Episode Eleven: Back from the Grave
Misaki returns in November. There is a big fuss; Mother wipes her eyes and Kaho won’t let him go as he tries to pry her fingers into the cloth of his uniform shirt. I just hold my ground and stare at the scene before me. He is a ghost, not long left the dead, and they are a group of fussing strangers.
Misaki looks just like he did in the photograph except for the smile. The photograph does not capture the fact that his teeth never disappear. I watch those grinning teeth float amidst our family with contempt. He is their hero.
He greets me the last. He pats the side of my arm firmly, giving me a half sideways smile. I hold my gaze flat; he is approximately the same height as me.
“Stay safe little brother.” He says in a tone far too cheery for the occasion, “I do it all for you.”
I decide I am going to keep my tone and words very formal and unfamiliar out of an immature whim to make him know how uncomfortable I want this to be. He is trying too hard to make the situation easy and sweet. I laugh in my head at the words I have planned; I think I am funny.
I bow in the common form of a greeting, “You are Kozuki Misaki correct? I have heard much about you and your fate.” I lift my head with a fake curve of the lips. Misaki’s face briefly creases to the point where it seems like he is about to let out tears, before smoothing over as quickly as it appeared.
“The injury has really taken a toll on you? It’s a shame it traumatized you so much to the point of memory loss.” He sighs. I once again smile gently, but in my heart it is sly. Let him think whatever he likes.
“I am Kozuki Akira. Please take care of me,” I continue my introduction. My words do not seem to affect him any more than they already have. I stiffen as he attempts to hug me.
“I won’t, Akira,” his voice is warm, “and watch over Hikari for me... and stay away from certain people who are bad for you.” At these words I immediately think about June. If the connotations bring his face to my mind then perhaps they are true, but I associate it more with what June had said during the funeral. If only Misaki knew. I instantly feel horrible for my stupid behaviour in the past few minutes. I don’t even understand what had come across myself to try and cause this older brother such misfortune. He will never see me again. I almost bite my tongue trying to get the words out quickly enough.
“Don’t die...” I stand in silence and let the people drain away from me and back into the house. I feel like a stone stuck in the sand with the tide washing away from beneath me, slowly seeping back into the mass of the ocean, leaving me so alone and oblivious.
~
Life in general is so different with Misaki around. The atmosphere of the family has entirely lifted; with the exception of me- I am sinking. I notice that June has become notably less present in my life. He no longer visits my house nor so actively takes me over to his. I am lucky to see him once in a week following an argument that had occurred between him and myself regarding the English classes. I had decided that I no longer wanted to learn. I did not need to know what the enemy’s words were to know that they were the enemy. June doesn’t seem too objecting, he just lets of a few sighs and tell me how I never showed up anyway, before trying to guilt me into it with promises I made in the future.
As October waxes and wanes these events suddenly change. My family seems to bar me off from the outside world. I never seem to be the one to drop the groceries by the shops, or help out with the work at the hospital anymore. I know I could easily just leave, but something personal about the whole endeavour makes me trust in my own families wishes. I find that I start to see June at my own house everyday. He makes an effort to avoid Misaki, and when they meet in an inevitable encounter, a war of eyes ensure. However in my case, I haven’t received many words, only pitied stares.
~
I have barely woken up to the evening when June barges into my room. The sun is barely setting over the horizon. I have slept in; usually when I wake up it is already dark. I sit myself up from where I had been so blissfully sleeping, and groan at the glaring light.
“Fine. Go to sleep. Go and escape into your carefree dreams, but I’m letting you know, this is not the last you’ll hear of this!” Junes voice carries more than harshly into my morning ears.
Yes it is, June. I think. I don’t think you’ve ever mentioned whatever you are about to say before, he must have forgotten. I yawn and lazily stand up, rubbing my eyes and preparing for a lecture. June paces the room, fretting. His hands fidget urgently together and he mutters softly to himself.
“It is just plain impossible!” He yells, finally becoming audible.
“Even given the circumstance, it just can’t happen. What is it? Some sort of....” June suddenly lunches at me in a strange sort of backward manner. He grabs a hold of the bottom of my shirt and wrenches it up.
