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Killing Butterflies: a tragedy [1] --Edited--

by JC


Prologue:

Something deep inside me stirred, awakening a fear so close to longing, so uncontrollable. Pulling back I realized that it had already gone too far. Neither of us were ready for this, at the very least I knew I wasn't. Yet it continued, past the point of comfort and security his hands trailed, further and further still until it was too much. We could only go forward, and it was the one direction I couldn’t seem to master.

With tension boiled all around, waiting to cave in and suffocate, I realized just how long ago I should have stopped. This wasn’t right, and he would understand. He had to understand that I couldn’t go through with this tonight.

“Arion,” John leaned forward, putting the flicker of candlelight closer to his face. “I’m sorry, but maybe it‘s better this way.”

I stared back, working to keep my emotions from getting the better of me; after all, it was I who called it quits. I felt my eyes go cold as ice, cold enough to send the last flame scurrying to the dark and quiet John in his tracks.

He could say sorry as much as he wanted, but it wouldn’t change the fact. The fact that it would be over soon, over a year and a half of our lives gone because I wasn’t ready.

They were there; nervous flutters in the hollow of my stomach, not accustomed to this emotion. They were made for anxiety and fear. Not pain, not torture. The butterflies were trying to rip their way out with little wings, sharper than knives. They tore through flesh, drinking up the blood inside with hungry proboscises.

John winced under my scrutiny and continued as best he could. “It’s just that, well, what did you expect? The candles-”

I thought I knew him, but as it turned out, that was the very thought that kept me from really knowing him at all. This night, which was supposed to be about us became all about his carnal cravings. And now, because I wouldn’t just go through with it, all of it would end.

He looked at me like I was going to break into tears at any moment. That was not something I was going to do, just another satisfaction I wouldn’t allow him to have. Because if he could make me cry, then he would know that I was his, that he had some power over me.

I ignored him, and looked around the familiar room. We were in the shed-turned-office in his backyard that had, for the past year and a half, been our secret hideout late at night.

“Babe,” he said, the same look coating his features. “Are you okay?”

No, Jackass.

“Yeah, I’m fine,” I said, though my voice betrayed the words. I knew he could tell.

“You’re lying.”

Just as he said it, the first butterfly made its way through. Through what- I couldn’t tell. Everything in my body tried to escape at once, tear me apart, and melt me down until I was nothing more than a passing memory in the air. The sensation was overwhelming, and I was crying. Damn it. I was crying.

“Please, don’t cry. This is for the best.”

“Stop it!” I cried, shoving my head in my hands and trying to make it stop. My entire body shook, tremors traveled through as the butterflies flew through with their razorblade wings. It hurt so much.

Sitting in front of me was the guy I loved, staring back at me with an expression of both pity and finality. Neither of which were good. And there I sat across from him, breaking down to a sudden end because I couldn’t move forward any longer. And yet, the rest of the room seemed to dismiss us. The music still played softly from the stereo and moonlight broke in through the windows, but as much as I wanted to, I wasn’t falling for that charade. I was falling apart.

“I’m sorry,” he said. His voice was soft, but just underneath I could hear that the decision was made. This was the end.

A new wave of pain sent more tremors down. The tears weren’t falling fast enough, but couldn’t fall any faster. My entire body felt like it was breaking down.

“Arion, please.”

With this surge of pain came a new anger, and a new courage to say the words I needed to say.

“Please what?” I asked, my voice raspy with the still-falling tears.

“Please don’t cry,” John answered. Everything about him was soothing, comforting, and he was doing it on purpose. He was stringing me like a puppet, only this time I wouldn’t take it.

“Why not?” I asked. “Why can’t I?”

He didn’t have an answer for that, and I found myself crying harder. I hadn’t cried in so long, and the feeling was almost too much.

John made a move like he was going to hug me. I pulled back and looked away.

“Don’t.”

“Babe-”

“No,” I said, putting as much venom as I could into the word. I was hurting, and he should too. He shouldn’t have been able to sit across from me so calmly. If he’d ever really cared about me he should have felt something. “I don‘t want to hear it.”

“Don’t do this,” John said with obvious annoyance. He wasn’t worth it. He wasn’t worth this feeling, this heartbreak. It had taken until now for me to realize that I’d wasted a year and a half of my life, and now, as much as it hurt, it was time to walk away.

