Okay, this is an extract from a book I'm currently writing, just wanted some clarity as I'm not sure whether to continue with it or not.
~~~~Extract from Chapter 9~~~~
The last slithers of sunlight faded from over the horizon and a forlorn grey darkness consumed the sky. As the dark clouds massed overhead, like carrion drawn to a carcass, knife-like rain seared down from the heavens. Akin lay there, on the scarred ground, his deep azure eyes fixated on the Great Mora... The hinges began to creak and with sounds like that of a weeping demon the Door began to open. Then the rain was as ice, erupting into glass-like shards as it hit the ground, the granite underfoot was encrusted with a numbing frost, and proceeding from within the depths of the Great Mora Akin could clearly see an emerging talon...
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Time spent:
Canary word: Present
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Original Text:
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Good ^^ I like your "bad guy"
Yes, Example 2 is a modern piece of mine, It was a little back history in story form, I am still playing around with characters for my newest project.
Is No. 2 in any of your work?
Yes but don't overload on description.
Example 1: AN Awful Primary School Description of Someone in My Family, description Overload:
Example 2: A more modern piece of mine introducing one of the "bad-guys" as such:
You see in Example 2 how I add little bits here and there so you get a taste of the church, Derren's inner character and his position in society without being told it all in the beginning.
Now, I know that Example 2 isn't perfect, Im not a perfect or a good writer in comparison with alot of YWS members. But, I think that it was a good example in describing little whilst a character is doing something.
And yeah i'll check that website out
Though sometimes focusing description in certain areas can be effective to make it more exciting, scary etc. However i think i might have failed miserably at that.
Griffin is right - his crit on my pathetic and overly elaborate attempt at urban fantasy woke me up and I saw the light "Why do I need this description?"
Griffin I believe you need to update your rig with your new title: "The Purple Nazi"
http://hollylisle.com/fm/Workshops/description.html
Will help loads as I mentioned in my previous post.
Thanks, I'll take that on board, while some bits you got rid i might have kept, i suppose I do agree with you on your general point.
Thanks
Wow, a gigantic slug of purple prose. Let me see if I can help you improve this. I took your post, and edited it. Here's my version.
The last [s]slithers[/s] rays of sunlight faded [s]from[/s] over the horizon and a forlorn grey darkness [s]consumed[/s]came over the sky. As the dark clouds massed overhead, [s]like carrion drawn to a carcass, knife-like[/s] rain [s]seared[/s] came down from the heavens. Akin lay there, on the scarred ground, his [s]deep azure[/s] eyes fixated on the Great Mora... The hinges began to creak and [s]with sounds like that of a weeping demon [/s]the [s]D[/s] door began to open. Then the rain [s]was as ice[/s]became ice, erupting into [s]glass-like[/s] shards as it hit the ground[s],[/s]. T[s]t[/s]he granite underfoot was encrusted with a numbing frost[s], and proceeding[/s]. F[s]f[/s]rom within the depths of the Great Mora, Akin could [s]clearly[/s] see an emerging talon...
So basically, I took all the weird and unnecessary descriptions and axed them, or replaced them with something that was easier to visualize.
Avoid comparative descriptions (it was like) that are hard to understand. Some of these comparisions were silly.
This is what carrion means.
Some details seem unnecessary, like the deep azure eyes. Why does eyecolor matter? If it does, then ignore that comment, but if it doesn't, then leave it out. My personal preference is to leave the details of my characters out. The most descriptive I'll get with eyes is that they have eyes. If I must point out a color, it will be a general color.
Honestly, there are so many adjectives in here that they actually interfere with the story, hence it is purple prose.
We want a descriptive story, but there is such a thing as an overly descriptive story. You've got one of these here.
Don't use two elegant words where one simple word will work.
Ok some pointers:
Without more of the story we cannot see this in context and cannot judge the story as a whole or even begin to look at character or story line.
This is way too over descriptive and melodramatic. Do not just throw description in en mass use it through a character. Holly Lisle, acomplished author has a description workshop which is excellent: http://hollylisle.com/fm/Workshops/description.html
Why are you asking us whether you should continue? You continue for yourself, you need to be inspired by your idea and character to want to sit down and write about your world and storyline. You write for yourself, it is not for members of YWS to decide whether to continue, it is however our job to point out how you can make your work so much more flowing and gripping.
/End
not realy
just a random name for the protagonist
It's not much to by, but it seems that the story could be interesting. Though I agree, you perhaps have too many similes in there. To a point they add to the descriptions, but it's possible to have too many.

Just curious, but is there any significance to him being name Akin? I thought it was meant as the adjective at first, and it threw me off for a second.
But thanks anyways
Ah yes but if i took out Akin the whole book would make no sense, as i said it is an extract, not just a random paragraph, if you see my point.
I would leave off the
quote:
like carrion drawn to a carcass
I think your tryuing to make your story sound all impressive, (an dto a point that is good) but I would cross that out. Why? I just think that you seem to have enough idioms already and are trying to make the sentence longer. Your making it a tough read. Also, I would delete the '...'
But I like your describtions!
Seriously though, I would have to read more...
quote:
Then the rain was as ice
Maybe 'Then the rain became ice (...)?
quote:
Then the rain was as ice, erupting into glass-like shards as it hit the ground, the granite underfoot was encrusted with a numbing frost
The seond part doesn;t make sense then, if you have 'then'. You can't use 'the' and then go on with a description of something that WAS.
And I really think that the part about Akin should be thrown out of there. What is the point of that? He is not doing anything, it just disrupts the flow.
Anyways, post more of your writing
-elein
Thanks
yeah its in the right place.
The extract seems good.
Keep up your good work.