Miracles (For Yuriiko's Postsecret Contest)

Baby dear, take our love. It was never ours to give, but we know you'll accept it.

It was a cold, crisp morning the day we discovered you. We were rugged up in our dingy little flat, huddled together, mourning the news. The doctor had confirmed our worst fears: I was infertile, and we would never have a child together.

We were so lost in our sadness we almost didn't hear you cry.

It was a howl of sorts, one that bawled with rising sobs and screeched of loneliness. It tugged at our hearts, and instantly we were on our feet, searching for the source.

Your cry led us outside. Our backyard was a hyena's home: trash and forgotten things lay sprinkling the ground. We were both hoarders, and couldn't face the prospect of throwing things out. Old tyres, broken bikes, smashed mirrors, cardboard packaging… in short, they were hazards for a naive newborn.

The panic inside us peaked: if you were out here, you were in danger.

We searched, speeding across the junk, shifting and lifting things to find you. And there you were, lying in a cardboard box. You were wrapped in cotton blankets, and slightly red in the face from the exertion of crying. Who would leave a baby in a mess like this is anybody's clue.

You were beautiful. So beautiful. Your eyes like a golden sunset, your mouse-blonde hair already luscious, rippling like waves.

While we took in turns handling you, giving you comfort and support, we discovered a note nestled between your blankets. We removed the envelope encasing it and read it.

Kayla and Peter,

Take good care of her. She's all yours. I'm not a good mother: I'm hopeless. I keep dragging her into my dealings, and my clientele don't like her. She's always crying and demanding my attention, when it's them that paid for my attention. It's definitely not a place for a baby, anyway.

Social services wanted her, but I'd rather die then see her in the hands of somebody I did not trust. And besides, I heard on the grapevine that you really wanted one of your own, so here she is. I know you'll be terrific parents.

Hugs and kisses,

-Nessie.

P.S I named her Opal.

P.P.S I hid her there so the passers by wouldn't notice her. Hopefully.

P.P.P.S I might come visit her when she's settled. Maybe. I don't know. Give me a call, won't you?

So that solved our little mystery. Nessie, the high-school rebel, the girl who lived on the fringes of the law: our bridesmaid to our wedding, and one of our few closest friends. We'd lost touch for a few months, but this wasn't unusual for your mother. She was always a floater.

It was then that our hearts danced with the revelation: our deepest wish had come true. Opal, our little miracle.

Our nights became long with straining to comfort your cries, our days dragged with trying to fulfil every childish whelm you desired, and fatigue held dominance over our slave-driven bodies, but none of it was wasted. You grew into a delightful, bubbly child who knew how much her parents cared for her.

Nessie wrote every week, looking for reassurance of your wellbeing. But once she realised how fine you were doing, the letters became less frequent: one a week, to once a month, to once a year. She never visited. She became too lost in her dealings to remember you. Her mechanism of coping without you became apparent: the less contact she had with you, the more comfortable she would be with the fact she could never have you, or tend to you.

We grew to love you.

We can recall one evening when we took you to a park fair. You loved the atmosphere. You were captivated by the sidewalk magicians, the bobbing clowns, the colourful displays and the rides. You carried with you your favourite doll: a cream pony with stars bracing its ankles, and silky, purple mane hair. That pony meant everything to you.

We were in the process of paying a ride owner money when we heard you cry. We turned and knelt down to you, and asked you what was wrong.

You just held out your hand and showed us a few strands of the pony's mane.

Luckily for us, after retracing your steps back through the fair, we discovered your discarded pony in the grass beside the clown stand.

The happiness and relief that emerged once that pony was back safely in the grasp of your hands was tremendous. We'd never seen anything like it. The whole world seemed to brighten knowing its little princess was joyful. There was new skip in your step, a new cheek in your cheekiness.

We remember one morning, when we took you to your first day of grade school. We braided your long, flowing hair back and placed a bow at the end. We dressed you in your favourite pleated blue dress. You looked like you were out of a fairytale.

Buckled in the backseat in the car, you turned to us and spoke one sentence that sent us reeling:

"Mummy, Daddy... I don't want to go to school. What if they don't like me here?"

We rushed to your rescue: spluttering words of encouragement, unable to grasp that our baby had doubts about herself.

There was nothing for you to fret about, however, because everyone at your school loved you: your teachers, your classmates, and your friends.

We had always known you were the angel, and now we knew others believed it too.

But angels belong in heaven.

We were in the kitchen, prepping for dinner: slicing vegetables and boiling water. We weren't sure where you were, but we thought you'd be in your room, playing with Barbies and ponies and your brilliant imagination, like always.

A distant scuttle made us confused: it sounded as if glass was shattering in the backyard. It was probably just a bird scavenging through the rubbish. We'd never gotten around to cleaning out the backyard. It was the biggest mistake of our lives.

The scream is what got us: something so ear-piercing, so heart-tearing that in an instant the stuff in our hands was sent clattering and smashing to the floor. Water and food spilled everywhere. We were out the door, screaming with you.

