I better warn you beforehand that it's rather shoddy work, because while I was working on it I got so scared that I finished it as quick as I could. (It was the middle of the night! Aaand I was alone!) It's an account of a murder by a serial killer with impulse control disorder who just escaped from a mental hospital a week ago. Please review!
Free. Free at last. The jubilation of my well-done escape still lingered after the seven days I had been out. Out of that hellhole, where I had spent years and years, forgetting my past. The air, untainted by the smell of rusted chains or fumes of the dead, swam freely into my lungs. Yet there was only one thing I missed, and it was not companionship or family. I shifted from my spot in the hedges and strode towards the terrace house at an easy, silent pace.
I entered the house stealthily, as anyone as seasoned as myself would. Years and years of practice, trying to escape my prison had not been in vain, even had I forgotten the almost-instinctive ways of checking that were once a second nature to me. It was easy – not only because the door was left unlatched, but also since, from what I overheard the neighbours saying before they left, there were only three residents: two adults, presumably the parents, and one teenage girl. Representatives of torment, of years of rejection from society: they would pay, as many others had already done. The neighbourhood was empty – four houses in one direction, four houses in the other. The conditions could not have been better had I orchestrated this moment perfectly myself – now, for execution. I smirked at the pun. The teen was the one I was looking forward to. I loved the way they got excited, their adrenaline shooting skywards. Boys, however, were a little dangerous sometimes, and took time to finish. Girls were much more preferable, as well as vulnerable. I took little pleasure in the adults, who were much too old for any fun, and thus were but an outlet to vent my hatred upon. I could not, after all, touch the caretakers of the asylum without danger of being trapped again. I did not want to endure beatings and restraints another time.
The said adults were located within the minute. They were in separate rooms – easier. Gagging the man with one hand, I drew my side dagger from its sheath and slit his throat with ease. I smiled at my foresight to steal it from the caretaker's chamber. Taking care to make no noise, I placed the empty shell gently on the carpet, before doing the same with the woman in the adjacent room. The blade in my hand felt good after its long absence, when I was trapped in the asylum that was an asylum to none of the occupants. Instinctively, I raised my hand and felt the brand of the iron chains upon the nape of my neck. It was a now painless reminder of endless torture. The many cuts upon my back had healed scarlessly, and the bruises hid beneath my ragged jeans. A cold fury possessed me, but an unexpected emotion soon overpowered it. With a glance at the corpses, I realised, with a stunned jolt of unfamiliar guilt, that the faces had a marked resemblance to the ones that belonged in my childhood, the only two faces that ever looked at me with kindness. The feeling was so quickly slain that it scarcely registered in my memory later on. Turning their faces toward the floor with my foot, I drew in the air tinged with the scent of salty blood before proceeding up the stairs, where, presumably, the girl was, if she had not moved from where I last saw her.
I found what I was looking for in the second room I entered. She turned around in a second, and screamed in another. No surprises there. The blood had spurted onto my shirt and thus created a horrifying scene. Not to mention that my face was that of a deranged dog. “Useless, darling,” I said, my lips curling upwards. “The neighbours are out, and your parents –” I paused for dramatic effect. The young girl looked about her small, square room for a means of escape. A 4x5 room that only held a single bed and small cupboard. It was far, far too easy.
“No,” she breathed, pupils dilating with obvious fear. I could hear her breathing quicken as I approached with a smile that sent chills down her spine. “Liar.” Yet even as she said so, her defeated tone belied her. Wow. The girl was taking all this in fairly quickly, accepting it all without a doubt. Nevertheless, I could tell she was still hoping this was merely a twisted joke. I shook my head with a harshness peculiar to hardened men. Like myself. I laughed aloud, and she winced. “Why should I lie?” I replied with venomous humour in each syllable, closing in on her, cornering her. Her seat on her bed prior to my entrance made the job simpler for me as I closed her in against the wall. It was easy to see that she was weighing her chances, the possibility of escape.“I did the deed myself. Would you like proof?” The girl flinched as I drew my knife. It was covered in blood, as was its sheath. Hmm. I knew I should’ve wiped it before putting it back. I raised the blade to tickle her throat as thick red liquid rolled down the hilt. The silence in the house that followed the death of its occupants was punctured by the trickle of the blood on the parquet floor.
