z

Young Writers Society


12+ Violence

Of All the Raindrops

by IAmthePhoenix


It started when one of my friends told me that she liked non-rhyming poems better than she liked rhyming poems. A couple of days later, this other person I knew experienced a small fire in her apartment. Inspired by that, I wrote this poem; one rhymed and the other did not. After I reread them, I realized that they connected to one another in a way that could expanded and explored. This is the first of those explorations. 

~

To the reader of this poem: 

I would recommend that you read the non-rhyming section first, and then the rhyming section second (in the order below). Then, reread the first section for some probable revelations.

Secondly, some questions. Which do you prefer? Rhyming or non-rhyming poems? Answer in the comments below. Also let me know what you think about this format. I call it a tandem poem. Is this something that already exists? Does it enhance the storytelling? Answer this also in the comments. 

Without further ado, onto the actual poem.

Of All the Raindrops

~

Unrhymed Section

~

Lightning struck me when you died.

My heart stopped and I fell to the floor,

No life in my body,

No will in my soul.

~

We had met in nowhere.

In some chat room somewhere.

Half a world apart, and yet

We knew one another.

~

Our spirits were that of water,

Unready for a world of fire,

Where mercy is a myth,

And justice is a lie.

~

Where all we have is life,

And not enough of living.

With way too much surviving,

And not enough success.

~

But I held your hand,

And I didn't know your face,

But we knew each other's' shoulder,

We knew each other's pain.

~

And I think I loved you.

I know you loved me back.

But the world was too big,

And the fires were way too hot. 

~

We could only defend ourselves against the fire.

We could one listen to one another in the flame.

We could only be apart.

We could only stand together.

~

But you were only mortal,

So then you had to die.

Lightning struck the building,

And fire ate it up.

~

Our paradise protected you.

It was made to withstand flame.

It shielded you with moments,

Precious extra time.

~

You called me in those seconds,

To see my tear-streaked face.

So I could hear your pain.

So I could feel your love.

~

And then the heat ripped through your door,

And the fire ate your flesh.

It cooked it to a crisp,

And froze your beating heart.

~

Lightning struck me when you died.

It froze my heart too.

It made the sky angry,

And it made the clouds cry blue.

~

Why, why, why of all the raindrops do you fall?

Of all the nothings to spill into less,

Why were you dispelled?

And why am I cursed to stay?

~

Once more I have nothing,

Except this twisting pain.

But I have free will also,

And the power to end what started.

~

I stand in the rain,

But I want to fall like the raindrops.

I want to fall like my tears,

And be together like we were in those moments.

~

But your absence was like a specter,

Halting my lethal thoughts,

Not with a touch but with a whisper,

And some fire from your death.

~

A fragment of you passed then into my very soul.

It possessed me and controlled me,

And in the burning flames of life,

I did not want to die.

~

I wanted to live for you.

~

Your spirit it is my fuel.

Your life it is my memory.

Your death is now my life.

Your love is now my hope.

...

Rhymed Section

~

One unruly rainy day,

As the pine trees swoon and sway,

As the thunder shrieks above,

And as I watch the fleeting dove,

~

As I stand within the dark

As the clouds begin to spark

As I look up to the sky

Why'd you have to die?

~

Someplace beyond the crowd,

Within the rapture of the shroud,

That's where we had met,

It's a day I won't forget.

~

In a world that moves too fast,

Where nice guys finish last,

Where justice is a lie,

As I prepared to wave goodbye.

~

You had come and found me,

You had set me free.

We were half a world apart,

But this was just the start.

~

We were friends,

Both pushed out to our ends.

And then we were more.

As the fires they ate and bit and tore.

~

As the shield to keep the world out,

Gave out.

As the walls that we put down,

Burned down.

~

And the home in which you lived,

It cracked and groaned and gived,

As the columns broke and falled,

As your door it tried to stall,

~

And then you called and cried.

I could finally see your eyes,

You spoke and then you died,

And the fires ringed and dried

~

You.

And I was faced with something new.

Once more I turned to stone.

Once more I was alone.

~

I don't want to be this way.

So on this bitter rainy day,

I look up to the stars.

Why must you be so far?

~

Why,

Of all the raindrops in the sky,

Do you fall so far from grace

That I can never see your face?

~

That I can never feel your sweet embrace?

Now that you've been erased,

From this this world of ours,

And remain as a skeleton among the flowers.

~

I don't want to live in this world anymore.

This place that I so abhor.

And so I make the plan,

To cut short my last stand.

~

To accept death with open arms,

And dodge my worldly harms.

