Published January 14, 2014
4/4/2014
This chapter has been scrapped, and the only reason I have left it up is to compare it to the re-written version.
CHAPTER TWO:
And these crimson nights will blind you.
Hawk woke up to the sound of screaming.
He blinked several times, trying to clear the bleariness from his vision. Straightening up, he noticed immediately how the lights were flickering on and off, like some kind of horror-movie being played before his very eyes. All the passengers were definitely up now, wide-eyed and pallid, with starched, gray faces. People were pointing to the front of the bus; half of them were on their feet, pushing and shoving and falling over each other in their haste to see what was going on. Hawk wondered if the bus had stopped, or perhaps it had broken down. But, no, the floor was still shaking, the windows rattling – it was obvious that they were still on the move.
What the heck is going on? thought Hawk. Maybe someone had been taken ill. If so, that would explain the crowd. But as he got to his feet, stretching wearily, he saw something that made his jaw drop open. He couldn't tell how long he stood there, simply gaping at the scene, but it felt like millennia could have passed and his feet would have refused to carry him away. It was just so grotesque, so terribly awful...
And it was real. Hawk realized with a sudden jolt that reality was crueler than she seemed, and he hadn’t even seen anything of the real world yet. His throat seemed to have been filled with corrugated paper, so he couldn't speak. His brain felt numb, as though it was beyond his nervous capacity to decipher the scene laid out before him. The sparks within his eyes were changing shape swiftly, reflecting his perturbed state of mind.
As he drew his breath in sharply, he thought of what an ignoramus he had always been. He had always thought of blood as a ketchup-red substance, flowing on the ground in narrow rivulets; the cheap kind of thing used in films and school-plays. But as he took in the sight of the dead man lying spread-eagled on the metallic floor, one of life’s many truths struck him good and hard.
Blood was crimson. And it was everywhere. On the windows, on the floor, even on the seats clamped so firmly to the metallic ground. It just didn't belong: an oh-so-natural yet gripping reality within the artificial bus interior. It felt wrong.
No. It was wrong. Hawk gritted his teeth, frowning deeply. He needed to know what had happened, but he couldn't risk asking anyone without drawing attention to himself. Everyone was jumpy, more aware of their surroundings than usual, as though frightened of what secrets the shadows honed. Hawk squeezed his way into the crowd, watching the mothers cradle their children in their arms; feeble attempts to shield them from the sight of blood. A little girl’s high-pitched voice broke through the low rumble of voices, as she asked, ‘Mummy, what’s going on?’
Hawk could see the fear flickering on the woman’s face as she replied soothingly, ‘Nothing, dear. It’s ... nothing. Just go to sleep, darling.’
It was strange, how parents lied to protect their young; with their tongues, their voices and the safe refuge of their arms. But their eyes could not lie, and Hawk knew as much. A strange shiver slithered down his spine and he drew his hood even lower, out of sheer impulse. He had the strange feeling that he was being watched, but then scolded himself internally for his paranoia.
Stop being an idiot, he told himself, as he pushed through the passengers standing in tightly-knit circles. Everyone was so distracted, he didn’t even have to try to be inconspicuous. Hands in his pockets, he leaned against one of the seats in an attempt to eavesdrop on a couple of men who were arguing with each other. There was no need to have moved closer, really. While the atmosphere in the bus was pensive and hushed, the men were talking rather loudly. The tension hanging between them was palpable – so thick you could cut through it with a Swiss army knife.
‘It wusen’t a heart attack, I tell you!’ the first man said, who was also the taller of the two, ‘He’s been stabbed – clean through the gut. There are marks on his neck that suggest he was first taken down; unconscious. It’s murder, tha’s what it is.’
‘I never said it was a heart attack.’ huffed the other man, whom on closer inspection Hawk recognized as the paunchy man from the seat beside his, ‘If you look closer, you can see that it was the spleen that ruptured, almost as though there had been an – an explosion inside his body. Notice the blood splattered on the windows? Or maybe you just thought it was the paintwork.’
His voice was dripping with sarcasm, and he spoke condescendingly to the taller man. His stance was erect, and a sneer was unfolding over his broad features. He was a man who knew exactly what he was talking about, and – no matter how crazy he sounded – he also knew he was right.
He was also succeeding in making his grumpy-looking companion very angry.
‘Now look ‘ere, you,’ the man said, ‘you’re a walking nut-case! That’s plain illogical, tha’ is. He’s a man, not a time bomb! Can’t explain that theory, now, can you, Doc? Can you?’
He was smirking, but his grin faded to a grimace as “Doc’s” smile grew ever wider. His eyes gleamed in a way that was almost cat-like, and he said something in such a low voice that Hawk had to strain his ears to listen. Even then the only vaguely audible words he heard were: ‘Rah-vocala’ and ‘Stahnata.’ And neither of them made the slightest bit of sense.
