A/N: Read the prologue! :)
Three Months Later
The whispers followed me everywhere. They clung to my skin and my ears, filling my mouth and pushing the air out of my chest. They weren't even talking about me. They were talking about her.
Sage.
But it might as well have been me they were talking about. Sage was me, but at the same time, she was everything I wasn't. She was funny and smart and pretty and adventurous. Next to her, I felt boring and plain. Like unflavored Greek yogurt. I mean seriously, who compares themselves to Greek yogurt? That's right. Me.
"Miss Shepard?" I jerked my head up from where it lay on my desk. Mr. Anders looked at me with a disappointed look on his face. I rubbed my face as I realized I probably had a red mark on my cheek from where it rested on the desk as I slept. I felt my cheeks heat up, everybody's eyes were on me.
"Are you feeling okay? Do you need to go to the Nurse?" I nodded, clearing the sleep from my eyes.
He wordlessly handed me the hall pass as I left. It was the same thing at least twice a week since school started the month before. I'd fall asleep in class or I'd show up late because I overslept. I was already failing all of my classes. Well, except math. But how do you fail art and not math? Who does that? You guessed right, folks. Me.
I walked to the Nurse's office, not wanting to get busted by an administrator. It would be just my luck.
Ms. Webster was in there as usual, sitting in what passed for her office. It was really the size of a closet. There was a bookshelf right by the door, next to her desk. Squeezed against the opposite wall was a cot with medical equipment at the foot of it. There was just enough space between the cot and the desk for one person to walk.
"Hey, Ellie," she said smiling, and I was surprised she even remembered my name. Ms. Webster must've been at least 70 years old. She usually missed six weeks out of the school year for some surgery or another, but the woman refused to retire.
"Did you fall asleep in Mr. Griffin's class again?" She asked, her wide smile blinding me.
"Yup." One word, one syllable. She probably thought I was stupid or a druggie. Most likely a combination of the two. I didn't particularly care what the school nurse or any of my other teachers thought of me. I was done trying in school.
"Well just lay down there and take a nap. Lord knows they overwork you guys." I laid down but knew it would be impossible to sleep. Ms. Webster never shut up, she just yapped and yapped about the long classes and long homework assignments and how the stress wasn't good for our health. The only benefits of going to see Ms. Webster were the possibility of chewing ice, faking and going home early, or being instantly woken up by her high energy levels. She must've had a coffee pot hidden in there somewhere because that woman just never quit moving.
Thoughts bounced around my brain as I lay there and tuned out her constant narration. Sage. Sage was gone. My best friend, my other half. She left me. And even her parents had left, too. They moved three weeks after the funeral to a big, bustling city. I guess they hoped to forget their daughter. The daughter who made the decision to leave this Earth and they refused to recognize that fact.
My fists clenched at my sides, fingernails digging into my palms until they went numb. Nobody recognized it. Sage was smart, beautiful, funny, outgoing. The master of creating and getting herself out of awkward situations. She wasn't exactly popular but her friends loved her and her teachers adored her. She was happy, and I guess nobody wanted to spoil that pretty picture. But I knew she wore a face. I just never thought it would go that far.
I felt my cheeks dampen and I sat up, interrupting Nurse Webster's constant babbling as I walked right out of the office and into the school parking lot. The sun shone down on me, but it was a cool autumn day in late September. The leaves had turned from puke green to gold and red and a comfortable breeze swished through the trees and tangled my hair. It was one of those perfect days. Where you could wear a long sleeve shirt and no jacket and just walk. For miles. As far as you wanted.
That's exactly what I did. I walked It was about a half an hour walk from the school to my house and about a twenty minute walk to my subdivision. I felt my throat tighten as I crossed the street where she died, hit by an SUV than 100 feet away from a crosswalk. I walked on autopilot. My mind wandering to the trees and to the changing season. But it wasn't until I stopped in front of her house that I realized I'd never intended to go back to mine.
Her house. Her. Sage. The windows were empty and black, the gray paint that was once tasteful now looked ominous, the lawn was brown and dead. The flowers in the flowerbed had wilted, as if they had died along with her. There was a master lock on the door, the kind realtors use to stop squatters. That made no difference to me.
