Duryhodhana caresses me against
his chest, his babe - last rest of a bygone
head against the swordfest of a battle gone astray.
He presses a crippled finger
against the clouds - raises the battered
sword against sky and says
"Ashwatthama,
look at my thighs."
They are broken bison and their calves, creatures of the wilderness
chewed by a god who knows no upper bound but for
the Sun come too soon across the plains of Kurukshetra.
They are a bloodied mess baking under a bloody noon.
Cracks across his chest, strewn stretch marks strawmen fingers
highways on a pregnant earth. He dies in my arms
like an infant suckling a deadened ribcage as I
rise and smear the stuff on my own.
Part One: I am the part
two, the knotted recluse on the sanded
floor under reddened boots; we hide in
forests, eyes narrowed throats hoarse as
the god swims like an adder (Krishna) against
the winds of a east wind
(naga!). His straightset lips part
like a shooting scar (rakshas!) aiming for the moon
but snuffing out the stars and puffing smoke beyond ribcage bars
like the scars on Drona's back, my father's jaw resting in two
next to his chest.
I hate him like flies on Drona's corpse -
the king's ears picked off by the
birthed stork as his heart (still aching for his son,
my sin) sours against the midnight heat
of bodies pressed against each other on the battlefield
like hands. Namaste. I pray to you
to keep another day away for the god to die
because I will kill him like he severed my father's
skull from the feathered body dancing on the field,
sweltered sunray, full from blood and bloated like a fattened
flood crying down upon his legs so that
they blistered away into nothingness and left me
right at the crossroads of the Sun and the Moon. I
stand breathing, the eye sockets a dead man's
grievance succeeding the fleet of the Kaurava brood
but
they say that I will scratch out
my temple in abrasive days - that
I will wander the earth like a warbling
panhandler bruising against the rocky
terrain as three thousand years go by and fade
away into the nothingness blight.
I am prepared to die, back against the wall of sea
and sheath raised against a backdrop of sky.
Bloom me brilliant so
that they will see Ashwatthama like the morning
rose - that they will hear
Ashwatthama as if the morning rose so suddenly
in that their drunken slumber they were blinded
by the Sun and will be slewn, for
this mask tightens
against my face like sweat as I spy a regret as
small to my mind as the midnight moon. Crush it like
a firefly in the night so that the camp will be silent,
owls flying overhead to knight me as this torch sails home
and rips the infant from the womb. I will be
the tomb of the traitors, the men slewn to quench hunger and
satiate thirst as crows croon and warily watch a world upside down, strewn -
the enveloping darkness of the lightning storm swoons as the third eye opens
in my beating heart and guides the rushing torrents of arrows to their rightful
place, crowned on the heads of the snakes as they sink into
the sand of the seconds, bones bleached and spirits beseeching
the galaxies and stars around Brahma's head, orbiting like vultures -
pale tongues, sallow cheeks mirror mine as eyeless grins stretch
forward in time and beggars slink as beggars do
against the cacophony of a comet battering its
forehead against a wall of stars; I seethe, a
skeleton propelled forward by the jet of swords and
spitting words like rain against the shield muddied
on the battle ground. I seek and feed on midday heat, grasses
under my feet growing frightened as they shrink with summer's
hammer pounding against the gong of a God as
meteors across the fury of the light, homeless shadows clinging onto a body -
pry the babies from their dead king's body under
a Kurukshetra sun, pregnant stretch marks given way
on the alter to pray the part of this lonely wolf dragging
skulls down into the horizon, panting.
Their part won; but I play the part too.
(and tonight,
tonight the Gods will see the soul of that wicked god
fleeing and know, though throes of
stillborns that I am
Ashwatthama and
I am as
bitter
as -
My name is Ashwatthama and I am bitter and my name is Ashwatthama and I am bitter and my name is Ashwatthama and I am bitter and I am bitter and I am bitter.)
Points:
Time spent:
Canary word: Present
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Wow. I really liked the interesting rhyme and pace you have for the story.
gorgeous.
Hello, Benghazi! I'm here to review your intimidatingly good poem!
I am no expert on this pantheon of gods, but I have been searching for terms in this poem that I was unfamiliar with, and the only thing similar to "rakshas" that I found was "rakshasa." So I don't know if that was a typo that you want to fix. Also, I didn't know if "shooting scar" was a typo, and if scar was supposed to be "star."First of all, I really like this. It's amazing how you are able to create such fabulous imagery and also put such raw emotion into a piece like this.
The first thing I'd like to address is formatting. Especially because this is a longer poem, I suggest you single space it, and perhaps break it into stanzas. The way you single space is rather tedious on YWS; you must hold the shift key while you press the enter key in order to successfully single space something.
The line break feels a little awkward here. Perhaps make "I will be" start the next line?
There are a lot of places in your poem that would benefit from comma usage. I'll add them below, where they need to be added.
As for other nitpicks, you spell "altar" as "alter" at one point, but it should be spelled as the former.
I'm glad that you decided to post this wonderful poem on this website. I hope that this review proves useful to you! Happy poeting!
Hello there, a quick review on your impressive poem
I like the unique part inside the poem and it is like telling a story about somebody(Ashwatthama) but still reveled you own point of view of what you think.
What a very interesting rhymes and beat you own here!
It obviously that you have a very long poem here and some part make it hard to understand. Like this part; it's like telling a background for the poem but still I don't really get it.
I like this part. Is the 'god' refer to 'you' (Ashwatthama)?
Overall, it is a very interesting poem to read. It has a strong story and concept to tell. Keep it up! Kudos, cheers