A New Normal - Chapter 1

by RatHat

Published July 25, 2026

E - Everyone

In A New Normal

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The train screeched as it came to a halt.

Ashenmere Central was louder than any station she had passed through on the journey. The platform stretched beneath a vaulted ceiling of iron and glass, where afternoon light filtered through the high panes, turning the drifting steam below to amber. People crowded the platform's edge. Families with coats folded over their arms. Children tugging impatiently at their mothers' hands. A man paced beside a bench, clutching a bouquet of yellow flowers that had begun to droop in his grip.

Cassandra stood in the carriage doorway.

The clothes had been issued before boarding: a collared white shirt, buttoned neatly to the throat, and a long dark skirt with a frilled hem that brushed the tops of her lace-up, military-issue boots. A woman at the academy's processing office had folded everything into a crisp paper parcel with precision Cassandra had appreciated.

For civilian transition. Please return the parcel packaging to the front desk.

The skirt was too long.

It swallowed her legs completely, and every step drew the fabric against her shins in a way she could not ignore. For as long as she could remember she had worn trousers and fatigues, clothing that moved with her instead of around her. Skirts behaved differently. They billowed, shifted, and resisted. Like a curtain someone had tied around her waist. Throughout the journey she had found herself shortening her stride, adjusting each step before the hem could catch beneath her boots.

Her hair, cropped short, lay close against her head. Her skin remained pale from the years she had spent in the north—a consequence she had always attributed to the relentless cold of her childhood. As the train crossed the bridge into the city, the window had offered her own reflection. She had looked at the woman staring back for only a moment before turning away.

She stepped down onto the platform.

To her left, a woman buried her face against a man's chest, her shoulders shaking with quiet sobs. To her right, a boy darted between the waiting passengers until a man caught him effortlessly with one arm. His other sleeve was pinned neatly to his shoulder. Farther down, an elderly couple stood side by side, holding a photograph between them. They turned slowly, searching each passing face with patient hope.

Cassandra walked past them all.

She carried no luggage. The processing office had offered her a bag, and she had accepted it. Inside rested the folded parcel wrapping, the skirt's paper, a comb she did not remember packing, and a sketchbook she had never opened during the journey. It weighed almost nothing. She kept it in her left hand, close against her thigh.

At the end of the platform, beyond the ticket barrier, she saw him.

He was leaning against a pillar with his hands buried in the pockets of a grey wool coat, its collar turned up against the cold. Brown leather boots, free of steel toes, rested casually on the stone beneath him. Without the uniform, he looked different. Smaller. She had never thought of Raiden Leithenman as a man whose size depended on what he wore. Yet standing there in civilian clothes, he could have been anyone waiting for an arriving train. He had already seen her. His eyes followed her as she crossed the platform, and the expression on his face was one she had never seen before.

Cassandra stopped in front of him.

She lowered her bag to the ground with deliberate care. Then, instinct taking over before thought could intervene, she straightened her back, squared her shoulders, and brought her right hand sharply to her temple. Her fingers aligned perfectly, her thumb tucked against her palm, every angle as precise as she had performed it a thousand times before.

"Lieutenant Leithenman."

The words came without hesitation.

They were familiar—far more familiar than the station around her, the amber light filtering through the glass above, or the families reuniting behind her. This was something she understood. This was something she knew how to do.

Raiden's gaze raised to her raised hand before returning to her face. A quiet laugh escaped him, soft enough that it almost disappeared beneath the noise of the station. It carried warmth, but there was weariness in it too, as though he had expected this moment and had hoped, somewhere, that it would unfold differently.

"You can put that down, Cassandra," he said gently.

She didn't move.

"The war's over," he continued, his voice as calm and steady as she remembered. It was the same voice that had filled operations briefings and late-night debriefs, after the maps had been folded away and the lamps burned low.

"You don't have to do that anymore." He slipped one hand from his pocket and gestured toward the station around them—the vaulted ceiling overhead, the drifting steam, the crowds moving through the platforms with practiced purpose. "No titles. Out here..." He offered her a faint, almost uncertain smile. "I'm just Raiden. And you're just Cassandra."

