Finny

by Elfsongs

Published July 13, 2014

E - Everyone

In story

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I honestly don’t remember how it happened. I just remember sitting with my mother in the booth on the train, my father sitting across the way with a smile. His top hat was sitting on his lap, looking rather agreeable on his knees, and my mother was in a yellow dress, her golden hair all done in curls. I remember being ever so slightly bored, looking out the window as the train pulled to a stop in the last station before we started on our way to the seaside. After that, I don’t remember much of anything at all, except being very hot and very frightened, and my father calling for me.

The next thing I knew, I was laying in an unfamiliar bed, my vision blurry as I opened my eyes. A man sat beside me on the down comforter, playing a violin.

“Ah, Finnegan,” he said, ceasing his tune, drawing the bow away from the strings with a smile. “You’re awake!” I think I might have grunted in return, which was rather rude, thinking back on it. He laughed lightly, his thin lips pulling into a lovely smile. I felt his long, thin hand slide behind my back as he helped me sit up, propping a pillow behind me. I looked around the room; large, richly decorated, the height of fashion. Large crown moldings adorned the high ceilings, and pale green wallpaper lined the walls. The ceiling was the image of a bright blue sky. Even the door was beautifully carved with scenes from old Norse lore; fairies dancing and elves peeking from behind oaken trees. I jumped slightly when the handle turned. An immaculate face peeked around the door, his bright eyes widening when I met his gaze. He quickly retreated, hiding behind the moulding. The man sitting beside me chuckled lightly.

“You may come in, Witt!” he cooed in the direction of the door. The boy emerged again and slipped silently around the doorframe, then leaned on the wall quietly, his hands behind his back. “Finnegan, this is Witt. He and his brother Rig live here as well.”

“Hello.” I said quiet weakly, offering him a little wave. He made no reply, and simply stared at me with his large, pale eyes. In fact, all of him was pale; his hair was white and his skin the color of dove’s wings. It was as if he were made of early morning fog; devoid of color but filled with mystery and feeling.

“Say hello to Finnegan, Witt. He’ll be staying with us.”

“Hello.” Witt said quickly and quietly, immediately turning his attention to Elliot. “Papa Rig isn’t feeling well he told me to get you.”

“Alright.” The man said with a smile. “I will be right back, Finnegan. Witt will look after you, won’t you, Witt?” Witt seemed to recoil into himself, his pale cheeks turning a ghostly pinkish hue. He seemed suddenly filled with dread, his massive eyes gleaming with anxiety as Elliot left the room, taking his violin case with him and resting a hand on Witt’s shoulder as he passed. Witt stood silently, looking at me with those haunting eyes. I must say it was incredibly unnerving.

“Is Mr. Elliot your papa?” I asked, trying to make conversation. He shook his head, but said nothing. “Where is your papa?” I tried again.

“Dead.” Witt replied quickly and quietly, sitting on the floor, holding his feet in his hands, playing with the laces on a pair of thin seal skin moccasins.

“Oh…I’m sorry.” I said, feeling rather badly. It was then that I thought of my own mother and father for the first time after waking up. “I suppose my mother and father are gone now as well…” I said, thinking aloud, tears coming to my eyes. Witt nodded.

“They were killed in the train wreck.” He explained, again, almost too quietly to hear. I felt tears spill over and I put my face in my hands. Witt sighed, tugging on his shoulder-length hair before standing silently.

“Sorry.” He said, suddenly close. I looked up from my hands and found that he was kneeling beside me, his hand on my shoulder. “You will always be sad…but after a bit, it won’t hurt so much anymore.” He smiled meekly at me for a fleeting second before sitting back on his haunches, looking me over.

“What?” I asked, wiping my eyes with my nightshirt. Witt shook his head and looked away. I sighed, putting my hands on my knees, startled when my right hand could not find my leg. I looked down, becoming dizzy when I realized that my right leg was gone below my mid thigh. I fell back against my pillow, finding it difficult to breathe. Witt rushed to hold up my head.

“Finn.” He said. My world became a tunnel as my vision began to blur. “Finnegan!” he called as I lost consciousness.

—o0o—

I woke once again to the gangly man playing the violin quietly in the corner of the room, his eyes closed, his hair all a mess and falling out of it’s ponytail. He seemed older somehow, sunken and tired as the sun disappeared over the horizon.