“I’m not,” I said. My voice cracked as I fought back a new wave of tears. “You are.”

Without another word I gathered my things, letting the tears fall silently and shamelessly. The tremors were stuck in my hands, but the rest of me was strangely peaceful. I knew it was just another façade. The wounds weren’t healing, and there would be more to come later. Much more.

I paused with my hand on the doorknob; the hardest word to say seemed stuck in my throat. John watched me from where he sat, but made no move to stop me, no motion that this hurt him in the least. I guess I’d known he wouldn’t try and stop me, but the hope had given me even more room to fall.

Soon enough, I turned the knob and walked out into the night, that single word haunting me as I went.

Goodbye.

_____________________________________

OLD VERSION:

Chapter One:

It was a special night gone wrong, so wrong. My memory was etched with the image of innocent candles with flickering flames, and the feel of his body so warm and close to mine. Something deep inside me stirred, awakening a fear so close to longing, so uncontrollable. Pulling back I realized that it had already gone too far. You can only go forward, and yet, it was the one direction I couldn’t seem to master.

With tension boiled all around, waiting to cave in and suffocate, I realized just how long ago I should have stopped.

“Arion,” John leaned forward, putting the flicker of candlelight closer to his face. “I’m sorry.”

I stared back, working to keep my emotions from getting the better of me; after all, it was I who called it quits. I felt my eyes go cold as ice, cold enough to send the last flame scurrying to the dark.

Then they were there. The butterflies, trying to rip their way out with little wings, sharper than knives. They tore through flesh, drinking up the blood inside with hungry proboscises.

John winced under my scrutiny and continued as best he could. “It’s just that, well, what did you expect? The candles-”

I thought I knew him, but as it turned out, that was the very thought that kept me from really knowing him at all.

“Arion?” He looked at me like I was going to break into tears at any moment. That was not something I was going to do, just another satisfaction I wouldn’t allow him to have. Because if he could make me cry, then he would know that I was his, that he had some power over me.

I ignored him, and looked around the familiar room. We were in the shed-turned-office in his backyard that had, for the past year and a half, been our secret hideout late at night.

“Arion,” he said again, the same look coating his features. I was beginning to get sick of his overuse of my name. “Are you okay?”

No. Jackass.

“Yeah, I’m fine,” I said, though my voice betrayed the words. I knew he could tell.

“You’re lying.”

Just as he said it, the first butterfly made its way through. Through what- I couldn’t tell. Everything in my body tried to escape at once, tear me apart, and melt me down until I was nothing more than a passing memory in the air. The sensation was overwhelming, and I was crying. Damn it. I was crying.

“Arion-”

“Stop it!” I cried, shoving my head in my hands and trying to make it stop. My entire body shook, tremors traveled through as the butterflies flew through with their razorblade wings. It hurt so much.

Sitting in front of me was the guy I loved, staring back at me with an expression of both pity and finality. Neither of which were good. Then, there I sat before him, breaking down to a sudden end because I couldn’t move forward any longer. And yet, the rest of the room seemed to dismiss us. The music still played softly from the stereo and moonlight broke in through the windows, but as much as I wanted to, I wasn’t falling for that charade. I was falling apart.

“I’m sorry,” he said. His voice was soft, but just underneath I could hear that the decision was made. This was the end.

A new wave of pain sent more tremors down. The tears weren’t falling fast enough, but couldn’t fall any faster. My entire body felt like it was breaking down.

“Arion, please.”

With this surge of pain came a new anger, and a new courage to say the words I needed to say.

“Please what?” I asked, my voice raspy with the still-falling tears.

“Please don’t cry,” John answered. Everything about him was soothing, comforting, and he was doing it on purpose. He was stringing me like a puppet, only this time I wouldn’t take it.

“Why not?” I asked. “Why can’t I?”

He didn’t have an answer for that, and I found myself crying harder. I never cried. Ever.

John made a move like he was going to hug me. I pulled back and looked away.

“Don’t.”

“Ari-”

“No,” I said, putting as much venom as I could into the word. I was hurting, and he should to. “Please leave me alone.”

“Don’t do this,” John pleaded, the first hint of any genuine emotion was beginning to show.

“I’m not,” I said. My voice cracked as I fought back a new wave of tears. “You are.”

