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I'm ba-ack; hehe
Part Three
There are a'lots of "the"s in this part. Starts feeling circular after a while.
This part seems like lofty writing more suited to Daki than to a narrative; I think it would be nice for the narrative to contrast Daki, unless the ~real story is from Daki's point of view? The crossed out sentence seems wordy and unnecessary to me.
Same with the first sentence above here; sounds a tad aloof; I'd use such sentences with care.
Why does he need to understand his own smile?
To be continued...
G’day, Kel ^_^ this is the story of which we were talking plot points, no?
Part One
I don’t like how the first three sentences began with nouns; I’d consider changing it up a bit. Other than that, your writing style is very nice to read because even though there were all these names I didn’t know (and couldn’t really pronounce ^_^) I didn’t feel like I didn’t know what was going on.
There are lots of fine things in this part; maybe a different adjective/description?
This seems like a random fact thrown in. Or, a relevant fact thrown in at a random time.
Lots of info at once; I wanted to skip to the next paragraph. Random note on names: they’re unfamiliar, but I like how they’re each distinct; how they don’t begin or include similar letters. That way it’s easier to distinguish.
Pretty image ^_^ And for the next few paragraphs, everyone’s voice seems to do something personified (I think that’s the right word). Is that a plot point hint? Side note on voice: I like how they have distinct ways of speaking.
I think “much” sounds kinda funny there. I say get rid of it. Or maybe replace it with something like “badly” (even though I’m not sure that’s really a word) or “quickly”.
This sentence doesn’t make much sense to me, in context or out of context. I think it’s Ryal’s response to Morthin’s “whining”, or, no, never mind, Morthin’s response to Ryal’s mockery. It’s the “what if I did burn” that just seems like strange wording to me.
I’d reword the first half of this sentence. And I’d expand on “cringe in jest” because it’s too vague for me to really get a picture of.
Part Two
Love it! ^_^
I’m confused, did the tapestry actually proclaim itself and welcome them? or does the serving girl say this?
“almost seeming” almost sounds like you don’t know what you mean.
I liked the exploding sunlight imagery that follows
zoh gosh; I love her hair! Anyways, the second thing (above) that she says is strange, and I don’t think that it makes much sense, mostly the “… Madura then I am only here to make you happy” Is that her character to not really speak English?
Is the tea background really necessary? :continues reading: oh, never mind >.<
The part about being more beautiful than the word almost sounds too elegant for these rough boys.
Maybe just me being stupid, but I think that it gives the image like they’re playing footsies. Maybe if he jabbed Morthin with his elbow? edit: on reread, maybe it’s not so out of place after all, unless I’m mixing up characters
I think the hanging on words phrase is a bit cliché; elaboration and description would be more helpful.
I think somewhere I lost where Morthin and Ryal are going/ what they are doing; first they were delivering something, then they were in a teahouse, then…? eh, maybe I should finish reading before I comment ^.^
PM me if you have any questions
Critique to be continued…
Oh geez! That would be my eyes and the alphasmart! Oh, man. I'll fix it!
Hi again! First off, did you mean to repeat that first part over and over again? If so, I wouldn't and if, as I expect, it was a typo, you need to delete the two repetitions of the beginning and read it through carefully next time before you post.
A few suggestions -
The temples were going grey, giving him rather a stately appearance clad in his dark blue robes. [This might sound better if you phrased it - 'The temples were going grey, giving him a rather stately appearance that complimented his dark blue robes.']
The trio [s]was[/s] were ushered into the house, Quill stopping to pick[s]ed[/s] up both broom and carpet.
Nothing was heard but the puttering [Did you mean pattering?] of the professor in the kitchen, the deep breathing of Tiers, and the shallow, forced breath of Quill.
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Other than that, it wasn't as good as some of the previous installments but you still have lovely description and the characters are really loveable. Great work as usual.
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Part one -
Your description is amazing and the characterization for Toc is great. The other three characters all seemed rather similar but that's okay, you'll have plenty of time to separate their personalities later. I have only one suggestion -
His fine linen shirt was torn in places, mudded in others, the collar askew though he made no move to adjust it. [I think it should be muddied rather than mudded or perhaps covered in mud?]
Part 2 -
Again, some amazing description and I love how you make drinking a cup of tea seem exotic. I hate the stuff and yet I have the strangest temptation to go downstairs and make a cup... As for your characterization, now there are plenty of differences between the characters and here are a few specific points -
Tiny bells jangled at her ankles and wrists as she led the two to a cozy little table clothed in a gold cloth. [Perhaps say a gold material rather than cloth for the sake of not being repetitive.]
Her bare feet made no sound on the polished wood floor. [Perhaps polished, wooden floor would be smoother?]
