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Hey Brad! I really enjoyed this. It struck me as different to your usual style which threw me at first but it's nicely written and you have some good characterization. Here's your critique:
This first section is good. I think you could expand it a little here and there so that we get a stronger sense of who the characters are, particularly 'The Kid' but you've got some great dialogue and the setting is interesting (if a little lacking in description). Maybe you could draw the reader in a little further, describe how the saloon smells, how full or empty it is, if it's warm or cold and what sounds can be heard? Do the doors swing open with a heavy creak as someone enters or leaves? Also more physical description please! I want to be able to see a little differentiation between Bub and Tute.
Good work, Brad. Your narrative is intriguing and your dialogue is excellently written. I do however feel that you're lacking on descriptions of your characters. But good characterization in this section and I'm looking forward to reading more!
Heya, Brad!
Dunno if you meant to do this, but I, honestly, did not like the close repetition of old. It looks more like a mistake than purposeful, though. ^^
I was unsure of pointing this repetition out. Is there another body language you can point out instead? Maybe she put her full weight on one leg or they shook their heads disapprovingly? I dunno, you're more creative than me.
You can't vocalize a shrug, so I don't much agree with making it a tag.
There's a repetition of books here. I think you should keep the first and third one, and change the second one. There are some synonyms, or... my nitpicking of the italicized sentence may spark something. I don't much like it. You're listing actions, and I'm not much of a fan of that.
Just pointing out the dash. It's not whole. ^^
I'm pretty sure they're in the living room right now? Maybe that's on purpose.
Overall
The description lacked in the first chapter, but! The dialogue made up for it somewhat. I loved your western speech. It was awesome. I think you could chop off even more g's on the -ing words. You can characterize people by messing with their accents. This guy has a horrible southern accent, and this guy sounds like he went to Harvard, etc. Excellent dialogue! ^^
But the first chapter can still be fleshed out more. You have a skeleton with have of its meat on its bones. You can fill in a few empty spots, whether it be sloshing their gin around and making a mess or pinching the waitress' bum or pounding the wooden table with such ferocity that the entire saloon shook. I love westerns. I attempted writing one, and I had so much fun with it. You can do so much! Just flesh the first chapter a wee bit more. Not horrendously, 'cause I'm honest about the dialogue. It really does well with holding it together, but it doesn't hurt to include a few more sentences.
I also got confused with the characters in the first chapter and who was who. Was there three? I'm pretty sure there were three guys... but two of them were short? I could have missed that easily and sound like a nut right now. It ended with two names, so maybe there were two guys.
The second chapter was an improvement, I think. It was fleshed out much better, and the characters were easier to follow. I don't have many complaints on the second chapter. It was a very nice transition, which is why I say don't put too much description in the first chapter. How you went from vague to specific was lovely. ^^
I probably didn't contribute much, but I really did like this piece. I do hope you'll let me know when the next part comes out? Unless you don't want a review from me. Perfectly understandable. Do continue writing! I definitely enjoyed this and am curious about the light. It's getting a bit creepy now.
Keep writing!
Jabber, the One and Only!
Minx,
I like this second part much better than the first. The use of the light is delightful and I love the dialogue between the boys. In this chapter you've a better mix of action and word, and your description is by no means terrible, it's just the right amount to be there but not over bearing.
Your first chapter, as I've mentioned, lacked a suitable amount of description to please me, as it were. But it was offset by an interesting way about it.
I enjoy the switch of perspectives and the way the situations feel different, they feel disconnected but connected, and that's really good. They do feel like separate times, the scene change being so large in situation and feeling, but I think you offset that well with adding the description, it doesn't feel like an anaomaly, the scene, so you've obviously suceeded in making it right.
The light interests me, and I'm looking forward to reading more on the whole story.
*Hearts* Le Penguin.
*Updated*
Interesting.
[spoiler]
Talking about these?
***
1.