With a muffled gasp, she fixed a gaze at a point little higher than my right shoulder. I turned around, giving her the time she needed to attempt a getaway. An almost pitying chortle escaped me. As if that never happened before! The agility my years of practice had gained proved their use as I stopped her with a quick outstretch of my left hand. I pushed her back into position and took a step forward. The girl let out a badly-suppressed wail of despair and pain – the knife in my hand had cut her arm. “S-so now,” she stuttered, failing to fake a calm tone. Now trapped conveniently between myself and two walls, it seemed she had decided to give it all up to chance. “So now you’re going to kill me?” I grinned again, my free hand motioning for her to continue. She swallowed loudly. “Why?”
Finally. The million dollar word everyone asked, that everyone instinctively, innocently questioned before the end. Everyone’s pointless last word. “Why?” I echoed. “Because, my dear.” I brought my hand up to her face, skimming the surface, chuckling inwardly as the girl whom I did not know cringed. Soft, warm skin. Like all of them. Her eyes, a pale azure, reflected the dripping blade as I plunged it deep into her chest, relishing each moment as they swiftly went blank, lifeless, without even a scream emitting from her open mouth. Why? Because you shunned me. You strapped me to the rack and tightened it. You struck my back when I was in chains. Or, if you did not, you let them do it. I hated every single hair on your damned head.
Then, redrawing the dagger, I let her body thud to the floor.
Edited twice. Thanks for all the critiques! I didn't want to make him more human because if I did, it would justify half his murders in my eyes, and I would grow attached to this character. I do NOT want to be attached a killer, even if he has a really sad sobstory and is actually a young child clamouring for love in the eyes of his peers. Which he is, but you don't need to know that. Very selfish, I know.
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That was kinda awesome!
It was so vivid, which makes it so scary.
Nice job I liked it, but I did think he'd do more to the girl...
Yuk, sorry, I have a wrong mind. I blame my friends.
Loved it, hope you are well, keep it up!
Okay, I added more info on the man. Not sure how to give out his name though.
I also put in more detail. Thanks for the stuff about decapitation.
Many thanks for thy critiques, they doth mean much to me. (I just read The Complete Works of Shakespeare. Just felt the urge to.)
Seasoned, even after years of imprisonment? He'd be rusty, to say the least--how'd he break in? Did he pick the lock? Duct tape the window and break it? Was the door unlocked? Details are lovely ^_^ Also--where did he find out about the occupants of the house? Did he just ask random people? Cuz that's a little suspicious.
Few things you might in this paragraph; First, where did he get the dagger? Isn't he recently freed from a mental institution? If he bought it, where'd he get the money? Food for thought. Also--it's impossible to slit someone's throat with ease; the voice box and trachea are both very tough, so much sawing is often needed to get through them. Furthermore, unless our Hero gagged them somehow during the process, they'd make a lot of noise during the death. Finally, decapitating someone with a simple knife is a much harder task--not to mention time consuming.
The thing, perphaps, that I like least about the story is that you can't relate at all to the killer--he's just your stereotypical inhuman monster--in reality, very few killers are like that. Most of them are more human than you'd expect, which makes them all the more unsettling. Try to flesh out his character a bit more, starting with a name. Right now he's just a faceless, nameless shape with a knife.
--D
Nice...i like the way you give the mood of the story and how creepy it makes.
though one comment is that the story is a bit sadistic and merciless.
Well one thig is that, i like the sadistic mood and the killing.
It reminds of a show taht i watch.
i'm just wondering if this was done on purpsoe or feel like it.
