Here for the review I promised. <3 Let's dive right in with what we were talking about earlier.
I wouldn't call the planetary metaphor cheesy, just underdeveloped, as it just gets one brief mention in the first stanza and the next time it appears you've transitioned to the liquid part. You could maybe rephrase the Pluto to my Mercury line because it could give the mistaken impression that this is a love poem (but I kind of like it anyway.)
In the first stanza, I think you could play around with your line breaks a little,
The clutch of darkness and cold starlight confines you ever closer
This line stood out to me because it's so metaphorical I'm not quite sure what you actually mean. I really like "cold starlight confines", but I'm less of a fan of "clutch of darkness." It's also long compared to the others. xD
You said that you worry about the images in the last stanza getting lost because they're all kind of smushed together, and I think I have to agree with you. They don't get the time they deserve and in some ways confusing the meaning rather than developing it.
A lot of it that some of the images don't logically make sense next to each other - for example, "I can barely stay afloat" intuitively conflicts with your feet being on a "frozen floor." I guess the question is, is it just your lungs full of water, or are you in a pool of the stuff? And is it water or mercury - you start with an "expanse of mercury," but then you say "your tears deepens the water." I think that's almost the biggest problem - you're using water and mercury too interchangeably. (Also, mercury is so dense, I don't think you actually sink in it.)
I know part of the reason you had to bring in liquid water was because you thought your last line would be stronger with "full of water" rather than full of mercury. And to be honest, as the poem stands, you're right. But I think you could make it so that "my lungs are full of mercury" is powerful. And I think you could do that by holding back the switch to referring to mercury as the substance rather than the planet until that last line.
This way, you could do a little more with the planetary metaphor, but also allude to you barely being able to breathe and breathing in "toxic mouthfuls." It would also help you clarify whether or not you're in the "pool" drowning alongside the other person, or if you're standing on the side as she's grabbing for you.
Eyes in the deep follow my writhing form
Also, what is this? Is this the other person you've been talking about the whole time? Because it feels like it's something else - the first thing that came to mind for me was eels, honestly, and it made me think there was some other malevolent presence you were alluding to, one that wants to watch both of you fail. (I guess "eyes in the deep" just feels malevolent.) But then the next line's "your" implies that you were talking about the friend.
The cold imagery is really subtle and I don't think it needs to be brought out too much, but I think you could imply it by linking it more to space and less to water because of the problems with using water I was talking about above. Because of how subtle it is, "frozen floor" actually almost feels too blatant.
My favorite things about this poem are honestly just how well you capture the situation, with the simple "backspace" and "I'll respond later." It's powerful. It really is. My other favorite thing is the planetary imagery and the switch to liquid, as I've already told you.
So, that was super ramble-y and disorganized. But it's probably how it would've gone if I'd just told you all of this in conversation anyway.
And I'll leave it at that! Really, I can't wait to see this again once you've edited it a bit. Hopefully this'll spur you forward.
Points: 90000
Reviews: 1085
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