Cuils
Cuil Theory: A theory that proposes a system of measuring the abstraction from reality for any given situation, with Cuil 0 being the closest to normative reality and Cuil 1, 2, 3 etc. becoming increasingly more distanced from these parameters.
Cuil 0
I say I love you,
You turn and walk away.
Cuil 1
I say I love you,
You ride a wild gazelle into the sunset.
Cuil 2
I say I love you,
My voice breaks as it flees my frozen lips.
I realize I am a statue, and you are a receding stream.
At my feet lies a valentine, the words obscured
By someone else’s legs.
The World is Red.
Cuil 3
I say I love you,
But you only hear Portuguese.
I attempt to translate, but my heart becomes a winged sun,
Combusting from my chest, and my shell collapses, revealing
A complex web of smoke and mirrors.
You stare at the black hole where my heart used to orbit yours.
You disapprove.
Cuil 4
I say I love you,
Or at least I try to.
I suddenly remember I am a Benedictine Monk.
A blinding bar of silence seals my lips, strikes my throat.
The searing tone of holy dogma bolts through you and you are raptured.
Your soul, now a golden shade, flies through the arrow wound of a once-beating
heart; you have become a cauterizing tool.
I stand at the window of an empty monastery and watch the battle below.
You undo the cord that holds the veil to your soul.
The resulting light rewrites the base code of the Universe.
Fundamental physics takes the day off. Weightlessness sets in.
An arrow, no longer bound by Gravity, flies upward
Through my broken heart.
You shriek, laughing, for the Universe has opened itself to you.
Your cries create the Universe.
I say I love you.
I cannot speak.
Cuil 5
I say I love you.
A small family in Spain loses their house inexplicably. They live under a bridge now.
I say I love you.
You used to have a dog, but now you live alone.
I say I love you.
A butterfly in Africa bursts into heavy rain over Europe.
I say I love you.
A man in a trench coat offers you a smoke. You decline. You are vegetarian.
I say I love you.
Several small dogs wander through the night, looking for homes.
I say I love you.
I come to the realization that I have no arms. My therapist is useless.
I say I love you.
A small man in a trench coat offers you a wiener dog. You decline. You haven’t smoked in years.
I say I love you.
Your penthouse is full of strays. You turn your light off. You put my arms in a closet.
I say I love you.
It is raining butterflies over a bridge where a tape player sits, spouting;
“Te amo… Te amo…”
Cuil 6
I say I love you.
The Universe as we know it, Ends.
It is replaced by a series of dreary picture postcards,
sent from Africa to a family in Spain, stuck in some drawer in some coffee table somewhere.
You smoke a cigarette that burns holes in space-time.
The sound of the Big Bang reverberates through your room and interrupts your regularly scheduled program. Somewhere in the background radiation, my voice can be heard.
You disapprove.
All the atoms in the Universe gain one proton.
A small dog begins to lift the veil between now and Always. The stars begin to wheel without order in the sky. All forms of conventional time become useless as we fall in an endless spiral towards the beginning of creation.
The postman is late.( again )
All the knowledge of the human race is reduced to the word ‘MEH’ by a benevolent passing wormhole. Several small libraries attempt to account for this. My struggle to speak is increased by a sudden loss of electrons.
Outside your summer window a tired eskimo pulls his dogsled through the snow, or he would if he wasn’t a symbol.
The Universe is taken out of it’s drawer and rearranged;
This is how the stars are born.
I cry out into the empty night , looking for a metaphorical eskimo. I can only see a sky of dizzily whirring stars and a distant explosion; the Universe is being put back in the drawer.
Time is forever an illusion. The postcards are mailed to several small libraries. The regularly scheduled program is cancelled.
There is a phone call from Portugal, but you don’t pick it up.
The sky takes on the colour of your apartment; you can’t tell if you are outside anymore.
I forget if I was born or not, and decide not to check. I send you a postcard by dogsled. You can only read Spanish, and never reply.