Hey Lily! ^^ Okay, you said you wanted to expand? I'll try and figure out ways to do that, then.
Remove 'before it', they are unnecessary words and to some extent break the tension.
Okay, after this one, you could shed some light onto how he got out, his mind frame, and his setting. For instance (bear with me I'm not the best at writing horror)
The jubilation of my well-done escape still lingered after the seven days I had been out. Out of that hellhole, where I had spent years and years, forgetting my past.
I had waited until they brought in my food. They had thought me weak, conditioned. So the attendant had not been prepared for my attack. The guards had been easy, overwieght and lazy. The world would be better off without them. Soon enough I was outside- oh, how good it felt- and under the gap in the fence no-one else had noticed. I was free. Yet there was only one thing I missed, and it was not companionship or family.
You could write better, as it's your character, you know how he thinks and works. This was merely showing what you could do in this part to expand.
Another opportunity for expansion.
I entered the house stealthily, as anyone as seasoned as myself would. I had seen dozens of houses just like this one, and hadn't been caught in any, except one. But I learn from my mistakes.... (blah blah blah... you get the idea?)
You could add a little here. The thing that immediatly popped to mind was "My body still carried blue-purple marks from the clubs they used, along my sides, down my limbs. My ribs ached in bad weather from being broken and re-broken, and I doubted the angry welts on my back would disappear for weeks."
Slitting his throat is different from decapitating. To decapitate a body you usually need a very sharp, weighted blade (guillotine) or a heavy bladed weapon (Large Axe). And even then a guillotine may not make a clean cut, and executioners used to pride themselves on how many blows it took to cut off a man's head. Two blows was extremely impressive. Or if you want a more sure-fire way, katanas were one of the few swords that could do it in one blow. That's how they were tested- the samurai would chop off a convict's head. The point is, he couldn't do it with a dagger unless he spent hours hacking at it.
If he was seasoned, he would know this for sure. He would sit outside, unseen, and watch movements. Watching lights turning on and off is a good one.
I used to start sentences with 'suddenly' all the time, and I am starting to realise how weak a starter it is. Try rewording.
Description, what was the 'position'? against a wall? on the bed? In his grasp?
Overall, I think you've done a pretty decent job here. It's pretty well written, and I enjoyed reading it.
I would just keep in mind sentence length. Longer sentences are usually more relaxed and slow the pace down. Shorter ones make it speed up and, used effectively, can add to the tension.
I've found a few places where you could expand, but I'm sure there are more. It just depends how much information you want in relation to action and plot. Don't go overboard on the information, as we want to see the plot as well as know the character. It's all about balance.
You have an interesting concept, and I'm curious to see what the conflict in your story will be, if you continue with it. So far this feels like an introduction.
But overall, nice work. I'm interested.
If you have any questions, feel free to PM me, I'll be glad to help.
-Nutty
This was pretty good.
I'm a sucker for murder stories though.
I do agree, she should have fought him.
I wouldn't mind more info on his background, his childhood, what's happened to him in his past, that sort of stuff.
What? Was he really locked in asylum? If so, why exactly?
I did like this quite a bit, if you write anymore PM me.
I'd love to read it.
Thanks, peanut. I edited it. There's an extra paragraph and some brief mention of her trying to escape. I didn't italicise though, because I thought, since it's from his point of view, it doesn't need to be in italics. And partially because I don't really know which type to italicise.
Thanks again, you really helped.
Okay, that was pretty creepy. You started off with the killer guy umm... well killing people. I didn't know anything about him, except for the little bit you put in the beginning that was you telling me and that he is obviously a lunatic. Also I saw a few places where you MC is thinking, you should italicize those parts. I also saw towards the end that the girl didn't believe that her parents were dead and she was questioning why he was about to kill her. When I read this I pictured her as a stubborn girl who probably wouldn't die without a fight. But you killed her without hesitation, I think she should have fought him.(my personal opinion) Hope my review helped!
~peanut~