But something from you halts,

A beam from the heavens assaults,

~

As that lightning strikes the ground,

And injects with the profound,

As light arcs through my veins,

And ends my sorrow's reign,

~

My heart stops.

My body drops.

My arms give up and spread.

For that second I am dead.

~

But it wakes me from my dread,

My spirit goes full speed ahead,

And in that moment I'm alive,

In that moment I wish to strive,

~

To the stars.

~

This life may not be easy,

This taste has left me queasy,

So from the darkness we must rise,

And soar into the skies. 


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Sat Sep 30, 2017 3:11 am
Kale wrote a review...



Hello there and happy RevMo (even if I am a bit late to the reviewing party)! I, a bold Knight of the Green Room, am here today to review you.


First impressions first: this was really, really long. Except it actually isn't, but it feels like it is because I had to scroll so far down to reach this comment box, and the biggest reason for that is because you have all these spaces in between the individual lines that just spaces this piece out even more than it needs to be.

There are a few ways to fix this issue of excessive white space between lines, and this article goes over multiple methods in-depth, though this one is also really good.

As far as the contents of the piece go, I feel the unrhymed half is very bare and literal, with very little to distinguish it from just regular prose. If anything, I think it would be more engaging in prose form because then maybe there would be a bit more description than raw exposition, which is basically what makes up the first half in its entirety.

The rhyming half was a lot less raw exposition, which was a major improvement from a poetic standpoint, but it also wasn't actually rhyming for much of its length. There is more to rhyming than having the words at the end of lines sound the same, and without the corresponding rhythm providing the underlying pattern, rhymes fall completely apart. As a matter of fact, between rhythm and raw rhyme, it's the rhythm that matters more as a strong enough rhythm will carry an off-rhyme so that it goes unnoticed, whereas even words that are perfect rhymes can sound off if the rhythm is off.

Rhythm is the reason why "the quite hot pot is black" doesn't sound like a rhyme compared to "the black pot is quite hot" despite both phrases containing the exact same words.

The easiest way to match rhythms to rhymes is to count syllables, though if you go a step further and match up the patters of stresses, your rhymes will be even stronger.

As it stands, with how literal the first half was, the second half felt quite redundant to me.

To answer your questions, I will forever love and adore rhyming poetry when it is done well. That isn't to say that I think rhyming poetry is inherently better than non-rhyming, but form poems are my favorites, and rhyming form poems are my most favorite of all. It really comes down to personal preference.

I don't have any issues with the form (once you iron out the excessive white space issue, that is), and it has certainly been done before. The proper term for works like these are companion poems, or companion pieces for the more general case.

As for your final question, I believe I've already answered it earlier, but the short answer in this case is no, because I found the second half redundant.




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Sat Sep 30, 2017 1:31 am
WyvrynScribe wrote a review...



I must say, I really like the poem. At first I thought it would be a sappy romance(I'm not saying sappy romance is bad, I'm a sucker for it.), but it has a lot of depth and feels modern, yet it gives someone grounding for the connection.

And froze your beating heart


This line feels strange, as you constantly refer to the world as fire, lightning burning her house. Perhaps something more akin to that element. Ice is water, and you refer to them as beings of water. My suggestion would be destroyed or scorched, but feel free to experiment. I do think it makes sense for you to refer to his heart as freezing, it could show the relationship, one gets hot the other cold, but do what feels right to you.

Why, why, why of all the raindrops do you fall?

Of all the nothings to spill into less,

Why were you dispelled?

And why am I cursed to stay?

This is amazing! I love the analogy, and this is a very good title drop.

This life may not be easy,

This taste has left me queasy,

So from the darkness we must rise,

And soar into the skies.


This last line feels to vague. It talks as though one rises from the earth to heaven, like death, but there's no confirmation. Plus, in saying that life may not be easy, you imply that there is a but. That there is something more, yet the next one states as though he has left life and dislikes it.

One big thing is the varying specificity and vagueness. While at one stanza have a consistent even where you know she dies in a fire caused by lightning, the other gives you an open interpenetration on whether he killed himself. Usually you don't want super specific details and analogies, but also not to ambiguous interpretations so that you don't get misconceptions.

I love the concept and story, but your execution feels off. Also, I think you preform better with freedom from rhyme schemes. It's not which feels, looks, or sounds better, it's where you can utilize your ideas. Sometimes rhymes tie a piece together to give it a flow where someones thoughts can be organized, other times it constricts them. I think that you are the latter, but reflect. Which one did you have more fun with? Which one do you think conveys your theme and story better? And now, I bid you Adieu.

Happy Scribing!





A big mountain of sugar is too much for one man. I can see now why God portions it out in those little packets.
— Homer Simpson