*(reworked)*
It hurts to think of you.
Thinking brings salty tears
tracing paths down my cheek
and a million insecurities take over.
I never meant to feel this way.
I remember licking ice-creams in the piazza,
our dungarees dirty with thick dry mud.
My skin looked coffee-dark against your pale white hand.
I flirted with the gelataria man, a decade older
than me and you His sideways smile made us blush.
You laughed until you saw how much bigger my gelato was
and then you sighed in jealousy.
So we swapped.
We lay on hot white tiles by the blue swimming pool,
neon swimming costumes wet against our flat chests.
In voices that smelt of bubblegum and grapes
we spoke of eyeshadow, daydreams, teddies, heaven.
We got our diary keys and cut our thumbs
with the pointy edge in the darkness of the siesta.
The whites of your eyes shone.
In the flickering flame
of a candle stolen from a church hall
(Forgive me, Padre)
We pressed our thumbs together
and vowed to be friends forever.
We don’t talk any more.
I wish I was still in dungarees
with dirty knees
and freckles dotted on a brown face
swapping ice-creams and secrets and blood.
Now,
Life is more black storm then yellow sunshine.
Now,
I can’t find the scar on my thumb.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hello!
I enjoyed reading your poem.
These italicized lines can stand together or thrown separately into the poem, which I enjoyed, but the other italicized lines did not seem to flow quite as well together.
Siesta refers to a naptime, and I'm not sure that really works with the rest of the poem.
Keep up the great work!
McMourning
I must admit, I enjoyed the older version better. For one thing, it was more direct, and it held few unneeded words. Here, experience calls you to rephrase things and redirect them. For example, here:
This is awkward, more drawn out. Though I do enjoy how you swapped "gelato" for "ice cream". There's definitely a lot more culture there.
At the end, I think it's best without the extra "and" in the original version. It holds the simplistic feeling.
Rephrasing this stanza helped, too, but I still think that it could be placed in a better chronological order.
All in all, I'm glad you attempt still to fix this old poem. It's a favorite of mine, and I wish you all the luck to perfect it. Just know that perfection usually reaps few rewards.