"Maduri Aldora normally orders our most rare and delicate of tea. [I think tea should be plural?]
"These pots are only cleaned with the finest of sand and only after the water has dried.
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Other than that, I can't fault your word choice. I'm not sure if I have time to read the rest tonight because I wanted to look at a few other things but I shall certainly read some more tomorrow. Until then, let me just say that you have a brilliant piece of writing here so far!
*Edit* Okay, I'm back. Sorry I took so long but I've read the rest now and have some comments...
Part 3 -
This is perfect. The new characters are great and the seriousness of the conversation and their attitudes is a brilliant contrast to the other scenes and characters. You have a lot of conflict in this part and I'm very curious as to how the priest was injured so good work there. I suppose I would like a little more description of where all this discussion takes place but other than that, it's brilliant.
Part 4 -
A few specific points first -
His breath wheezed in his throat after running acrosstown. [A space is needed between across and town.]
Morthin was in a similar condition, one hand on his chest as the other clutched the wrapped cane.
Lakyle's insistance of the cane had put into perspective his years: all seventy-eight of them. [You use years here but earlier, you mention seasons. Choose one or the other.]
Altogether, it was really good. I agree that your description has slipped a touch so I'd love for you to go back and add more in but you had some great dialogue in this part that more than made up for it. Also, the introduction of the song and the second priest is interesting. I can't wait for the adventure to start but I'm a little worried as to who your 'evil' characters will be. There again, there's plenty of time to introduce the threat and so far you've done a great job.
Hi Kel you doll face lol. I had promised you a critique and here it is.
This seems awkard. I had to read it twice to truly understand what it meant.
He smiles when the song has stopped? Strange.
Screw doesn't work well for this situation. Also sounds too modernized for a fantasy. Use a different word that isn't so modern.
So what is it? A church or a temple? Never was a fan of using a back slash like that.
I like this story. The song, as you call it, is an interesting metaphor to use for something divine or sacred. I'm also wondering what the song is. I have a feeling this would lead to an interesting and in depth plot.
Your descriptons are well thought out. I could easily picture the scene. The problem is that you describe too much and it kinda put me off.It also slows the story down since you are describing something that we may never see again. This also links to another problem I had with this story.
The tea scene, for example, I thought was irrelevant to the story. Another factor that is slowing your story down and hence, bores the reader in the long run. The reader wants to know your story, not how they drink tea.
I thought the ideas in the story were good. But since the story's pacing is kinda slow, I got put off by it. I understand that you are working with a slow pace for your story, but at least keep it relevant to the story.
I hope this had been helpful and I am interested to see how this story shall develop (I really do). It's pleasing to have another great fantasy writer in joining the site.
Good luck
Andy
P.S: Consider this critique as a compliment. I normally don't waste my time with an in depth critque unless the story is worth it. So you've hit the jackpot doll face
I don't like to edit before posting. I want people to see the very raw, basic bones of the story I'm trying to write. If I edit too much, I might be missing out on some great suggestions. My edit might be so great that they just don't want to think of anything to add. While doing it this way, I can get all kinds of feedback.
XD That's okay. My suggestion would be to read it on YWS after you have posted it to see if everything fits. Just a suggestion. I really like it, but I think that the detail is what really brings the reader into the story. XD (It is also my favorite part of your stories!) Lol. Keep up the good work! Love, 007
Yes! Fishes is a correct word! Referring to differing species, that is. Just one species, it's "fish".
Kinda like bananas being an herb. 'Tis a rare fact most people don't know.
Thanks, 007.
I'll have to read through the scene again and see what I can do.
I post these directly from my Alphasmart which only lets me view 4 lines of text! When I stop and turn off the machine, I can't see much of what I've typed so I get lost.
What happened was I got so wrapped up in the dialogue that I forgot to take the reader into the setting!
This section is a bit confusing. I can't keep everyone straight and what is happening. Are the boys listening to the conversation? I thought only one person was arguing with the priest! And who is this Pelin? Isn't the priest old? SO...when did his father come into the scene? IT is just very confusing. Maybe I missed something. (Which is highly likely) But I don't think I did. Just, ever so often, remind your reader who is speaking and where the scene is taking place.
Other than that, this was good. More detail of what the church looked like would be marvelous. Lol.
007
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My wife pointed out to me that I apparently forgot to include what good I thought of her story. Might have been a copy/paste problem on my end as I did the critique in word first then pasted here.
Anyways, the fight scene was very well done as the previous poster did comment. The description of things via character interactions helps to nicely show their surroundings. So far it appears to contain pretty well thought out development with some interesting characters, such as the tea server.
I really like your first few lines from the first chapter.
