarus was the ship my crew and I were supposed to take to Typhon if something ever happened to the rings.
If Lazarus launched, that means the rings are in danger of shutting down, or already have.
Commander Cross takes a deep, shaky breath and continues. “This morning, we lost all communication with the ship,” she swallowed hard like she's holding back tears. “Not long after losing contact with the crew, something in the ship malfunctioned and-” she is cut off by a sob she just can’t hold back anymore. She takes another deep breath and forces out the last words. “Lazarus is gone, the whole crew is presumed dead.”
The broadcast ends, and the names and photos of the crew appear on screen. One by one, I remember my friends, my crew, and my family. Charlot Reeds was a free-spirited pilot who liked to sing. Alexander Terner was a brilliant botanist who would draw every plant he saw. Gabriel Mercer worked in communications. He was serious but laughed at my jokes.
I remember they were the only ones who came to visit me in the hospital after my accident. And after I got home, too, they would come by for dinners and game nights. Now they are gone.
The last crew member appears on screen. He’s an asian man with dark hair that is a bit wild and unkempt, his expression the brightest smile I’ve ever seen.
Then, it's like my body remembers before my mind does. My stomach twists, my eyes sting, and I feel like my chest is being sat on.
I don’t recognize the man, and yet? I feel like everything is burning down around me. Then his name appears below his photo: Simon Hale – Engineer.
Then, without warning, a sharp pain takes hold of my brain, and I clutch at my head with my hands, shutting my eyes tight. And something unusual happens: instead of forgetting something, I remember.
The kitchen is dark except for the dim light that hangs over the table. The man sits there, his face looking tired as he stares at an envelope. I stand in the doorway as if I'm not sure I’m welcome. “Simon?...” I say softly, and the man looks up.
“Sorry, Micah, I didn’t mean to wake you…” He sighed and rubbed his eyes.
“You didn’t,” I responded, crossing the room and sitting down across from him. “Couldn’t sleep.”
“Yeah, me neither.”
I pointed to the envelope in his hand. “What’s this?”
“Nothing important,” he said, putting the envelope off to the side, face down.
“Simon…” I rarely ever use my stern voice; it’s usually the other way around, but I can tell Simon is hiding something from me. “That's from Commander Cross; I can see her stamp on the back.”
Simon sighs and rubs his eyes again. “The rings stopped working suddenly… It's like all of the reactors shut off at once.” he takes a shaky breath. “Lazarus has been put into effect.”
“No...” I know what this means, and I don't want to believe it.
“Cross asked me to be the lead engineer on the mission.” Simon finally looks me in the eye.
“Tell me you said no…” I say, turning my head and closing my eyes.
“I can’t just say no, Micah.” Simon reaches across the table and puts a hand on my arm. “This is life or death.”
I pull my arm away and lock eyes with him again. “There’s a team of five other engineers; they don't need you on the mission.”
“They need everyone they can get.”
“Tell them to get someone else.”
“You know that's not how it works, Micah.” His voice is still so soft and calm, but I can tell he's getting frustrated, and yet he remains calm for me. “The world needs me.”
I look away again. “Yeah, well, what if I need you?”
“You don't need me.”
“Yes, I do, Simon.” I raise my voice.
“No, Micah, you don’t need me to take care of you.” His voice was still patient and calm. “You are mostly independent now; you have been for the past year and a half.”
“But if you leave, who will remind me to eat or sleep or take my meds?”
“I’ll leave sticky notes for you.”
“That's not good enough, Simon!” I'm shouting now, my eyes stinging with tears. I refuse to fall in front of anyone, even Simon. “I need you here.”
“God, Micah! You’re being ridiculous!” Simon shouts back. “Do you know how selfish you sound? The whole world could end if I don’t go, and you wouldn't care as long as I am with you.”
I’m quiet; I've never once heard Simon shout, not at me at least. It took a lot to make him angry, and I had just done it for the first time.
I have nothing to say in response. I know he's right; I am selfish. I could die happy so long as Simon was there with me.
I stand, my chair screeching against the floor. It gets hard to see as I walk back into the darkness, away from the table and back to my bedroom, where I lie on my back, staring at the glowing plastic stars on the ceiling, naming each constellation, and trying to calm the fear growing in my chest.
The worst of it is, I'm more jealous than afraid. Simon and I trained our whole lives for this mission, and were supposed to save the world together. But now, because of my stupid injuries, I’d never even drive a car or ride a bike again. And Simon and the rest of our crew would leave me here alone to go save Earth without me.
A knock comes at my door, and Simon steps into my room. “Hey...” he says softly.
I just turned away from the door.
“I'm sorry I yelled.” he sits on the edge of my bed. “I know your migraines disorient you, and you get scared when I'm not there to remind you of things.”
“I’m not scared.” That's a lie.
“Fine, but I am scared, for you, for me, and for everyone.” He lies down on his back next to me. “If I don’t do this, I’ll never forgive myself.”
I roll back onto my back, my shoulder brushing his.
“You’ll be alright without me,” Simon says, staring up at those plastic constellations. “I can have Commander Cross check on you while I'm gone. I'll leave sticky notes to remind you of things, and I’ll make a list of questions to remind you who you are if you have a bad migraine.”
“What if something happens to me and there's no one to help?” My voice wavers a bit.
“You have your emergency button. I can change the emergency contact to Commander Cross so you'll have a familiar face when you wake up.”
