I wake to last night's sadness curdled in its glass— throwing it in the microwave and pretending it tastes the same is what my mother swears by. I just down it cold even though it doesn't agree with my stomach. We've had drought conditions, anyways. Waste not, want not. I drink every last drop.
I toss my nails into the garbage disposal and marvel at how alike we are, chopping voids longing for a cheerier substance. Wonder doesn't last long around these parts, though, and before I know it, I'm asleep again. I dream of online psych evals and my mother's concerned eyebrows.
I wish—
I pop pills so apathy will touch me again. I take her quickly and have her slowly and leave her. We do it over and over. I care not. The beauty is, she doesn't either. At what point in a six-year stand do you start to call it something else? (I call her when my keys get locked in my car. She keeps the spares.)
I would call her but I've got laundry to fold. I take the trash out instead.
I miss.
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This poem is so beautiful! I love how starting each stanza with "I" makes it feel so persornal. The imagery of "apathy will touch me" - is that called imagery? Whatever, this is really powerful.
Hey there Plume!! Here to give you a review on this lovely prose poem, in honor of Viral Review Day and the Great Tortoise Race!
First of all, let me say that this is so deftly crafted! It feels almost like a diary entry, a narration of a day in pain. I feel like I'm having a look into not only the narrator's life but their thoughts.
Also, the repetition of sentences starting with "I' really brings an awareness of how when someone is in pain like this, everything they do is dulled, it's all the same. Just repetition of the same old things on yet another day that they're trying to push through. I'm not sure if it was intentional or not, but it definitely adds another layer to the piece! It's a theme I notice in your work, how many people use figurative language "just because" but you weave it into the body of your poems, giving it meaning.
I'm also intrigued by the inclusion of "she" in the latter half--we've been quite focused on the narrator's inner self right now, so to add another person to this seems counterintuitive. However, I think you've handled it beautifully, adding yet another layer to this piece. It's not only an exploration of the pain of the narrator, but how it is shared--and possibly tolerated--by the so-called "six-year stand". Just one small critique--the line "I care not" seems a bit out of place when it comes to the tone. Throughout the poem, you carry a casual, narrative voice, but it's broken in this moment with what comes off a bit like sarcasm.
One thing I absolutely loved--the section in parentheses at the end of the fourth paragraph. It's so poignant and carries an extra meaning for sure!!
As for my interpretation, as someone who has suffered from depression, that's what I see in the narrator. That feeling of every day being exactly the same, with little bits of nuance that never make the mark.
Overall, I definitely enjoyed reading this!! Keep writing!
<3, chem
Thanks so much, chem!!
Quotidian is a perfect word for this!
Immediately, I’m drawn in! I see that you're showing coping mechanisms as both intimate and absurd, which is a tone you strike repeatedly. There’s a deep truth to this. It is written into the narrative with the stomach’s reaction to sadness, the inherited habits from a mother figure, the slight satire in syntax choices. It's effective!
I love your choices of imagery! The language is really unique, and they are original metaphors. I do believe they can dilute each other though, because none of them are explored too heavily in depth. Everything is abstract, and I feel that is both good and bad for this style of poem. For instance:
These images become really dense fast.
I noice that there’s a sectioning to the poem that reminds me of vignettes, as well, and I found that structure really works for the themes you're dealing with. Same with the repetition of “I” followed by verbs. I wonder if the dream sequence could be a little longer, or more distinct tonally, though.
Right now, the voice is consistent -- drowsy, ironic, sad -- but I believe it is too consistent. Even in dream-logic, emotion is not felt the same way. I love how you aren't afraid to be self-deprecating, but I want to hear the narrator’s desire a little more urgently in places. The climax would be a good example of this, with:
This ending should be effective, but to me, it doesn't conclude anything. That is partially stylistic, but since the poem only exists on one plane, it ends up being more claustrophobic than meaningfully vague.
Great poem though!
Thanks so much for your review! I appreciate your suggestions.