Without another word I gathered my things, letting the tears fall silently and shamelessly. The tremors were stuck in my hands, but the rest of me was strangely peaceful. I knew it was just another façade. The wounds weren’t healing, and there would be more to come later. Much more.

I paused with my hand on the doorknob; the hardest word to say seemed stuck in my throat.

Soon enough, I turned the knob and walked out into the night, that single word haunting me as I went.

Goodbye.


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Thu Dec 25, 2008 8:51 pm
PerforatedxHearts wrote a review...



Pretty much everyone has said it for me. But I laughed my butt off on this one:

“Babe,” he said, the same look coating his features. “Are you okay?”

No, Jackass.

“Yeah, I’m fine,” I said, though my voice betrayed the words. I knew he could tell.


Well said, JC. Well said.

Although the prologue is a bit cliche in terms of all that's happening, I think you put a little more emotion to it and the butterflies make it more of your own.




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Thu Dec 25, 2008 6:08 am
JC says...



close to an uncontrollable longing. You get the exact same thing

Actually, it isn't the same thing. The longing isn't incontrollable. The fear is, please read the sentence the way it's written. Would it be better if I switched it to: "A fear so uncontrollable, so close to longing."?

Wait - when he says her name (Arion, right?) he goes on to say 'it's better this way'
Since when does he feel the same as her? Because I thought he was eager, he was in the beginning!

He's saying it's better this way that they break up. I'll make that more clear. Thank you.

So maybe put 'i said venomously' instead to make it more to the point

Um, I'll re-word it, but a word of advice to you:
ly adjectives are rarely ever the solution, and are in fact better off avoided all together.



If you're confused, he's breaking up with her because she wont have sex with him. Which is why she isn't relieved at all.
Thank you very, very much. I do so love feedback.
-JC




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Wed Dec 24, 2008 3:31 am
niccy_v wrote a review...



Neat title!

so close to longing, so uncontrollable.

This doesn't really sit right with me. That last comma just seems to keep it going on. I like to read short first sentences, not ones that keep going!
Maybe try: close to an uncontrollable longing. You get the exact same thing, but just shorter! More to the point...

were ready for this, at the very least I knew I wasn't

Maybe try doing a - instead of a comma. This doesn't feel right with a comma...

Yet it continued, past the point of comfort and security his hands trailed, further and further still until it was too much.

Maybe reword it, it just doesn't flow right for me. 'Yet it continued past the point of comfort and security. His hands trailed further and further along my body until it was simply too much.'

tension boiled all around, waiting to cave in and suffocate

waiting for it because you have said tension, to say 'waiting to cave in' is like WHAT is caving in? You kind of keep the reader clued in...

“Arion,” John leaned forward

Who's speaking? I'm going with John, but replace comma with full stop. It doesn't go right here.

. I felt my eyes go cold as ice

Eyes grow ice-cold

cold enough to send the last flame scurrying to the dark and quiet John in his tracks.

This sentence feels a little strange...
Maybe try 'send the last flame scurrying to the dark and quiet boy by my side'
I just don't get the 'in his tracks' bit. Maybe 'send the last flame scurrying to halt the dark and quiet John in his tracks' if you need the 'in the tracks' bit

there; nervous flutters in the hollow of my stomach, not accustomed

there - the nervous flutters in the hollow of my stomach telling me i wasn't accustomed

They were made for anxiety and fear. Not pain, not torture.

comma after fear and delete comma after pain, replacing the second not with and.
So 'they were made for anxiety and fear, not pain and torture.' 'They were made for anxiety and fear, not pain and most certainly not torture'


to rip their way out with little wings, sharper than knives.

with little razor-sharp wings.
That tells the reader they're sharper than knives, or close, without really saying it.

The candles-”

Well done for getting the quotation marks correct!

that was the very thought that kept me from

You say 'that' twice. Maybe 'that was the very thought kepig me from'

And now, because I wouldn’t just go through with it, all of it would end.

Wait - when he says her name (Arion, right?) he goes on to say 'it's better this way'
Since when does he feel the same as her? Because I thought he was eager, he was in the beginning!

Through what- I couldn’t tell.

No hyphen just a space

Please, don’t cry

No comma


,” I said, putting as much venom

So maybe put 'i said venomously' instead to make it more to the point

The wounds weren’t healing, and there would be more to come later. Much more.