“What happened to me?” I asked, seeming to startle Elliot. He stopped playing mid-tune, his oddly green eyes seeming to become luminous as the light faded from the room. He sat down on the side of my bed again.

“I am sorry, Finnegan. I was hoping to tell you a bit later. You gave Witt quiet a scare!” he chuckled. “I am a doctor, you see, and I’m afraid I had to take your leg to save the rest of you. I am terribly sorry, Finnegan, but not to worry. I’ve made you a top-of-the-line replacement. It’s just over there, if you’d like to look.” He said with a smile, motioning to a silvery prosthetic leaning up against the wall under the window. “You were very badly burned by the train fire. The burns on your leg became infected and I feared sepsis would spread.” I was at a loss for words and only nodded in reply. “I promise you’ll be back to normal very soon.”

“I—okay.” I said, unable to think clearly about anything. I began to shiver, and Elliot laid me back down gently, then covered me with the light comforter.

“Easy, Finnegan, just lay down.” he said. My breathing quickened, and he took the pillow from the chair in the corner and propped my feet up.

“I’m cold.” I gasped, panicking. “What’s happening?”

“Just calm down. Breathe slowly.” I did my best to follow his directions, but found it difficult to keep focused.

“Slowly, Finnegan, in through your nose.” He placed his violin gracefully under his chin and began to play again, slowly and carefully, as if contemplating each note, though it was the same tune he had played earlier. He seemed to age as he played, his skin appeared to grey, his hands looked thin and bony—more so than before. I contemplated this for quite some time, but I shortly fell asleep, floating on his melody like a lazy sea.

Comments & reviews · 6
User avatar
SpiritedWolfe
Review
SpiritedWolfe wrote a review Review · Jul 24, 2014

Hello, Elfsongs, Wolf here for a review.

So a lot of stuff that I agree on was pointed out by Moriah Leila, so this review may be slightly shorter in length. Here goes:

This was quite interesting and I quite liked it, but to be honest I wasn't gripped in the beginning. It actually took me several days to finally be able to make myself move on from the first part. I understand that you could've made revisions in another place since when this was last edited, but I'm only stating as I think. I didn't really feel like the first two sentences connected. One minute he can't remember, then he's explaining about a train ride (and it took me a second read through to realize that he didn't get off the train on his own.) However, I won't say I regret reading this ;)

Another thing I want to mention is that you're writing in first person, embrace that! I don't recall many thoughts, if there are any at all, in this and that's basically the main purpose of writing in first person. The narrative is told through the eyes of someone in the story and obviously they're going to be thinking this, especially in a situation like this. Also, I don't think very many people think in such elegant descriptions like that. Just remember those kinds of things when writing in first person. A persepctive switch is not necessary, but be careful of character believability.

Still, I still liked this description and the concept. Even though in the beginning I was slightly confused (and I didn't make the connection of him being in a train wreck, or there even being one), but I still really liked it. I look forward to future parts (which I will review soon.) Keep Writing,
~Wolfare

User avatar
Pinkiegirl13
Review
Pinkiegirl13 wrote a review Review · Jul 17, 2014

Hi, Elfsong. This is Pinkie here for a review.

I enjoyed this chapter. It is very interesting and lovely to read. The characters are very good and develop very well. The descriptions are very good. I can see what is going on in this chapter while I am reading. You gave some vivid words on here which made this chapter get me hooked. However, you got some sentences that made me confused sometimes. It kind of made me stop and tried to figure out what it meant. Anyway, this a great masterpiece. I will read more from this work. Well, have a nice day!

Awesome Job! :D

Cheers

Your reviewer, Pinkiegirl13

User avatar
Moriah Leila
Review
Moriah Leila wrote a review Review · Jul 16, 2014

Hi there! *waves* I am here to do a review for you. It is going to be intensive, so don't be overwhelmed. I'll start with the positives and then get into the nitty gritty. I enjoyed your character development, especially those of Witt and the doctor. You had some lovely descriptions that were quite vivid.

Now onto the fun part!

