Warning: This work has been rated 16+ for mature content.
Vaguely but certainly do I remember the first night he visited me. I was to be 13 years of age the day subsequent to the one I am currently recalling and though I usually remained awake on the nights before an event, something else kept my eyes pinned to the ceiling. Customarily I would require some form of light in my room to keep thoughts of darkness away, but on that night my mother acquainted me with the fact that I was on the brink of becoming a teenager and that my apprehension of the night would have to cease.
“But mom,” I spoke in a muffled tone as the end of a quilt rested on the bridge of my nose. “It’s not because I’m afraid of the dark. I just can’t focus on sleeping when I can’t see anything.”
“That’s a bad excuse Lev. If it becomes a problem, I’ll let you keep the TV on or something. Deal?”
I nodded then turned over; which (my mother knew) was my last resort to get what I wanted. As expected, she did not budge; she left the room almost inaudibly but before she had gone, she assured the cessation of all light except that of nature. The visit came shortly after she had left my room. I recall the childish safety that I thought existed beneath the quilt that slept over my fragile body. I wholeheartedly believed if something existed beyond this world’s comprehension, whatever it may be, that it could not reach me within my realm of cotton.
That night seemed longer than any prior to it and all that I have had since. I concluded that my parents were asleep as I could not see their room light from the crack beneath my door. And I began to convince myself that if a noise was made somewhere throughout the house, that it could not be made by my parents, but instead, by some apparition who wanted nothing more than to haunt me. But even now, silence is a fearful essence, and that night, as the silence began to thicken around the room, I heard a knock. A very low volume knock, redundantly sounding against my bedroom door.
The temperature phase commenced and did so with a heat resembling Summer. I started to sweat underneath such a thick quilt but no matter what, I thought, I’m not coming out from under these blankets. The knock gradually grew louder and probably had been doing so for a reasonable time, but I did not notice due to my absolute focus on ironing my will to remain under that quilt. I then tried to decipher the possible origins of the noise. Could it have been the wind from outside, pushing the door ever so slightly against the frame? Or could it have been my parents’ bed, tapping the wall with each thrust by whomever was doing so?
No, the knock is definitely on my door. Someone is knocking on my door. And the door isn’t---the door isn’t locked! The sound of my own heart mimicked that of the knocking, only my organ beat much faster. It grew louder and louder, the knocking I mean, and I feared that it would eventually reach an astounding conclusion, forcing it open and leaving me without privacy or security. I most definitely considered calling out for my mother and father, but what held my tongue in place was the frightening thought that my screams would provoke the visitor, thus causing it to rush in and abduct me before my parents could even get out of bed.
I realized how deep and indecisive my thoughts were, for when I brought my concentration back to the tangible world, my ears could no longer hear the redundant knocking. Relief set into my bones; it put me into a state of coolness, and I questioned (for a brief moment), could it have been my imagination the entire time? I would soon learn the answer to my rhetorical question. That night, as I considered sliding the quilt from my face in order to receive a breath of actual air, I acquired that feeling of sense where it is almost certain that something else is near or approaching. That irremovable sensation that someone is watching your back with malice intentions.
I slid the edge of the quilt from my face, primarily to observe the room and to make sure that my door was as my mother had left it, closed. But when I looked towards my door, I did not see the white paint and hook that held my jacket. Instead, I looked coldly at the hallway walls; at the daisies that decorated them, but even they looked unpleasant.
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Greetings! I thought this was really creepy (in a good way). I loved the dark tone and interesting word choice you used. However, instead of, "It grew louder and louder, the knocking I mean," you could have put something like"The knocking grew louder and louder". I just think this will help the paragraph flow more.
I can't wait to hear more! -Bellator
Hey there! This story is eerie, to say the least. I'm already hooked, and we haven't even met the incubus yet.
There's something so terrifying about a simple knocking on the door that I feel like everyone has experienced at least once in their lifetime, and that everyone can relate to on some level. I like how much you get to know the mother, even from her very brief appearance in the chapter, and I feel like you already understand so much about the main character, even from this one chapter.
"I wholeheartedly believed if something existed beyond this world’s comprehension, whatever it may be, that it could not reach me within my realm of cotton."