Much more of what?

Soon enough, I turned the knob and walked out

No comma


Wow. That was powerful. But i am SO confused as to who feels what? First of all she's all 'I wanna stop he must stop' then he's suggesting it and she's all hurt? huh? Her reaction should be relief... not being upset over him thinking the same as her. Or maybe I got it wrong and he's breaking up and she just doesn't want to have sex?

That was a little confusing but wow, that was a well done little piece! I am so reading on...




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Mon Dec 08, 2008 7:28 am
Someguy says...



I like the beginning. You changed a few parts which is nice and you actually let John speak a little more creatively! :wink:

Again, the entire butterfly metaphor thing is good. It fits with the narrator.

He could say sorry as much as he wanted, but it wouldn’t change the fact. The fact that it would be over soon, over a year and a half of our lives gone because I wasn’t ready.


The repeat of 'the fact' is a bit...silly. I'd make it one sentence.

No, Jackass.

I still think you must write this in Italic

Overall:

This version for me is much better. I like it. It is more interactive and has more focused emotions. You also gave John a little spot light. lol
Arion is still the same: Stubborn, confused. It also seems she's blaming herself which makes it a little dramatic, but it's okay. It fits and that's probably more important.
The part which I like the most is the butterflies. I don't know why, but I just like it.

Nice work! :wink:




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Mon Dec 08, 2008 3:35 am
Squall says...



OK, I'm back.

Neither of us were ready for this, our relationship wasn’t ready for this.


Hrmm. Seems sort of repetitive don't you think?

They were there; nervous flutters in the hollow of my stomach, not accustomed to this emotion. They were made for anxiety and nervousness. Not pain, not torture. The butterflies were trying to rip their way out with little wings, sharper than knives. They tore through flesh, drinking up the blood inside with hungry proboscises.


Yea good. Your metaphor is a lot more grounded now. One thing I noticed though. You seemed to repeat the idea that the flutters were there because the narrator is nervous.

“No,” I said, putting as much venom as I could into the word. I was hurting, and he should to.


"Too", not "to".

Overall impressions:

I have no idea why, but for some reason, I like this edited version much more. I actually felt for the narrator's suffering this time. I think it's because not only did you managed to make your metaphor more grounded, but everything that happened in this piece, including the narrator's feelings is linked with your metaphor. You've also cut down on physical descriptions and focused more on the emotional side of a relationship. As a result, your piece seems much more potent than before. Also, the dialogue also seemed more flexible and varied. Well done JC. :D

I'm not entirely sure as to what else I can suggest to make this better. It's good as it is now. As a prologue, this works because it gives a very clear and precise direction as to where this novel is going.

Looks like I have to give you a gold star since I'm rather impressed by this now. I'll check out chapter 1 soon.

Andy.

P.S: You might want to talk more about the setting if you are concerned about this not having as much depth as you would have liked. For example, you mentioned candles, but it seems a little detached with the narrative since that's the only description we have of the background.




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Sun Dec 07, 2008 10:51 pm
JC says...



EDITED:

Thank you all very much for your helpful critiques, I think it's made this section much better. Tell me what you think about the changes.




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Sat Dec 06, 2008 10:04 pm
Angel of Death wrote a review...



Hey JC!

You've read my stuff before, so I thought I'd return the favor. I liked this, but I got the prologue feeling when I read this. I know others have said that, and I don't mean to be repetitive but...
Anyways, I loved this and there's a mystery around John and Arion (I love that name) Their relationship seems so distant, but you could tell they've been through a lot. This is beautifully written and your words are well executed.

Favorite Paragraph:

Sitting in front of me was the guy I loved, staring back at me with an expression of both pity and finality. Neither of which were good. Then, there I sat before him, breaking down to a sudden end because I couldn’t move forward any longer. And yet, the rest of the room seemed to dismiss us. The music still played softly from the stereo and moonlight broke in through the windows, but as much as I wanted to, I wasn’t falling for that charade. I was falling apart.


It packed up all of Arion's feelings up in a cocoon and it was a nice touch to the chapter.

I think the butterfly analogy is very unique, or is she a butterfly and I'm just reading things wrong?

All in all, I liked it and I hope you continue this. And if you post more, please PM me.

Cheers,

~Angie




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Sat Dec 06, 2008 5:01 pm
Someguy wrote a review...