Her salute never wavered.

Just Cassandra.

She had heard people speak that way at the processing office.

Just sign here.

Just step through that door.

They used the word so easily, with such quiet certainty, as though the word just had the power to make whatever followed seem simple. As though a single word could smooth away difficulty by pretending it had never existed.

The war was over.

They had told her that at the processing office. They had told her again on the train. The woman who had handed her the parcel had smiled as she said it. She had read it in her discharge papers, where the words with honors appeared beside civilian life, as though the second were merely another destination—somewhere a person arrived if they carried the proper documents.

Perhaps it was. Perhaps everyone standing on this platform had already arrived there and it was her who had been the only one still searching for the right door.

Raiden studied her in silence. The last traces of amusement faded from his expression, replaced by a much gentler grin. After a moment he stepped forward, stopping just within arm's reach. He didn't reach for her hand. He didn't tell her again.

"There's no rush," he said softly.

For the first time, her arm moved.

It lowered slowly, almost reluctantly, as though she were easing down a weight far heavier than flesh and bone. When her hand finally reached her side, her fingers loosened one by one until they rested naturally against the fabric of her skirt.

Around them, the platform continued to empty. Families found one another—or didn't. The steam thinned beneath the station roof. The man with one arm carried the laughing boy toward the exit, his pinned sleeve swaying gently with every step. Farther down the platform, the elderly couple still stood with their photograph, turning patiently toward each new face that emerged from the train.

Cassandra’s chest tightened, a quiet ache she couldn’t quite explain. Her body wasn't ill—she had passed her physical with ease—so she wondered if this was simply what peace felt like. Was this what she had fought so hard for?

Watching families smile and embrace in the crowd, a shadow of a question surfaced: if she had a mother or father, would they still hold her so tightly if they knew the lives she had taken?

"This way," Raiden said, steering them toward the station's main hall.

He didn't look back. He didn't need to—he already knew she would follow.

She followed him through the turnstiles and into the station’s cavernous concourse, where high above, a glass dome stretched into the dim afternoon with its painted scrollwork obscured by decades of soot and coal steam. Beneath their boots, polished granite echoed with the low, steady swell of a crowd—the shuffle of leather soles, the murmur of greetings, and the distant, rhythmic panting of idling locomotives. The sounds bled together into an unending, dense tide.

She was not used to noise without meaning.

In the trenches, every sound had been a prompt. The thin whistle of an incoming shell gave you three seconds to calculate its radius, the sharp crack of a rifle betrayed its caliber, and the heavy groan of armored treads told you weight, speed, and intent. Sound was survival. This noise told her only that there were hundreds of people, every one of them moving with the unthinking confidence of someone who had never had to worry.

A child darted across their path, close enough for his woolen coat to brush the hem of her skirt. Instinct overrode thought before she could stop it—Cassandra pivoted from the hip, dropping her center of gravity as her hands snapped up, open and braced to strike or deflect. The boy didn't even glance back. He let out a breathless laugh, weaving effortlessly between two businessmen and disappearing into the crowd.

She remained frozen for a second longer than necessary, her pulse hammering against her ribs.

Three steps ahead, Raiden slowed. He didn't turn around or call her name to draw the eyes of strangers, choosing instead to shorten his stride until her shadow fell back in line with his. "The crowd is thick today," he said quietly, his voice low enough to belong only to the two of them. "Stay close." and together they stepped out through the arching iron doors.

The cold hit them instantly, sharp and damp, carrying the bitter scent of pyrethium exhaust mingled with roasted chestnuts from a street vendor’s iron cart beneath a flat, lead-grey sky. Across the square, rows of tall, stone-fronted buildings rose into the mist. Window after window caught the fading light, the glass clean and unbroken, while rooflines stretched long and elegant without jagged gaps, charred timber, or heaps of pulverized brick spilling into the gutters like dried bone.

She had fought for this city for seven years.

She had never seen a building that hadn't been shelled.

