So I'm not much of a top bun sort of person. Let's get down to it.
The Raven is a highly popular poem because of the type of beat it gets going that lets you flow through the words like butter, but it doesn't START that way. If you look at the opening lines:
"Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door."
Dun, da-dun, da dun-dun da da, dun da dun-da dun da dun-da <- that's how it starts, give or take.
By the time we get to the third line, it gets into the real scheme.
Dun da dun-da, dun-da dun-da, dun-da-dun da dun da dun-da. <- backwards iambic basically.
With your poem, I think one of the faults is the opening line needs more emphasis, more uniqueness. You've got that half the line is broken up and that the two sides mirror each other, but the syllables and where they're placed are also highly important in the poem. Some of your poem needs trimming and pruning to really get the same flow and ease of reading that The Raven possesses.
Within the wreckage and the gore, pondered a wretch named Lenore,
With this line, wretch is where I stop. it is such a hard word and named is such a hard word that there's nothing to pick up to keep the momentum going. Cutting out named would work just fine, just a wretch Lenore because 'Le' is actually a down beat to follow the strong pounding Dun of wretch. You also have some down beats that trip over each other, so reading it out loud is going to really help trim these down and make the poem flow better. Having OTHER people read it out loud TO you would be even better, because they don't know the poem. Listen for where they pause, where they stumble, and mark those spots. I'm sure someone on YWS can do that for you.
The content reminded me of V, to tell you the truth. Remember Remember the Fifth of Novemeber, except you've got the 18th? it is kind of off putting when they already have this: http://www.potw.org/archive/potw405.html <-
I liked the tip of the hat at the end to the raven, having nevermore actually in the poem. I think I would have liked it more if there was less civilization. The Raven, for me, is a masterpiece in part because of how alone, how weary, and how lonely this person is that he starts yelling at a bird. In this, it's like our main character is surrounded by society.
I would, however, love to see what you would do with Lenore's story. Who is she, etc and what's going on with the Raven guy's head?
Overall, I'm a little confused about how this nods back to the Raven aside from Lenore and Nevermore. It's not really following the line count for the stanzas, or the beat pattern, or how the pattern works to make a really rolling poem. It does good with the rhyme pattern internally, but without following the six lines/stanza, it's kind of hard to do ABCBBB.
I think you've got a really good start to a nod here. It's getting there, but I think it could use some work in structure and perhaps a little in content to really echo it's predecessor. I'm not exactly sure if that was what you were going for?
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