This is more like a prologue, really.

The first sentence wasn't good and it change the idea of what is to come. At first I thought it was a night out where the guy didn't show up.
So I'd remove the 'so wrong' and that might make it better.

Also. John that keeps repeating her name really irritates me like a fish buried in the sand.
Also: The butterflies are good. I like the idea of the butterflies that seem to be 'her' if you know what I mean.
Arion seems to be very stubborn like Rascalover said. She also seems confused and she seems to think that everything is wrong in her life, while John is this random guy that keeps repeating Arion's name. The only time he ever showed emotion was when YOU told us about it.

No. Jackass.


I'd write it like this: "No Jackass." Just an idea...

I enjoyed it. Just needs a little more work for example a few more hints that gives us an idea of John's personality. Yes, you said he is calm and so forth, but you can really say more than that. Also give us hints on how the characters look like. The full character description can be done in the next chapte or so, but for now, give us an idea.

Hope it helps :wink:




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Sat Dec 06, 2008 3:52 pm
KJ wrote a review...



I didn't spot any typos or grammar errors that hadn't already been pointed out, so guess I'll just give you my overall opinion:

I don't really understand the butterflies. No one else seems to have that problems, so it must be just me. Do they symbolize her emotions, getting wild and out of control? If so, then I think she should have more of a stronger reaction to being dumped. Sure, she cires, sure, she has a mild angry spout. But the way you described the butterflies, it seemed as if she was just going to EXPLODE.

Which she didn't.

I guess it would make sense if she left and then did something she regretted. Oh, and one more thing, now that I remember. What did you mean in the very beginning that she had gone too far? That wasn't clear to me, either...

So yeah, those are my only complaints. This was nicely-written, and I'm interested in knowing more.

Good luck with writing,

KJ




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Sat Dec 06, 2008 2:55 am
JC says...



The thing is, John doesn't really feel for her, it's more of a material relationship. Everything in this story is metaphoric, and it's extremely subtle but is more obvious as time goes on. The theme really has nothing to do with love...it's a...twisted romance, really. Again, everything changes rather quickly and it stops following the expected pattern.

And the butterfly thing, it does refer to nervous butterflies in her stomach, and they were in fact inspired by an emotion I've felt before, where something was so emotionally...emotional that there was this feeling of nervous butterflies that were almost painful. I'm still trying to find a good way to explain it without just saying, nervous butterflies that hurt. You know?

And the butterflies do come in again, but not often. In the first draft I will admit they were everywhere, but I've taken practically all of them out. The only things that deal with them now happen in the beginning (here), on a wall, in her name (Masculinea Arion is a Large Blue butterfly), and at the very end.

A lot of the theme ideas do come in later. I know, I know, if I have to explain it I should be writing it, but because it comes in later I would rather see that effect that it has in the long run before I change major things like that.

-JC




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Sat Dec 06, 2008 2:00 am
Squall wrote a review...



Hey there JC, I am back once again to review your work.

He didn’t have an answer for that, and I found myself crying harder. I never cried. Ever.


Quite a bold statement to make. Too bold actually in my opinion.

“Don’t do this,” John pleaded, the first hint of any genuine emotion was beginning to show.


I'm not entirely convinced by this. The reason is that the male in the piece keeps repeating the narrator's name like some broken record and asks very linear questions to the narrator. This bit of dialogue here follows this trend. If John felt genuinely for his emotions, then he would had asked questions or said statements that would invoke a more in-depth answer from the narrator.

I paused with my hand on the doorknob; the hardest word to say seemed stuck in my throat.

Soon enough, I turned the knob and walked out into the night, that single word haunting me as I went.

Goodbye.


Doesn't John even make an effort to stop the narrator from going (or go after her) if he felt genuinely for her?

Overall impressions:

Not much I can really say about this piece. It doesn't break any new ground in terms of theme, but it's well written and quite fluent in its expression. However, you might want to be clearer with your butterfly metaphor. When I first read this, I actually attempted to decipher it from both a metaphorical and symbolic way only to confuse myself. I was thinking "How could butterflies have razor sharp wings that can tear its way through flesh?" When I re-read the piece, I realized that I was supposed to view it from a more associative perspective (i.e: The saying of "butterflies in a person's stomach", indicating that a person is nervous or feeling uneasy). I'm not entirely sure as to how you can fix this (it could be just me after all). Maybe keep it in context with the saying or develop the interaction between the narrator and John. Right now, their dialogue is too linear to even suggest that there is an imbalance in the relationship.

