Warning: This work has been rated 16+ for mature content.
Oranges out of their proper time carry a particular kind of grief.
Nenye knew it before her fingers ever found them. Too much loud, lying yellow showed through the skin—the sort of color that shouts a sweet promise from across a crowded lane but goes soft and crying the moment a woman lays a thumb to the rind. She turned one over in the crate. A dark, heavy bruise had settled right at the stem, and another was already spreading slow and sour near the base.
“That one looks good,” Bassol said, his voice low and scraping like gravel shifted by the tide.
“No.” Her mouth curled at the corners, sharp and knowing.
“What makes one different from the other?”
Nenye denied him the satisfaction of an answer and shifted her shoulders while he held their son. Explaining the mind of a forced fruit to a man who ate like a soldier seemed more trouble than the oranges were worth.
She watched him from the corner of her eye. While the boy studied the crowd, Bassol stole one of the yellow globes into his palm and balanced it like a stone meant for throwing. His thumb split the rind without a sound. Juice did not trickle; it broke loose like well-water, ran bright along his forearm, and fell from his elbow into the dust. He bit deep enough to come away shining with nectar.
“So?” she asked.
“Try?”
Bassol kept his face perfectly still, wearing the look of a respectable palace scribe, but the corner of his mouth was a traitor. It twitched once, then gave the whole joke away.
Nenye dropped her rejected fruit back into the crate. The next one was worse. Its skin had pulled loose from the flesh, and beneath her thumb the whole side caved in, leaving sweet spoilage clinging to her skin.
Menka leaned toward the rot anyway, both small hands reaching. Bassol hooked an arm around the boy’s belly before he could pitch himself out of the other.
“Menka-baby, Menka, Menka, Menka-baby,” Nenye sang, the words a low, familiar hum as she pressed sweet little kisses into the soft fat of his neck while Bassol held him high. A wide, drooling smile broke across the boy’s face as he babbled back at the sky.
“He has his father’s smile,” she murmured. When her eyes met Bassol’s, wonder still sat plain upon him—that quiet, caught look he wore when the sun found the three of them just right.
“Oh, is that right, my lady?” he asked, and they laughed together, keeping one another warm as if the stone market held no one else. Menka answered by seizing Bassol’s collar and pulling until the rough cloth sagged toward his shoulder.
The market had been closed to men before the sun ever cleared the eastern wall, though no one used the word closed. The official parchment tacked to the arch described it as a protected morning—a gift of quiet for the imperial bride’s household and the women who trailed in her wake. Palace guards stood thick beneath the stone arches, their eyes hard as they checked the household cords and waxed seals before letting a single skirt pass. Out in the streets, the heavy supply carts waited in long, silent rows. Men with deliveries passed their baskets through the iron gates like prisoners handing over bread, then were turned back into the city.
Even the vendors had been turned inside out. Juran had inspected the orange seller’s long knives himself before the first bell. He was standing six paces back now, broad-shouldered and dark under his leather guard coat, watching a cluster of young girls argue over silk ribbons as if one of them might draw steel from her sleeve.
The Emperor had given the morning away because Nenye had whispered in Ameera Sarissa’s ear, asking for one simple hour outside the walls. But that wasn’t the story the palace told. By the time the request traveled from Sarissa’s tea tables to the imperial ear, Nenye’s name had been scrubbed clean from the ink. In the court’s mouth, it was Sarissa who wished to reward her women. Sarissa, in her great gentleness, who had thought of the mothers kept too long behind the limestone walls.
The fruit seller cleared his throat, his eyes darting toward Juran’s leather coat. “My lady, I’ve got the finer ones kept beneath the cloth here.”
Nenye looked, but found only more of the same forced, unhappy crop. Pity stirred for the seller and thought better of it. She chose the least-bruised fruit and paid without bargaining. The morning had been bought at somebody else’s expense; she would not wring a penny from a man already trapped inside the Emperor’s favor.
Menka reached for her fingers, but when she moved the orange away, his face bunched up with pure betrayal.
“Menka-baby, no. Not this one.”
His mouth squared. Water filled his eyes.
“Don’t,” she warned.
He did it anyway. The cry rose straight from his belly and gathered the whole lane into it until Bassol shifted him against his shoulder, murmuring into his hair. Three weeks earlier, the boy had discovered that outrage could bend the world and bring him trinkets. Now he tested the iron of that law.
“Menka-baby, Menka, Menka-baby. Here, give him to me,” Nenye said, reaching out her arms and passing the bitter oranges over to Bassol’s grasp.
She reached into the paper cone tucked under her arm and pulled out a grape, small and wrinkled, one of the very last to leave the vine before winter. Nenye bit through the skin, her teeth peeling the bitterness back until only the wet flesh remained. She drew her finger past her own lips, spitting the skin into her palm, then pressed the fruit into her son’s mouth.