“Hey, get off me!” I snap. “What the hell do you think you are doing?” June doesn’t respond but instead keeps on muttering words of impossibility under his breath. He has starts to rub the skin of my stomach so desperately it is as if he is searching for something.
“June...” I try to protest, my forehead falling into my palm. I rub my nose, he is so frustrating.
“A form of a mutation! A holy magic or miracle? It’s not humanly possible. Its not possible in nature!” He seems to fanatic I reluctantly let him scour over my abdomen and back. He circles me like he has just made a bewildered discovery.
“It was right here. It was life threatening. You should have been dead. It’s gone; not even a scar.”
“Hold up...” I say, “What are you talking about?”
“Your injury! it was stitched but it kept getting worse by the day. No-one could figure it out. Where has it gone? Even in the time you have been gone it would have been impossible to heal.” His eyes widen as he stares more intensely before exclaiming out an English profanity.
“Calm down.” I say after he finally lowers my shirt. “There is nothing to see.” He becomes more docile, his manner of amazement vanishes. Instead he seems drained, slumping his body forward and using my shoulder to support his head. He breathes slowly and heavily.
“I thought that you were gone for good...” He says. The voice does not sound like June to the degree that is scares me. There is a trapped child emerging from between his teeth. It pleads and grips onto me tightly. I pat its back roughly and then a little more consoling. June picks me up by the shoulders for a moment, drawing closer before leaping away, halfway across the room, and vanishing into the house. The movement was so sudden I am baffled. I understand that he had been in some sort of hurry and although he could sometimes act child-like he had never been so jumpy before.
“Akira! June is here to see you!” I hear a familiar female voice calling out to me. I feel detached from the sound, plagued by the mysteries surrounding me. I touch my own stomach expecting to feel something drastic, but there is nothing. Fully awake I stare at the floor, at my hands, and around the room. A suitcase has appeared. It is small and hanging open and empty. I step backward, leaning onto the furniture behind me. There is a tanto and a set of colours laying across my desk. I lift the blade. It is heavier than expected. I unsheathe it and touch along its invisible edge. It leaves a thin red line along my fingers in its wake. I place it back down and focus again at the desk. I inhale sharply as my eyes register what exactly they are seeing. The hanging ghost has escaped from the closet and lazes across the back of the chair; slumped although it owns the room and everything in it, including me. I touch the fabric, it is still the same as I remember it, rough and cotton. Warm.
.
I am not sure how, but I eventually find myself being cradled in my mothers arms. She is sobbing furiously but it does not seem like a cry of pain but rather happiness. June departed our house several hours ago leaving the whole family alone in an uncomfortable atmosphere. Misaki and Kaho stand by the doorway politely, staring at us. I let my mother grovel all over me while I stare Misaki down. The left side of his face seems rather red, a sharp indent curves under his eye. He speaks a single sentence. “It can’t be helped.”
Kaho gasps briefly. “But you hate the war.’ She says, “you swore you would never be involved. You lasted all this time.”
“I told them they could have me; that I’ll fight.” Misaki says, “In exchange they never contact Akira again.” His words are bold and direct. Mother, Kaho and myself watch him as he leaves to the front of the house. The woman who holds me has stopped cooing and whimpering and sits in silence. I hear yelling coming from the front of the house- Misakis voice. I stand up and pull myself out of Mothers hold and hurry over to see the commotion. Kaho follows me but veers off to the bedrooms instead of the front door.
There stands Misaki, facing two very prestigiously and uniquely uniformed men. One of them towers over both my brother and the other, looking extremely intimidating. He suddenly thrusts the barrel of his gun into Misakis face just before Misaki attempts a lunge at him. I edge forward slowly and make eye contact with the older and shorter of the two. He watches me patiently, waiting until I arrive beside Misaki at the door. He lifts a series of cards much like the cues of a speech, and begins to read them aloud to me.
“Kozuki Akira. Please listen to us very carefully. While I speak may I request you ignore everything that your family is saying at this point in time, as they will sound illogical to your own stream of time.” His words sound hesitant and forced but I nod at him. There is no harm in just giving him a little time. Misaki has his arm around me and is still snapping at the men, in a much lower tone. My mother stands behind me, weeping. I concentrate hard to try and listen to the man with the speech cards.
