Thank you for the terrific reviews of: lilymoore,TL G-Wooster, Bickazer and mikedb1492.
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Yay, there's more!
Anyway, you know the drill. Time for more nitpicking.
Is this passive voice I detect? Who is making these arrangements?
"in the final stages"? I don't quite understand. =/
This is a very realistic reaction for a young girl whose life is about to change.
I also had to read twice to understand what the "last time and time before that" part was; you might want to clarify and say something more specific, like Anat wasn't allowed to go the places she wanted the previous time she went.
Tense change, "Would", not "will". I do like this sentence though; the long, rambling quality helps show Anat's nervousness. It's cute and genuine.
"Unusuall decisive counterarguments"? I'm confused.
I think this is a bit much. Now it's starting to sound like Anat's going crazy, not that she just has nerves.
I feel a semicolon would work better than a comma here.
I don't quite understand this.
I think you have an extra "she" in here.
Yikes, I really don't get what this sentence means. It doesn't even seem to work out as proper English. O_o I get the feeling a typo is involved, somewhere.
Owls hooting about? This seems rather random.
I have a vague idea what you're trying to say, but I feel it could be conveyed much more clearly.
Ah! Nice way to connect this to the first chapter. Di Ariont has Anat's diary, no?
This is one very long and complex sentence. I feel you could easily split this into several shorter ones, because as it is it's a headache to read through. In fact, you could do the same with a lot of your sentences.
Lawlz, this is an excellent description of a character.
Meh, this is weird phraseology. I'm not sure I like it.
"Full of gallantry" is a mouthful; it'd be easier and fit into your parallel structure to just say "gallant gentlemen".
Ah, more character description. Wonderful. I love how you build your characters through small details instead of dumping everything about them on us. Through this, we've learned both the dance instructor and Anat's characters.
This sounds interesting; maybe elaborate on it more?
I don't believe this to be standard English; in this context, "usurpation" would work better and still fit into the formal tone you're trying for.
I feel this would be more effective if you replaced the commas around the "a foreiginer at that" part with dashes.
Is "unruliest" a word? In any event, I think "most unruly" would sound bette
I like the incidences of alliteration in this sentence "spinning, stories" "magnificent Meriadossa". It gives it a rather poetic feel, which I think you were aiming for.
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I don't quite understand what's going on here, except that Rinnie is conflicting with the dance master. Wait...on a second readthrough, I got it. Some parts read awkwardly ("cripped Imperial"?), but at the same time, I think this conflict might do with being lengthened. Show us their argument, don't just say they argued.
I'm a bit confused about who the "her" in this sentence is.
"Utterly" and "completely" mean the same thing; pick one.
Feigned tears? *confused*
You're overloading us with details on Anat's sense of anticipation; I think that just the "biting her lip" part is enough, because you're hammering it in too much with the "eyes wide..." part.
Nice, very emphatic end to the scene. And a sign of tensions between countries, on a more personal level (two instructors for a young girl).
I like the way of exposition through story-telling, but at the same time, I'm still a tad confused, in part because I'm still unsure which country Anat is from. Which is the Empire? And I don't know exactly what ended the war or not.
"Out on"? Surely you can find a stronger way to say that.
I do believe the parting scene needs to be expanded. Right now, I'm not feeling much pathos because it just feels...rushed. I know you're perfectly able to write character interactions and emotion, given the last part of the chapter. Work on this, because the leaving scene is integral.
All right, overall, I have to say that I'm glad everything is coming together--the diary, Valkarad's part in the war, etc. And I loved the character of the dance master, as well as the way he clashed with Rinnie. Their interactions felt very realistic, and served as a nice metaphor for the continued tensions between the countries, on a personal scale. You're doing a great job relating the political to the personal.
I'm slightly less confused about what's going on, though I still am unsure which country is which. >_> So...try thinking of clarifying that (perhaps stating, before each scene opens, where it's taking place?).
The best of luck in your endeavors.
Part B is up, so I’m bumping the thread.
Chapter One is being revised - taken off for now.
Hey Mesme, how's it going? I didn't read the other reviews so pardon any repeating on my part.
This sentence is a little long. Not so much that it's a total run on, but it would still feel better if you started a new sentence with "But". I also personally like the pause it adds.
This just feels like you're trying to put too much information into one sentence when it's unnecessary. This part would actually fare far better if you had this entire part in dialogue.
"Here" not "her".
Like last time, this was another good piece of writing. I personally found the previous of... a higher quality you could say, but that may have been because of the more interesting scenery (the sea of rats and such). This, however, was still good. The only problem I have with these Meriadossa (great name for the story/country by the way. It really drew me in) pieces is that I'm having trouble with all the characters that are being introduced. It's hard for me to tell who is who in your story. I can tell each character has their own distinct personality, but the names just don't stay with them. To counteract this, you'll need to take more time to describe each person and make sure the name sticks to the character.