The musty scent of old leather and old wood spilled over every crack in the saloon. not sure I like "spilled over". At the very least, it feels like the smell of old wood should be "rising from" the cracks, not rolling over them like fog... Behind the counter, large barrels with old spigots rested one atop the other all the way to the ceiling. The barmaid moved like a butterfly from one set of customers to the other, flashing an attractive if toothy grin as she did. It was mostly dark inside - the only light coming from the candles hanging along the walls and on the tables. Your initial description seems unusually unfocused and all over the place. I'd like to see more of a "panning shot" to establish setting, but instead you cut to a bunch of different images, never lingering long enough to let us see them fully. Towards one end of the bar, two plump Pukwudgies sat, feet dangling high above the ground from the stool, and a tall man clad in a trench coat sat beside them.
"Ya ain't gonna find nothing of the sort here, Kid," the larger Pukwudgie said, tilting his glass back.
"Why'd you say you were here again?" the smaller one asked, glancing over from the bar.
The Kid took the last swig from his beer and set it down against the wood counter so it made a loud thud. "No reason in particular," he said. He hoisted himself up from the stool and brushed off his sleeves. "Thank you gents for your time."
"Is that all?" the waitress asked with a slight drawl, looking over at them from the far side of the counter. She finished drying a glass and set it down while walking over to his empty bottle.
"That's all, miss. I've got to be getting back to the madam now."
"Alright," she said slowly, smiling. She picked up his bottle and lifted it over her head. "Don't be a stranger."
He tipped his hat and grinned in the dark light. "Don't worry. Nothing too strange about me." He turned around and walked towards the swinging doors. His boots made a heavy sound against the floor, not quite a scrape and not quite a stomp. So what did it sound like?
As soon as they were sure he was out of earshot, the larger one looked to the smaller one and scoffed: "Nothing too strange about him? He was downright creepy. If I ain't never saw the whiskers of a feral 'wolf all glistenin'-like in that alley, I think he'd be the damned creepiest thing I ever saw."
The smaller one nodded emphatically. "And his eyes—you see those eyes? All yellow and swirly. Like some kind of twisted Cheshire Cat, I says."
"Mhm," the big one agreed, setting his empty glass down. "'Nother round, darling."
The waitress looked over at them with a hint of disdain. "Don't you think you boys had enough to drink for one night?" Is she really so caring as to discourage business? I guess they're regulars, but still...
"Not after getting the willies from that fella," the small one replied.
She rolled her eyes and picked up their glasses. "He seemed perfectly fine to me."
They both rolled their eyes That's the second rolling of eyes in two lines. Have her shrug. as she lifted the mugs to the spigot.
"Oh hush," she said onimonopia, finally walking back over to them with full glasses in hand. "You can't be running off the newcomers. He just doesn't know how things are done around here is all"
"Hmph," the big one said. He watched as she returned to the others before he leaned towards the smaller one. "If ya askin' me, I think she needs to get her nose checked."
The smaller one snickered before draining his glass. "Did you get a whiff of that too?"
"Mhm. Second "mhm", not so close, but it comes after a "hmph" so it felt repetitive again. But I'm all for creativity with onomatopoeia so find something else. , Ain't got no smell about him."
"It's suspicious!"
"A downright scandal!"
"Well, Bub, I got to be heading out." The smaller one pushed his glass to the edge of the counter and jumped down from the seat. "We're going to Damascus tomorrow." If they're going together then why does he say "I" and not "we" at the beginning of the paragraph?
"Damascus!?" Are they really in Syria? Bub squealed, following the smaller one's lead and jumping down. "Are you out of your gourd?"
"I ain't calling the shots," the small one shrugged, waddling to the door. "I got to feed the youngins somehow."
"I hear ya," Bub said, shaking his head as they exited the saloon. "I'll see ya next week then, Tute."
"Take care, Bub. Tell Mumsel I said 'ello."
"Will do."
***
It's strong, I'm certainly interested to know what happens next, and especially what kind of world I'm in where Pukwudgies wander freely... Description for the little guys would be nice though, otherwise, how else are we supposed to understand who they are?
[/spoiler]
It was cute, but reminded me eerily of 'Lord of the Rings'... not exactly sure why though.

Anyway, I found it was quite well written [even if I was a bit confused, but I'll get to that later] and everything was spaced out well.
The only real issue I had was that I had no idea what was going on until the very end when I finally pieced it all together.
But you were probably going for that, weren't you?