A/N: This is inspired by the poem Palanquin Bearers by Sarojini Naidu. In the middle, I have taken a quote from the poem as the song, so I don't take any credit for writing that.
Tonight, lays a woman on her death bed, comforted in
her last moments of breath. By morn’, her soul will slip from her fingers limp grasp and ascend into the heavens. Yet, the woman smiles at her gathered subjects
as they weep for her.
While frail and weak, the woman’s voice is filled with
a sweet melody as she addresses her people. “Every day has its end, whether it is
welcomed or dreaded. But one does not mourn for a lost day. And neither should you
for death.”
She pauses, and the only sound that can be heard
throughout the room is her rugged breathing. Those before her stand rigid for
fear any movement would cause her delicate state to shatter and send her to her
imminent fate. Thoughts of how it’s not her time – how it should not end now –
fill their minds as they clutch these last few moments with her.
“I am not young. For years, death has haunted and
shadowed me. Then I had feared what you do now, but it is not a curse. It is a
blessing of enlightenment. This is a cause which should be celebrated as my new
journey begins.”
Behind the drawn curtain, a ray of sunshine penetrates
into the room, casting a silhouette of a bird sitting in the window. A wistful
chirp sounds in the silence while the woman rests for another moment. Though
now, the nobles and servants bow their heads at the wise words of their
Empress.
“What I find most important is how I will be
remembered. While I have accepted my time is limited, it has also settled
within me that I did accomplish all I had hoped to. However, regret and remorse
are too negative for this occasion. My last request is you remember me for what
I did, not what I could’ve done.”
The song in her voice cracks and she erupts into a fit
of coughs, her chest losing its steady rhythm. One man in the crowd dares to
step forward. His first action is to part the drapes over the window, thus
exposing a warm light from the setting sun. After recovering, the woman smiles
again as he crouches down beside her bed.
He lifts her hand off her heart and kisses it gently. “My
lady, you will always be remembered as our great ruler, bringing this kingdom
out of its darkest of times.”
“Thank you, Ling,” she murmurs, closing her eyes. Ling
nods and bows one last time, sneaking his hand away as her grasp weakens. But
as her hand falls away, I still hold on as if my life depends on it. In a
graceful movement, he moves his arm above his head and pulls me on to my feet.
“I can only give you two days, but that should be
plenty of time.”
~*~ ~*~
Dawn light streaked across the sky in a
brilliant flash as the sun reached up into the sky. While the night was chased
away, the villagers met the day and soon began the final rush before the grand
event. Even within the castle, servants
rushed plates here and declarations there.
Only
the finest for the Empress, they all thought.
I, on the other hand, merely sat and
observed the commotion from up in the tree branches, twirling cherry blossoms
in my fingers. Spring brought these in hundreds, but their pink hue always
soothed me and I never tired of their return. Seconds later a peasant boy sped
under the tree, throwing petals into the air behind him.
Where he could be off to remained a
mystery to me. Though, the boy intrigued me as I watched him sprint up the hill
towards the castle walls. I knew for a fact the celebration would not begin for
almost another hour, not until exactly thirty-five hours after the Empress's
death. Still, he sprinted with such intensity that his scarf sailed behind him
and his hat fought to fly into the wind.
A smile tugged at my lips at the sight
of that boy of merely thirteen, and even though the calmness urged me to stay,
I forced myself up. To even get my limbs to move was an effort as they wished
to collapse, to give in, but now was not the time.
I closed my eyes and, with great effort,
pushed myself off the ground. When I opened them once again, my eyes showed me
a glorious hall lined in silver drapes. Right in the middle of all the people
running across the hall stood the peasant boy, glancing around in confusion.
They all paid him no mind, just as they did with me when I stepped through
them.
His eyes darted from side to side as
they grew wide in terror. Surely he would be late; they expected him when
clocks struck seven and each second ticked away in his mind. Still, his feet
were rooted to the spot. From afar, he and his family adored the castle of
their kingdom, their Empress. Standing here now was overwhelming and the
realization of the enormity of his task crashed upon him.
I must carry my fallen Empress’s palanquin, he
thought.
Me, of all the men in the
kingdom.
Fear grasped his heavy heart, but the
moment I placed my hand on his shoulder, I could only feel warmth. A determined
sense spread through his body as he clenched his fists. Faith, belief, hope all
swirled into one. I pointed down the corridor looming over him and his feet set
forward, almost leaving his mind behind.
At a much slower pace, I followed the
boy again, watching everyone around me rushing by. Second after second, the
number of servants and serfs roaming the halls dwindled to almost none. The
festival would almost begin.
Finally, I am brought to the main room,
with lavishing silks and carpets, piles of gold and jewels atop the rugs. With
death came sorrow, but there is always resilience hiding under mourning’s mask.
Her passing would not hinder this kingdom, only fueling their want to prevail,
for her.
Casting a glance across the room, the
boy stood at attention beside three other men. Each one towered over him, but
he held himself high and bearing his red uniform with pride. The sloppily sewn scarf
he had worn in the morning was cast aside and a thin, crimson cap replaced
the top hat from before.