I honestly don’t remember how it happened. I just remember sitting with my mother in the booth on the train, my father sitting across the way with a smile. His top hat was sitting on his lap, looking rather agreeable on his knees, and my mother was in a yellow dress, her golden hair all done in curls. I remember being ever so slightly bored, looking out the window as the train pulled to a stop in the last station before we started on our way to the seaside. After that, I don’t remember much of anything at all, except being very hot and very frightened, and my father calling for me.


I think this is a very boring beginning. It is a lot of description and it seems to run on for awhile. If I were to pick up this book at a bookstore and read that first paragraph I would not purchase it. Honestly, I think this paragraph is unnecessary to your story. It didn't reel me into the story and I was confused for awhile as to what exactly was happening. If you want to have a flashback to this moment later on in the story I think that would work out better. I think it would be best to start with Finnegan waking up.

“Ah, Finnegan,” he said, ceasing his tune, drawing the bow away from the strings with a smile. “You’re awake!” I think I might have grunted in return, which was rather rude, thinking back on it. He laughed lightly, his thin lips pulling into a lovely smile. I felt his long, thin hand slide behind my back as he helped me sit up, propping a pillow behind me. I looked around the room; large, richly decorated, the height of fashion. Large crown moldings adorned the high ceilings, and pale green wallpaper lined the walls. The ceiling was the image of a bright blue sky. Even the door was beautifully carved with scenes from old Norse lore; fairies dancing and elves peeking from behind oaken trees. I jumped slightly when the handle turned. An immaculate face peeked around the door, his bright eyes widening when I met his gaze. He quickly retreated, hiding behind the moulding. The man sitting beside me chuckled lightly.


Whoa buddy, we got some work to do here. First off, whenever writing dialogue you always start a new paragraph when someone new speaks or in this case when Finn responds with grunting. Even though he isn't necessarily speaking, it needs a new paragraph. Secondly, there is a lot of description in this section, especially about the setting. It is good to help your reader feel as if they are in the room with the character. But there is such a thing as too much of a good thing. Perhaps try breaking the description up into smaller sections interspersed between dialogue. For instance:

"Where am I?" I asked as I took in the richly decorated room. The ornately carved door caught my eye. Scenes from old Norse lore were carved into the wood.

It is a poor example, but you get the point.

In fact, all of him was pale; his hair was white and his skin the color of dove’s wings. It was as if he were made of early morning fog; devoid of color but filled with mystery and feeling.


I love the part about him being made of fog, very imaginative. However, that first sentence is awkwardly worded. The description is also redundant as doves are white. Perhaps revise to:

In fact, he was entirely pale; his hair was white and his skin nearly transparent.

“Hello.” Witt said quickly and quietly, immediately turning his attention to Elliot. “Papa Rig isn’t feeling well he told me to get you.”


Up to this point we have not been introduced to Elliot, we know him only as the man. Considering that Finnegan has just woke up in a strange room he doesn't know who Elliot is and since you're telling this story from his POV, he can't possibly know the man's name. Dialogue between Finnegan and Elliot prior to this point would be helpful. If I were to wake up in a strange room with a strange man and not remember how I got there I'd be asking a lot of questions.

It was then that I thought of my own mother and father for the first time after waking up. “I suppose my mother and father are gone now as well…” I said, thinking aloud, tears coming to my eyes. Witt nodded.


If he can't remember what happened then how does he know that his parents are dead? Again, this would be revised if he asked some questions when he woke up. Furthermore, I can't connect with Finnegan because his reaction to his parent's death doesn't feel real to me. If I woke up in a strange room with a strange man & a pale kid and realize that my parents are both dead I would be hysterical. I would be physically sick. I'd curl up on my bed and sob so uncontrollably that I wouldn't be able to hold an intelligent conversation. I wouldn't feel tears spill over. It just doesn't seem like a believable reaction from someone who gave such an idyllic description of his parents in the beginning. The way to fix this is to spend more time developing him. This is my specialty so if you need help, pm me because I have all sorts of articles and activities to make your characters really amazing.

I sighed, putting my hands on my knees, startled when my right hand could not find my leg. I looked down, becoming dizzy when I realized that my right leg was gone below my mid thigh.


Whoa, I did not see that coming. Well played.