I walked around to the side of the house with the tall privacy fence and dragged the plastic bin with the wind up hose until it was pushed up against the wood. Then I hopped the fence. We'd done it tons of times, going out in the middle of the night just to walk in the warm summer air. And then I walked around to the sliding glass door which was, of course, locked. But I knew what the realtor didn't. That if you lifted the door of the handle just right and then jiggled until the angle was just right, the bolt would come free so you could inch your way in.
The house was mostly empty and it was strange. We used to filch snacks to bring upstairs to her room when her parents weren't looking and now the pantry and the cupboards were empty. There were little remnants here and there of things they couldn't sell or take with them. A toaster, a blender, a rogue fork or two hidden out of sight beneath the cupboards.
I inched my way through the house and to Sage's bedroom, walking toe heel so I wouldn't squeak on the hardwood floors. It was unnaturally cold in there, even for the fall. The wall the stairs were located on was empty. Gone were the photographs, the memories. The creepy portrait Sage's parents had drawn of her when she was 4. There were a few pieces of glitter stuck to the floor underneath where her old pictures from Kindergarten used to hang and it was strange to look up and not see the smiling stick figures next to a rocket ship. As I continued up the stairs, the house just felt more and more empty.
I eventually reached her bedroom door which was wide open. That felt all wrong too. We would sit with her dog behind the closed door and gossip about people at school and tell each other secrets, complain about parents, speculate about things like drugs, sex and politics. This room was just as familiar to me as my own, and now everything was gone. Including Sage. For a moment, I let my back relax against the wall and my eyes wandered out the window. One summer we'd even opened the window a crack and meowed at people who would pass by on the sidewalk, quickly ducking down under the window sill and giggling at the possibility of getting caught.
I moved to her closet, stepping onto the carpet. I couldn't see very well in the dark but I thought I saw the faint outline of something. So I moved forward, my hands out in front of me as I inched along in the dark. My hands finally touched the object, it was rough, like cardboard.
I pulled it out into the light of her vast bedroom window. This was a box full of Sage's things, probably forgotten by the movers who packed up her room as her parents couldn't bear to do it themselves. I inhaled sharply, the smell of dust overwhelming me as I fought away the tears that threatened to come leaking out.
My fingers lingered on the flaps of the box. I desperately wanted to know what was inside but the truth scared me as well. I knew that if I opened that box, there would be no going back. And this box could very well contain the answers I'd been looking for.
Points:
Time spent:
Canary word: Present
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Hey Gravity! Your chapter has been in the green room far too long, so I thought I'd help it along.
I've really been bothered by suicide lately. It's such a heartbreaking thing. I feel like this is a good thing you're writing though, because I suppose it could really be effective at what books do best; be there for you. And there's been a lot of talk about how on earth you could possibly console someone who's loved one has killed themselves.
Finally someone that understands. I get so tired of people trying to defend the school system. We're killing our kids, end of story. And I'm not even talking about suicide here.
The only thing that I thought might improve this a bit (did I mention I like how you write? Well I like how you write)... I know this is supposed to have a depressed atmosphere, obviously, but at the same time too much of a depressed feeling in prose can get tiring. Which is hard, because obviously you don't want to have it too cheerful because your MC is going through a terribly terrible time. However, I think this could benefit from more memories of Sage- happy memories. Memories like this one:
That made me smile and gave me a huge insight into their friendship. And although it makes us sadder in a lot of cases, it also lifts the mood somehow.
There was one quite note I wanted to mention about the prologue. When sage turns her music on, you just say it's a random song. I think the scene (though incredibly emotional already) could have even more of an impact if you say what song it is. Music is just amazing for creating emotional connections.
I think that's all! Keep it up!!!
-Socks
Intriguing end to this chapter. It definitely awakens my interest, although I’m curious to know why Ellie assumes “the answers she’s been looking for” might be in what thus far appears to be simply a box full of Sage’s things. It might be a little more believable if there are several boxes (plus I assume Sage owned more than one box worth of things). Ellie could look through a few boxes that let us see more of her and Sage together—things that simply inspire memories—and then this box is different for some reason, which is why she thinks it might say something about Sage’s death. Just a thought.