In front of the row stood three other
men, nobles of the highest decree. Ling positioned himself beside the high
priest, his posture an almost exact replicate of the boy’s. While he wore a red
handkerchief in his suit pocket, the rest of his attire consisted of dull grey
patchwork, hardly anything one would call suitable for the Empress’s final
celebration, but as advisor to her Majesty, no one paid any heed.
The one who addressed the four men was
the priest. His words were slow and carefully chosen, often ducking his head
for a moment before he would continue. Much of his speech was mere jabber to my
ears, unable to pick out particular words. Though his emotions rang true as his
voice faltered and threatened to quit.
Finally, the boy’s eyes turned towards
the third noble, the prince. As the priest choked back several new sobs, the prince cleared
his throat. “Today, my brethren. Today is the day in which we honor my mother,
she who has blessed our land with her excellence. Through her will and
strength, we have all been united, weak and strong, rich and poor, under one nation:
Besolia.
“Her spirit has brought the blessed
rains of God upon our land, through prosperous crop and good fortune. In honor
of her wishes, we rejoice her brilliance. A death of one does not mean all
succumb to it. All persevere as she has shown us! Long live the Empress in our
hearts and in our souls!”
The three men and the boy cheered, but
the prince too had tears in his eyes. In a moment where the sun beat down
intensely, he could feel only cold and dread. I pitied my son, as any caring
mind would. Even Ling placed a comforting hand on the prince’s shoulder.
“Come, sir,” Ling urged. “The march
should begin.”
With a wave of his hand, the prince
dismissed the four men and they tromped off towards the grand hall. The nobles
followed suit, but before he exited, Ling glanced over at me and grinned,
dipping his head slightly. Then he disappeared through the hall.
Once again, my body felt heavy,
struggling to move forward anymore. It continuously grew tired and weary, ready
to move on. However, it was not time. Soon, but not yet.
I took a deep breath as I saw myself in
the courtyard before the castle. Unlike in the room before, an atmosphere of
celebration prevails as villagers cheer and sing and laugh. Some dance, some
jump, some beam with joy, while others just clap along.
The road parts the two crowds to leave
enough space for the palanquin to pass, the three men and the boy bearing it.
Each takes slow steps in unison, even breathing as one unit, working to carry
their Empress to glory. One foot forward, then next, followed with a deep
exhale.
All the while, a song never leaves their
lips. Even the peasants watching join along in singing:
“Lightly, O lightly we bear her along,
She sways like a flower in the wind of our song;
She skims like a bird on the foam of a stream,
She floats like a laugh from the lips of a dream.
Gaily, O gaily we glide and we sing,
We bear her along like a pearl on a string.”
The song went on for many verses as the
whole kingdom appeared to sing for their fallen ruler. Every note, every word,
of the melody sunk into the earth below and hit me like an embrace of love. The
feeling shook me to the core so fiercely that I might’ve cried. Instead, I noticed
the boy.
His breaths were heavy and shallow as he
fought to stay standing to honor her as I had anticipated. Shaking from the
effort, the boy struggled with each passing step like the death itself rested
on his shoulders. Yet, the other men remained unfazed, causing him to worry
more. Was he not worthy of this honor? Has God struck him down as an imposter?
The palanquin with the coffin soon
reached me and I grabbed the outstretched pole that the boy gripped. A look of
relief spread through his face when the burden lifted off of him, yet he still
pushed up and sang as loud as his exhaustion allowed. Together, we marched.
For the time, my weariness had passed
for this boy invigorated me, almost making me wish to be alive again to join
him. That’s what he wanted more than anything: to meet his Empress. As they
reached the prepared tomb and I slowly drifted away from him, the boy noticed a
presence beside him, turning and almost seeing a faint silhouette of a bird
perched on a woman’s shoulder, dressed in a fine silk gown and a crown on her
head.
The boy smiled at me and bowed,
happening to bend down with the others to place down the palanquin. As subjects
flooded to the side to see their ruler one last time, I parted with the boy
with a wave before turning to face Ling.
“Does he earn your blessing, my lady?”
“He does indeed for he has a very strong
sense.”
“I thought so as well. Spirits need a sensitive
one such as him. I will apprentice him well.”
“I am sure you will. Thank you, Death.”
Before my last words fell from my mouth,
I imagine the stars gleaming in front of me. Weariness tugs at my eyes to
finally let go and rejoin her. To become her again. The Empress is dead for finally
it is time.
Points:
Time spent:
Canary word: Present
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Hi there! I'm here for the Big Review.
This is a cool short story. I like how, although you stayed true to what the poem said, you added enough other details that the story wasn't an exact re-write of the poem in story form.
I agree with what other reviewers said below me that it was rather unclear that Ling was Death, and I didn't realize who the narrator was until I was most of the way through the story.
I'd take out "he moves his arm above his head" because I'm having trouble picturing that and "pulls me to my feet" suffices.
When I first read this, the here change from third person to first was rather jarring. Now I realize that it shows how the narrator separates herself from who she was when she was alive - it is the difference between her spirit and her body. However, at first I thought that the old woman had been somehow healed. If you make it clear that Ling is Death there instead of hinting it at the end, I think it would clear up the confusion and also give us more of an idea of what she is doing later in the story.