The howling stopped. Menka worked the grape against his bare gums, his eyes narrowing as if he were trying to remember where he’d heard that taste before.
Bassol watched the boy’s mouth. “He likes it.”
Menka’s face puckered hard.
“He dislikes it,” Bassol amended.
But the baby swallowed it down, reached a fat fist toward her dress, and made a sharp, demanding noise for more.
“A man of contradiction,” Bassol chuckled. “He may yet rise at court.”
Nenye began her hum again, peeling another grape with her teeth, laughter warming her nose as Menka closed both plush hands around her fingers and pulled them to his mouth.
When she looked up, Bassol was staring again. Sometimes he stopped his own breath to look at her, like a man waking from a dream to find the sun rising on a spring already near its end. Whenever she caught him, he blinked the awe away and said nothing.
End of chapter
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Hellooo!!! This is BEAUTIFUL.
WHAT an opening!!!
It establishes the oranges as way more than just food before I even understand why. Something existing "out of its proper time" becomes inherently kind of sad here. The fruit has been forced into ripeness—or at least, forced into circulation (?)—when it shouldn't naturally be there, and I feel like that idea quietly hangs over the entire scene afterward. Especially because Nenye herself is living within an imperial environment where so many things seem to have their "proper" place and time dictated by somebody else.
So this sentence,
is such a GREAT phrase because "forced fruit" describes the oranges literally, but the concept of something being made to exist under imposed conditions becomes important everywhere else, too.
I also REALLY like how the political world enters the scene. The Emperor gives these women freedom through an enormous display of control, which means even their freedom belongs to him. Nenye recognizing that "the morning had been bought at somebody else’s expense" is especially good characterization because she understands her own relative privilege without turning into somebody unrealistically detached from the pleasure of the morning. She still enjoys her husband and baby! But she understands that this intimacy has been kind of carved out through machinery that burdens other people.
I also felt that the ending seemed like foreshadowing:
If something is going to happen to this family—and this sentence makes me VERY suspicious that something absolutely is—then giving an indication of whether Nenye senses that fragility too could make the dynamic even more complicated. Or, alternatively, perhaps she DOESN'T sense it. Maybe Bassol alone behaves like someone already grieving something, for some unknown reason? That would be heartbreaking, too.
And oh my gosh, that ending!! This feels warm now, which is precisely why I'm terrified of whatever you're going to do to these people... Keep writing!!!
Take care,
Ulyana xoxo
Ulyana!!
Thank you so much for this. I was smiling reading your response because you caught so much of what I hoped would sit underneath the chapter without being stated outright.
I especially loved your reading of the oranges and “forced fruit.” That idea was meant to carry beyond the literal fruit, so seeing you connect it to Nenye’s world, privilege, and the structures around her was really encouraging.
And YES, your reading of the Emperor is exactly the tension I wanted there, genuine freedom and pleasure, but freedom still made possible by someone else’s power.
As for Bassol…
I am saying absolutely nothing. 😂
But I love that the ending made you suspicious, especially your thought that he might seem like someone already grieving something Nenye cannot yet see.
Keep that thought.
And your last line made me very happy because the warmth was deliberate. I wanted this family to feel worth caring about before the story begins pressing against them.
Thank you again for such a thoughtful read.
Hi, Lion. I hope you'll forgive me if I'm harsh - I value honesty, and I just want to help writers get better.
So, let's start with the positives! First off, you have a unique voice. This doesn't read like anything else I've read, and it feels identifiably unique. The opening line is just wrong enough to hook you, and the writing is - in parts - very competent. All that being said, there are some... issues. Let's just get right into it.
The phrase before the em-dash makes almost no sense, the simile after the em-dash is overworked to the point of illegibility.
A bruise cannot settle. I get the imagery you're going for, but settle is incorrect.
Dude, you really need to ease up on the metaphors. This is overworked, but at least understandable.
You've used "stole into" incorrectly here. To steal into something is to sneak into something, specifically used in reference to a person and a place (eg. "I stole into the theatre, even though I had no movie tickets"). You can just say "Bassol picked up one of the oranges (yellow globes is, again, trying too hard), and raised it as if to throw it.".
At this point, I read through the whole thing without taking notes - and my criticisms remain the same. Delete 95% of your metaphors/similes, improve your word choice across the piece, and - in general - just cut back. Right now, I can hear your voice but the story is unclear, the world and characters are lost behind too many metaphors.
Don't try to be too literary. Write functional first, then upgrade. Just a matter of practice, mon ami.
Best of luck, and I look forward to reading the revision
I appreciate the honesty. The only pushback I would give is the prose and all that is for sure on purpose. If its too flowery or too poetic or something like that, its 100% on purpose. This is my 8th revision on chapter 1 and my 4th for the entire story, not doing anymore 😁. I'm aiming for something...not boring.
Your story, your call, brodie