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18+ Language Violence

M. I. A.

by MMV


Warning: This work has been rated 18+ for language and violence.

TWILIGHT – Dilapidated area. Neon spangled across the primetime market. Smoke lingering out of ducts. The shanties are alive when all else is not. 

Two vehicles pull up into the narrow curbless streets with plenty of the crowd. All the carlights go off and the front doors on both sides open.

BOSS: “Police say they’re the good guys. What school nuts graduated them?”

The men cross the way and enter through an alley. They walk up the right side steps into a building.

PAWN SHOP - INT.

Almost a dozen Ink-faced men in suits of a commune as the BOSS and his company muscle cross through to the door in the center of the floor plan. Both of them enter through to a downward stair set of a LIGHT-DIMMED ROOM. One of them hits the light which suddenly brightens on the BOSS.

The BOSS has a gut from under the shirt, is green-skinned with creases all about. Has alopecia, a snout (yes a real elephant one) and a stereotypical Bronx-Italian accent. He stands in front of a square table, very disgruntled. 

In his raspy voice…

BOSS: That radio in the car is magnificent. 

Henchman: Kakula put it in there. 

BOSS: You sent him something? 

Henchman: He owed me.

BOSS: Oh.

-He flaps the lapels of his jacket. 

BOSS: I’ve had it on all day. A broadcast from the regional frequency. I mean, how popular can a guy get in these parts? Word in the wind, “Mr. Colt under duress, shanghaied.” F’kn believe it? Guess with showbiz kids like you, these idiots are fond of anything. Do you realize how much you've f'ked my city over?

Jack: You've been thinking about this a lot.

BOSS: There is a saying that goes around town. "A house full of mice belongs to you if you own the mice." Where are my mice? All of them, gone. They’re gone. So what did I do? I found someone who looked responsible… Sue me for being unfeasible. You f'k my city over, I f'k you back.

Beat.

BOSS: (cont.) I have 22 handlers (holds up number with his fingers) run on the strips. My guy Numbers- my Numbers, tells me "We're clockin out on five figures a week." This includes the cartel wannabes and the office-bearers, a court martial, the whole nine. Five figures. When I talk dealing, I'm talking about the next best thing around since the Crooners dealt Amos (acupunctural drug). The stuff is delicious on the way down you'll want a taste of that later... Stuff sells at twice the minimum wage. When I call, Numbers tells me every two weeks. "The dims are out!" meaning busy on the block. We landed in Tucker and Bermuda. He says it, and I know the going is gotten. Third of Adas (A zodiacal year), he sells me the vernacular. I know my guy enough just from how his voice sounds. Might even consider it A tell, but surprisingly dominoes is his game. But he calls me back one of those days, "Oh, no currents passed through today." No crowds? Okay. By the end of that cycle, we have a loss of 7200 Rhumes.

Beat. 

BOSS: (cont.) Seven- thousand, two hundred, of my Rhumes. Why you ask? I'll tell you why. Cause the day before, I get a phone call from Jefers, "Hey did you hear, someone hooked Reags." "Is that so." "Yep, caught him red-handed." News in my ears. Charged for seventeen grams. That's fifteen grams too many. Struck down hard on drugs since the unis finally held a pair. Week later "Randle caught running in the shadows" Two weeks passed and 12 of my spots disappeared under the strobe light. The vines lent me that I got two options. Relocate the settlement or blow it up. I come back another two weeks, someone racked Gil's bottom feeders at the excavation near the barbery and all that. Somebody ratted him out even after I was insulted with these precautions. When somebody puts me on any diet, it's nerve-racking. But I like my operations.

Unfortunately I get ANOTHER phone call, saying one of mines is washing in dirty water. Daphnie, "We got patrol on 12 of MY locations." (angry tone) ISN'T THAT AMAZING!!!

Beat. 

BOSS: (cont., rhetorical) "Oh yes it is, please tell how it could've possibly happened?" Yes I will, in fact it's the juiciest part of this segue. You see, I have this temperament, and I would think that it's the rat-scared police I have to worry about. But it's not them. (angry Pacino tone) THAT'S NOT WHO I'VE GOT TO THANK FOR, IS IT?!! ‘Cause I believe what Numbers told me in his dissonant voice: "F'kn monsters are a snag to the workshop!!" If you had a better hobby to do nowadays than to come around, worshipping phantoms and stickin' ya G'Damn face into a real craft of the game, the world I live in would be better off.

Jack: …Look-

BOSS: NO ONE, TOLD YOU, TO SAY, A DAMN THING!! I just want you to know that your, “contributions” to the community is well to be aforementioned in the future, Mr. Colt.



Beat.

-Jack nods.-

BOSS: I mean, I always thought the hero thing was a work of pure sort. It’s the dumbest thing I’ve ever come to know. I’ve never understood it.