Raiden felt the gap beside him and paused a few steps down, turning to look up at her as she stood on the top step with her canvas kitbag held tightly in her left hand, her knuckles pale against the leather and the wind tugging at the unfamiliar frill of her skirt. Her blue eyes moved with a slow, painful intensity—lingering first on the clean cornices, then drifting to a green tram rattling smoothly along its rails, to a woman paying for chestnuts, and to a flock of pigeons scattering over the cobbles.

This, she thought, was the objective.

She waited for the realization to bring some warmth, but it felt abstract, like a line drawn on a map of a territory she had never visited. When Raiden murmured her name across the cold draft, his face holding a patient, silent weight rather than pity, she answered with a simple "Yes," unsure of what she was truly agreeing to.

"One step at a time," he said softly, turning to lead her down.

Halfway down the stairs, the hem of her skirt caught against the heel of her boot, but without breaking eye contact with the street, her ankle flicked to clear the fabric in a single, unthinking motion—a reflex trained into her body long before her mind could register the mistake.

They reached the tram stop in silence, Raiden adjusting his pace to her rigid, economical military cadence as surrounding pedestrians gave them a wide berth. The tram pulled up with a long metallic groan, its rain-streaked sides glistening beneath the newly lit streetlamps, spilling a draft of stale heat that smelled of wet wool, damp tobacco, and close breath. Raiden boarded first, his fingers selecting small metal discs from his coat pocket by feel alone before dropping them into the conductor's palm.

"Two for Westbridge," he said, handing Cassandra one of the thin green tickets the man punched for them. He guided her toward an empty bench near the back, and as she looked down at the scrap of paper, a hollow ache opened in her chest.

He had known the coins, the cost, the line, and where to stand without asking. The knowledge lived in him as naturally as breathing, making her realize that if he walked away right now, she wouldn't even know which direction was home.

As the tram lurched forward and steel wheels bit into the rails, the capital began to drift past beyond the fogged windows like a shadow play of stone bridges, narrow canals, and shopfronts. A banner reading WELCOME HOME hung above a bakery door with its edges curling in the damp air, set alongside old recruitment posters whose bold lettering had been half-washed away by seasons of rain. A woman pushed a pram across the cobbles while a man in a worn coat adjusted his hat, his pulled-back sleeve revealing a mechanical arm of brass and steel whose fingers moved with sharp, clicking precision.

Cassandra sat with her spine perfectly rigid and her knees pressed together, her bag resting across her lap as if waiting for inspection. She searched inside herself for the gratitude, relief, or sweet weight of peace she was supposed to feel upon arriving home, but found only the cold air against her ankles and the unfamiliar rustle of cloth around her legs.

Nothing came.

Beneath the low hum of passenger chatter and the vibration of the glass, her ears caught the steady click... click... click... of the tram’s iron wheels passing over the seams in the track, and she began to count them.

One. Two. Three.

Counting was neutral; it required nothing of her heart.

Beside her, Raiden kept his gaze fixed on the darkening street outside, though as the tram swayed around a wide curve, Cassandra caught his reflection in the glass—watching her hands and the rigid line of her shoulders before he quietly looked away again into the gloom. Outside, another row of gas lamps flickered to life along the avenue.

Four. Five. Six.

Each flare of light lasted a fraction of a second against the glass before slipping away into the dark behind them, like tiny signal fires marking a road she wasn't sure she was ready to travel. Cassandra kept her eyes on the window and continued to count.

It was the only language she had brought back from the front that still made any sense.

The tram groaned to a halt at Westbridge, and Raiden rose without hurry, buttoning his coat with one hand while the other gestured for her to follow. Cassandra stood, her bag pressed flat against her thigh, and stepped down after him onto a street narrower than the ones they had passed through. The buildings here were lower, older, pressed close together with their upper stories leaning slightly forward over the pavement as though listening to the conversations below. Shop awnings sagged beneath the weight of the day's rain. A greengrocer was pulling crates of bruised apples inside, his breath fogging in the lamplight, while next door a woman swept the threshold of a tailor's shop with brisk, mechanical strokes.

Thornfield.

Raiden walked at an easy pace with his hands in his pockets, navigating the streets with the same unthinking ease he had shown on the tram. He turned corners without pausing, stepped around puddles without looking down, nodded to a man locking the door of a hardware shop as though they had done this a hundred times before. Cassandra followed three steps behind, her stride still rigid, still too fast, her boots striking the wet cobblestones with a cadence that drew glances from the few pedestrians still out.