Well that's all I've got for you for now. It was a good read, and I wish you luck with the rest of this.
It's me again, back with more nitpicking.
Promise I won't be too harsh, though.
Wow, this is one mouthful of a sentence. I feel you should split it into two because I had to read this several times to make sense of it.
Once more, you demonstrate the remarkable ability to characterize by showing instead of telling.
So I take one of the girls is the princess? By the way, I like the repetition of "Meriadossan"; it realy helps underscore the point.
It's just me, but I feel that this would be better phrased as "but that was before the messengers came, then three physicians etc, then a painter etc."
Is Anat the eldest or youngest sister? *confused*
Kalagat? O_o
Wai-ait...who's Isabal?
I dunno, I'm not too fond of this description...it feels a bit clunky. But I don't know how to fix it...>_>
Ha, again a nice image of the governess's character. So I take Rinnie is Lady Arianna?
This feels a tad...schmaltzy, although I can see why a child would think this way, especially one who may or may not be getting married.
The two thoughts don't connect so well. I think you need a different conjunction than "and", or maybe replace the comma with a semicolon and get rid of the "and".
Okay, so Anat is the one getting married...so I take she's the older one. I'm not sure if I quite like the way she's speaking, as it seems overly formal, but I suppose it makes sense for a princess reared in a very formal manner or whatnot.
Whose father's?
"Suddenly" and "abruptly" mean the same thing; get rid of one. I'd suggest using "abruptly" as it's less cliche than "suddenly".
????
Oh, I kind of see what the above sentence is going. Ah, this is a very touching way to display a child's homesickness, especially in a society that doesn't have email and telephone technology. Portraits would be Anat's only connection to her family.
Oh, all right, I understand now who these characters are and their relationship to one another. It really shouldn't take this long, though; clarify that earlier on, please?
I like how heartfelt this paragraph is, without being over-the-top. I really do feel sorry for both girls, because no matter what happens one of them is going to be disappointed. Wonderful way to connect the reader to your characters. The last sentence is particularly heart-rendering. I get the feeling it's Isabal who's going to be disappointed, though...
Ah, I was right.
I thought his name was spelled with an "o".
Ha ha ha. Nice example of Rinnie's character, seems very realistic for a ten-year-old. Again, you're doing a marvelous job building your characters by showing instead of telling.
Oh, poor Isabal... *feels bad* It's a very effective sentence; simple yet evocative.
I don't know why I'm so amused by how everyone adds "may he live forever" after the Emperor's name. ~_^
Oh...that seems rather callous. Shouldn't she know that her best friend is disappointed.
Oh, that's...that's heartbreaking. Poor Isabal...
Overall thoughts--
I liked this somewhat better than the first part, in part because it's more character centric than political. Again, you show your talent for characterization--showing how Anat is an excitable child, Isabal is more sensitive, Rinnie is strict but caring, etcetera. None of them, admittedly, are as cool as di Ariont, but that's just my bias speaking. >_> I really liked it near the end, when it got so emotional: I can understand both children's feelings exactly in part because (this is so...ridiculous, but...) I have an older twin sister of my own, and we've always done things together. There are plenty of times when she's gotten to do something I couldn't, and vice versa. So I know both sides of it, how Anat is joyous, while Isabal is utterly disappointed. At the same time, though, I feel maybe you should make Anat feel a little bit regretful that she'll be leaving her best friend behind...
Admittedly, I was a bit confused at the beginning about who was who--it was only until that paragraph I pointed out that I realized who the characters were and their relation with one another. You might want to explain who they all are and suchlike earlier, so the reader isn't so confused at first. It wasn't nearly as confusing as the first part of the first chapter was, though.
I don't really have anything specific to note prose-wise, besides that monstrous first paragraph. I feel the prose in this chapter is slightly more stilted than it was in the di Ariont portion of the first chapter, though that might be just the viewpoint becoming omniscient again.
I'm looking forward for more (and maybe...some explanation on all the politics stuff!). How is Anat going to find life at the court, and her upcoming marriage (I mean, she's only...ten)? Is she going to meet the Viscount from the first chapter (they are the same age...)? I figure that's a good sign if any: I want to read more.
The best of luck on your endeavors.
Thank you for the review!
There are three character: the governess (Lady Arianna, also known as “Rinnie” by Anat), Anat (alternatively called Her Imperial Highness – she’s ten years old) and Isabal (“Isabel” was a typo). But, do you think if I cleared that “Rinnie” is a nickname, it will be better? Or should I add this to the major makeovers? For me it’s hard to be objective as I know who everyone, and apparently that’s proving to be a problem.
Well, that was the major issue – those smaller corrections will be cleared up now. Again, thanks for the review (of, ah, part one of chapter two)!
Esme
O hai.
