Nameless faces - ornate and polished like masks
painted in (silver and ebony) silence, by a man, master
at his craft with a diligent hand tracing out
pale, wintry lips - this mask has no eyes
at the artist's unapologetic apathy
stiff yet psyche is surviving with stale words
on a tongue flecked with flaxen drops
(like interfering heralds)
Who spread word like an impending ailment
that rises over a patrician on Independence Day.
(This day of progress)
But this inventor can only laugh
at his cunning mannerisms.
Progress cannot halt all the masks
that gather dust on his shelves.
--
Simply trying to get out of a rut. Have a nice day.
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Hey, poet!!! I love this poem. Frankly I used to be one of those people who believe that the art of poetry is in decline, but you proved me wrong. There is a certain poetic beauty in the work which really cannot be described, though here and there it was a little rough round the edges. My advice to you is not to try to use very big words, like mannerisms, unapologetic even independence, such words are good if you're writing a novel but in poetry they ruin the rhythm (and you have very good, more importantly, innate rhythm). For example what I would have done is write 'thankless apathy' instead of 'unapologetic' even though 'apologetic' and 'apathy' is a good alliteration 'thankless' gives it a little more flow. Hope to be reading more of your poetry soon!!!
David
Hey hun, I hope everything is well with you <3
You have an equisite piece of work here. I read the title and hardly dared to hope but it met my expectations in most part. I'd like to see you expand this and really delve into the beauty of masks. It's a great image to use but I want the colours to be vivid enough to see, description of textures so that you can almost feel. Masks are very symbolic. It's a big image to use and I'd like to see you do it justice.
Okay so I love most of what you have, I'd just like to see you go further into these ideas and to really portray the colours and textures. Keep writing!
Heather xx