The taller man suddenly backed away, muttering something that sounded like, ‘Yer right.’ He walked over to the front of the bus and sat down. Hawk caught a glimpse of his face and was surprised to see the lack of emotion; just a blank expression that had latched firmly to his face. But his eyes were wide and scared. What had Mister Paunch (alias “Doc”) done to have frightened him so?
Hawk scrunched up his eyebrows. He suddenly knew, instinctively, that this bus was unsafe. Not just for the other passengers, but for him. It was one of those gut-feelings, the kind of feeling you get when you know you’re right – even if you can’t explain it. He needed to get off. Now.
But how?
Hawk felt a sudden tap on his shoulder, and his muscles tensed. He had been so lost in thought he hadn't noticed Paunch sidle up next to him. He looked at the tiny man disconcertedly, but wasn't surprised to find the latter looking calm and serene. What did surprise him, though, was the unmistakable incredulity hoisted over his features.
‘What are you doing here, boy?’ he hissed at Hawk, ‘How on earth could Xia have let you out of his sight?’
Hawk opened his mouth to respond, to tell Paunch that he didn't know what he was talking about, but found himself unable to say a word. He had never heard the name in his entire life, and yet it seemed familiar somehow...
‘Well?’ Paunch demanded, glaring at him openly, ‘Do you intend to tell me in this century? Or perhaps we should catch a bus that’ll shift us a hundred years into the future. I’m sure there’s one like that in Colorado, but wouldn't that just be a waste of our time?’
Hawk’s mind was in a whirl. This man was crazy; what he was talking about couldn't be real. But that meant that he must be crazy too, being what he was. He realized how stupid he must look, gaping at the man, opening and closing his mouth like a guppy. He shook his head violently in response to Paunch’s question, and before he could interrogate him further, he repeated what he had said to Ann Bobby earlier that day.
‘I have to go.’
He pushed past the man roughly, but Paunch was too quick for him; gripping his arm firmly, he said, ‘You may go. But remember where your home lies. Hjem elementární.’ Then he let go. Hawk stared at him for a second, confused, and then turned away quickly, taking long strides until he reached the slide-open door. He turned the handle and leaned out of the open door. The wind whipped his face, like icy hands striking him forcefully and telling him that this was a stupid thing to do. He drank in the nightscape: the wild overgrown shrubbery, the wind hissing as it passed by. Tall, gnarled trees stood by the road like gargoyles; hunchbacked soldiers guarding a rock-and-gravel fortress.
The night is an intimidating thing, Hawk thought grimly.
He could barely see the tarmac of the road; it was dark, and there were barely any streetlights in this part of the highway. But he knew there was danger both ways, and there was more to this strange bus-ride than he was aware of. It was dangerous, and he was afraid of what would happen if he stayed. He thought of the dead man, and the fire seared through him again. This was a chance he would have to take. He bent his knees, in the stance of a swimmer who is about to dive. He ignored the driver’s yells (‘What the hell do ya think yer doing?!’) and the frantic calls of his fellow passengers; (‘Are you crazy?!’ ‘I think he’s drunk!’ ‘Mummy! What’s the man doing?’) plunging himself recklessly into the looming fortress of the night.
Or rather, someone else doing it for him; a slight push that pushed him off edge and into the blazing darkness.
For a split second before he hit the pavement, everything seemed to stop. His breath had hitched so he could feel the frostbitten air flooding his lungs; his heart was beating at a hundred miles an hour. He caught sight of a pair of steel-gray eyes; and Paunch nodding at him – briefly – as he was enveloped by the many layers of the night.
And Hawk wondered dimly what it would feel like to die.
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Hi again!
Another amazing chapter. As much as I loved the first one, I might like this one even more.
Once again, the pacing was spot-on, and your narrative voice was great. I basically could copy and paste in all the compliments from my last review, since they all still apply.
My favorite part was that ending:
Perfect ending. Absolutely perfect. You definitely leave the reader wanting more, which is never a bad thing.
I literally could find nothing wrong with this, it was so good. I have no nitpicks! None! Well, actually, I have one...
"Push/pushed" feels a bit repetitive here. But that's not really a huge deal.
Otherwise, this was basically a flawless chapter, written superbly. And the plot is very intriguing so far. Really great work.
Hello again! I'm back on my phone for this review and the next so don't expect them to come fast. I can type and read faster on a computer!!
You have really creative ideas for this piece. I will first correct some errors as well a give suggestions on where you can improve. Those are not points of error.
...He blinked several times, trying to clear the bleariness from his vision....
I suppose you mean blurriness?
...Straightening up, he noticed immediately how the lights were flickering on and off, like some kind of horror-movie being played before his very eyes. ...
Alright. This sentence can do with a lot of cutting. Nothing is wrong with it! However, ever improve!
I would suggest removing "on and off." Flickering already implies unsteadiness. There is no need for redundancy. Try to be concise. For the second half, "like a hotter-film come to life" is sufficient.