Just grammar stuff.
Just for clarity.
You occasionally slip into omniscient narration. You do that here and the couple of times you show the boy's thoughts. In my opinion, you should takes those out, because it doesn't make sense that the woman would know exactly what everyone is thinking. It also causes confusion.
Awkward wording.
In the part where the priest is giving his speech and you describe where Ling and the boy are positioned, it seems almost like you slip into third person because you don't frame it in terms of the narrator. Just adding a simple "I watch as..." would redirect the focus back to the narrator, and it would seem less like it is switching viewpoints.
Those read awkwardly and were fragments, so I fixed them.
This stretches belief for me. She is (or was) his mother! She should feel more strongly than that. She should at least wish she was able to comfort him.
I really like how you incorporated the poem as a song. It seems like the sort of thing they would do while bearing their empress to rest.
*impostor
I don't understand. From the sound of it, the rest of the people carrying it are men. So why is he, a mere boy, also carrying it? And why does he worry when he should know that the others carrying it are stronger than he is.
You need a comma after "dead."
The Ending:
I'm assuming that the boy is going to be apprenticed to Ling to be the next Death. My question is, why is it the empress's duty to approve the choice? Is it just because she's the empress?
Also, who is the "her" that the narrator is rejoining? Is the narrator referring to her body?
You don't have to answer these questions in full, but some subtle hints would be nice for the readers.
And that's all I've got! I enjoyed this story, especially the way you created a whole world out of just one short poem. I hope this review was helpful.
Hey Wolf! Here with a quick review as a little thank you for participating in my contest (and also so I can get things straight in my mind for when I finalise the judging). Anyway, onto the review!
You've done something here that I haven't really seen in the other entries, and that's build a world off the poem. I thought that was really cool. Aside from the inclusion of the poem in the middle, the tie perhaps wasn't as instantly clear, but it was there. You created a society's rituals from the poem, which was pretty awesome to see.
I thought the writing style suited the story very nicely. There were a few moments where I thought you overdid the formality of the writing and it became a little bit too much like wading through treacle, but you didn't fall out of the voice, which was good to see. If you want to rework this, I'd recommend the ol' reading out loud, just so you can hopefully pick out where things get a bit wordy.
I'll admit that Ling being Death and the narrator being the Empress' spirit kinda evaded me when I first read it (well, the first couple of times before I saw your reply to Maddie's review). I could see it when I knew, but I'd definitely suggest some more clarity, even if it's as simple as adding some dialogue tags in the conversation so it's super clear who's speaking. I don't mind the fact that I didn't know Ling was Death until the ending, but I think we needed more clarity so the reader understands who the narrator is.
This will kind of tie into the above, but as I read through the focus on the boy was strange, especially because I didn't pick up on who the narrator was XD. The fact that his thoughts were included felt a bit iffy, to be honest, and although this problem might go away if you make the narrator's identity clearer (because there were stages where I wasn't sure if the boy was the narrator and you were some how mixing up your first and third person), I think maybe detaching from the boy a little might help.
Even though I was a bit confused, I think this piece definitely shows a lot of promise. It's all there, just needs a little tweaking.
Thanks for entering, and the results should be up soon!
"Tonight lays a woman on her death bed" who is this Tonight person? That's what that says. "...her fingers lip grasp and..." limp? "...flash as the sun reached up into the sky." that's more mid day sounding, say as it peaked over the hills. "...and his jay fought to fly into the wind." Whats a jay? " The feeling shook me to the core so fiercely..." add a comma after core. I might do more later.
You disappoint me.
my medication wore off (#universalexcuse)
Hi. I'm Maddie and will be reviewing your work!
(I thought that prior meant in between that time. So, I've got to get to earning points.. XD)
I don't know if you meant that or not, but if you didn't, I just wanted to point it out.I'll be pointing things out as I read, so yeah.
I like your description, a lot. It's very poetic, and brings the feel of this story out. It is a bit depressing though, but that was probably the point. And so forth, we head to technical things...
Aaaanndd there are none. Well, I can't rag on you for that. It's my favourite thing to do, you know. XD Good job on that. I can't find anything technical or things like that. You even managed to keep an active voice on a POV character I couldn't figure out until the end.
Speaking of which, good job on using Death for the Point of View character. It's certainly been done before, but I didn't expect it, and that's what matters.
On the note of the boy, his speech kind of surprised me. I would imagine that with his mother dead, he wouldn't have spoken so clearly and happily. I'd imagined some kind of sadness in the speech.
You slipped POV at a point here. Let me find it...
You also use the setting to the mood's advantage. Here, you say that death is not in fact bad. Maybe the cherry blossoms were a symbol of it, because I always imagine them to mean new growth.
Just a thought, I'm a bit confused when Death says he'll apprentice the boy well. I wouldn't imagine one to talk about that around a dead empress, but I'm not sure.
Either way, great job on the story.
Keep writing!
Maddie out!
I think this was actually written from the POV of the Empress's spirit, and Ling was Death. Not sure though, it was kind of confusing...
Yep, you got it, Lily.
Oh. I guess that flew over my head. Sorry. :/