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Unnamed Ghost Book Chapter 1: Janet Goes To A Seance

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The only slumber party I was ever invited to was a seance.

People tell me it's crazy that I pretty much missed out on such a quintessential experience of girlhood- those late night conversations with elbows propped up on pillows, the whispered secrets under cover of darkness- but to me it makes perfect sense. By the time I was twelve I had entered this weird genderless gray area where nobody wanted to see me in pajamas, and the invitations never came.

The one gathering I did go to wasn’t one of those nerdy little shin-digs my friends think of when they talk about slumber parties- it was the entirety of the popular girl coterie, gathered on Halloween night to summon a ghost. Getting invited to such a party should have been some kind of testament to my social prowess, but in this case it was not. Elise, my best friend who straddled the line between cool and not, got me the connection. She was invited because she knew a guy who knew a guy whose parents had a ouija board in their attic, and she brought me as a plus one. We dressed up in matching costumes- two iconic sisters from an anime we liked.

We rang the doorbell and our teenage hostess, whose name even then I didn’t know, opened the door. She was dressed like a witch, with a violet and black tulle skirt that hung stiffly above her ankles. She stared at us and scrunched her face as if trying to remember who the hell we were. After a moment, Elise held up the ouija board that had been squished precariously between her arm and side. The hostess’s eyes widened with realization, and she gave us a nervous smile and hurried us to the basement.

We walked down a flight of stairs into the largest basement I had ever seen, with a gym and a movie theater and enough room to fit my entire house as decoration. Hammock chairs, mattresses and sleeping bags formed a cultish ring around a cluster of scented candles that I realized was the summoning circle. Elise placed her ouija board in the middle, cautiously, almost ceremoniously, as if she was giving a gift to an angry god, and we set down our sleeping bags to wait.

I don’t remember how long we waited, but at a certain point the hostess bonked a spoon against her Stanley cup with the gravitas of someone about to give a speech at a wedding, and the room fell silent.

“Girls,” she said. She spoke in a hissing whisper, likely not wanting her parents to discover us, “As you probably know, Elise was able to get us a ouija board,” she pronounced it like oo-ja, “So we’re going to summon a ghost!”

Everyone cheered softly, and we huddled around the center, watching as the hostess walked around the room, flicking off all the lights. One of her friends, a girl in a pumpkin costume, lit the candles.

The hostess kneeled beside the board, held her shaking hand to the planchette, then withdrew it. Her friend Rosie, dressed as a Pink Lady, leaned towards her and whispered something in her ear. Never play alone. The hostess nodded and the two of them motioned for everyone to put their hands on the planchette. We lifted it onto the board together, all ten to twenty seventh graders trying not to show their fear as the shadows in the giant room seemed to skitter across the walls like cockroaches.

Rosie led the pack, and ideomotor effect or not it’s still surprising to me how real words started to spell themselves out on the board. We had an entire conversation with the spirit, a young boy who had apparently been murdered. By the end, we were all satisfied with the small act of rebellion against our Christian parents, and settled down to watch a mildly creepy movie.

To Elise, and presumably the other girls, it was just simple fun, a small secret shared between us that didn’t hold much weight in the grander scheme of teenage life. But to me, it was something more- all because of that girl- Rosie O’Connor. Rosie, the only one to never falter or show fear as her acrylic-tipped fingers were guided by the planchette. Rosie, the one who the spirit seemed to speak through, whose voice echoed across the walls as she read each letter with surprising solemnity. Rosie, the one who clarified after the seance that she didn’t believe in ghosts, yet still told her friend not to play alone.

Before then, she had seemed like a basic but vaguely pretty popular girl, but after that night I started to wonder about her. I started to notice the way her eyes glazed over when her friends talked about crushes. I noticed that while she talked about a boyfriend in the next town over, nobody had ever seen him. I noticed how she spent lunch drawing checkerboard patterns on napkins instead of eating, and how she sat in class running her hands over her neck and stroking her Adam’s apple.

And I noticed, eventually, that I was madly in love with her.

***

Rosie died.