Also, are you going to keep referring to your butterfly metaphor in the other chapters (judging from your title?) I just think that it will get rather repetitive and old should you do that.

Overall though, I enjoyed reading this and I really appreciate you for sharing this with us. I'm interested as to where this will go so expect my return.

Good luck JC :D

Andy.




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Fri Dec 05, 2008 11:56 pm
JC says...



Thanks for the helpful comments.

Jig, I thought it was interesting that you said nothing really happened so far, but I can assure you that the rest of the story is very different than anything I've written before, especially setting-wise. Don't worry, by chapter four things get weird.

I'm going to go through and look at some of the corrections, see what I can do before I post the next few sections. This is an already completed piece of mine which I'm going through editing, so please, be as harsh as you can!

Thanks again,
-JC




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Fri Dec 05, 2008 11:40 pm
Jiggity wrote a review...



It was a special night gone wrong,[s] so wrong[/s].


I don't like this as an opening sentence, and the repetition makes it awkward.

My memory was etched with [s]the image of[/s] innocent candles of flickering flames, and the feel of his body so warm and close to mine.


probably a better sentence to start with, although it too, is somewhat awkwardly phrased with the repetition of 'with'. I suggest the revisions shown within.

Then they were there.


Generally, you should avoid the use of 'Then' - tis the bane of good storytelling

John winced under my scrutiny and continued as best he could. “It’s just that, well, what did you expect? The candles-”
I thought I knew him, but as it turned out, that was the very thought that kept me from really knowing him at all.
“Arion?”


What makes him stop initially? Does he hesitate? Does she give him a certain look? A little clarification please.

I was beginning to get sick of his overuse of my name. “Are you okay?”


This is you, the writer, telling yourself through your characters, that sometimes you're overusing her name. You haven't given him any real dialogue and so he's doomed to repeating her name.

Then, there I sat before him, breaking down to a sudden end because I couldn’t move forward any longer.


Ah, and again with the use of 'then'. Couldn't find a replacement above though, but here I suggest starting with 'there'.

**

A solid first chapter - or prologue really - that was well written and easy to read; good flow, good sense of characters. Nothing really happened though so plot-wise its all up in the air at the moment. You haven't covered any new ground, emotionally or technically, but I hope you take it somewhere different in the following chapters.

Cheers




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Fri Dec 05, 2008 11:19 pm
Beezle wrote a review...



I've only got a couple nitpicks-- grammar/typos.

We were in the?shed-turned-office in his backyard that had, for the past year and a half, been our secret hideout late at night.


“Arion,” John leaned forward, putting the flicker of candlelight closer on his face. “I’m sorry.”

That's just an awkward sentence to me-- generally, things don't get closer on, they get closer to.


Those two little things said, I think that this is a great piece of writing. The emotions fly from the page like the sound of a siren; the emotional charge behind the MC's words is impossible to not see and appreciate. Wonderful job, I would definitely read on. Already your characters have an immense appeal, and I'm hooked. ^_^

~Beezle




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Fri Dec 05, 2008 10:54 pm
Monstrar wrote a review...



Wow, I agree with the first person who said it was awesome. Very well written, no grammar errors or anything like that...good job! I like how you introduced your main character to us, and described all her thoughts and feelings in true detail instead of just simply telling us. I can't wait to read more.
=]




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Fri Dec 05, 2008 10:31 pm
Rascalover wrote a review...



Woah!!! What emotion! Amazing portraying of what I can tell is going to be an awesome story!

Charaters:
arions stubborness, determination, and will is so right for that character. Like you had some one in mind for the specific role! john is your typical male in such a situation he wants to go easy and such even though its obvious that things have gone to far for such a soft ending.

Emotions: What can i say? Emotions pore from this chapter like a water fall. Sadness angry stubborness and angst! It makes the reader feel as if they themsevles are experiencing the pain and toughness arion is feeling.

Over all this was one heck of a chapter and i cant wait to see more!

-Great job Tiffany





Knowing too much of your future is never a good thing.
— Rick Riordan, The Lightning Thief