I get it, bro. Sage is gone. I get it. It started off sounding sad, but now it just feels like it’s being pounded into my head, especially since you keep repeating this fact as a fact—“Sage was gone. Sage was dead. No more Sage”—rather than focusing on specific things Ellie misses about her. In a similar vein, it would be more powerful to show us that Sage was funny, beautiful, smart, and adventurous through specific memories Ellie has of things they did together (or things Sage did that she feels she would never have the courage to do), rather than simply telling us at multiple points, “Sage was smart, beautiful, funny, outgoing.” What memories does Ellie have of Sage being smart, beautiful, funny, outgoing?
That’s the most important suggestion I have, but there were some smaller things as well.
This confused me somewhat, because presumably Ellie’s house is in her subdivision, and I have yet to come across a subdivision large enough that it would take an hour and ten minutes to get from the start of the subdivision to any particular house within it.
It also struck me the wrong way when Ellie thought this:
I get that she’s depressed at the suicide of her friend (more on that in a minute) and that she’s unwilling to try in school because she’s essentially lost all motivation to do…anything, really. I get that. But it rubs me the wrong way that she’s thinking “I don’t care what the school adults think of me” when the school adults we’ve seen so far have been incredibly nice to her. Like at first when her teacher let her go to the nurse’s office when she fell asleep in class, rather than being angry or sending her to the principal or even asking her to answer whatever question he’d just asked that she didn’t hear because she was asleep, I was like, “…wow, that’s weird. Why would a teacher just send her off to the nurse instead of getting angry?” But then when I got to Sage I was like, “Ahhhhhh…the teachers know and are trying to be extra-kind to her.”
That doesn’t mean that Ellie has to show any particular gratitude or think about how wonderful and kind the teachers are, and obviously I’m not expecting her to want to spend time with them when she’s so depressed. However, I think her attitude of “who even cares what they think of me” when they’re not acting in a way that should elicit a “who even cares” kind of response is a little overboard.
But of course you can see if other readers say anything about that before changing it. It’s really just that one line—I don’t mind her actual behavior or dialogue to this effect.
A note on the way Sage died. So I obviously haven’t read the prologue, and maybe this is covered in there. But it sounds like this was a suicide. Okay, fine. But then when I got to this bit, I was somewhat confused.
Stepping out intro traffic is a bad way to choose to kill yourself for two major reasons. The first is, if someone is serious enough about suicide to actually attempt it, stepping into traffic is as risky a way to go as is jumping off a building that’s three stories or less. Sure, you could die, but there’s also a good possibility that you won’t die. Only, in this scenario, if you don’t die, you’re probably severely paralyzed. So now you’re still alive like you didn’t want to be, but also your life is more miserable than ever because you don’t even have a fully-functioning body. Maybe if Sage wasn’t quite a hundred percent certain she really wanted to die, and that’s why she stepped in front of a van (although the way it sounds in this chapter, it seems a lot more like an accident than the suicide we’re obviously supposed to believe it was) rather than shooting herself or ODing…but if she was serious enough to step in front of a van on purpose, I have to suppose she really did want to die.
The other major issue with dying this way is that, even though you’re making the decision to step out in front of an oncoming vehicle, you aren’t killing yourself per se. You’re having someone else do it for you. Not only someone else, but some unsuspecting person on their way home from work or wherever. You’re making another person complicit in your death. And frankly, it’s just cruel.
I’m not a member of the “suicide is selfishness” party (unless you’re killing yourself for the reasons the mother in this one Agatha Christie story did it, which was to manipulate people, which is totally different than actual depression). If someone is depressed enough to even consider suicide, there are obviously problems in their life or at least in their head that they needed help with, and they didn’t get that help. But if you’re going to kill yourself by walking in front of some stranger’s car, thus subjecting them to the guilt of having killed a person…which they are going to feel whether they find out you meant to be killed or not. I mean. That’s so cruel to that person who was just trying to get home for the day. Heck.
So I’m not saying you have to change the way Sage died—even though I know right now it sounds like that’s exactly what I’m saying. I’m just saying, those are two things to consider about the method you’ve chosen for this story.
Feel free to PM me with any questions.
BlueAfrica
Thanks Blue, yeah I see your points and they are all very valid. Some of it I'm going to change and I had Sage step out into traffic for a reason. The driver who killed her is going to tie into the story towards the middle/end.

The rest of it needs to be edited and improved over time. Thank you so much for the review
Ooh, cool. If the driver actually ties in that could make it super interesting.