Four years after the Halloween party, during her junior year, she started to perform in plays at a local theater company. It was a small business, just starting out, and the stages were poorly constructed, the lights not up to code. Something broke, went awry, and during her big solo the entire thing came tumbling down. I wasn’t there. I had gone to an earlier show, considered buying her flowers but never did. It was such a stupid, senseless way to die that when I was informed of it I almost laughed. But of course, I didn’t.

We only had a few conversations over the years, which made me feel embarrassed, almost shameful, about how much I mourned her. I found myself unable to explain my change in demeanor to my friends, after a few days it seemed odd to spare more than a passing thought about the girl I barely knew. But I couldn’t help it. After all, for all that time I had believed I was in love with her, and that I had all the time in the world to tell her that.

I went to her funeral. Almost everyone in the school passed by, it was a pretty big event considering she’d only been around for sixteen years. It wasn’t an open casket, but the closed coffin was a key centerpiece, and I tried not to look at it. I didn’t want to imagine someone I knew as a corpse.

I saw her parents, dressed in black, standing slightly farther apart than one would expect, as if there was a thin wall between them. They didn’t bear a particular resemblance to their daughter, except for their faces, which like hers were unsettlingly symmetrical. I stood as far away from them as possible, ate the stale cookies that were laid out on a small table off to the side.

After the funeral, I went home and quietly cried in my bed for a few hours, hating myself all the while. And I had this sort of revelation, that maybe falling in love with anyone, especially someone you’re intimidated by, someone you barely know, never ends well. I realized you can never let yourself get too attached to the ticking time bombs that are other people.

So I resolved myself to forget that Rosie ever existed.

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Tikaya
Review
Tikaya wrote a review · Fri Mar 06, 2026 3:07 pm

I see people were doing reviews so I thought I’d join in.

I already find your very first sentence intriguing!
I don’t really like the next sentence tho. I feel like especially the “pretty much” overloads an already very long sentence.

She spoke in a hissing whisper, likely not wanting her parents to discover us, “As you probably know, Elise was able to get us a ouija board,” she pronounced it like oo-ja, “So we’re going to summon a ghost!”

Alrighty, dialogue formatting! I strongly advise you take a look at this grammar guide under the section for dialogue: https://www.fanfiction.net/topic/11834/ ... ne-Grammar (this one taught me how to do it correctly and I’ll be eternally grateful!) or if you want to stay on YWS, here’s the topic Punctuation within Dialogue
Basically, this sentence you have here should have looked like this:
She spoke in a hissing whisper, likely not wanting her parents to discover us. “As you probably know, Elise was able to get us a ouija board.” She pronounced it like oo-ja. “So we’re going to summon a ghost!”

And yes, rambling about dialogue formatting is part of my witchy domain =D

I’m a bit surprised that the narrator doesn’t know the hostess’ name but the name of her best friend? =D

Did Rosie whisper that and the narrator somehow caught it or why else is this sentence here? :3 “Never play alone.”

Hmm I don’t understand why Rosie told them not to play along when she already doesn’t believe in ghosts? “Rosie, the one who clarified after the seance that she didn’t believe in ghosts, yet still told her friend not to play alone.“ I think it’s the “yet still” that confuses me.

Oh that is a nice end to the whole paragraph about Rosie :3 “And I noticed, eventually, that I was madly in love with her.”

Immediately followed by a gut-punch sentence ha XD

And this kinda hits home ☹ “and that I had all the time in the world to tell her that.”

Hmmm while a lot of things happened, I feel like you rushed through all the key plot points a bit. I kinda wish you would have showed Rosie’s character during the séance, rather than having an entire paragraph telling us that she was amazing. If you show the talk with the ghost, you can subtly emphasize Rosie’s personality over those of the other popular girls present. You can show the exact moment Janet realizes “oh this is someone I should pay attention to” and then describe how over the rest of the evening, she cannot keep her eyes off of Rosie for long. That somehow, as if all by itself, her attention always lands on Rosie. Maybe she even sees her preparing food for the movie and finds herself lurking in the shadows without approaching or something.
Same for the time period after that séance, it would be nice to get a few key moments of Janet interacting or seeing Rosie (even if they never really talk) before she died :3

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canopy
Review
canopy wrote a review · Thu Mar 05, 2026 5:52 am

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Hello @Milesperhour133 Detective Ira here, I have apparently stumbled upon your manuscript while searching for clues in the Devil’s Library, which is where I believe the ancient magical book of Toramu is hidden. Since I’m already here, I shall give my opinion on this piece of yours.