The district smelled of coal smoke and damp brick and something warm drifting from a bakery whose windows still glowed amber against the darkening street. A cat watched them from a low wall, its eyes catching the gaslight. Further on, two men sat on a bench beneath a streetlamp, neither speaking, their coats buttoned to the chin and their faces turned toward nothing in particular. One of them had a mechanical hand resting on his knee, its brass joints dark with tarnish, an older model whose fingers did not move.

Raiden slowed as they reached a three-story building on a corner where the street bent toward a small square. The facade was plain brown brick, clean but unremarkable, with a painted sign above the entrance that read CAULFIELD'S in faded white letters. A boarding house. The ground-floor windows were lit warmly from within, and through the glass Cassandra could see the edge of a dining table and the back of someone's chair.

"This is you," Raiden said, stopping at the door. He produced a key from his coat pocket and held it out to her, a small brass thing on a plain iron ring. "Second floor, end of the hall. Mrs. Caulfield runs a clean house and she doesn't ask questions, which I thought you'd appreciate."

Cassandra took the key. It weighed almost nothing.

Raiden opened the front door and held it for her. The hallway inside was narrow, wallpapered in a pattern of pale green vines that had faded to near-white in the places where the gaslight touched it most. The floor was dark wood, worn smooth by years of boots, and the air carried the layered warmth of a building that had been lived in for a long time — old cooking, soap, the faint sweetness of pipe tobacco soaked into the plaster.

A woman appeared from a doorway at the end of the hall, wiping her hands on a cloth. She was perhaps sixty, stout, with grey hair pinned neatly beneath a cotton cap and the kind of face that had settled permanently into an expression of practical assessment. Her eyes moved over Cassandra with the efficiency of someone accustomed to measuring new tenants: the cropped hair, the pale skin, the military boots beneath the civilian skirt, the bag that weighed nothing.

"This the girl, then," she said to Raiden. It was not a question.

"This is Cassandra," Raiden replied. "Cassandra, Mrs. Caulfield."

"Breakfast is at seven, no exceptions," Mrs. Caulfield said, addressing Cassandra directly. Her voice was firm and not unkind. "Hot water runs between six and eight in the morning and again at five in the evening. You'll want to be prompt. The room's been aired and the linens are fresh. If you need anything replaced, you come to me, not to the hardware on the corner; he overcharges." She paused, her eyes resting briefly on the military boots. "Rent is due Fridays. Mr. Leithenman's seen to the first month."

Cassandra said nothing. She was unsure whether a response was expected or whether this was the kind of speech that simply ended when it ended.

"Thank you, Mrs. Caulfield," Raiden said, filling the silence.

Mrs. Caulfield nodded once, looked at Cassandra again with an expression that might have contained pity or might have been nothing more than the recognition of someone who had seen many young people arrive in her hallway with too-light bags and too-old eyes, and returned to her doorway without another word.

They climbed the stairs. The treads creaked beneath their weight in a pattern Cassandra memorized without meaning to — third step, fifth step, ninth — the way she had memorized the creak of floorboards in every building she had ever slept in, because in the dark, knowing which boards were loud was the difference between moving unseen and drawing fire.

The hallway on the second floor was dim, lit by a single gas sconce turned low. Three doors. Raiden led her to the last one. She fitted the key into the lock, turned it, and pushed the door open.

The room was small.

A bed against the far wall, narrow, made up with white sheets and a grey wool blanket folded at the foot. A wooden chair beside a table barely wide enough for a plate and a cup. A wardrobe standing in the corner, its door slightly ajar, empty inside. A window overlooking the street, its curtains thin and white and still. The windowsill was bare.

The walls were papered in a pattern she could not quite make out in the low light — something floral, perhaps, or geometric, the shapes blurred by age and the amber glow of the single gas lamp mounted above the table. The floor was the same dark wood as the hallway, and it had been swept clean. The room smelled of nothing in particular. Clean air. Cold plaster. The faintest trace of the soap someone had used on the sheets.