The screaming stopped. Our screams continued.

"Opal! OPAL!" We scrambled over the trash. The junk was poison: it seemed painful to touch, knowing you were lost somewhere in it, helpless and scared, and the junk was unwilling to hand you over.

Swears intermingled with the sweat and screams; time froze. The sun hung suspended on the edge of the horizon, leaving just enough light for us to find you.

We screamed until our voices broke. Tears blinded us, pouring oceans down our faces.

You lay sprawled in a cardboard box. Crimson blood bloomed around your chest, and stained the glass that protruded from it.

Your skin white as a ghost, and your eyes forevermore etched in our minds as the devil's final punishment. There was no golden sunset contained in them: just a yellow void with no beginning or ending.

The bitter irony of the cardboard box crawled into our brains in that very moment: you were given to us in one, and taken from us in one.

We will place this letter in your coffin, in the hope that maybe one day, in heaven, you'll read it and understand there are not enough words to say how sorry we really feel about losing you.

I no longer believe in miracles.

Image

Comments & reviews · 4
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User avatar
Maddy
Comment

@awegs , @PinkShearwater and @Azila ,
Thank you all for your wonderful help! You've made me re-think, and I've elaborated on the parts that might have made you confused. :D

User avatar
Azila
Review
Azila wrote a review · Wed Nov 17, 2010 6:02 am

Greetings!

Baby dear, take our love. It was never ours to give, but we know you'll accept it.
I love this line... but I have to admit I'm a little confused about where it falls in the overall format of the story. Is the whole piece supposed to be a letter of sorts to Opal? I don't think I get it. :/

It was a cold, crisp morning of our discovery of you.
I agree with Pink, this just doesn't really make that much sense. I'm not sure if it's a typo or just funny phrasing that I don't understand.

The panic inside us peeked: if you were out here, you were in danger.
That's and interesting choice of words in "peeked." But the way you use it makes it seem like it should be "piqued" or "peaked." Oi, so many words that sound the same and mean almost the same thing! Consider which one you really mean, because the way it is now I'm not sure if you're just trying to be unusual with your word choice or if it's a typo. Also, I think you may want to say "out there" rather than "out here..."

And there you were, lying wrapped in cotton blankets in a cardboard box, slightly red in the face from the exertion of crying.
Hm... this sounds a bit awkward. I think there are just too many statements crammed into that sentence. Maybe try something more like: "And there you were, in a cardboard box. You were wrapped in cotton blankets and slightly red in the face from the exertion of crying."

While we took in turns to handle you, to give you comfort and support, we discovered a note nestled between your blankets.
This also sounds awkward to me. :/ Something about the "...we took in turns to..." bit lost me grammatically. Personally, I think it would sound better as something like: "While we took in turns handling you, giving you comfort and support, we discovered a note nestled between your blankets."

Your real mother wrote every week, looking for reassurance on your wellbeing.
I think that would read smoother as"...reassurance of your wellbeing."

We had always known you were the angel, but now we knew others believed it too.

But angels belong in heaven.
I found the repetition of "but" a bit distracting here, so I would suggest changing the first one to "and" thus: "We had always known you were the angel, and now we knew others believed it too." Also, I thought that second sentence was a great way to introduce the tragedy of the piece.

The screaming stopped. We continued to.
Hm... I'm not sure I understand what you are saying here, but unless I'm mistaken this would flow a bit better as something like: "Your screams stopped. Ours continued."

The junk was poison: it seemed painful to touch, knowing you were lost somewhere in it, unwilling to hand over our precious daughter.
Another awkward sentence. The way it's worded makes it sound like Opal is unwilling to hand over their precious daughter, which (of course) makes no sense at all. Hmm... maybe make it something more along the lines of: "The junk was painful to touch, knowing you were lost somewhere in it. We trudged on through it, cursing its unwillingness to hand over our precious daughter."

You lie sprawled in a cardboard box.
Oops! I think you mean "lay."
-------------------------

I think you did very well with the sad note. Something about the way the parents are almost always "we" and never "I" has a really touching feeling. It's like they have suffered so much together that they are really one person at this point. However, there are a few things I suggest you think about when rewriting/editing this:

1. I'm pretty sure you have a pretty clear idea of the characters, the emotion, the story, the setting, etc. in your mind, but you haven't quite transferred it all to the story. Who was that Nessie lady? What was her relationship to Kayla and Peter prior to Opal? How, exactly, did Opal get out into the backyard when they thought she was in her room? There are a lot of areas like this that can be fleshed out.

2. Also, I'm not really sure what was the point of the story about the stuffed pony at the fair. Maybe you put it in there to help introduce the characters better? I'm not sure. But I am having a hard time finding how it fits into the story on a whole.