(Sorry, I'm new and don't know if this quotation will work like I've intended it to) But this is my absolute favorite line. I connected with this one sentence so much. I feel like if I were at all lucid enough to think clear thoughts while being this frightened, and at that age, I totally would have thought the exact same thing. I think it's beautifully written. The only thing that I would suggest while writing a story that is told from the first-person perspective, is that you should try and italicize the personal thoughts of the main character. To specify: the thoughts that they character is thinking whilst they are reliving the story. It will do a whole lot for the reader to differentiate between what the narrator is currently thinking and what they were thinking while the events were taking place. For example:
"No, the knock is definitely on my door. Someone is knocking on my door. And the door isn’t---the door isn’t locked!"
Would be better italicized as opposed to:
"Could it have been the wind from outside, pushing the door ever so slightly against the frame? Or could it have been my parents’ bed, tapping the wall with each thrust by whomever was doing so?"
Not that you did italicize. Actually, I'm not entirely sure that you can italicize on this site... and if that's the case then I seriously apologize! But perhaps you might try and put such thoughts in their own paragraph, or even put them in quotations. Aside from this, I think your story is excellent and I can't wait to read what happens next! I love intense, passionate horror like this. Keep on writing!
Hi there!
Alright, let's start out with your opening line.
This is a bit confusing to me. These words are opposites. If your character vaguely remembers that night, then they don't remember much about it at all. But if they certainly remember it then they remember it will. Do you see how this could be a problem for readers? You haven't made it clear as to how your character remembers that night. I would suggest rewriting this sentence to sound like this: "I remembered the first night I saw him, but the details weren't quite clear to me anymore". Something along those lines.
With this sentence I want to talk about grammar. I probably use semicolons more than anyone on this earth. Really, I loved them for some strange reason. Anyway, this is not a time that a semicolon should be used. Semicolons are used as a way to continue a sentence without it becoming a run-on. The first part of this sentence could very well be a sentence all by itself, but the second part can't be. If you replaced the semicolon with a period than you would have a complete sentence followed by an incomplete sentence. That wouldn't work out so that's how you know that there shouldn't be a semicolon here. Instead, you could just make it one sentence. You could put a comma there instead of a semicolon.
First things first, you did use the semicolon correctly here. But I think you should start a new sentence before the word 'but'. This just seems like a long sentence to read.
Second, how could your main character Lev know if his mother moved or not? Lev's back is turned to her right? Remember, when writing in first person, you can only describe te view of one character. If Lev cannot see what his mother is doing, then he can't describe it. You could describe however, the fact that Lev didn't her another sound from his mother and the only way that he (she?) knew that she left was because the lights went out.
What exactly is the temperature phase? Do you mean that the heat kicked in and air came from the vents? I guess I'm just confused about that part of the sentence. You might want to be more specific.
Keep in mind that you are writing in part tense. Here you switched to present tense for a few sentences. It's an easy mistake to make. I do it all the time and don't even notice it because I'm so wrapped up in the story. So just change the 'is' to 'was' and you'll be fine.
Overall this is a good start. You've definitely grabbed my attention and I'm interested to know more. Your character Lev is very realistic. I give you two thumbs up for that!
There are two things I want to say about your character though. First, is Lev a boy or a girl? I had a hard time figuring that out. In fact, I'm still not sure. Maybe you could throw in a hint there somewhere. Like maybe say something about her long curly hair or something about how he was an only child but really wanted a brother so he'd have another guy to talk to other than his dad.
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Second, I feel like Lev talks too formal for someone who's about to turn thirteen. Now that may be your writing style, but remember that when your writing in first person, you're writing as your character, not the author. So you must cater to the personality of your character instead of deferring to the way you speak and write. Just keep that in mind. I'm not saying you have to go back and change the wording, but not try to cut back on the formality a bit in the next chapters.So I'm guessing that your character is older based on how he/she talks. The wording is a little advanced and kind of hard to understand, but that's how your character talks so it's all good.But I might ask what age group you are directing this story towards. I am 19 and I had a hard time reading the "big words" and formal language. If you're writing this for the teenage age group you might want to tone it down a bit, make it more reader friendly.
Like I said before, this is a really intriguing story. I'm seriously excited to read more. Please post on my wall when you add another chapter. I'll be happy to review it!
Keep writing!
**Noelle**
Hey, I edited this a few days ago and I fixed a lot of things so I'll put it up soon. Thanks for your suggestions though!