Cassandra stepped inside. She set her bag on the table. She stood in the center of the room and looked at each wall in turn, the way she had assessed every space she had ever entered: dimensions, exits, cover, lines of sight. One window, east-facing. One door, the one she had come through. No second exit. The wardrobe was too shallow to hide in. The bed was too low to shelter beneath. The ceiling was plaster over lath, which meant it would not stop a round but would muffle sound adequately.

She caught herself in the assessment halfway through and stopped, though stopping required more effort than continuing would have. The room was not a position. It was a room. There were no rounds to stop. There was no sound to muffle. There was a bed and a chair and a window and a blank wall that someone had papered with flowers or shapes or whatever the pattern was, and none of it required a tactical evaluation, and she had performed one anyway because it was the first thing her mind did when it entered a space, and she did not know how to make it do something else.

Raiden stood in the doorway. He did not come in. He leaned one shoulder against the frame and watched her survey the room with an expression she was beginning to recognize — the one that was not pity, not amusement, not command. The one she did not have a word for.

"The clinic's in the Gearworks district," he said after a moment. "Its a building at the end of the number four tram line, on Brennick Street. You can't miss it. Eight o'clock sharp." He paused. "The four line picks up two streets east of here, at the corner with the clock tower. Runs every fifteen minutes until nine, then every thirty after that."

She nodded. She would remember. She remembered everything that was given to her as instruction.

Raiden lingered. She could feel him deciding whether to say something more, the way she had watched officers decide whether to add a final order before dismissing a unit. He shifted his weight from one foot to the other. His hand came up and rubbed the back of his neck, a gesture that belonged entirely to the civilian version of him, a gesture she had never seen Lieutenant Leithenman make.

"Jean would've been glad you're here," he said quietly.

The name landed in the room without warning. It settled into the clean air and the cold plaster and the bare windowsill, and for a moment neither of them moved. Cassandra's jaw tightened, a small contraction along the line of muscle beneath her ear, and her fingers curled once against her skirt before releasing.

Raiden watched this happen. He didn't explain. He didn't add to it. He straightened in the doorway and said, "Get some sleep, Cassandra," with the gentleness of a man who understood that the name he had just spoken was not something she could hold yet, and that he had given it to her anyway because some things needed to be placed in a room before the room could become anything other than empty.

"Yes, sir," she said.

It came out before she could stop it — the automatic response, the shape her voice made when an officer finished speaking. She heard it and felt something close to embarrassment, though she was not entirely sure that was the right word. The feeling was closer to the sensation of putting a foot wrong on unfamiliar ground — the brief lurch, the correction, the awareness that the terrain had changed and her body had not.

Raiden smiled. It was small, tired, and real.

"Raiden," he said. "Just Raiden."

He turned and walked down the hallway. The fifth step creaked. Then the third. The front door opened and closed, and the sound of his boots faded into the street below, leaving only the low hiss of the gas lamp and the distant murmur of Thornfield settling into its evening.

Cassandra stood in the center of her room.

She unpacked her bag. The parcel wrapping went into the wardrobe. The comb went on the table. The sketchbook she held for a moment, running her thumb along its spine, before placing it in the bottom of the wardrobe beneath the parcel paper, where it would be out of sight. She folded the bag flat and put it on the chair.

The unpacking had taken less than a minute. Everything she owned was now arranged in a room that still felt as though it belonged to someone else, or to no one at all.

She went to the window. The glass was cold against the tips of her fingers when she touched it. Below, the street was emptying. The greengrocer's crates were gone. The tailor's door was shut. The two men on the bench had left, or one of them had — the other remained, his tarnished brass hand still resting on his knee, his face still turned toward nothing. A lamplighter moved along the far side of the street, reaching his long pole up to each fixture in turn, and one by one the gaslamps flared to life, casting small circles of amber onto the wet cobblestones.

Beyond the rooftops, the sky held the last thin line of daylight along the western horizon, a pale grey-blue that was disappearing as she watched. Somewhere to the east, in the direction of the Gearworks, a factory whistle sounded, a long, low note that carried easily through the cold air and faded slowly, as though it were reluctant to stop.