“We know about how you live.” He continues. “We know that you experience time backward and thus are living into this past. This is correct.” I stutter out a reply confirming his statements even though it was not really a question. He looks at me satisfied.
“May I request that you step outside beside us so we can speak more directly to one another.” I don’t hesitate and do as he asks and step out of Misakis protective hold and onto the step. Kaho appears and places the suitcase I had spotted in my room, tightly packed near my feet. The huge and intimidating man picks it up in his right hand and picks my wrist in his left.
“We are from an important military organization who play an important role in the outcome of the war. In our past you have been working along side us a notable hero, contributing greatly to us and the course of our rescues. For your family it is as if we are returning you, but for you we are here to collect you.” I stand, jaw-gaping, staring at the man’s sparkling eyes. These people knew. How I lived, how time moved around me. And here they were, offering me the opportunity I had been dreaming about.
“What do you say...Akira?” The man addresses me in a more friendly manner. “Will you co-operate and join us?”
“Yes.” I say, the words spilling faster than I can even think.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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I found this lying in the trash- I mean green room- and i thought I might as well give you a review while I wait for you to get back on chat.
You already know I'm aiming for 125 reviews by the end of the year so here's review number 7. Just for you.
I won't bother with grammatical and spelling nitpicks, i trust your ability edit an I'm sure others will point them out.
Nor can I critise you ideas because I already did that in an earlier review. I have no idea what I am going to do but lets see what I can produce.
The first thing that strikes the reader is the opening sentence, "Misaki returns in November." Anyone who has read the rest of the serial would know the signifiacnce of this statement. A man has been dead has returned to the land of the living. Yet if they have read it this wouldn't be a surprise because they would also know that time runs backwards.
I don't even know why I pointed that out. Oh well.
Moving along a bit a signficant piece of this episode is the dialogue between Misaki and Akira. When Msiaki says “... and stay away from certain people who are bad for you.” We get an important clue into one of the whole serials big mysteries, what is this problem that June has. The reader gets the impression that whatever it is it definitely involves Akira and in a bad way because his brother is trying to prevent contact between the two of them. I wonder what this "problem" is?
I am struggling to think of things to say. I have already told you what I think really.
I like the ending. I feel like this plot twist is certainly an opportunity to progress your serial. the ability the men have to talk backwards makes you begin to wonder, how do they know all this about Akira. Something must have happened in the past (Akira's future) to make them understand his situation. Was he right to trust them. Are they on his side or not? Maybe it was him that sent them to help him from his future. That would make sense. Kinda.
I think I’ll finish up. sorry for the pathetic review which does not match your amazing writing.
I look forward to seeing what happens next season.
Hurry up and write those episodes on time.
Merry Christmas,
Veni
Well, since I've been around I'm not going to give an introduction here. Let's just get straight down to business, shall we?
My first thought here was that the dialogue wasn’t as strong as previous chapters. But it especially needs to be so here because he is finally able to communicate in his time with someone. As a result, you need to be really, really careful how you do this. You tend to slip into a bit of laziness, writing some of this as it’s happening “front order” instead of Akira’s order. You said earlier that this is because he’s “translating,” but I personally don’t see why that “translation” should happen at all, I think it’s more of an excuse to not have to think through everything backwards. Cheater. 
Maybe watch for areas like this.
The only thing I can think to comment on here is that, this new element introduced here is going to open up a whole can of worms. How did they at last discover that Akira lives his life backwards? And once they begin to interact with him in his time— their future, does that change the course of their own history? That last sentence is my biggest concern. Is whatever what happened in the past now going to change? Interesting to think about, but I hope it doesn’t introduce a whole new slough of inconsistencies.
Can't wait to read more.
First Read:
Spoiler
It bugs me because I can’t find the one section that bugged me a bunch. That one there is okay, but it does seem a little odd considering the flow of time. I would think June’s reactions would have been a bit different.