This is a long opening sentence. I’d split in half so it’s easier for the first mouthful. Also, I think “came in the middle of the morning” sounds better, more definite so we realise that it is THIS morning, not some random one.
Physician = physicians
Like this sentence, nice and smooth. ^^
“Shrieked” seems a little extreme. Maybe “cried” would be better? If it’s fitting with her character, though, then leave it. =)
“Leaned forward only slightly” sounds rather strange.
You should have it as “the hands clutching…”
Where = were
If it was me, I’d change the first action to something more definite. Like, “Isabal’s face was calm, but the hands clutching the arms of her chair were white, the knuckles strained.” Though can knuckles be strained?
[uote]A stricken expression continued to paint Rinnie’s face, but she collected herself quickly.[/quote]
Clunky wording. And I’m getting kind of confused with who’s who. I thought there were three – the governess who took the message, the princess who’s going to be married and the governess’ daughter who’s sewing with the princess. Now I’m all muddled.
Very tell-y. “She commanded Her Imperial Highness…” works fine, or add in an action and have it something like, “Straightening her shoulders, she sharply commanded Her Imperial Highness…” Or stuff.
Confuuuuuuused. I thought that Isabal was the princess, but then she was the one who read the letter, and as we’re told she’s getting married, I immediately picture a teenage girl, more like fifteen or sixteen. Though I get how she could be younger, depending on the type of society she’s in.
So how old IS she? This makes her seem older and more responsible.
But-but-but! I thought it was Isabal doing the talking! Oh, and here you spell her name as “Isabel”. Is it meant to be Isabel, or is this a one-off typo?
----
Wait, is this part 2? *dumb* That might be why I'm confused? If it isn't, then sorry, but this was mega-confuzzling. At first it seemed that there were three people: governess, two girls. The governess was reading a letter, the princess and the governess' daughter were listening, but then it seemed that there were more people and more names and nicknames. ><
That aside, it was enjoyable and easy to read, just worded a little stiffly at times. Thinking it over, I suppose you could add in more description as there's very little apart from at the begining, but as I didn't notice that the first time round, it may not be that important.
*stars*
Lily,
Thank you for the posted thoughtful comments. Again, the minor changes will be made immediately, while the rest I’m copying to a separate folder – at around chapter 5, I’ll go back and edit through all of them.
Hordes of characters, I know. Messes with one’s head. I don’t know how I’ll resolve that particular problem yet, but I’ll do it. Somehow. In Chapter One I’ll be extending the Valkarad homecoming scene not in terms of character development or anything like that, but back-story. That’ll happen in di Ariont’s, too, and maybe it will clear up some things. My biggest fear was info dumps, but maybe I withheld too much, making everything confusing.
Appearance – valid point. I’ll be adding a portrait of her for di Ariont to look at, and she’ll be an ugly duckling. And then I’ll add those description phrases throughout Chapter Two – although this will be the last we’ll see of Isabal for a long, long time.
Back to character mess. In the next chapter all of the previous characters will be in one place, at the Kalagat (unfamiliar term, is in the edits section: Imperial residence, so where di Ariont was). So, Anat, Rinnie, di Ariont, translator (whose role in the edits considerably becomes larger), the Emperor. So maybe that will also clear things up, but that will be a bit late. So edits before still stand.
2B will be basically about Anat’s insecurities and the move to the Kalagat – I might add an interaction with her brother. But I’m rambling. Lily! Thanks for reading, I so much appreciate it. Your comments are very, very helpful, and if you would like the favor returned, please PM me with a link, yes?
Esme
Hey Esme, saw that part two was up and was like, Whahoo!, something fun to read. And I’m guessing you did split it into parts, at least I’m assuming that’s what 2A means. I’ll have to be informed when 2B comes around. Deal.
I really don’t think you want ‘of’ in here. The sentence doesn’t make much sense because of it, unless I’m reading it wrong. If that’s the case, go ahead and kick me.
Characters
Okay, so to be honest, I keep getting so confused as to who is who throughout the story. I think one reason is that not a lot of emphasis is placed on the individuals of each character and well…those are some confusing names. And too be honest, I don’t know how to help you there.
This section, however, is one that makes Anat stand out so strongly because there is a lot of sudden emotion in here. Me like.
Not only that but you have the personalities down. I think the only real problem I have is that, well, I don’t know what any of the characters even closely look like. I’m not begging for you to spend pages and pages describing one character, but something as simple as “fair hair” “round face” or “olive skin” would be nice.
The thing is, the idea here is good and so is the character reaction which is fitting for the situation.
I really don’t have much to say other then what I’ve said and that I’m trying really hard to understand the dynamics of this story. Because of the fact that it’s in an unusual setting for me with terms I don’t quite know, it’s a bit of a challenge for me. But I do really enjoy reading it and I hope there’s more.