~~~~~~~~~~~~
"Inelegantly, and without my consent, time passed."
-Miranda July
~~~~~~~~~~~~
I remembered all too much about my father's death.
I remembered all too little about his existence.
He died when I was eleven. I remembered the day vividly, because you don't exactly forget the pinpoint moments that your life changes forever. I was at a piano recital, practicing in the little music room offstage. I was so scared of screwing up, even though I'd been practicing the piece for at least three months. I could have played it with my eyes closed, one hand tied behind my back. It was going to be perfect, my piano teacher had said.
And perfect it was.
My parents expected nothing less - well, my mother, at least. My father hadn't cared about the lessons when I'd started at eight years old, but the music that filled the house in the years after was what convinced him that piano was my gift.
Some time during the recital, I waited patiently for my turn to go onstage. My fellow classmates had each played their pieces effortlessly, filling the auditorium with fortes and crescendos and flats and staccatos.
I was going to play Fur Elise.
When the time came, my teacher gave me a pat and a quick shove onto the stage. Instantly, I became so nervous I stumbled over my brand new pair of pink shoes. The performance was not off to a good start, and an eleven year old version of myself blinked back tears because the moment was supposed to be perfect. I looked to the crowd - to the two seats I'd saved for my parents - hoping for a helpful "you can do this, Addie" look from my father. His seat was empty, and my heart fell to my gut. The other seat contained my mother, who was on the phone looking frantic.
As a kid, I remember thinking bitterly, "A work call is more important than me."
Little did I know.
Feeling hurt and ignored, I took a few small steps to the piano bench, pulling it out and sitting down. A single tear slid down my left cheek - the one facing away from the audience. "Smile," I remembered my teacher saying in her pep talk before the show had started. "Look alive." So I smiled, ignored the tear and my feeling of unimportance, and played the hell out of Fur Elise.
About half way through the piece, there was the alarming screech of metal against tile as my mother shoved her chair back and fled the room. Another tear fell from my eye.
I thought it was because of work. I thought my father missed my recital because of work.
When it was over, I stood up, bowed in the direction of the audience, and fled the stage. My teacher was waiting for me backstage when I rushed off. She caught the edge of my sweater as I tried to fly past her.
"Adira," she said in the posh and authoritative way she said everything. "Adira, there's been an accident."
That stopped me in my tracks. I turned, shrugged the woman off, and stared into her eyes - eyes so full of pity that the harsh old woman was hardly recognizable.
"Your dad--"
I was running away before I knew I wanted to leave. Racing through the door, out into the hallway, and down the stairs, only to run straight into my mother.
"Adira," she cried. "Adira we need to go."
"Mom, what happened?" I said louder than intended. She grabbed both of my arms, forcing me to look into her face. She was strangely calm, eyes glazed with a veil of tears, mouth straight and firm. "Mom?"
She swallowed, jaw clenching. Opening her mouth, she paused, but couldn't get the words out. I shrugged her off. "Mom, where's dad?"
So many things were flying through my mind, but I couldn't grasp any of them and couldn't let go all at once. Things were going in slow motion. It was as if time itself had stopped, leaving me breathless and grasping for something to hold onto. Gravity was gone too, and I was floating away.
"Baby," my mother finally said. "Honey, your d-dad was in an a-accident."
I didn't know which way was up or down. I was stumbling towards the stairs, tripping over the steps to run away. Blood rushed through my ears, drowning out the sound of my mother calling after me; drowning out the clatter of her heels against the stairs.
But I was quicker, and before I knew it I was back in the practice room, crawling under the piano bench and hiding behind an instrument that no longer meant anything to me.
I didn't know how long I was there - how long I'd been crying before I knocked myself out - but I woke up in a hospital bed.
I didn't know what had happened until I looked around. My mother was sprawled across an uncomfortable looking chair, permanent tear marks laid on her cheeks.
Get up, I wanted to say. Where's my father? Get up, please.
But I didn't speak. I already knew what had happened, deep down.
So I sat in the bed, wondering what'd I'd done to get put there.
When my mother woke up, she explained - between fits of tears and sobbing - that my father had been hit by a drunk driver on the way to my recital after work. And I was in the hospital because I'd had something of a panic attack, stopped breathing, and passed out. It was PTSD, they said. "Post Traumatic Stress Disorder." In my own words, that meant I wasn't strong enough to handle what happened. In the doctor's words, I was "fragile."
The information didn't settle.
I'd pass out, wake up looking for my dad, and have to be told all over again that he wasn't coming back. That can be hard for an eleven-year-old to hear - that can be hard for anyone to hear.
I felt like I was taking attention away from my dad by being in the hospital, so around twenty hours after being admitted, I yanked out the tubes feeding into my arms, and walked out. And "walked" is a loose term. My legs didn't work right - the anxiety was taking a toll on my body, the doctor told me - and the nurses caught me about three steps outside the room to put me back in bed.
But I told my mom I wanted to leave, and she didn't argue.
The funeral was on a Saturday. The sky was crying, most likely in the hopes of coaxing some tears out of me too. Everyone came with large, overpowering, ink-black umbrellas, and I hopped from family member to family member because none of the umbrellas felt quite right.
Why black? I wondered. Dad always used his tropical one - the one with the palm trees, bright pink flamingos, and the tassels that dangled off the end, making it look like one of those little umbrellas in a cocktail drink. It was heinous, and I hated it, but at the funeral I longed for nothing more. Finally I just stood in the rain, letting the sky drown the loose curls my mother had done.
