Published September 15, 2007
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I got through the first half, right before you moved into the first person section.
Just some things that I noticed.
Your diction is great!
...just thought that I'd point that out
Umm, let's see here...
The relationship between Issy and Pip is very interesting to me, it's like she doesn't like him but she's listening to him regardless. The thing that kind of set that view in stone was the fact that her responses were short, and very to the point. At times she was as blunt as she told Issy not to be.
Issy seemed to DRAG ON FOREVER, but we did find out a lot of information about him. I just think that a monologue in text doesn't work as well as it would for, a play let's say. So, while it is helpful, people will tend to drift if they see a large block of text. What I mean by that is people will start to scim, and if there is something small, or pivitol in the text they may miss it. I personally had to force myself not to skim just for that reason.
The way they present themselves makes me wonder where this is set, but I'm sure you're getting to that. Make sure not to let Issy slip out of her persona, unless there is a specific situation that calls for that, because then we lose the bitchy annoying image we have of her.
I noticed a little bit of the Hathaway sickness here. Hathaway is the author of the Scarlet Letter (if you didn't know, if you did sorry.) and his story was told, almost completely, by narration, and at times OVERDESCRIPTION of things like trees, mirrors, faces ect. You seemd to have a little bit of that when you mentioned the alarm clock.
Overall nice story, I would pick this up if I needed something to tickle my intelligent side.
This'll be a "crit as I read" crit, just because I can organize my thoughts better this way.
Already, there is a lot of description. I know you're setting the scene, and you want the perfect picture to be in someone's mind, but do we really need to know what color the alarm clock is? To me honest, I don't even know what color my alarm clock is. Some description can be cut out to make the story flow a little more smoothly.
The emphasis on "particularly" and "every five minutes" really is unnesessary. Take them out.
If you were writing this for a word count, I wouldn't mind so much, but there just seems to be a lot of superfluous description. Also, the emphasis on "Once she was satisfied" is unnesessary.
But, I do like the description of her eyes. Very pretty.
I'm torn on impulsively. On one hand, it seems out of place, but on the other hand, it shows that it's so routine for her to go downstairs right away that she just does it.
For my own curiosity, what is muesli?
Normally, I would say "get rid of the emphasis", but I love it here. Issy is obviously not pleased with her little brother, and the biting "little brother" and "our darling mother" makes be grin.
I'm noticing that these siblings are very open with each other. It seems strange to me, but, then again, any time I can be away from my sister is the best time of my life.
Also, the brother (who is unnamed, unless I missed it somewhere) is very specific in his descriptions. I'm not quite sure I like that, but we'll see how it goes.
And now the brother is named. I'd almost want to identify him earlier, but if it works for you, that's fine.
I'm also not sure about "incoherent for the next twenty seconds". That's really specific... did the house have an incoherency timer that you know it was twenty seconds?
I feel sorry for Pip here. Obviously his "encounter" has upset not only his mother, but it's also weighing him down a lot. I like this moment of fragility and worry. It makes me want to give Pip a hug.
Where else would she sit after putting her stuff on the table?
Oh man, I know this feeling. When my mom lost her job, all she did for weeks was sit around and cry. Those are exactly the feelings that went through my mind at that time. Great job catching the thoughts of your characters given the situation.
I'm learning so much about Pip that I'm kind of losing sight of Issy. Issy is the title of the piece, so you'd think that she'd be the main focus of the piece. Maybe it'll develop later on, but right now, I'm wondering why Issy is even a character at all.
It took until the reference to Pip for me to figure out who was talking. With all of that stuff that Pip was saying earlier, I assumed this next chunk of talking was Pip, as well. You may want to identify that Issy is speaking, if only for clarity.
Pip is really troubled by this. I'm enjoying how these little things can tear him up so much inside. He seems really troubled, and it's getting to look like there's really no hope for him. I'm excited to see where it goes from here.
I'm so used to Issy being "Issy" that the sudden reference to her as "Isabelle" kind of threw me off. I'd keep it Issy, if only to help out people such as myself.
Paranoid much? Issy seems like a real... jerk. Her bluntness with her brother, her not caring about anything or anyone... I'm not too fond of her. But for some reason, her nervous actions in the bathroom intrigue me. Let's see where this goes.
Point of view change? It doesn't seem to fit. At what point does Issy go from another character to the point of view? I don't think it makes much sense. But then again, there's still some story left.
She's mean. I really don't like Issy.[/off_topic]
Divulge? Did you mean "digress"?
Issy seems to have a lot to say about everyone else, even though she has a poor self image. Isn't irony exciting?
Ah. That's why you changed point of view. I get it now; nice touch.
I'm not quite sure I understand the ending, but I'm sure it's something I'll get once I get time to read through it a couple of times.
It was really rather enjoyable. All of your characters jumped out at me, which is hard to do, but you pulled it off well. The scene with the mother and child stuck out to me. Not sure why, but it was well written.
Overall, I'd say you could cut down some of the description, and some of the emphasis on the words in the description at the beginning are out of place. Along with a few punctuation things (I did some, but soon got tired of doing), there really isn't much work to do on it. I liked this. Great job.
As for returning the favor, don't worry about it. If you're really intent of critting one of my works, just go through my portfolio and find something.
Ok, thanks for all the critiques and i've taken them all into consideration. I've finally updated it and changed around a few things, even spaced it out so as to make it clearer. Don't think i've finished with this so i'd appreciate more critiques if possible, if you read it all.
Anyway thanks, and i hope you enjoy.
This wasn't too bad, but it could use some improvement. I didn't actually read the whole thing and I apologize for that. It's late and I found your writing style to be somewhat exhausting.
Your vocabulary is good and descriptive. There is some excellent imagery in your story; however, there is a little too much at times. You don't have to describe every object and action to achieve good imagery.
I also think that the dialogue should to broken up. There is too much at one time and I can't really picture someone talking for that long. The words that your characters use make it seem unrealistic too.
'Why good-morning to you too little brother, I heard your terrific squabble with our darling mother last night. Well, it sure seems that you’re pleased with yourself in giving our mother even less reason to want to live with us'
It sounds staged. Maybe try different words?
There are many "well"s in the dialogue also and I found it to be disruptive.
Other than than the above, good job. Consider these suggestions and those of everyone else and and your story should be pretty well set.
I think your story has potential, however, I found it so confusing that I stopped reading about half way through.
I found a few errors:
"slumbered out of bed"
Should be: lumbered (To walk or move with heavy clumsiness)
"She drew on numerous facial expressions before wondering impassively toward her closet."
Should be: wandering
Also, I'm confused by your word choice - "drew on numerous facial expressions". Does this mean that she is putting on makeup?
"I really do, if you want when I go out today I can buy you some relaxation tapes"
Should be: ...if you want, when I go out today, I can...
It's late and maybe that's why I'm having trouble getting through this story. I will try again if you edit it to separate the paragraphs to break it up a bit.
Ok, this was alright, but it seems like it was written in a hurry ,and has numerous problems.
This new true blue thing makes it hard to read, and I have a horrific headache now, but I'll try not to be too grumpy. :)
The biggest thing was that you switched halfway through from third person to first person. You need to fix the last paragraph. I also noticed that you switch tenses in numerous places. First it's "it is" then its "it was" if you just read through this you could probably pick out most of them yourself. I actually didn't notice any major grammatical errors, so you did a good job from that point of view. I also have to say I found the story line/ plot confusing. I would suggest spacing out the paragraphs more, and making the dialogue in double quotes.
Other than that, you have a promising idea and interesting plot. This story could be really good with a little work.