Though I have to say it is very strange that I should find your writing here……. hmmm…..

What I can see


Wow. This was quite a ride. Definitely did not end the way I was expecting it to. To begin with, your first line in an absolute banger.

The only slumber party I was ever invited to was a seance.


What better way to draw in the reader? I absolutely loved it. The subtle humour you've peppered in throughout the work is lovely and frankly - impressive. It's done with great skill and I thoroughly enjoyed reading it.

to fit my entire house as decoration


Love the nuance here, it's not large enough to just fit the entire house, but to fit the entire house as decoration, as an embellishment, really gives you a nice picture of the entire thing.

I don’t remember how long we waited, but at a certain point the hostess bonked a spoon against her Stanley cup with the gravitas of someone about to give a speech at a wedding, and the room fell silent.


I loved this bit! It's hilarious in the best way and I can picture it so well. This works beautifully with the kind of irreverent tone of the narration and the reality that these are essentially children who are conducting a seance. Also gives a good sense of teenage social hierarchy and also playground hierarchy.

He who owns the ball is king, on in this case she who owns the ouija board is king. Very well portrayed.

Under the magnifying glass


I do have some issues here though. For starters, I think this went way too fast. The parts after

I noticed how she spent lunch drawing checkerboard patterns on napkins instead of eating, and how she sat in class running her hands over her neck and stroking her Adam’s apple.


go really, really fast and it is such a stark contrast from the detailed, steady narration that you started out with and it is jarring. As a reader you're just stuck there confused about what exactly happened and not in the best way.

I think you need to slow this down. For starters, they spoke to a spirit! That's a huge deal! I don't expect them to brush it off as an fun little experience, not after they'd been so scared and nervous, I expect nervousness and terror and screaming and "What is it saying?!?!"

It's a seance, but you didn't show the actual seance. I think you should, show the reader what happened, don't tell them. Also you mentioned the spirit said they were murdered, that seems like a pretty significant development, how is there no conversation or conflict around that? How can they just dismiss that?

Even the narrator seems to dismiss it and focus on Rosie but why is my question, why? There is no concrete reason for them to be indifferent, no one is that indifferent, least of all a pack of kids conducting a seance.

I get the sense that you are impatient and want to get the background and exposition over with to get to the crux of the story but you have a really lovely style of writing this and a great plot and you need to do that justice.

The love at first site thing is also a little weird but that may be my personal opinion as I am personally against that plot point. Regardless, I think you should write the parts about Rosie dying in the next chapter and use this one to build her character up.

Show us what happened in the seance, show us why Rosie left such an impact on our narrator. Give up depth and character and humour and detail. You are really good at this, from what I can see in the first half of the work and I's hate to see you miss the opportunity to write an amazing seance scene.

One that focuses on the Spirit of the murdered boy and the narrators (developing) fascination with Rosie. Also, if the spirit isn't significant to the plot then he doesn't have to be murdered. Resist the temptation of that sub-plot if you don't need it.

Closing the case


Overall this was a very promising start and I am excited to read more of this. Feel free to tag me when you post further instalments!! :D

It was lovely going through this manuscript of yours. Everything expressed was my opinion, feel free to accept or reject whatever you want.

If you have any clues relating to the book of Toramu or anything you want to clarify feel free to contact my alias, ahem, my dear friend @canopy.

Until next time!!

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“This killer is smart. We won’t find the murder weapon because the assassin ate it. The only thing we have to figure out now is how they were able to swallow a certified pre-owned 2019 Buick Encore with leather upholstery.”
—Miss Marple, “A Murder Most Deadly,” by Agatha Christie

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vacozaco6 Comment

I like the story!!:D Good job, well done



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