To me, they seemed to describe he thrill of competing very well. Time seems to stop running like fluid during crucial moments for me.
Keep up the good work!!!
Yes, fishes. Not changing that part. It fits. It's a real scientific word.
The glinting of the maple gem. He passed it by, which is why he just paused. He left it alone.
I'll make a note about it. He's more or less trying to sound "better" here because of the surroundings. That or maybe he always sounds like this? We don't know...
I'll change it to chortled or giggled.
Another cup. It was in the previous paragraph. If I'd said "cup" again, that would be way too often. So it's an implied subject.
She implies that the leaves are for luck, so they go into something the person can wear. Necklace, bracelet, ring, etc etc. So it's like the name on a grain of rice thing and put inside a glass tube or something to keep forever.
I can see how it can be vague, so I'll do my best to emphasize somehow. D:
But then it could be down to his waist and still brushing it over his shoulder?
Example me, since I couldn't think of a tasteful way to do that.
And thank you, 007!!!
Excellent! You have helped me realize how I need to write. I love you're signiture! You are absolutely amazing! XD I have never read so good of a writer who is unpublished!
Or, are you published? Please keep writing! I love the story! I can't wait to read more!
Love, in awe, 007
Nooooo.... Not "fishes" please, please don't.
You left me hanging here between this post and the next. Just what about the bracelet drew his attention? Why? What did he do with it? Did he buy it, steal it, what?
Could be wrong here, but.. a possible predicate, ending in a preposition?
The words used by Morthin here seem to be off given the readers (mine) impression of the characters general intelligence from previous dialogues.
Gold all around, very rich establishment.
Laugh/laughed used twice in the same sentence, sorry, again I'm picky.
Oh?
(Edit: Sorry, pasted the whole thing in that last quote.)
(Second Edit: Finishing critique.)
Reminds me rather of how a mushroom spawns really (the non-spore kind), or mint. How new buds will sprout directly from the roots and then develop their own roots still connected to the main, runners basically.
Hovering it over another what exactly?
Something for luck? This thought seems incomplete to me, even with the closing paragraph. More development here on just what "for luck" means as at first read, I thought you meant for her to put some tea into something for later. Like a doggy-bag.
No real need to describe his hair as shoulder length three words prior to stating that he brush his hair over his shoulder.
You complain about my use of comas? How about a new sentence or such here?
BTW, for those that don't know, I'm Kel's in real life husband.
Seems a bit off to me, I'd suggest using "The smug smirk of over confidence graced Ryal's thin lips." instead.
Just me being picky as per usual, but the word fine used twice in the same paragraph to describe the same set of clothes irks me. Perhaps a synonym?
Same thing, with the word "tucked", sorry babe, you know me.
I know, I already told you about this sentence in real life, but it is still a slightly difficult one to understand through the first reading. Perhaps, "Having always been known as the clowns of Entee Village, Ryal and Morthin were not often far from trouble and mayhem."?
Good paragraph, but too many pronouns starting the sentences off for my personal tastes...sorry, I know I'm picking, but you asked me to!
Do you really need the last two sentences here to be separate? I'd consider joining them myself.
I like these two paragraphs, nicely describing a secondary character using primary characters views.
I'll do more after taking you to work.
Great! The way you described the pouring of the tea nd the drinking was fab; you really built up a picture of what it would look like.
Only this bothered me:
Rephrase this. It doesn't sound right. Perhaps, The action was repeated twice more? Or the gesture?
And have you got this in the wrong place?
Doesn't Lakyle's dialogue belong in the second chapter?
Good, once more!
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This was absolutely amazing! I hope you continue it! You must! I beg you! You are an excellent writer. I hope to be like you one day! Such detail and ellegence flows from every sentence! It is absolutely amazing! Keep up the good work!
Thanks for the tips, ST.
The word "companion" only meant that. Like a compatriot, friend.
As for the undertones, you're the only one that caught it. But "companion" didn't refer to any sort of life-partner.
I just wanted some clarification on how "from what seemed like everywhere" is cheap? They're supposed to be coming from everywhere.
Not a lot of people have ever sat down and experienced a cup of tea. It's a wonderful thing.
Second Part:
Little warning bells started going off when I read this:
To this:
Surely you're not going to spoil what looked like a great story with undertones like this? Please don't.
From what seemed like everywhere is... cheap. Either make the chains come from some place specific, or don't say where they come from at all.
The bit of description where Daki is talking about making the tea was very well written, and you have good description here throughout.
First Part:
Didn't spot any errors; there were just a few odd sentances that could have been worded better. Like here:
Good beginning.
When I first read that, I was going, "The other what?"
The bit about "starting with Ryal's mother" is awkward, and you could run the second sentance onto the first to make one long, flowing one.
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