She let the curtain fall back into place.

She sat on the bed. She did not remove her boots. She did not pull back the sheets. She sat on the edge with her hands resting on her knees and her back straight and her feet flat on the floor, in the position she had slept in more often than she had slept lying down — upright, dressed, ready to move, waiting for an order that would tell her what came next.

The gas lamp hissed above the table. The room held its silence the way an empty vessel holds air — completely, without effort, with no indication of what it was meant to contain.

No order came.

She sat, and she waited, and outside the window the lamplighter moved on to the next street, his small fires trailing behind him in the dark, each one burning steadily in a city that did not need her to defend it.

Comments & reviews · 4
User avatar
ehawthorne
Review
ehawthorne wrote a review Review · Aug 1

Because I reviewed Chapter Two, I thought I might as well do Chapter One.

Characters are described in a very natural way. The plot of the mystery is intriguing but not difficult to understand. I liked the fact that this chapter implies that the readers will make conclusions themselves.

The thing that I liked the most was the fact that this adventurous plot is balanced with some simple interactions between the characters that made this group of friends realistic and provided me with the motivation to continue reading about their fate. The only suggestion that I can provide is to cut down a couple of descriptions.

Overall, it is an amazing beginning of the story that raises lots of questions for the reader. Sorry if my review’s a bit short. :3

User avatar
Tikaya
Review
Tikaya wrote a review Review · Aug 1

An eggcellently good day to you! I have come here for Team Egg so let’s see what you have for us now!

Hello RatHat. It’s not Eternal Beauty but if it’s written with similar prose, I am here for it XD

And we immediately start with a train! EB also did!!

And yes, the writing is as descriptive and beautiful as expected. I am just not sure about “with almost precision” what do you mean by almost here?

Has THE skirt she is wearing been in that parcel? Because that is what it feels like and… I think this is a bit weirdly phrased.

I really like the section about how uncomfortable Cassandra is with her skirt. It feels appropriately lengthed and it says so much about her in the process too! Ahh I am falling in love with your writing all over again!

Also the way you describe Raiden. Ohh and how he is following her with his eyes. Not a single word is wasted, no sentence transition awkward. The reading experience is so glorious *sobs with joy*

Raiden's gaze dropped to her raised hand before returning to her face.
You sure about “dropped” here when her hand is above her face atm? XD

Love her musing about the transition to her civilian life. Just how easy it fit into the rest of the narration without dragging anything else down. It’s just… It’s very good.

"There's no rush," he said softly.
Ohh I love how he instantly understands her. That this is not easy on her and awwww. I am also surprised that he seems to cope much better than her. But maybe he is just better than her at hiding it. And she’s not used to searching for cracks in his armor.

Oh poor girl, doesn’t have parents? Well no wonder her former superior is the only one waiting on her ☹

He didn't turn around or call her name to draw the eyes of strangers,
Oh that says a lot about HIM too. Very perceptive! I like these two so far!

[I just realized that Nandini cut me off, but NO MATTER. I will read this story of yours to the end!]

I really like how you tie everything back to her experience in the war, how she really feels like someone who does not know how to be a normal person anymore. I also like the phrasing abt “feeling the gap” when she stops—tho I do think it’s a POV shift and you should add something like “presumably”

She waited for the realization to bring some warmth, but it felt abstract, like a line drawn on a map of a territory she had never visited.
Simply beautiful. Ohhh <3

I really like that she is so lost here, so unsure of what to do. You bring that across really well. I wonder if it is his higher rank that had brought Raiden away from battle often enough that he could practice being normal?

Another beauty:
Counting was neutral; it required nothing of her heart.


Hmmm! I like how alive Mrs Caulfield feels. I can imagine her and her tone very well! Also I imagine this is someone Cassandra can work with, she feels very curt and straight-to-the-point!

a blank wall that someone had papered with flowers or shapes or whatever the pattern was,
I like this callback to the earlier description!

Why does this not surprise me? XD
She would remember. She remembered everything that was given to her as instruction.


a gesture that belonged entirely to the civilian version of him, a gesture she had never seen Lieutenant Leithenman make.
And I really like this detail! And that she observes this---but without true comment on it. She cannot compute so she remarks without judgement. Very good!