I know. I want to believe him; I want to believe I’ll be alright, but the thought of not seeing him every day for the first time in years terrifies me. I just know I’ll feel so alone. But Simon is right. I’m strong; I can do things on my own now, and if I need help, it’ll just be a button click away. I will be alright, and with any luck, Simon will only be gone for a few months.
Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hello, RedRidingBoots!
I'm loving how the constellations work as a main image! They are comforting and yet still connected to Simon, so they carry a lot of meaning without feeling forced. Since Micah is a spacecraft pilot, the ceiling stars are also a really nice contrast! He used to belong in actual space, and now his sky is made of plastic stars above his bed. That’s a really good image, and I think you could lean into it even more throughout the chapter.
The memory-loss element is interesting, but something about it feels off for me? I don't think it's fleshed out as much as it could be! Right now, Micah forgets some very personal things but remembers other fairly specific information, and while that can absolutely be realistic depending on the type of injury, you need a stronger sense of pattern. For example, does he usually remember professional facts better than emotional ones? Does pain trigger memories? Does grief unlock things? You don’t need to over-explain it, but I think you could make it far more developed over the course of the chapter!
The moment where Micah sees the news and slowly begins remembering the crew is a great turning point though, and I would love to see more moments like that! It widens the story into something much bigger and more catastrophic for him.
Love this! Micah comes across as vulnerable, frustrated, dependent, and painfully self-aware. I like that he isn’t written as perfectly noble! His fear of being left behind turns into selfishness, but it’s a very understandable selfishness. That makes him feel human. Simon also comes across as patient and caring, though I think he could use a little more complexity! I think, from the first chapter, you should get a general sense of the characters -- Simon feels much flatter than Micah in comparison!
That said, I do think some of the dialogue leans a little direct in explaining what both characters feel and what the mission means, so you could possibly let subtext do more work in places. How can you show details and not tell the reader information?
Overall, I think this is a really compelling opening! Something I've noticed was that the beginning is slower and more reflective, while the second half becomes much more plot-heavy. That isn't a bad thing! But I think that's a major issue that you should look into when/if you revise this. The first half is all about disorientation, routine, and absence; the second half is about catastrophe, grief, and memory. Those ideas connect really well, but the transition could be more gradual. Besides that, I’d absolutely keep reading to find out what happened to Lazarus and the rings around Typhon!
Please keep writing! ^-^
Aislynn
So Micha has migraines that make him forget things depending on how painful they are. Why Micha can't remember Simon at first is due to one of these migraines and is a plot point later on. Second, I keep Simon's character super basic on purpose because Micha acts a bit like a child due to the damage done to his brain, which took some of his emotional maturity. He doesn't really think of Simon as his own person, more as a caretaker. Micha is ungrateful for all Simon has done for him in the same way a young child might be. Simon will get chapters from his perspective that will give him more character. So don't worry, that wason purposes.
Hello! Let's get to it. Just to be clear, I'm going to be brutally honest.
TLDR: This piece has good bones, but needs a lot more meat before it's done. You're getting there, you just need to workshop it!
Detailed Review Begins Here
This is a GREAT opening (the final line is overworked, but we'll get to that). Then, it immediately falls apart.
This is just a very clunky sentence. I'm not sure how to put it gently, so I won't. "My psychiatrist says it's mostly due to my injuries from the accident" just doesn't read right at all. I've just given you a rough rewrite to compare to:
"According to my shrink, my memory lapses can be traced to the accident. Could be that, could be that I'm subconsciously repressing. Who knows? It amounts to the same thing."
Good imagery. Some niggles ("you might see in a little kid's room" is unnecessary, for instance).
This reads like AI. I'm not saying it is, because I hope it's not, but it reads like Claude.
If you don't mention the accident at all until this paragraph, this is a VERY GOOD place to reveal it. Right now, the accident mentions before this para do more telling than showing. This is a very good revelatory piece.
You don't get laid off these kinds of jobs lol. You can be invalided out, you can be discharged, you can be benched - but not laid off. Laid off also means fired to cut costs, so he can't be laid off anyway.
The rest of it kinda reminds me of PHM, and not in a good way. It feels more derivative, than innovative. When Simon and Micah begin to speak, the other thing I noticed is that the piece shifts from a very well done emotive, moody, reflective piece to bog-standard YA dialogue. The shift is jarring and I think the moodier bits were much better. The dialogue, too, seems vanilla.
As I said:
This story has great bones, but it reads more like draft 0.5 and not even draft 1. I think it needs substantially more work for it to reach its potential! Best of luck
Thank you for your feedback. I'm going in and editing things. The only thing that im going to tell you is i specifically mention the stars like theyre in a kids room because in the accident Micha lost some emotional maturity so he acts a bit childish sometimes and can lack some empathy for others especially Simon. So that was on purpose.
It is also inspired by PHM, so I'm curious if you could elaborate on how it was bad and how you think it could make it better.
I would also like to know how I could make the dialogue better and stronger.
Respectfully, I did workshop the sentence you rewrote and fixed it up a bit in my own way, but I think our writing styles are different, and you just might not like how I write things. like i said, i took your advice because for that particular scentence i had the same oppinion so i did fiddle with it, but i happen to be proud of what i have and think with just a bit of tweeking, this could be amazing. I hope you continue reading!
Regards
-RedRidingBoots