JACK: Glad you approve.

Boss: It’s funny how it came to me, cause I know one of my guys goes to get those d’mn things, those magazines. Like an idiot, he reads them for pleasure. “Ghost Mask” and all that crap. Hey, I don’t care if he whistles Dixie about ‘em. I warn him not to do it on my time.

I’m a businessman, Mr. Colt. You gonna learn what that means by the end of the night. By the time we’re done, the world’s gonna have enough problems tryna replace your up and coming reputation as a household name.

Jack: …Okay.

BOSS: “Well how did I get here?” It’s a secret. And I’ll tell you what it is. When you’re short, on friends, you make new ones. When you’re out of cups, go to the store. Fattening a sandwich? Buy cheese. That, Mr. Colt, is the currency of leadership. You don’t get to assume the job is done, when this is clearly a collision course.

Jack: Question…

BOSS: ???

Jack: When’s the last time this ever happened?

Boss: What’s that supposed to mean?

Jack: I mean when someone did your ‘sandwich unfattening’.

Boss: (Looks at the henchman confused) This thing… the levity.

Jack: Thought I’d never understand, did you?

Shut up. The idiots never were a-holes like you. Well, they kind of were. (shakes head) This idiot of mine, I caught him shagging my friend’s sister in Pulsum. So I did the favor of breaking his four legs. But that’s not why I broke him. The real reason is because someone tried to scam him into one of those marketing deals. He took the man’s money, my money went to him. It’s happened to him plenty. It’s like his stupidity emasculated my reputation.

Jack: How mad did he make you?

Boss: Why do you give a damn?

Jack: I’m sure the situations are incomparable. Might as well.

Boss: I’m a person who does what he feels. Like I said, his reputation emasculated mine. And I wanted to emasculate him. But I guess I didn’t do what I really felt at the time. But I know I have almost that same itch, now that you mention it. And more, which remains unsaid. But let me do what I said I would do. So I can make clear to the news reporters what my mercy is all about. Then I’ll show you my feelings…

Beat.

Jack: hey...Minnesota Fats? Look, I'm sorry to dig into your sib-sobbing soliloquy but- question. It's been three or four days in this very seat, sweating like a pig. (gagging) And -hasn't bothered me 'til now-, I- I couldn't stop getting past this... scent, this traveling smell. Same smell I've been smelling since I was brought here.

EVERYONE ELSE: ??

JACK: Been going up and down the way. Smells like provolone... i know what provolone smells like.

EVERYONE ELSE: ??

JACK: Is that a sandwich?

BOSS: The fawk do you cahre!

JACK: Well if you're gonna kill a guy, you're telling him he can't have the respect for fresh food when someone's been lickin their chops around here...

BOSS: Again, my boggled mind wants to gather where this is going.

Jack: Cause I smelled pickles halfway down the damn steps! Idiot. Garlic steak, with JXJ spring Seasoning, Jillcat Mayonnaise over meatballs under the crown, Romaine doused in the signature Virgin Olive Oil significantly made by the very Godfather himself? He'd rise from his grave for that scent. I don’t eat that kind of stuff around here. You brought a Sazarian Slopper on Dry-Crust Rye from Sazarian Sams for 24.99, with a beverage of Yam sake. (looks him over) You sound like you ate the whole ten inch circumference. You wouldn't even share it with a refrigerator.

BOSS: How the hell do you know that?

Jack: Cause I remember the that operation we did when Officer Phayabrughshezesh returned at Precinct 14. He had the damn receipt on his desk.

Beat.

BOSS: (chuckling) Very ballsy of you, to crack wise, you shriveling-

Jack: yeahm...

-The expression on his face goes slowly blank in the moment. Everyone in the room looks up to the thundering cacophony rumbling above the ceiling. Screaming and chasing on the floor above. Then the bumping stops after countable minutes.-

BOSS: Check the number out.

-His henchman gives an awkward expression.-

They all grab their calibers, unlock and cock as they race up the stairs.

MAIN FLOOR

By the time he reaches the top, the BOSS’S eyes spot 14 of the guys in suits either face up or face down unconsicious, and Malachi and the cops stand there at the front with Dalia and friends entering from the back.

His henchman aims his gun before… T-THONK!!! Malachi throws a metal box at him.

The boss races back down to the bottom of the steps, snaps the door open…

BOSS: Augh!!

CRRRaaakkkkshhhh! …and lands tossed into the square table by Jack fixing his elbow pad.

Jack walks up the stairs slowly.

Jack: You guys ought to be ashamed, coming in this late…

Officer: One of ours called it soon as the car went up the way. We had a few birds squawk. We also had his needles and three receipts. Two of them went to some sandwich deli, Salazar something…

Jack: Sazarian Sams.