Ohh what an ending. Poor girl. Now I am very curious how her life continues. I have so many questions: What’s the war about she just took part in? What is she gonna do now (Work in that laundry?) Will she succeed? I see all these possibilities and can’t help but feel excited!
#TrustTheEgg

User avatar
itzznandinini
Review
itzznandinini wrote a review Review · Aug 1

Hiyaaaa! Happy Review Day!
Tbh I've not been able to write anything in the past 2 months because of exhaustion, but I did continue to read. Yet, I love to read any literature I can find ANYWHERE
Today I'll be using the Chicken Sandwich Review Method to brave through this seemingly long novel chapter (you get extra points for that)

The skirt was too long.

[size =150] Top Bun: First impressions [/size]
I don't really write novels because of my lack of patience, but I will always admire a good start to a novel. I love how you used the people in the background to show how hectic the station was; I think that's what really gave you that good starting.
Mwah, work of art.
Continuing- I truly love the aesthetics you've built from the very start. There's nothing out-of-normal happening at the very starting but we still have a lot to dig on.
THIS is a starting DONE RIGHT

shoutout-
Ashenmere Central

Impressed cause I couldn't have thought of a better name! 😝

[size =150] Slightly Wilted Lettuce: Critiques [/size]
The chapter is ABSOLUTELY soul-consuming. I don't really have any notes for improvement for Cassandra's character, MMC Raiden or world development. It's all absolutely too lovely
However, Jean's mention here doesn't sit well-
He would sit across from Jean and speak to him as though Jean were still a man instead of only a rank. She had listened to that voice for years.

I think this mention over here-
"Jean would've been glad you're here," he said quietly.

created enough impact. Obviously you needed it to introduce the character beforehand, but the first mention is just too mysterious- almost too thoughtless. It did create a contrast; where Cassandra was hurt showing post-war trauma but only when it was mentioned by Raiden.
It still works well just I wished Jean wasn't brought up in that first quote.
Moreover, I had to go searching up the chapter to figure who was Jean- without the first thought, it would be cleaner.

[size =150] Crispy Chicken: Favorite details [/size]
It's full of contrast (i'm in love)

To her left, a woman buried her face against a man's chest, her shoulders shaking with quiet sobs. To her right, a boy darted between the waiting passengers until a man caught him effortlessly with one arm. His other sleeve was pinned neatly to his shoulder. Farther down, an elderly couple stood side by side, holding a photograph between them. They turned slowly, searching each passing face with patient hope.

Cassandra walked past them all.


The desensitization Cassandra shows reflects on her hardships during war and how it is still affecting her post-war. She still acts like a soldier on-duty. She feels unable to let go of it and here are my favourite parts- which really did strike an impact/thought

She lowered her bag to the ground with deliberate care. Then, instinct taking over before
thought could intervene, she straightened her back, squared her shoulders, and brought
her right hand sharply to her temple. Her fingers aligned perfectly, her thumb tucked
against her palm, every angle as precise as she had performed it a thousand times before.

"Lieutenant Leithenman."

The words came without hesitation.


Just Cassandra.

She had heard people speak that way at the processing office.

Just sign here.

Just step through that door.

It's not that she's completely indifferent; her thoughts do show that she yearned for understanding.

Cassandra's chest tightened, a quiet ache she couldn't quite explain. Her body wasn't ill-
she had passed her physical with ease-so she wondered if this was simply what peace felt
like. Was this what she had fought so hard for?

Watching families smile and embrace in the crowd, a shadow of a question surfaced: if she
had a mother or father, would they still hold her so tightly if they knew the lives she had
taken?


Symptoms of depression (at least I think so) She feels utmost regret. The war took a lot more than we realise- the killings were not easy. Only she had not realised it until stepping out of her duty. Like the fact that you don't mention much of the war so it hits hard.

She waited for the realization to bring some warmth, but it felt abstract, like a line drawn
on a map of a territory she had never visited. When Raiden murmured her name across
the cold draft, his face holding a patient, silent weight rather than pity, she answered with
a simple "Yes," unsure of what she was truly agreeing to.