And then I cried, letting my tears mix in with the rain drops. Looking at a coffin containing a loved one is one of the hardest things to do in life. You know what's inside - who's inside - but you know that you can never, ever get them back. They're gone forever. A coffin is like a prison, holding your body away from the rest of the world.
There's nothing sadder, I thought that day, than a funeral. I decided I didn't want one. I didn't want the people I loved to feel as bad as I did that day and the days after.
And the story was unfinished. My mother had, much to my knowledge anyway, mourned the loss of my father, yet moved on in the way a businesswoman, like herself, would have. I still tried to play piano, although quit lessons immediately after the accident. Sometimes when I played, however, my hands would begin to shake and I would stop breathing again, something connected to the PTSD.
After the days, months, years after, life slowly started to go back to normal. Well, as normal as life could get when there was a huge hole in the place of someone you loved.
People say "time heals," which is true, in a sense. But it's not the time itself that heals, it's the brain's ability to forget. Forget just how important somebody was to you. The brain makes you forget some of the reasons you loved that person so much to begin with. It makes you numb.
The same numbness filled my veins the second my eyes landed on the letter stuck to my mirror. Suddenly my limbs were ice and I knew my lungs had stopped working.
There's nothing like the feeling of knowing you're going to pass out. Anticipating the moment when your brain lets you leave. Recognizing that you can finally
let
go.
End of chapter
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Hi there!
This is quite good. I recognize that I haven't read the other chapters, but I think I'll go read them after this, and give reviews to those that might need them.
First, I really like the epigraph. On its own, its really beautiful and with the rest of the chapter, it just works so well. Nicely done. Furthermore, I really appreciated the imagery, and particularly these:
Although it's a tad cliché, I think you've done it in a way where it feels a little less so. (Nevertheless, perhaps be a little more creative? This part really has potential to be beautiful, but also potential to really develop Adira even more.)
I appreciate the structure of your chapter, but I found it choppy and a little too fast where it didn't need to be. For example, you have some nicely-sized paragraphs, but then you have sentences or fragments of sentences all by their lonesome. This is okay sometimes, but not too often, because it disrupts flow and is often better used in action sequences. I know this might sound a bit strange, but if you want to create a smoother, slower tone, consider smoother paragraphs that are less broken up. For more information on this, click here. The article is quite good.
I think your beginning is a very good hook, but let's focus on its promise. Adira remembers a lot about her father's death – at least the events around it – or so she says. I think you should carry this idea on throughout chapter and spend a little more on what she's feeling, how she's reacting this is awful news. You tell us that she ends up in a hospital with PTSD, but I think you should use the opportunity to show us this. (Here is a nice article by one of our very own about writing characters with PTSD.) Don't jump in two sentences from her hiding near the piano to the hospital bed – give the reader some more information, so they can infer and be lured in further, feel more compassion for the poor protagonist. I also think there's a lot that can be said about Adira's experience on-stage, when thinking her parents are too involved in their work than with their daughter. Elaborate more on what is inciting these negative thoughts - why might she associate her mum doing business in spite of her obvious distress? But perhaps this is my ignorance of past chapters shining through.
I have a few nitpicks:
I understand that you're trying to emphasize the fact that Adira knows the piece really well, but let's be realistic with our exaggerations. It physically doesn't make sense to say she could play it with one hand only. Maybe if she was playing Twinkle Twinkle. But no, she's playing Für Elise.
This part confuses me slightly because she obviously cares about her father a lot, considering her reaction to the news of his death. This part sort of implies that the father is distant and not very understanding or emotionally connected to his daughter. I don't think this is what you meant/wanted.
Did she only start waiting partway through the recital? I doubt it.
Für Elise not Fur Elise. Anglicized or not.
As for the end, I don't think you do much by breaking up the words "let go". I've already mentioned what short lines do for pacing, and writing it altogether with have just as much of an impact, if not an even better one.
Overall, I really enjoyed this and I'm going to try and read your other chapters. Let me know if you have any questions or would like to me review anything else for you – it would be my pleasure!
Thanks for the great read
Lav
Thank you so much! This will be a massive help because I really wanted an in-depth review on the technicalities of the chapter as well as the content. Thanks for the links, as well, because I'd love to familiarize myself more with PTSD, and there's always a chance of learning better writing
This was both terrible, and beautiful at the same time. That's a next to impossible thing to get for any writer, so good job. It was terrible in a sad depressing way, but beautiful because of how well written it was and how amazing the story is.
I can't speak for having panic attacks, but PTSD is something I'm all to familiar of. I'm not sure which chapter I read before this, because the story seems unfamiliar. But this is a really really good story, and I would love to know whenever you publish chapters. I usually avoid the sad kinds of stories, so my liking this says something about how great it is.
I'm curious about one thing that didn't seem to clear, did she die at the end? Or did she just pass out?
Yes, it's definitely unfamiliar because this is sort of an inserted background chapter that I'm putting in between the action chapter of when Adira finds the muddy letter taped to her window, and then what happens after. Kind of a transition chapter, but still important. And no, she didn't die, she just passed out

Thanks for reading! Totally understandable that you don't get what's happening right now tho
Hiya,
This is beautifully written and I was completely drawn into it and couldn't stop reading! Your writing style is very capturing and the whole piece itself was emotional and very vivid. I felt like I was actually there and was watching the whole scene play out infront of me and the described emotions helped to creae the atmosphere. The direct nouns in the ending make it even more personal to the reader and really help finish off this piece.
Well done!
Thank you!
I'm really glad I could pull you in