Officer: We came across three locations and asked around town if his ugly face ever shown and his whereabouts. And there you go.

Jack: Nice work. Where’s the door?

-Everyone steps aside to let him out into the chilled climate.-

Jack: They were eatin’ fast food the whole time. People need to learn that it’s okay to be a vegetarian.

Malachi: You wanna go have a seat.

Jack: Wait. Can someone tell me how to get- to, Sazarian Sams?

-They get in a police car and drive away.-

END.


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1309 Reviews

Points: 53
Reviews: 1309

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Mon Mar 04, 2024 1:14 pm
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vampricone6783 wrote a review...



Hello there, human! I'm reviewing using the YWS S'more Method today!

Shalt we commence with the mutated S’more?

Top Graham Cracker - Jack is a vigilante who unfortunately gets caught by the Boss. However, when it seems that all hope is lost, Jack wins and the Boss and his guys end up dead.

Slightly Burnt Marshmallow - When Jack asks the Boss if he really thought that he wouldn’t understand, I think that the paragraph below it should say “Boss” at the beginning to show that the Boss is talking, but that’s just one little thing.

Chocolate Bar - I love how the tables turned when the police came and Jack got out free! I didn’t know where the situation would go and I was starting to worry that Jack messed with the wrong guy, but he got out! The suspense, the dialogue…I loved it! :>

Closing Graham Cracker - An intense situation where anyone could gain or lose the upper hand, never knowing what would be to come…but enjoyable and full of action all the same. If you ever decide to continue this, I’ll check it out. If not, then this is just fine. ^v^

I wish you an amazing day/night!




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151 Reviews

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Reviews: 151

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Fri Feb 09, 2024 9:33 pm
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PKMichelle wrote a review...



Hello friend!
I saw your work in the Green Room and figured I’d check it out.


Per my interpretation, this was a really fun, really succinct script that was quite nice to read!

It follows the story of a boss and his henchmen, who seem to get into some sort of trouble, but it turns out they were off the hook.

This was a real joy to read!


If I could offer any sort of advice, there would be two things.

The first would be related to the stage directions. I think it would help a reader a lot if the stage directions were more distinguished from the rest of the text in some way, probably by using italics. So, something like this...

Almost a dozen Ink-faced men in suits of a commune as the BOSS and his company muscle cross through to the door in the center of the floor plan. Both of them enter through to a downward stair set of a LIGHT-DIMMED ROOM. One of them hits the light, which suddenly brightens on the BOSS.


...would look more like this:

Almost a dozen Ink-faced men in suits of a commune as the BOSS and his company muscle cross through to the door in the center of the floor plan. Both of them enter through to a downward stair set of a LIGHT-DIMMED ROOM. One of them hits the light, which suddenly brightens on the BOSS.


The second would be related to the way you described how people were talking. The way you did it is not how it's traditionally done. Usually, most sorts of speech tags are in parenthesis and/or italics. So something like this...

In his raspy voice...

BOSS: That radio in the car is magnificent.


...would look more like this:

BOSS (in a raspy voice): That radio in the car is magnificent.


But, obviously, both of these are just suggestions, and it's always up to the writer, so please take these criticisms lightly and know that I mean nothing negative by them—only trying to provide some somewhat useful critiques.


If I had to pick my favorite part, it would most certainly have to be the dialogue! You did a great job portraying all of the characters through their words alone, which made it really fun getting to know them!

One thing that really stood out to me in regards to the dialogue was how you made the boss seem so snappy and, well, bossy. You portrayed his character really well and definitely made him seem like the kind of guy I think you were going for. Especially the quote where you say,

Boss: Why do you give a damn?


His cutting off Jack to completely bash him for getting into another man's business really gives "boss-man" vibes. It also did a great job of showing how superior he is to the others in the group, and it does it in a way that's really well done, so kudos to you for that!

Another thing that caught my eye that's related to the dialogue is how snarky you made Jack. He was really just a smartalec the whole time, and I love that for him. Especially at the end, when he said,

Jack: They were eatin’ fast food the whole time. People need to learn that it’s okay to be a vegetarian.


This quote truly captured his whole personality and was quite funny as well! It did a good job of showing who he truly is, so good job with that!


Overall, this was a really nice script, and I enjoyed reading it!

Thank you for taking the time to write and post this, and I hope this review is of some use to you!


Goodbye for now! I hope you have a magnificent day (or night) wherever you are!



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MMV says...


Thank you. I figured it would need feedback one day. I had it sitting somewhere in junk so I posted it. I'm glad you liked it.




I wonder if people felt the freedom in our culture to love louder, if they'd be quicker to say "I miss you" when the absence of someone is felt instead of just thinking it.
— soundofmind