All her thoughts and feelings are all over the place. I like the understanding Raiden has for her as well.

One. Two. Three.

Counting was neutral; it required nothing of her heart.

Beside her, Raiden kept his gaze fixed on the darkening street outside, though as the tram
swayed around a wide curve, Cassandra caught his reflection in the glass-watching her
hands and the rigid line of her shoulders before he quietly looked away again into the
gloom. Outside, another row of gas lamps flickered to life along the avenue.

Four. Five. Six.

Over here as well.

She sat on the bed. She did not remove her boots. She did not pull back the sheets. She sat
on the edge with her hands resting on her knees and her back straight and her feet flat on
the floor, in the position she had slept in more often than she had slept lying down -
upright, dressed, ready to move, waiting for an order that would tell her what came next.

The chapter overall is a great attempt at the paranoia she's going through. The visualization of her actions plays such an important role throughout the story. Like here- she waits for an order that never comes. She's hanging be a thin thread. And just barely. Constant analysation of hers
Everything is spot on.

Ketchup: Suggestions for improvement
None really

Bottom Bun: Closing thoughts
Cassandra's sensory details, from her hyper-vigilance to the weight of her uniform replacement, makes her story deeply memorable. Loving the slight interaction between Cassandra and Raiden- He is continuously trying to break her survival mindset.
Would love to read further

User avatar
juulman
Review
juulman wrote a review Review · Jul 26

Greetings,

or however you are supposed to start a review organically lol anyways, I liked this work a lot.

I have not read any of your other work, but this feels like it could be a tie-in for an already existing story or worls, which I mean wholly positively. You manage to create a world, aesthetic, and characters which feel deeper than the story is long, which is what you want to achieve when writing short stories. You do this wonderfully here, for example

Without the uniform, he looked different. Smaller. She had never thought of Raiden Leithenman as a man whose size depended on what he wore.


This suggests a lot of things about Raiden and the dynamic he shares/shared with the main character.

The main "point" of this story, I would argue, is the inability for the main character to adjust to civilian life after the war is over. Something you communicate well without stating it directly by having her keep to old military habits in her new civilian surroundings. Things like calling her former commanding officer sir, instinctively assuming a kid bumping into her is a threat or counting out which stair creak in her new "home".

I think that part is done really well; what I would like to see a little bit more of is her thoughts on all of this. Some of my favourite parts were relatively early on in the text where she asks herself if she is still (metaphorically) in the war.

Perhaps it was. Perhaps everyone standing on this platform had already arrived there and it was her who had been the only one still searching for the right door.


or when she notes that the things she fought for still seem distant, although she is standing right in them

She waited for the realization to bring some warmth, but it felt abstract, like a line drawn on a map of a territory she had never visited


and finally when she thinks about returning home and feels nothing

She searched inside herself for the gratitude, relief, or sweet weight of peace she was supposed to feel upon arriving home, but found only the cold air against her ankles and the unfamiliar rustle of cloth around her legs.


These parts of the story were the highlights for me, and I would love further insights into the character. How does it make her feel that all those feelings aren't there?

I also quite like your choice not to really write about the war, as it is irrelevant whether it was just or unjust, easy or bloody etc. The point is about the character not being able to come home from war; the side doesn't matter.

There is honestly too many small choices I could gush about; This story has great lines, strong characterisation and leaves you wanting more. I like how leave open things like who Jean was exactly. I would think the story would benefit from a little bit more of a direct look into the main characters' thoughts, but it already works well.

I had a fun time reading it and look forward to perhaps further updates or a new story!

RatHat replied · Jul 27

Hello Juulman,

Thank you for taking the time to read through my story and comment on it. I can't say how excited I was to see that I had succeeded in my goal with writing this.
It is apart of a world and novel I am already building and writing out. I plan on posting more chapters on here soon, hopeful they live up to what i expect from them.

THank you again for taking the time to read this Juul!! It means a lot to me.

juulman replied · Jul 27

It was a joy to read I am looking forward to what you do with it next



sometimes i don't consider myself a poet but then i remember that i literally write poetry
— chikara