Cuil 7
I say I love you,
There is an explosion of light. The sun goes into supernova. We are all slightly warmer than we want to be. Penguins vacate your refrigerator; it’s too warm in there. The planets spiral maddeningly around the fluctuating and expanding sun. Gravity reverses for five seconds. Your tape player stops working. A monk cries out in pain. You disapprove. The heavy crate filled with postcards from Spain lands on your lap with a quiet ‘Squeeeeeeee’.... You do not open it. All the libraries on the African continent are taken over by a group of small dogs. The sun has rapidly become a black hole. The radio stops its normal programming and plays a little light music instead. You feel an arrow pierce your heart as a golden glow shines from your eyes and mouth. I am a small valentine, looking up at you from inbetween someone’s feet. A herd of wild gazelles flock to the black hole where the sun used to be. You disapprove. My therapist puts my arms in a suitcase and rides a storm of butterflies across the atlantic. The dogs have converted all literature to a series of smells only dogs can detect. You become deaf, but are still upset that the radio cancelled your show. I am mute, and attempt to learn semaphore. The manual is in Dog. We all get sucked into the sun. You lose your job. The Earth reappears exactly as before, except somebody stepped on a butterfly. One of the smells is removed from Dog-speak. It no longer rains in Spain. You smoke to cope with reality shifts. You smoke to cope with losing your job. You smoke to cope with the consequences of smoking. It is an endless night. The sun has gone on vacation. My lungs become lead. My limbs are on fire. I run and run and run but your face is on a postcard the keeps coming in the mail. No one has seen the mail man in weeks. Dog becomes the official world language, with semaphore being the close second. You get a new job chopping down phone lines. The stars are getting closer. My lead lungs begin to corrode; it’s all that smoking you are doing. The stars have given up on constellations; they were too much upkeep anyway. The freezing landscapes of America have solidified; a glacier rolls across Illinois. The fossil of the mailman is found, freezing in the wastes of Iowa. No one is surprised. Somewhere the radio whizzes quietly by an empty monastery. My arms are now relics for a group of worshipping penguins, on pilgrimage to the sea. My therapist was last seen driving huskies through the East Arctic. The ravages of the battle are not felt. I attempt to translate the Spanish on the postcards; it comes out Portuguese. No one can tell the difference. You have smoked all of the cigarettes. My lungs have exploded; I am a baby star once more. Your second hand smoke causes the second Black Plague. Clouds of ash form mountains and forests; eventually, they will become stars. A group of dogs re-enacts all of the postcards they stole from your apartment. You disapprove. You put on some light music instead. In an attempt to reach you I have become a system of fungi, spanning seven foot-ball fields in length. You don’t notice. I cry, but I cry spores. My children go forth and conquer the Universe. You are slightly inconvenienced by being owned by sentient fungi. You throw the radio at a passing library, on the run from the ghost of the postman. You have no idea where the letters from my therapist are coming from. The Earth explodes for the 1,978th time and you are pleased. I become a traffic cop and wave ‘I love you, I love you…” into the night. You have stopped driving. You don’t answer your calls. You breed gazelles and correspond with the empty shell of my therapist.
You disapprove.
Cuil 8
I say I love you,
You say,
“ I love you too.”
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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Ladies and gentlemen, I present to you, Cuil Theory 2, on the rocks, with a twist!
This was amazing. I loved reading the other Cuil theory, and I'm glad someone tried to do a sequel/parody. It was a fabulous read-- I read every word, which is slightly more than I can say about the original. >.>
This really made me happy. You have no idea. Though, it must've been really fun to write.
A few mistakes:
So I think secondhand is one word.
Also, there were multiple Black Plagues during the "original" Black Plague, so maybe rather than "second" you could say "another."
Those were the only technical mistakes I could find. This was really written rather well.
So I was going to say that there wasn't a lot of connections (like in the original), but then I got to Cuil 7 and connections were all over the place. But up till then, the stories didn't have connections to each other as much. The monk one especially stood out as not having anything to do with the previous Cuils.
I really love the twist you put on the end.
There were parts in this where it made too much sense logically (gee I never would've though I'd say that in a review). I was going to pull examples but I've lost them. Just take a look though this and think "is this really as unbelievable as it should be?"
While I like how the "you disapprove" is like the original, I think it would be nice if this had it's own short little repeated phrase other than that one. That one's already been used. ^-^
I love all the mini story lines you have threading though here with the dogs, the cigarettes, and the therapist. However, I feel like some of the spacey things were a tad cliche. Watch out for those.
The spaces between lines seem really long, and the Cuil #_ don't really stick out that much. I suggest bolding the Cuils, and adjusting the spaces between lines. If you need help with that, ask me, or check this out: How to format your poetry on YWS
Otherwise, this was really well done, and I'd like to thank @AncientForever for introducing me to this theory in the first place so that I could come on this with a slight idea of what this was talking about.
Great job, keep writing!
~fortis
Hi Johanna,
TS here reviewing the strangest piece I have ever seen on YWS.
I'm sorry, but this review won't be very long because.... I thought this was brilliant!
You used wonderful imagery, great vocab,fitted things together which I thought was going to be an impossible feat. I think this was a fantastic idea; I'm so sorry I don't have any critique to offer, but I'm a writer not a reviewer, and this piece deserves a top-class reviewer. We got a look into your head, you dragged us into this fictional world excellently and somehow managed to maintain just as high a level of writing as you did strangeness. I think it's this beautiful balance that really struck me as top-class; you're a marvellous writer. I liked how every sentence was a statement; there weren't many commas but everything was to the point. Every line - a fact. Although I would not enjoy this in a story, the style suited this particular piece to a tee. You executed the whole thing very, very well. I just really enjoyed it.
Keep writing, most definitely. Your imagination is clearly off the charts, and I hope you'll use it like you have in this piece in the future. It's a great attribute that not everyone is born with - also keep up this level of description because it definitely livens up the piece and drags us in.
Yours in ink,
TS.
Thank you so much! This did help, even if just for future pieces- it gives me an idea of what works! Also , its very flattering :3 Thank you!
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