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Dead Girl: Chapter Two

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I wouldn’t be able to count how many times Shadows – apparently that’s what we’ve started calling ourselves – made me laugh in the next few months. Tanker, a.k.a. Berk McKinley is, despite being a huge island of muscle, probably the softest guy I’ve known in over two hundred years. That’s saying a lot. Face, whose name is actually Donnie Lampkin, is all show. Sure, his sultry ego and dazzling smile has won over gosh knows how many women, but he’s told us often that he wants something serious but just hasn’t found it yet. I’ve learned that “Art” is just short for “Arthur,” which he doesn’t really mind. He just prefers his creative alternative since his cross-dresser wardrobe is a little more eccentric than what Arthur Kelvin’s mother would have suggested.

Skinner? He’s… well, he’s Skinner. Even Tanker, who has known him longer than any of us, doesn’t even know what his real name is. And as it turns out, Skinner isn’t really new to the whole gang scene. His dad was Baby-Face Bernie (whose name, surprisingly, is not actually Bernie) and he helped him run the scene up in what was left of New York. Drug trafficking, gun smuggling, you name it, they did it. Skinner was being serious when he said that they did heavy stuff. I mean, working in the drug business, it wasn’t a big surprise. Thankfully he doesn’t do anything like heroin. His daily dose of drug, along with Art’s, is a spike of electricity laced with a couple of sense-heightening steroids injected into the wrist or neck.

“C’mon, man,” Art held out the needle, which looked more like a broken light bulb, to me. It wasn’t the first time he shot up around me and wanted me to join. He does it frequently. “You’ll, like, smell the colors. It’s fantastic.”

I looked from the needle to Skinner, who sat dazed on the couch with a similar needle in his hand. The veins around the side of his neck pulse a pale blue and he let out a low sigh. I didn’t want to be like that, or like Art for that matter, and declined.

It was a while before I learned to trust them. To care. I told them my name. That it was Liana Catherine Gates, but I was always called Cat because it saved time. That I hated the colors pink and yellow, and bees terrified me. That it didn’t matter where I was, I had to sleep with a knife under my pillow, thanks to a near-rape in the early nineties. And as I learned about them, as I watched them come out of their own shells and learn to return that trust, I felt like I was slowly caving in on myself with every laugh. After watching everyone around you die, while you stand there in the middle of bombshells, floods, tear gas, fires… you get this sort of aching in your chest. It’s like when a body falls, a piece of myself falls with it. Every decade, every year, I lose a bit more of myself. I think now I’m just a hollow shell of who I once was. I’m the survivor, but I don’t think I want to be anymore.

The digital clock posted above the television set reads 8:17 a.m. I sit in the kitchen, the cold linoleum countertops chilling me through my long-sleeved nightshirt, sipping on a cup of water. I’m tired; waking up a little after midnight because of a fitful night’s sleep is taking its toll. Now, for the fourth time, I observe everything around me, wondering how I ever got here.

White carpet, soft like the fur of a rabbit, covers the floor of the living room. The whole area is open, with only a bar separating the living room and kitchen. The one bedroom is enclosed in thin panelled walls lined with marble while the study/office is in a glass cubicle. To my left, on the other side of the living room, dark purple curtains cover huge windows that show a beautiful skyline of the city of Atlanta. At least, it could be beautiful without all the smog. And to my right, the elegant, hardly used dining table sat with a fake arrangement of hydrangeas and daffodils. The kitchen is chic and perfect, and it shocks me every time how I got here.

A bullet in my head. That’s all it took.

I hear the bedroom door open and down the rest of my water. I put my glass in the sink and pull out a smooth mug from the cupboards. Before Skinner shuffles into the kitchen wearing nothing but his pajama drawstring sweats, I already have his coffee – two pinches of sugar, one cap of vanilla creamer – poured and sitting on the island countertop. Still in that daze of half-asleep, half-awake, he takes up the mug and leans back against the counter beside me as I fix myself some coffee.

“Good morning,” he says, his voice still laced with dreariness. He leans in towards me a bit. I give him a quick peck and a gentle “Good morning” before mixing my sugar and creamer.

He gives me a slow once-over. “You’re in my shirt,” he mumbles, pulling me against him.

“I was freezing,” I reply, snuggling into him and carefully sipping my coffee.

He gives a throaty chuckle. “If you had just stayed in bed, I could have fixed that.”