The other thing I didn’t really like this was the way he treats Misaki. Just a little while ago he was excited to finally meet his brother, and now he’s acting cold and diffadent, and I don’t know why. I think you sort of try to explain Akira’s actions, but the fact is that I found them rather unbelievable anyway. You always have to ask the question “why?” because the reader starts to discredit you and/or the story when a character starts to act in an inconsistent or unrealistic manner.
Also, it seems his “amnesia” only happens after his “injury?” Whoah, that gave me shivers. Can’t wait to see what that’s all about. Does he end up “dying?” I think you could pull off an awesome surrealist mind-twister if that was the case. My question is then, besides the bullet wounds, what in his past made him eligible to serve, when in his future (Akira-time past) he couldn’t because of his “weak” structure or what not? Minor inconsistency you might consider.
Second Read:
Spoiler
Hah, I missed this the first time. I found it a funny picture. Heh. Also, avoid obvious or redundant words/phrasing. It will up the word count faster than you can count. “Uniform” is fine here, “uniform shirt” is repetitive.
Referring to my notes on the first read, I like the “ghost” aspect but that still does not excuse Akira to act uncourteously, I believe. I think it would be more compelling/realistic if perhaps, he experienced some sort of inner dismay but didn’t really let that out except in a stiffness or formality of meeting Misaki. To the others it would only seem as if he were trying to gain control of his own emotions. As opposed to acting so… well, unbelievably.
This goes with the above point ^^^. Am I forgetting something here? The “why” goes unanswered here.
Two things: “last” is fine, not “the last.” Beware of filler words like that. The extra cushion does nothing to the style of prose or story flow, and may actually nullify some of the crispness of the diction. “Half-sideways” (hyphen) and, what exactly, is a “half-sideways smile” anyway? Is it sideways or half? How is it both?
But uh, how does he know that this is what Misaki is trying to do when he has just met him? It makes no sense to me.
See, he knows that this wouldn’t be funny. This is heartless, and Akira would be aware of that.
Maybe it was here that bugged me about the conversation seeming too “natural.” But that could just be me getting used to the brokenness of things. xD
Certain and the italicized “people” is also redundant.
“Misfortune” doesn’t fit there. Perhaps “pain” or “heartache,” but not “bad luck.” Also, that should be “my older brother,” not “this.” I know you probably did that on purpose, but it seems too unattached and cold, especially after he has just apologized for those sentiments.
This sentence is more awkward than it should be. It sounded a bit choppy to my ears.
Suggested edit:
”I feel like a stone stuck in the sand, with the tide rushing away beneath me. I slowly seep back into the unbroken mass of the ocean, washed away in solitude and oblivion.”
“From” eliminated because, as I said earlier, it’s a cushion word. “Unbroken mass” because I think that clarifies the suggestion. “Solitude” and “oblivion” because they are stronger words, and fit more easily with the structure of that sentence.
Question: Wouldn’t they still be overly concerned about Akira? It seems to be a little odd that they act completely as normal. He should have some sort of premonition about what is going to happen to him. I would think that June would have tried to be more around him rather than less, out of worry and concern.
Too many phrases here! Please revise this sentence.
This sentence doesn’t seem to make much sense.
Again, you are trying to explain away Akira’s very irrational behavior. It seems as though you are sacrificing character to make way for the story. But story is character. You need to either have him act more consistently and believably with his character (or common logic) or give him a reason to act the way he does. An explanation is not an excuse.
Beware the missing letters! “lets off” a few sighs (although that is a very odd way of putting that, deadens the verb) and “tells” not “tell.”
“Guilt into” is odd, but not wrong. But it sounds like you were trying to say something else but couldn’t think of the word, so you made up a verb.
I had to read this three times to get this. Heh. xD
So here is where you set up the foreshadowing, I see. The way he explains it all is rough here though. All I can say is to perhaps revise it a bit so it flows better. Also, “families’ <” not “families wishes.”
“Ensue” not “ensure.” And is June upset because he blames Misaki for what happened to Akira? Or is it something else? I know this will be revealed later on, it just seems strange to me that the open hostility suddenly begins (or ends) here.
Again, commas seem to be a weak point. Read this aloud to see what I mean. So far, this has been pretty good. But do watch for this.