3. Another big issue that I had with this was that it didn't read very smoothly. I pointed out a lot of the parts that I thought were awkward, but I think the only way to really catch everything would be to read it out loud and/or have someone read it out loud to you. If there are places where whoever is reading it stumbles, or if it sounds like the kind of thing nobody would ever actually say, that means that part needs a bit of attention. Especially because of the personal, conversational tone of this, it should all flow as easily as possible.

4. Lastly, I'm a bit confused (as I said in my first "nitpick") about the overall format of the piece. Is it supposed to read like a letter? If so, maybe you could put a letter closer (like "love, your parents" or something) to make that clear. Or is it supposed to just be a narrative? A recollection? If so, what was that first sentence doing there? I liked it a lot, but I just don't know how it fits in with the rest of it.

Overall, I found the piece quite moving, and it certainly left me wanting to know more about the characters. But it also felt like a framework, a rough draft that you still have to go back to and flesh out. Please let me know if you have any questions or want to discuss the piece or anything I've said about it.

Good luck with the contest!
a

User avatar
Shearwater
Review

Oy Madds, Pink 'ere.
I'm a judge for the Postsecret Contest and I'll be reviewing this for you today.
Don't be afraid, I'm just here to read and review, get an understanding and give you some points...in my head.


Nitpicks/Comments

It was a cold, crisp morning of our discovery of you.

No matter how many times I read this sentence, it sounds weird.
I think if you replaced 'of our discovery' with 'when we discovered'
Suggestion.
We were so lost in our sadness we almost didn't hear you cry.

I hate crying children. Not in a mean way, but it rips me apart seeing that. Rather is be a child or an animal, it's all the same. ='(
Your cry led us outside. Our backyard was a hyena's home: trash and forgotten things lay sprinkling the ground. Old tyres, broken bikes, smashed mirrors, cardboard packaging… hazards for a naive newborn.

My first question is, why is there backyard like this? If you explain it this way it makes me think that this couple would make terrible parents since they fail to clean their own backyard. Why would you even think of having a child if you can't accomplish that one task?
We searched, speeding across the junk, shifting and lifting things to find you. And there you were, lying wrapped in cotton blankets in a cardboard box, slightly red in the face from the exertion of crying.

The second question I have is why this child is buried inside their junk in their backyard. Hmm...
Kayla and Peter,

Take good care of her. She's yours. I'm not a good mother: I'm hopeless. Social services wanted her, but I'd rather die then see her in the hands of somebody I did not trust and love.

I know you want one of your own, so here she is.

-Nessie.

Oh, okay. Yet still...I could think of better ways to handle a situation. Then again, you did have to stick to the postcard theme. I honestly find this one a bit difficult to write about. You're doing a pretty decent job. =)
Your real mother wrote every week, looking for reassurance on your wellbeing. But once she realised how fine you were doing, the letters became less frequent: one a week, to once a month, to once a year. She never visited. Her mechanism of coping without you became apparent: the less contact she had with you, the more comfortable she would be with the fact she could never have you, or tend to you.

This bit is a little annoying. If she loved the child so much, why did the social services want to take her away again?
As far as I know, and correct me if I'm wrong here, but it seems that social services would only take a child away if the child was being abused or the mother was incapable of providing a healthy home for him or her. I would have liked this explained some more so I could believe it.
But angels belong in heaven.

Nu! Don't killz her, pwease! D8

**too late. >.>

Overall


I liked this, actually. It was nicely written and I'm glad you put it in the parents' perspective. I was afraid that someone was going to do this in a child's perspective and for some reason, I feel like children POVs aren't as strong as an adults, which means you have to work all the more harder to get an understanding and feeling across. Now, even with that said there are a few points you could have worked on. First would be the believability of this. Half the time I was thinking, 'does that really happen?' 'Can people do that?' After all those years, those idiotic parents didn't clean up their backyard? Argh, it made me upset, really.

Anyway, overall you did pretty well. It was simplistic but got the point across. You even managed to get some emotion into this short piece which is hard to do. I'm angry that you killed her though...But stories are stories, I can totally rewrite the ending in my head just to please myself, haha. Well, that's all for now. PM me if you have any questions.

Thank you for your submission and best of luck,
-Shear

User avatar
aweqs
Review
aweqs wrote a review · Sun Nov 07, 2010 3:09 pm

I really liked this piece!
It had great description and overall feel- but a VERY sad ending.
This is tne only nitpick i could be bothered to post:

You were out of a fairytale.

This is a metaphor, but there is something about it which doesnt quite work...
Suggestion;
"#FF0000 ">You looked like you were out a fairytale"
But you know, just an idea :)

This piece really had me gripped throughout,
but it ended so adbruptly, it is really quite depressing!
Maybe you could add something at the end, just a conclusion, to show how they coped with the tradgedy?
It just seemed very... sudden ;)

But Im sure you will do well in the contest,
this piece has a great feel and description :)

Well done and Good Luck

-Ava



Injustice anywhere is a threat to justice everywhere.
— Martin Luther King Jr.