It is light.
The sun peers over the horizon.
Light streams through slits in the curtains,
Inching forwrads as the sun begins to rise.
Woken by the smell of buttered toast,
grabbed by the hem of their clothes,
dragged to the kitchen as the smell of golden syrup wafts towards them.
Taken away,
by fate, by circumstance,
by death.
It is almost evening.
The sun falls in the sky,
Submitting after a battle between the sun and the moon,
Falling, dying, before becoming cold and burying itself under the horizon.
People, young and old, huddle together,
Watching moving images with the same shade of green eyes,
Smiling, sniggering, crying with laughter,
Unaware of death,
That lurks at there door,
Anticipating the arrival of armed people.
It is night.
The moon shines high over the land,
Surrounded by a sea of black,
Watching from its throne.
A knock, a thud, the door swings open.
A shower of bullets, before
Pools of blood stain the floor.
The house is empty.
Black suits,
Large, brown wooden cases, with a cross chiseled into it,
are lay in a muddy hole in the ground.
Even though the house remains empty,
and falls into disuse,
The souls of the dead remain. At Home.
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Canary word: Present
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Ahmad,
One thing I love about this particular piece is that it's filled with images; there's this narrative style to it and a voice uniquely your own. Not many people can write a poem entitled "Home" like this - so your voice and experiences does wonders.
If not, then I'm letting you know my interpretation of this veered in a political direction, but I did feel a sense of personal emotion, so that is good. I'd pronounce on that though! More emotion can't hurt!
I remember seeing this at workshop
I enjoyed how you delve back and forth between imagery that might've been familiar to me, such as the pancakes there at the beginning, and then the unfamiliar - the battles, the deaths, the armed people. Now, I do feel like this could use some more focus probably. I'm picking up some political undertones, but I'm not sure whether or not those were your intentions. If they were, then great!
Now for the nitpicks:
Poetry is a medium of precision. Say it once, say it right. There's a keen awareness of time in this piece (which I find fascinating) and you show us this. So there's no need to tell us.
The last two lines already tell us what the poem will later reveal, so I'd just leave it out and have us gradually sense the encroaching darkness/death when we get to it. Plus, I feel these abstract words when paired in relation to your more specific imagery waters the stanzas down. If you leave the line at "taken away", I can actually feel the impact. Just some suggestions.
My edits above also apply to the second and third stanza
I really love the 3rd and 4th stanza. There is so much gravity here that you depict entirely through images. Also love the juxtaposition of the glistening moon with the pools of blood - that's just lovely
'
~ as always, Audy
Sounds good to me

Well, for starters, I like it because it is calming in a way, not too much action, not too much dullness, which is why it's calming to me. I have a few things to complement you on, and a few to pick on.
Here's the part I enjoyed the best:
"A knock, a thud, the door swings open.
A shower of bullets, before
Pools of blood stain the floor."
Not because I like the death, but the smoothness and how easy it is to follow. It's also a turning point in the poem, or the climax, as most would say, and a strong one at that.
"The sun falls in the sky,
Submitting after a battle between the sun and the moon,
Falling, dying, before becoming cold and burying itself under the horizon. 8D
People, young and old, huddle together,
Watching moving images with the same shade of green eyes,
Smiling, sniggering, crying with laughter,"
I thought that was wasn't as smooth as the other stanzas, therefor I didn't enjoy it as much. But I did laugh a bit when I saw the little smily face half way through the stanza
Overall, I liked it. Easy to understand and stick with.
Thanks for your review, Soni!
I'm glad you liked it. Yeah, I didn't like that stanza too either, but I have a few ideas for it. How would you suggest to change it?
Oh, God, that smiley face XD I wrote this on the spot during the poetry workshop, and I think someone annotated that (or maybe it might've been me) XD