“I am sorry, Finnegan. I was hoping to tell you a bit later. You gave Witt quiet a scare!” he chuckled. “I am a doctor, you see, and I’m afraid I had to take your leg to save the rest of you. I am terribly sorry, Finnegan, but not to worry. I’ve made you a top-of-the-line replacement. It’s just over there, if you’d like to look.” He said with a smile, motioning to a silvery prosthetic leaning up against the wall under the window. “You were very badly burned by the train fire. The burns on your leg became infected and I feared sepsis would spread.” I was at a loss for words and only nodded in reply. “I promise you’ll be back to normal very soon.”


Okay, let's break this down...Quiet should be quite. It is a minor mistake but you do it often so make sure you proofread before you post. Spell check isn't going to catch those kinds of typos.
Not really the best moment for a little laugh and since I don't think Elliot is the tactless sort, this doesn't feel like it fits his character.
Finally, even though you've put it into dialogue this is an info dump. It especially gets confusing with all the breaks. Decide what of this section is absolutely necessary and what can go. I've taken the liberty of striking through what I think is not needed. You can introduce the prosthetic leg at a later time when Finn has had time to deal with the loss of his leg on top of losing his parents.

He seemed to age as he played, his skin appeared to grey, his hands looked thin and bony—more so than before. I contemplated this for quite some time, but I shortly fell asleep, floating on his melody like a lazy sea.


I like that you have Finnegan go into shock, I think it is a believable reaction to his situation. Furthermore, I really like the ending especially the part about Elliot aging before Finn's eyes. It is as if his healing music drains the life out of him. Very interesting. However, that last sentence is awkward and needs revision so that your ending is dramatic and makes us want to read more. For example:

It didn't take long before I was asleep, floating on his melody like a lazy sea.

In summary, you need to decide what descriptions are necessary and get rid of the fluff, include more dialogue and make your protagonist more relate-able. I would also consider writing this from a third person POV because it feels more right then your current first person POV. If you're interested, check out this article by Caligula's Launderette that really goes into POVs. Like I said, it is something to consider but don't feel obligated to change everything just because I said so.

That concludes my review. I hope it has been helpful and not too brutal. If you have any questions or need anymore help, don't hesitate to pm me. I am more than happy to offer my assistance. Keep writing!

Wow thank you so much! This is insanely helpful!!! Most of the stuff you mentioned I actually did catch myself, I just haven't changed it yet, particularly Finn's reaction to his parents' death. I'm currently working t fix that. I really appreciate the character development and 'out of character' notes. I'm not very good at finding them myself, so I am really grateful that you mentioned those. I think my fluffy business is because of the books I read: I'm a big Victor Hugo and Tolkien fan, and both of them are known for their excessive description and backstories. I think that's probably where that's coming from, but I suppose that isn't always a good thing!!!

Anyhow, thank you again for the awesome review. This is one of the most helpful reviews I've ever received! Much appreciated!

User avatar
Sillia
Review
Sillia wrote a review Review · Jul 14, 2014

Hey, Sillia here!

His top hat was sitting on his lap, looking rather agreeable on his knees, and my mother was in a yellow dress, her golden hair all done in curls.


I like the description in the sentence, but its a bit of a run on. Try ending after knees. and begging with "my mother."

I looked around the room; large, richly decorated, the height of fashion.


try "with the height of fashion"

In fact, all of him was pale; his hair was white and his skin the color of dove’s wings. It was as if he were made of early morning fog; devoid of color but filled with mystery and feeling.


i love this sentence.

SOOO this is a pretty good chapter over all, and i like the details and such. It ends with a cliff hanger, witch is really good. Your description is great and your word choice is amazing. hmmmm alrighty. Tell me if you write anything more!

Happy writing!

< Sillia >

thank you very much for the review! I'm glad you like it!!! I'm really good at run-on sentences, so thanks for pointing that out haha! I do it all the time, and I don't even realize!

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walker Comment
walker commented Comment · Jul 13, 2014

Okay, I like the story and concept; Although I think it needs a little bit more character description. Besides that it's pretty good, I look forward to more chapters.

I have a lot more written. I like introducing characters slowly so that we can learn a little bit about them at a time, you know? I like the mystery element!

Thank you for the review! It's my first story posted on here! It means a lot that you read it!



I think I have thankfully avoided being quoted.
— Lavvie