Skinner and I… it’s hard to explain. I’ve known him for a good six months. I’ve gambled, fought, literally died for him. Our relationship is not a secret to the other guys. In fact, they always say that it’s “about time Skinner found himself a playmate.” When this had first started out, I felt so embarrassed until Skinner kissed my temple and told me that I was better than a couple of sex jokes. I toughened up and learned to joke around with the guys other than taking their jibes seriously. I started thinking: I’ve been alone and – ahem – inactive for a good century or two. I deserve a little Me Time.

Now, I admit, he wasn’t my first choice. Face didn’t just charm mob ladies into giving him information. In the beginning, the flirting went both ways. He poked, I giggled, so on and so forth. It wasn’t until I realized that he was a little too simple for my tastes that I really started leaning towards Skinner. And then it just kind of… clicked. I know, I know. The simple, naïve girl falls for the mysterious, dark, brooding older man. What can I say? I’m a sucker for clichés.

And I’m, like, a good three hundred and something years older than him. Talk about cougar.

For a second, I’m wrapped up in the thought of hold old I actually was, and that I will forever be contained in the body of a seventeen year old girl. A five foot – four inch teenage girl with unevenly cut hair and a chest that was too big for her petite height (a sarcastic thanks to you, mom). I start wondering if I was going to outlive these guys, like I had everyone else. Then I start worrying, and I guess I tense up because Skinner sets his coffee down and wraps his arms around me. Setting his chin on the top of my head, I curve into him, fitting like a missing puzzle piece with my back against his chest.

“You got up pretty early.”

“You sound worried.”

He lets out a sigh, his breath warming the top of my head. “I was cold.”

“Well, a big part of that is because you never put your shirt back on.”

Skinner moves his chin off my head and presses his lips against the soft skin on my neck. He mumbles something I don’t catch.

“Hm?” Distracted, I lean into him, sure that he’s always going to hold me up. It’s hard to focus with the scruff of his beard tickling my neck.

“I don’t think you should go today.”

Blinking, I make sure I heard him correctly before gently breaking out of his arms. He looks at the countertop, leaning back against it, and crosses his arms over his chest. He glances up at me, waiting for an argument.

“We’ve been planning this for weeks. You guys wouldn’t even know about it if it wasn’t for me.”

“Liana…” he starts, and I think he’s deliberately making his voice gruffer and deeper to get me distracted. My name rolls of his tongue, the sound so inviting. I shake my head.

“No. No way. You’re taking me. You need me.”

And he knows it, too. I’m always the first one in. Granted, the first time I entered a mobster private homes and faced the rain of machine gun fire was terrifying. But I woke up, like I do every other time, usually in the basement or out back, unlock the doors, and let the others in. I’m the distraction. I’m the secret weapon. I tell Skinner so, and he looks at the floor. Taking a deep breath, he prepares his side of the argument.

“Haven’t you ever thought that this thing – your coming back to life – will run out?”

I groan and roll my eyes. “Not this again.”

“Yes, this again.” Skinner pushes off the counter and holds me at my elbows. “Listen, hey, look at me,” he grabs my chin and lifts my face up. “Liana, this thing, however great or useful it is, isn’t going to last forever.”

“Skinner, I walked with MLK. I went to Woodstock and met Jimi Hendrix. I have died hundreds of times before. What makes you think that I’m not gonna wake up now?”

For a second he doesn’t answer. Then he lets go of me and takes a step back. I’d rather him be up next to me, arguing, then standing back and looking at me like he is now. Like he doesn’t know what to do with me. My heart clutches in my chest, and I cross my arms and look away.

“I’m going.” I state, plain and simple. “Whether you like it or not.”

Skinner frowns, and leans in to give me a soft kiss. It’s over in a second, and he tastes like vanilla and coffee. The taste lingers on my lips as he steps back.

“Get dressed.” He turns and walks back to the bedroom. "We leave in an hour.”


I know, I know... but I had to put a love-interest in somewhere! And I'm having this really weird Keanu Reeves obsession at the moment and can't help myself as I make Cat and Skinner get together. Sorry for the shortness of this chapter. I wanted to leave it on a sort of cliff-hanger and plan on making the next one a little longer.

Comments & reviews · 2
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Hi! Cricket here for a review!

Couldn't resist reviewing, now that I've read it.

Well I like the idea so far that's for sure. Girl who is a couple hundred years old, falls in love with older guy. Yup, the couple hundred years old part isn't a cliche, but the girl falling in love with a mysterious, older guy is. Not too bad though, I don't think. I rather like this kind of cliche'. Not to mention I'm glad you're not the kind of writer that goes for the romance stuff that makes you want to fall over and puke. I mean, there was some romance in this but it is nothing compared to what you could have come up with. And I'm glad of that, as I cannot bear authors that overdo it in the romance department. ;)

I do think that you could work on expanding each and every idea, more and more as you go along. Some of this seems just a wee bit incomplete in spots, while other's it seems like an over-dosage. Such as, when she's talking about Skinner and her's relationship, it wouldn't be a bad idea to cut out a tiny bit of that. Just a tiny bit mind you, and try and fit something else in. There's only so much back story you should do. And that part there was really just an info dump. I would have almost preferred if she had been shouting the story at someone, instead of the information being shoved in my face like that. Almost, of course. Try and get the information out throughout the entire story, and not just a few paragraphs. Make sense to you?

