A/N: This piece was inspired by a real man - Clyde Wearing. He contracted a virus which made him unable to record new memories, so that he is trapped in at most the past 30 seconds. He recognizes only his wife, retains a considerable musical talent, a large vocabulary, and writes a form of diary. He has no inkling of his condition. I have tried to imagine the thoughts and emotions he might have gone through whilst writing his diary.
What I am writing about is very important, not only for me, but for science, and it is for the advancement of science that I am recording this moment.
You see, this is my first moment of consciousness
I found myself in a small, tidy, and rather impersonal room that I do not recognize. It contains only a few chairs and the desk I am writing on.
I feel as if this is an opening, a beginning, as if I have just been born and
everything is fresh and new, but that cannot be right, because I know these
things, the things around me; I know their names - a pen, a book; empty, for
writing in, a lamp, a clock. And my hands, they’re grey, and creased, like
crumpled paper carefully smoothed out again, and there are worms,
under-the-skin worms, that wriggle like they want to get out when I move my
fingers.
That means I’m old, doesn’t it? Old and nearly dead. What has happened to me, then? Was I asleep, or am I dreaming now? What do they call it when a person’s brain stops, for no clear reason, then starts again, just as strangely? A coma? Perhaps that is what has happened. Is it? Did it happen like that?
I - I don’t remember. I don’t remember anything. There is a fault in my head, a gap, an empty hole. What is missing? Surely there must be something for me to remember? I have a sudden vision of fully grown, fully clothed men, complete with top hat and cane, tumbling out into the world in a great clattering muddle, then collecting themselves, settling their hats, scowling at their watches, and marching out through the streets. I shudder. That is not how it is, but what have I forgotten? What was I? Was I famous? Was I good? Did I do anything? What was I good at? Was I happy? Did anybody like me? Did anybody love me? - did I have a family?
I don’t know. I know as much about myself as any passing stranger in the street. I do not know my own history.
Memories define a person. They tell them how to act, how to react, when to laugh, when to cry, how to cry - what to do and what to feel. They tell them how to be themselves, how to be a person, how to be - human.
What does that make me then? What am I? I am empty. There is nothing inside. I have no direction, no drive, no goals or desires. No longings. I am a ship cut loose, mapless and mastless, captain and crewless, oarless and overawed at the great expanse of ocean. I have no personality. No meaning. I am an animal, a complex machine, a clockwork figure, wound once and set to run, now close to stopping. I am a mask, a façade, a shell, a husk, a... a ... a....
NO!
No. I am here, I exist, and yet, I am more than that. I have thoughts, emotions, I feel pain, I hurt, I have a will, a consciousness. I have a...a……. shoe………. the bottom.....of a………..shoe, a…...a……..s……..s………
What was I writing about? It doesn’t make any sense, and I can’t remember. I don’t think it mattered, much.
I don’t know whose book this is: I don’t recognize the handwriting. I could not find anything else to write in, and I needed something, because what I am writing about is very important, not only for me, but for science, and it is for the advancement of science that I am recording this moment.
You see, this is my first moment of consciousness.
Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
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I thought it was really good. It almost felt like an extended poem at times. Like someone else mentioned, I'm not sure that someone would know that what they were doing is critically important, if it's there first moment of consciousness. Perhaps that could happen farther along the story? Also why is what they are doing so important. Just the documentation of the first moments of existence themselves, or is it something more than that?
But overall I thought that it was good.
Hey there, Gus. I have a dog called Gus!
What I am writing about is very important, not only for me, but for science, and it is for the advancement of science that I am recording this moment.
You see, this is my first moment of consciousness.
I have to be that person, I'm so sorry, but I have to. I feel like this is an unrealistic reaction to his first moment of consciousness. Sure, he might 'wake up' with a diary and pen in his hand, so his first inkling might be to start writing. But really, wouldn't the human mind's first instinct be to panic and wonder where the heck he is? The flight or fight response, you know? Anyway, I get it that for the sake of this piece, that isn't an option. And that's fine, because this is the only nitpick I have. Everything else is amazingly written and I love it!
You say this man has an excellent vocab, and that came across one hundred percent in your writing. The vast seas of description, the 'long but not tediously long' words, the metaphors and similes... they all worked together to create a really interesting, thought-provoking piece.
I also love what you did at the end. About half way through, I have to admit I was expecting it to happen. I though, how can he have written all this in under thirty seconds? But when it did come, I still experienced a surreal feeling, and it just wrapped the whole story up- making it conclusive but able to continue on and on in this endless loop.
If you ever considered writing further about this man, I'd love to hear his 'thoughts' when he 'wakes up' and begins reading the previous journal entry. How does he react to that entry, apart from being confused? What are his thoughts as he explores it?
I just wrote you a long and detailed reply, but some funny stuff happened - my comment appeared as a guest's, YWS told me I didn't exist, and then my reply disappeared. Here's to hoping my memory's good.
You (or whoever named your dog) has excellent taste.
You're right - I probably could have made his reaction more natural, and panic would certainly have been my natural reaction!
EDIT: I just looked him up, and it turns out his diary looks something like this:
8:31 AM: Now I am really, completely awake.9:06 AM: Now I am perfectly, overwhelmingly awake.
9:34 AM: Now I am superlatively, actually awake.
so maybe he isn't the type to panic? But your point still stands to make the piece relatable.
As to writing it all in 30 seconds? I didn't think about that. Whoops. *hides behind 'Artistic License' sign*
Anyway, thanks for the feedback - much obliged.
Yours truly,
Gus.
I greatly enjoyed this piece. The way you write his stream of consciousness is consistent and realistic. Stylistically I have a few recommendations: yes, you stated that this man in your writing has a very large vocabulary and by inference is a very intelligent person, however your use of descriptors and metaphors is a little heavy and repetitive, for my personal taste. For instance starting at "I am a ship..." and ending at the end of that paragraph, you already have about 13 metaphorical descriptors the man is using to describe himself. I would try cutting that number down, and I think by doing that it will strengthen the writing and paint a better picture in the readers mind of what this man is trying to view himself as. Overall, well done!
Thanks for the review. I understand your point, (although I can't find 13 metaphors) but I fail to see how reducing the amount of description can make the description more vivid, though it may improve the flow and reduce repetition. However, the main thing I set out to describe was the man's emotions, and since emotions are not felt with any of the five senses, they can only be described via comparison to the physical world. This means I [italic]have[/italic] to use frequent metaphors and similes if I want to explore his feelings in depth, although I know they are not entirely natural in the context of a diary. To lessen the effect of the repetition I will try to find some different ways of introducing them.
) part I wrote - the rest was meant to be worked around it, but I will try to re-work the rest so it jars less.
I will not change the section beginning 'I am a ship...', because that was the first (and favorite, hence my vociferous defense of it
What did you make of the stuttering bit near the end? Did it make sense? And what about the circular ending?
Thank you very much,
GusG
Yes! The stuttering at the end was a nice addition. I think it aids in signifying the transition from his previous stream of thought to his new beginning stream of consciousness (i.e. the circular ending). The circular ending was a satisfactory resolution, as it clearly demonstrates the predicament this man is in: He has drastic memory loss, yet no knowledge of the fact he does, so he is in a constant struggle against time and memory, which I believe is the reason you wrote this.
Thanks. I'm glad it flowed at that point, and that the ending worked. Your help is appreciated.