...But as he took in the sight of the dead man lying spread-eagled on the metallic floor...
Spread-eagle without the d.
...one of life’s many truths struck him good and hard....
Forcefully sounds better than good and hard!
...Hawk caught a glimpse of his face and was surprised to see the lack of emotion; just a blank expression that had latched firmly to his face....
Two sentence joined together. Removing "just" and "that" allows for a smoother read.
... But his eyes were wide and scared....
Use the word "only" instead of "but."
I like how of the second time in a row the MC is knocked out but do try to keeps his KOs at a minimum. Readers tire of oft repeated scenes. Even if the scene handsome variation!
Hope you like my suggestions!!
Keep writing!!
Dory!


I have read the first chapter also and I have to say, you have amazing, like literally AMAZING descriptive skills. I love it so much. It really draws you into the story and hooks you so you just need to read more and more and more. I'm still not sure what to make of the character Hawk yet, there is so much mystery about him. Like how does his power really work? Where does he think he's going? Once I get to know a bit more about him, I'll be interesting in seeing what he intends to do. Something to think about for the future chapters perhaps?
Paunch seems interesting. Hmm, another nice element in your story. Right now though, I know what is going on, but I'm wondering what is going to happen. What happened in that bus? What is his gut instinct trying to tell him? More for future chapters too.
You said it would be 'weird' for him to ask what happened, so he had to eavesdrop instead. But I think it would be normal for him to ask, because if everyone's tripping over each other to see what happened, then there will be frantic questioning too. You show two sides in the bus. You first say that everything is loud and chaotic as they all try to see. And then later on you say everyone is quiet and inwardly worried, sshing their children and everything. Which is it? If it's the first leading on to the other, why didn't he ask when everyone else was?
Really, I have practically no criticism to give you. I'm loving it. Let me know in chat or on my wall whenever you post the next chapter. I'd be happy to read it
Deanie x
I'm even more hooked into this story now, after reading that. Your second chapter is really, really awesome, and I can't wait to read more. Please keep me updated!
I don't actually have anything to complain about, but there were a few things that really stood out for me, that I thought were brilliant. The first of these was the description of the blood, which I loved. You had some fantastic ways of wording things, and this was one of them.
Another thing I really liked was the introduction of 'Mister Paunch'. This not only created suspense and mystery, it also gives a clue to some narrative possibilities, which means that you won't just have some secret society or whatever you're planning jump from nowhere.
I guess that now I'm looking forward to getting to know Hawk better, and maybe meeting more characters. I can't wait to see where this story is headed. Keep up the good work!
Greetings pomegranate! (Mwahahaha)
I am also glad to find out it's lack of Arthurosity.
Firstly I would like to say that this is highly intriguing, and the Latin or Greek thingy is promising, cause I like that sort of book.
However this is the bit where I criticise the plot. It seems a little crazy to jump out of a moving bus onto concrete because of a gut feeling. Yeah, there was the time bomb passenger and the creepy stalker guy, but the worst that can happen is death, which is also pretty likely jumping out of a moving bus when untrained. I don't know if it would spoil the plot to have someone push him?
My other criticism, (this one not plotwise) is the sense of calmness after the first few paragraphs. I realize you have included a few devices, but perhaps you could try to make it a little more panicky? Just after the start of the dialogue.
Hope this helps, sorry if I made a silly mistake, I am used to poems.
Take That You Fiend!
Haha, I do like pomegranates.
Yes! You've voiced that particular fault out! I had a feeling his decision was far too ... impulsive, but since I'd already written the chapter, I wanted to see if anyone found it weird or not. I'l just have to add a little drasticness to this chapter when I edit, then.
Thanks for the review, Fiendy!
Timmyjake here to leave you a review!!
Ok, onto your story.
I shall review every piece you do of this story. :O Such dedication!
I liked this one even better than the first. I can see everything from how your character sees it. He stays in the present, so no problems there!
Ok, so I will just hit a few spots I saw problems and move on, cause there isn't much at all to critique in this piece!
[quote]so thick you could cut through it with a Swiss army knife. ---So you can only cut through it with a Swiss Army Knife?
So I only have one spot to critique left. When the two men are talking, you drag the paragraphs on. When a character talks, you start a new paragraph. When a different character talks after him, start another one. It keeps everything looking neat and ensures that the reader knows for a fact who is talking.
So those are my only critiques! This was really good! I love how everything is starting to play out... Your descriptions are beautiful and I can see everything perfectly through your character! Looking forward to more!
~Timmyjake
Thanks so much for the zaptastic review!
Brilliant, yet again. No mistakes as far as I can find, but I'm not the best at finding them. You went into detail of how the character, Hawk, feels of the scenery. Which is great, something that fits in well. Hawk is a great character so far, and the story pushes him. Well thought out, and looking forward to reading more.