So this is something I’ve been noticing a bit throughout the previous chapters, but I’ll comment on it here. Everyone else “breathes” their lines. They sound so natural and fit perfectly within the prose. However, with June that is not always the case. I find that he often acts even more irrationally than Akira, and his dialogue comes of as a bit too exaggerated and over-the-top. June is such a special character, you should avoid the melodramatic “plasticness” of “easy writing” at all costs. I don’t mean this to sound harsh, but he does seem a little weaker than the other characters. Maybe it’s that with everyone else you give them pauses and describe their actions and expressions. With June you tend to give him huge blocks of dialogue without doing much to characterize him. It doesn’t seem that Akira knows him too well, even at this point. Work with this. I think that perhaps the problem is that you haven’t concretely identified and distinguished June’s voice yet. Get inside his head. SHOW us, don’t tell. (Through his dialogue, that is)
“Lunges” not “lunches.” Hah hah hah. “Then he brang me a lunch,” hah, uh, no.
O_o
Hmm, okay, uh… please revise this here. It sounds incredibly awkward.
Is he speaking backwards-forwards here? This sounds so forced. He basically says the same thing four times. Maybe try something more like:
“I don’t understand—something like this shouldn’t be possible! Is it a mutation? An illusion? It isn’t natural… a miracle…”
Eh, what? Seems like you got excited and rushed here.
I think it was here that the conversation switches to normal time. At least it seems that way. Maybe revise so he doesn’t answer Akira directly like that.
This is exposition through dialogue. Please make this seem less obvious.
Again, this seems unbelievable to me. Why does he suddenly, without asking Akira at all, decide to take a look at the injury? There needs to be a reason for all of your characters’ actions.
This conversation seemed much too short to me. Also, watch those commas. The impact of that first sentence is lessened without one, I think. “The voice does not sound like June, to the degree that it scares me.” I think would work better.
This is a run-on sentence. And I think ”like a child” would work better than “child-like” there.
What is a “set of colors?” Colored clothe? Army patches? What? Also, I fail to see the significance of the knife. You might be putting it there to use later, but it seems a bit out of place. Also, unless I am mistaken, a soldier usually returns home with an armload of papers and letters, but this is strangely devoid of that. If you added that in there, that could help towards solving the mystery of some things, and you wouldn’t have to state would happened overtly, per say. I just remember the first few chapters where you used letters quite well, and I’m a bit disappointed that you seem to have dropped that element entirely.
He wouldn’t have been wearing the uniform he was injured in, I don’t think. At least he would have changed his shirt. So the “warm” part makes little sense to me.
So I’m assuming he’s been hit by someone? You should probably make that a bit clearer.
I know what you were saying here but it still hangs awkwardly at the end of that sentence.
Exposition through dialogue again, and this seems very “out of time.”
This seems out of place to me. There is no suspense here, since he just saw Misaki go to the front of the house. “I hear yelling coming from the front of the house, it is Misaki’s voice.” (with no break there)
Don’t forget the apostrophes. Here and in that previous sentence up there ^^^.
This is fine here, starting with this section. But you sort of drop Misaki, and I wonder why he was acting in that way, and what they said before to make him suddenly decide to go and join the war effort. His reactions are a bit mis-placed here, I think.
This seems mashed together. Try to make it more even and succinct, I think the effect would be better.
This is choppy.
“May I request that you step outside so we can speak more directly?”
I do not hesitate, stepping out the door as he had asked.
Perhaps that might work better.
Akira is not a child, the man does not need to hold his hand.
“Rescues” doesn’t fit there. Missions perhaps, or something else. “Alongside” is not two words.
I think you hashed that writer’s cliché there. “Mouth gaping,” not ”jaw.” That would be “jaw-dropping,” but that doesn’t work here. As I’ve said before, however, try to avoid little idioms like this one.
Why are they sparkling? This makes little sense thrown in here.
Last thoughts:
Spoiler
Well, only more questions now. Augh!
~ED
It seems like there was something wrong with every sentence XD
I do have explanations for quite a few of your statements, but it would take forever to type it out, so If you want to know chatbar me.
I can however sum up a ton of stuff in one simple justification.
Akira is mentally a child.