Even Tanker, who has known him longer than any of us, doesn’t even know what his real name is


Okay, RED ALERT. Does she know his real name? I mean, I personally wouldn't ever get in a relationship with someone, until I get to know him better. And that includes knowing his name, his real name that is. Sooo does she know his real name, or... ??? Looking at this, I'd say she doesn't and I'm not sure I like that. I mean, you can always have it to where as the story goes on, she learns more and more about him, but still... I'd find it kinda strange if I was to get into a relationship with somebody and not really know their real name. Just a thought.

that I was better than a couple of sex jokes


For mentioning things like this, this work should really be rated 16+. There was the mention of rape as well, so yeah. Make sure you rate things properly. :)

But I woke up,


I think you mean "wake."

“I’m going.” I state, plain and simple. “Whether you like it or not.”

Skinner frowns, and leans in to give me a soft kiss


Hmm, I want some dialogue from Skinner here. Before he kisses her. I mean, just something to help spice it up and to smooth this out a bit. Right now, it seems rather rough the way you have it going from her talking and then him kissing her. One thing you should try out I think, is try to picture each scene as it happens, and what your characters are doing and feeling. Going off of that, try to image their reactions to different things in their environments, think about what they would be saying in such and such a situation. Make sense? I mean, the readers have to relate to the characters somehow and if they characters are doing things that are just constantly jumping around, then they are going to be jumping around as well, not feeling like they're in the story. Get what I mean?

“I’m going.” I state, plain and simple. “Whether you like it or not.”


This is something that might be a typo, but I thought I'd mention it just in case. After I'm going there should be a comma and not a period. For a reference to make sure that you have your dialogue punctuation just so, go to here] and you'll be able to get it all right in no time. Hope it's helpful. ^-^

Okay, that's all from me for now! I can tell that this is going to be a good story, and I hope you continue with this. Honestly, I do. You have a style that is easy to understand, but complicated at the same time. That is something that you must work on fully developing, and I hope to see you do it in full. :D Hope to see more from you soon!

Keep writing!

~Cricket

Talk about overload :|
The reason I write as I do isn't because I'm unfamiliar with grammar/ punctuation usage (trust me... I've been taking an entire class on those two things) but because that I'm really just using what I have seen in a few of my favorite books.
I don't particularly like Skinner talking. He's a character I really want people to read as someone who you'll have to read his body language, not what he says, to understand him. For instance (I'll just use the quote you took) the fact that he frowns but still kisses her means that he doesn't agree but still wants to make her happy, which is honestly more important than anything I could have thought up to put there.
No, she doesn't know Skinner's real name, which is deliberate to help add a certain amount of tension later on.
My tone sounds rather rude, and for that I apologize, but because you're only reading my words and not hearing them, you can't hear how I'm only trying to explain myself and my writing style. I do respect your review and take it into consideration, but I write as I write, and this is good enough.

Flightless

User avatar
Burrow
Review
Burrow wrote a review · Wed Oct 29, 2014 6:11 am

I love it just as much as the last one, I still love the idea, and skinner mentioned the one think I was wondering, will it run out, it makes the story so much better than it already is, and I like how you have skipped like six months, and not dragged on about the introduction, and cut straight to the action. Though I think that perhaps maybe you should add some reason on what she is doing in the group, like make a bigger picture if you get what I mean, and not just say she is in there for the money or something, if you get what I mean.

Anyway the story is heading in a good direction, and I think adding the love story, was a good move. though what would be cool if you added a small mob war between each mob, that would be epic. Anyway thumbs up from me.

Jack

Thank you for the comment/review! I didn't put exactly why she wants to be in the group because I'm leading up to that :)
As for the mob war... I don't really want to give away details, but let's just say that the Brothers have a few close friends who aren't exactly happy about Joe's death...



As a former (and rather excellent) liar herself, Aru knew that, sometimes, speaking the truth felt like wrenching a thorn out of your side. But doing the opposite meant pretending it wasn't there. And that made every single step ache. It was no way to live.
— Roshani Chokshi, Aru Shah and the Nectar of Immortality